SHAKESPEARE THEATRE COMPANY

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Dear Friend,

Welcome to STC’s Hero/Traitor Repertory, the first installment in the Clarice Smith Repertory Series. William Shakespeare’s Coriolanus and Friedrich Schiller’s Wallenstein

share a stage because the title characters share a dilemma: their power as charismatic military leaders brings them into conflict with the political world. In this North American premiere of Schiller’s work, translated and freely adapted by former Poet Laureate Robert Pinsky, Wallenstein muses, “Once men have climbed the heights of greatness…the world forgets the things that got them there.” Watch how military strategy, political ambition and class warfare collide in these two classic works and judge for yourself whom to name “hero” or “traitor.”

I’m pleased to once again work alongside David Muse, STC’s former Associate Artistic Director and current Artistic Director of The Studio Theatre, who collaborated with me on our Leadership Repertory in 2010 and our Roman Repertory in 2008. David directed a breakthrough production of Coriolanus at Yale School of Drama 10 years ago, and we are both excited to re-explore the play in new ways. We are fortunate to also welcome back STC Affiliated Artist Patrick Page and Chicago talent Steve Pickering to lead our casts.

For the final show in our 2012–2013 Season, we will produce Rebecca Bayla Taichman’s interpretation of Shakespeare’s The Winter’s Tale. Rebecca has a stimulating vision for this production, one of Shakespeare’s most beautiful and theatrical late Romances. We hope you can join us.

Warm regards,

Michael Kahn Artistic Director Shakespeare Theatre Company

Cover photos by Scott Suchman.

Coriolanus Title Page 5

About the Playwright: Shakespeare 6

Synopsis: Coriolanus 7

Coriolanus Cast 9

The Body Politic by Drew Lichtenberg 10

Wallenstein Title Page 11

About the Playwright: Schiller 14

Synopsis: Wallenstein 15

Wallenstein Cast 17

Cast Biographies 18

Direction and Design Biographies 23

About STC 26

Support 27

For STC 38

STC Staff 42

Audience Services 43

Table of ContentsSTC Board of TrusteesBoard of TrusteesMichael R. Klein, ChairRobert E. Falb, Vice ChairJohn Hill, TreasurerPauline Schneider, SecretaryMichael Kahn, Artistic Director

TrusteesNicholas W. AllardAshley M. AllenStephen E. AllisAnita M. AntenucciJeffrey D. BaumanAfsaneh BeschlossLandon ButlerDr. Paul CarterChelsea ClintonDr. Mark EpsteinAndrew C. FloranceMiles GilburneBarbara HarmanJohn R. HaugeStephen A. HopkinsLawrence A. Hough

W. Mike HouseJerry J. JasinowskiNorman D. JemalJeffrey M. KaplanScott KaufmannAbbe D. LowellEleanor MerrillMelissa A. MossRobert S. OsborneStephen M. RyanGeorge P. StamasBill WaltonLady WestmacottRob WilderSuzanne S. Youngkin

Ex-Officio Chris Jennings,

Managing Director

Emeritus TrusteesR. Robert Linowes*,

Founding ChairmanJames B. AdlerHeidi L. Berry*David A. Brody*Melvin S. Cohen*Ralph P. DavidsonJames F. FitzpatrickDr. Sidney Harman*Lady ManningKathleen MatthewsWilliam F. McSweenyV. Sue MolinaWalter PincusEden RafshoonEmily Malino Scheuer*Lady Sheinwald Mrs. Louis SullivanDaniel W. TooheySarah ValenteLady Wright

* Deceased

Nancy Mitchell McCabe“Volunteer and Fan”

The Shakespeare Theatre Company dedicates these productions to the memory of our dear friend.

One of STC’s longest-serving and most active volunteers and supporters, Nancy touched the lives of STC artists, audiences and staff through her work on First Rehearsal breakfasts, actor welcome baskets, Happenings at the Harman and her beloved Academy for Classical Acting. We will miss her deeply.

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DirectorDavid Muse

Set DesignerBlythe R.D. Quinlan

Costume DesignerMurell Horton

Lighting DesignerMark McCullough

Composer/Sound DesignerMark Bennett

New York CastingBinder CastingJay Binder, CSA/Jack Bowdan, CSA

Resident Casting DirectorDaniel Neville-Rehbehn

Fight DirectorRick Sordelet

Voice and Text CoachEllen O’Brien

Literary AssociateDrew Lichtenberg

Assistant DirectorJenny Lord

Production Stage ManagerBret Torbeck*

Stage ManagerJoseph Smelser*

Assistant Stage ManagerHannah R. O’Neil*

The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation.

Restaurant Partner: Zaytinya

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

Performances Begin March 28, 2013Opening Night April 9, 2013Sidney Harman Hall

Recipient of the 2012 Regional Theatre Tony Award® Artistic Director Michael Kahn Managing Director Chris Jennings

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William Shakespeare’s

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About the Playwright: ShakespeareNo man’s life has been the subject of more speculation than William Shakespeare’s. While Shakespearean scholars have dedicated their lives to the search for evidence, the truth is that no one really knows what the truth is. Scholars agree that a William Shakespeare was baptized at Stratford-upon-Avon on April 26, 1564. Tradition holds that he was born three days earlier, on April 23—the same date on which, 52 years later, he was recorded to have died. On November 27, 1582, a marriage license was granted to 18-year-old William and 26-year-old Anne Hathaway. A daughter, Susanna, was born to the couple six months later. We know that twins, Hamnet and Judith, were born soon after and were baptized. What we do not know is how the young Shakespeare came to travel to London and how he first came to the stage. Whatever the truth may be, it is clear that in the years between 1582 and 1592

someone calling himself William Shakespeare became involved in the London theatre scene and was a principal actor with one of several repertory companies.

By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. A rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with his tiger’s heart wrapped in a player’s hide supposes he is as well able to bombast out a blank verse as the best of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a country.” In the years between 1591 and 1593, the theatres of London were temporarily shut down due to an outbreak of plague; Shakespeare turned his considerable talents to sonnet writing and acquired a patron, the young Lord Southampton, to whom two of his poems, Venus and Adonis and The Rape of Lucrece, are dedicated.

In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of this company for the rest of his career, which lasted until approximately 1611. When James I came to the throne in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call themselves The King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, which had artificial lighting and was probably heated, served as their winter playhouse. The famous Globe Theatre was their summer performance space.

In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected as the greatest writer of English literature and drama. In the 1800s, his plays were so popular that many refused to believe that an actor from Stratford had written them. To this day some believe that Sir Francis Bacon was the real author of the plays; others argue that Edward DeVere, the Earl of Oxford, was the man. Still others contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

Synopsis: CoriolanusRome’s plebeians riot over a food shortage, angry that the patricians have been hoarding corn. As Menenius, a patrician senator popular among the people, attempts to calm them, Caius Martius, a military hero, arrives. He scorns the plebeians and tells Menenius that the rioting has won them a concession: tribunes will be elected to represent the interests of the people in the senate. News arrives that Rome is about to be invaded by a neighboring tribe, the Volscians. Eager to fight Aufidius, the Volscians’ general, Martius volunteers himself. After the patricians leave, the tribunes Sicinius and Brutus discuss their dislike of Martius and his contempt for the people.

Volumnia, Martius’ mother, lectures his wife, Virgilia, who is afraid that Martius will die in battle, on the valor to be found in war. As fighting begins in the Volscian city of Corioles, Martius curses his retreating troops and forces his way through the city gates, alone. The soldiers believe him dead, but he returns and rallies the Romans to conquer the city. Covered in blood, Martius finds and defeats Aufidius, leaving him and the Volscians humiliated. After the battle, Cominius honors Martius with the honorific surname “Coriolanus,” in recognition of his role in taking Corioles.

In Rome, Menenius criticizes Brutus and Sicinius for their hostility to Coriolanus and their political ambitions. When Coriolanus returns from Corioles in triumph, the senate votes to elect him as consul, the highest office in Rome. He cringes, however, at the required ceremony of wearing the “gown of humility,” in which he must show his scars to the plebeians and beg for their votes. When the plebeians arrive to see his wounds, Coriolanus is condescending, but they approve his election nonetheless. After he departs, the tribunes stir up anger in the plebeians at Coriolanus’ mockery. At home, Volumnia tells Coriolanus that he must apologize to the people, and he reluctantly assents. When Coriolanus returns, the plebeians, urged on by the tribunes, banish him from Rome. Coriolanus leaves, denouncing Rome bitterly.

In Antium, the capital of Volscian territory, a disguised Coriolanus interrupts Aufidius’ feast and makes him an offer: kill me now, or accept my help in conquering Rome. Aufidius embraces him as an ally. In Rome, the tribunes congratulate themselves on their ousting of Coriolanus, until they hear news of the Volscian army approaching, led by Coriolanus. In the field, Aufidius tells a lieutenant that he hates being overshadowed by Coriolanus, who has won his soldiers’ hearts, and intends to kill him after the war. As Coriolanus and the Volscians draw closer to Rome, Menenius visits Coriolanus’ camp and entreats him not to attack Rome, but Coriolanus curtly dismisses him. Finally, outside the city, Coriolanus’ family arrives. Volumnia pleads with him to spare Rome. Coriolanus agrees to broker a peace between the Volscians and the Romans. The Volscian army retreats, and Volumnia enters Rome to the adulation of the people. In Antium, Aufidius plots to kill Coriolanus. As Coriolanus returns, Aufidius insults him in the public square and incites his soldiers and the Volscians to kill him.

PENN QUARTER • WEST END

+

$32.00

Cast

The PatriciansCaius Martius, later Caius Martius Coriolanus ..............................................................................Patrick Page*Volumnia, his mother .......................................................................................................................Diane D’Aquila*Virgilia, his wife ........................................................................................................................................Aaryn Kopp*Young Martius, his son ..........................................................................................................................Hunter ZaneMenenius Agrippa, senator and friend to Coriolanus ............................................................Robert Sicular*Cominius, consul and Roman general .....................................................................................Steve Pickering*Titus Lartius ....................................................................................................................................... Nick Dillenburg*Junius Brutus..................................................................................................................................... Philip Goodwin*Sicinius Velutus .......................................................................................................................Derrick Lee Weeden*Roman Senators ............................................................................... Lise Bruneau*, Reginald Andre Jackson*,

Michael Santo*Valeria, a noblewoman .......................................................................................................................Lise Bruneau*Tullus Aufidius, general of the Volscian army ........................................................Reginald Andre Jackson*Volscian Lords .................................................................................................Nick Dillenburg*, Steve Pickering*,

Michael Santo*The PlebeiansCitizens, Soldiers, Attendants, Messengers, Heralds, Aediles ......... John Bambery+, Jeffrey Baumgartner*,

Philip Dickerson, Avery Glymph*, Chris Hietikko*, Jacqui Jarrold+, Joe Mallon+, Glen Pannell*,

Max Reinhardsen+, Brian Russell*, Jjana Valentiner, Jaysen Wright

UnderstudiesBev Appleton* (Roman Senator/Volscian Lord/Ensemble), John Bambery+ (Titus Lartius/Volscian Lord),

Jeffrey Baumgartner* (Cominius/Volscian Lord), Lise Bruneau* (Volumnia), Hannah Cassidy Burkhauser (Ensemble), Colin Carmody (Young Martius), Andrew Criss (Ensemble), Nick Dillenburg* (Caius Martius Coriolanus),

Patrick Foley (Ensemble), Jacqui Jarrold+ (Virgilia), Michael Leicht (Ensemble), John Lescault* (Sicinius Velutus/Ensemble), Glen Pannell* (Tullus Aufidius/Roman Senator),

Lawrence Redmond* (Menenius), Michael Santo* (Junius Brutus), Jjana Valentiner (Valeria/Roman Senator), Andrew Wassenich (Ensemble), Jaysen Wright (Ensemble), Jacob Yeh (Ensemble)

Special effects makeup designed by Scott Ramp.

Directorial Assistant: Robert LutfyProduction Assistant: Christopher Kee Anaya-Gorman

Lead Drummer/Percussion Coach: Philip Dickerson Music Assistant/Copyist: Eric Tipler

Special Thanks: Milltone drum designed by Larry Miller. SOG Knives/Chris Casbaugh, Vulcan’s Forge/Lewis Shaw, Ear Peace/Jay Clark.

THERE WILL BE ONE 15-MINUTE INTERMISSION.

The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members

of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a

member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative.

Copyright laws prohibit the use of cameras and recording equipment in the theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company.

Coriolanus

} tribunes of

the people

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The Body PoliticEarly in the action of Coriolanus, Shakespeare surprises us with a scene of familial intimacy. Volumnia, Coriolanus’ mother, discusses her grandson, Young Martius, who plays at being a soldier in emulation of his father. “He had rather see the swords and hear a drum than look upon his schoolmaster,” Volumnia says proudly. “I saw him run after a gilded butterfly,” says Valeria, another Roman matron describing a scene of childlike play that ends unexpectedly:

...and when he caught it, he let it go again, and after it again, and over and over he comes, and up again, catched it again. Or whether his fall enraged him, or how ’twas, he did so set his teeth and tear it. O, I warrant it, how he mammocked it! (act 1, scene 3)

A mammock is a hunk of meat, more figuratively a scrap, shred or fragment. This passage is the first time it appears as a verb in the English language, in Shakespeare’s vivid image of dismemberment. In our contemporary era of gun violence, when military weapons and ideologies can intrude into the private sphere of children’s lives with horrific consequences, Shakespeare suddenly looks prescient. There is more at stake than butterflies.

In Coriolanus, Shakespeare draws his plot from Plutarch’s Lives, which tells the story of the aristocratic Caius Martius Coriolanus, the legendary warrior who helped establish democracy in Rome by defeating Tarquin the Proud, only to lead an army against the republic himself. In adapting this story, Shakespeare seems to question the underpinnings of democracy, while at the same time finding fault in our attraction to charismatic military leaders. To this provocative plot, Shakespeare adds a guiding metaphor very much in Elizabethan vogue: that of the body politic.

“The senators of Rome are this good belly,” Coriolanus’ friend Menenius tells a group of rioting citizens in the play’s first scene, which evokes contemporary images of Tea Party and Occupy protests, “And you the mutinous members.” According to Menenius, the leaner “members” of the commonwealth need to feed the “belly” in order for it to remain healthy. In other words, Menenius is a proponent of trickle-down economics.

Throughout the play, Shakespeare draws our attention to the image of the body politic, and, like Young Martius’ butterfly, to the dismemberment of that body. Instability, Shakespeare seems to be saying, is human nature, and thus it is also the nature of the bodies we create, whether physical or political. Late in the play, Coriolanus’ rival, the Volscian general Aufidius, comments on the impermanence of human creations:

So our virtues Lie in th’interpretation of the time... One fire drives out one fire, one nail one nail; Rights by rights falter, strengths by strengths do fail. (act 4, scene 7)

It’s hard to think of a more pessimistic commentary on human history. Might makes right, therefore right is relative. There is no such thing as morality, only competing political ideologies, as one interpretation drives out another. In the 20th century, Coriolanus was adopted for propagandistic uses by extremist parties on both left and right. It was Adolf Hitler’s favorite Shakespeare play, and it was also Bertolt Brecht’s.

In our own fractured era of competing political ideologies, what is the interpretation of our time? Perhaps one kind of answer lies in what happens to Coriolanus, one of Shakespeare’s most ambiguous tragic heroes. Like Martius’ butterfly, and like the state of Rome at the end of the play, he is mammocked.

If Coriolanus portrays the dismemberment of the Roman body politic, Friedrich Schiller’s Wallenstein depicts a body that is already mutilated, a Germany endlessly divided by total war.

The play is set in 1634, the exact midpoint of the Thirty Years’ War. More than a thousand years after Charlemagne unified Western Europe under the name of the Holy Roman Empire, it now consists of more than 400 warring members in an area roughly the size of Texas. What had started as a local religious conflict between Protestant and Catholic nobles in Bohemia has blown up into a continent-wide conflagration. Peasants live in terror as wave after wave of invaders—Saxon, Danish, Swedish—rape and pillage their way across the countryside. Foreign armies, consisting largely of mercenary soldiers, pioneer unprecedented and unimaginable tortures. Entire cities are reduced to ashes. Soldiers eat their own horses during the winter months for sustenance.

For the German people, who bore the brunt of the suffering, the war would forever be regarded as a national trauma. In the early 20th century, both political sides sought to purge the infection through different means. Bertolt Brecht would set his apocalyptic anti-war play, Mother Courage and Her Children, during the Thirty Years’ War, while Adolf Hitler would advocate an identity politics of aggressive militarism in order to resurrect the spirit of the “First Reich.”

Like Shakespeare, Schiller seems to challenge such ideological polarities with his provocative choice of plot: the last days of Wallenstein. When Albrecht Wallenstein, the key figure in the Thirty Years’ War, was killed by assassins in Eger Castle, he was possibly attempting to negotiate a peace with the enemy Swedes. The war had raged for 15 years before he was killed; it would rage for 15 years more after he was killed. The Wallensteinfrage (“Wallenstein Question”) has never been solved, up to the present day. Was he attempting to unify Europe in peace, or was he angling for something more personal? Czechs claim him as a national hero, a would-be King of Bohemia lost to history. Austrians consider him a traitor to Vienna and the Emperor, a Coriolanus who had forsaken his Rome. Most other Germans simply consider him the man who could have stopped the bloodshed.

Schiller was in fact, like Shakespeare, writing about a central dilemma of his times. From the 1770s to the 1790s, he witnessed the first democratic revolutions since the time of the Romans. He also saw the equally destabilizing and terrifying rise of Napoleon. In an age of democratic revolutions, Schiller understood, the people’s demand for freedom is absolute. However, he also understood that in an age of autocratic counterinsurgencies, the state demands a similarly paramount loyalty. Wallenstein is caught inextricably between his people’s demand for freedom, which recognizes no political boundaries, and his loyalty to the state and the Emperor, who made him the great man he is. In Coriolanus and Wallenstein, Schiller and Shakespeare both portray this tragic paradox, central to both plays: man is absolutely free only in the life to come. For so long as he lives, his divided loyalties make him simply another member of the body politic.

Drew Lichtenberg, Literary Associate

Left: The Monstrous Beast of War, artist unknown, circa 1630. Right: Abraham Bosse, frontispiece of Hobbes’ Leviathan, 1642.

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DirectorMichael Kahn

Set DesignerBlythe R.D. Quinlan

Costume DesignerMurell Horton

Lighting DesignerMark McCullough

Composer/Sound DesignerFitz Patton

Wig DesignerTom Watson

New York CastingBinder CastingJay Binder, CSA/Jack Bowdan, CSA

Resident Casting DirectorDaniel Neville-Rehbehn

Fight DirectorRick Sordelet

Voice and Text CoachEllen O’Brien

Literary AssociateDrew Lichtenberg

Assistant DirectorGus Heagerty

Production Stage ManagerJoseph Smelser*

Assistant Stage ManagersElizabeth Clewley*Hannah R. O’Neil*

The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation.

Wallenstein was commissioned through the generous support of The Beech Street Foundation.

Wallenstein is supported in part by an award from the National Endowment for the Arts.

Restaurant Partner: Carmine’s

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

Translated and Freely Adapted by Robert PinskyPerformances Begin March 29, 2013Opening Night April 17, 2013Sidney Harman Hall

Recipient of the 2012 Regional Theatre Tony Award® Artistic Director Michael Kahn Managing Director Chris Jennings

Friedrich Schiller’s

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About the Playwright: SchillerSometimes characterized as Germany’s answer to Shakespeare, Friedrich Schiller (November 10, 1759–May 9, 1805) is one of the greatest German poets and playwrights, as well as one of the first modern European intellectuals. His alliance, at the turn of the 19th century, with his close friend Johann Wolfgang von Goethe resulted in a body of writings that touch on all aspects of human knowledge, including poetry and philosophy, history and natural science, psychology and spirituality. He is perhaps most famous as the author of the words in the Ode to Joy, which appears in the last movement of Beethoven’s Ninth Symphony.

Born in the petty principality of Württemberg, a duchy of the Holy Roman Empire, Schiller spent a traumatic adolescence in the Karlsschule, the strict military academy overseen personally by the repressive Duke Karl Eugen. His first play, The Robbers (1782), written while he was still a

student, is marked by revolutionary calls for freedom and emphatic assertions of the individual’s will to action. Schiller was imprisoned for two weeks and forbidden from writing more plays, but he fled from the Duke’s prison in Stuttgart and began the career of a writer. After success in Mannheim with Cabal and Love (1784), Schiller moved to Leipzig. Here he reached a crisis point with Don Carlos (1787), a blank verse play that combined his youthful idealism with increasingly ambitious historical and political content.

Feeling that he was unable to continue writing drama after Don Carlos, Schiller turned to aesthetic, historical and philosophical studies. In 1788, he was appointed professor at the University of Jena, and his History of the Thirty Years’ War (1791–1793) was read widely. Meeting Goethe in 1794, Schiller proceeded to write his groundbreaking theoretical essays, the most famous of which include The Theater Considered as a Moral Institution (1794), Letters on the Aesthetic Education of Man (1795) and On Naïve and Sentimental Poetry (1796). In these writings, Schiller articulated an aesthetic program in which art, particularly dramatic art, was charged with the moral edification of the individual in order to bring about social change.

Inspired by these writings, Schiller began to be aware of an urge to return to playwriting. Moving to Weimar, Germany’s literary capital, Schiller co-founded the Weimar Court Theatre with Goethe, beginning a brief-lived renaissance of German theatre practice and theory. After christening the stage with Wallenstein (1799), an epic 10-act tragedy based on his historical writings, Schiller would write only four more plays—Maria Stuart (1800), The Maid of Orleans (1801), The Bride of Messina (1803) and Wilhelm Tell (1804)—each of them pairing a momentous historical subject with an innovative dramatic form. He died in 1805, at the age of 46, due to complications from tuberculosis. Schiller’s theoretical writings have proven enormously influential in modern culture, and his mature plays—idealistic in theme, realistic in treatment—embody his aesthetic program. As Goethe said: “The idea of freedom assumed a different form as Schiller advanced in his own development and became a different man. In his youth it was physical freedom that preoccupied him and found its way into his works; in later life it was spiritual freedom.”

Synopsis: WallensteinIt is 1634. The Thirty Years’ War has been raging across Europe for 15 years. Sometimes called a religious war, the conflict is actually over political power itself, as Protestant and Catholic factions have fought on both sides. Duke Wallenstein of Bohemia, the supreme commander of the Holy Roman Emperor’s army, has assembled the largest land force that Europe has ever seen. Composed of a polyglot stew of mercenaries, they are loyal to Wallenstein, whom they believe has the power to end the war and bring peace. However, Wallenstein has been negotiating secretly with the enemy Swedes, and he envisions a peace in which he holds great power.

As the action begins, Octavio Palladini, Wallenstein’s oldest friend and one of his generals, arrives in Wallenstein’s camp in Pilsen with Questenberg, a diplomat sent by the Emperor from Vienna. They discover, to their alarm, that Wallenstein has gathered together all of his chief generals, who espouse sentiments that come close to treason. In a war council, Questenberg presents Wallenstein with the Emperor’s command: he is to divert eight regiments to Milan, to escort the Spanish Habsburg Prince. Instead of agreeing to the order, Wallenstein threatens to resign his commission, sending the meeting into chaos. Afterward, in conference with his brother-in-law Count Czerny and his Field-Marshall Kolibas, Wallenstein demands that his generals sign an oath of loyalty to him, unconditional, with no mention of the Emperor. Czerny and Kolibas agree to trick the generals that night at a banquet.

At the banquet, Max Palladini, Octavio’s son, meets secretly with Wallenstein’s daughter Thekla. They are in love, but Thekla understands that their marriage will come at the cost of Max betraying the Emperor. That night at the banquet, Max refuses to sign the oath of loyalty prepared by Czerny and Kolibas, raising the suspicions of the drunken generals. The next day, Wallenstein meets with Lundquist, a Swedish Captain, but he hesitates, uncertain whether to commit himself to the other side.

In his officer’s quarters, Octavio reveals Wallenstein’s death warrant, signed by the Emperor, to Max, who cannot believe his father’s diplomatic deceit. Octavio then shows the warrant to two of Wallenstein’s generals, Harvaty and Bailey. Harvaty leaves with Octavio, but Bailey stays behind, posing as one of Wallenstein’s loyalists. When the warrant becomes public knowledge, Wallenstein’s soldiers revolt. After trying to talk to a regiment of Grenadiers, Wallenstein gives the order to open fire on his own troops. Max breaks with Wallenstein, horrified.

Forced to flee to the mountain stronghold of Eger, Wallenstein arrives with his smaller band of followers, where he is greeted by Gordon, the fortress commander. News arrives of Max’s death, trampled by his own horses in a meaningless battle against the Swedes. Thekla leaves to find Max’s gravesite. Meanwhile, Bailey enlists Devereux and MacDonald, two Scottish captains in Wallenstein’s troop, to kill him as he prepares for bed. Wallenstein and his generals are murdered. Octavio, arriving too late to spare Wallenstein’s life, is named Prince and commander of the armies.

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Cast

Albrecht Wallenstein, Duke of Friedland ..................................................................................Steve Pickering*Kolibas, a general ..................................................................................................................Derrick Lee Weeden*Count Czerny, Wallenstein’s brother-in-law ..............................................................................Michael Santo*Colonel Bailey ...................................................................................................................................... Chris Hietikko*Octavio Palladini .................................................................................................................................Robert Sicular*Max Palladini, his son .................................................................................................................... Nick Dillenburg*Questenberg, envoy from the Emperor .................................................................................... Philip Goodwin*Harvaty, a general ................................................................................................................................ Brian Russell*Tiefenbach, a general ........................................................................................................... Jeffrey Baumgartner*Goetz, a general .....................................................................................................................................Andrew CrissCountess Czerny, Wallenstein’s sister .........................................................................................Diane D’Aquila*Thekla, Wallenstein’s daughter ...........................................................................................................Aaryn Kopp*Astrologer .................................................................................................................................. Jeffrey Baumgartner*Lundquist, a Swedish Colonel .......................................................................................................... Glen Pannell*Singing Boy ........................................................................................................................................... Colin CarmodySwedish Captain ................................................................................................................................. Avery Glymph*Macdonald, a soldier ......................................................................................................Reginald Andre Jackson*Devereux, a soldier .............................................................................................................................. Glen Pannell*Gordon, commander of the fortress at Eger .......................................................................... Philip Goodwin*Generals/Grenadiers/Servants ....................................................................John Bambery+, Philip Dickerson,

Avery Glymph*, Reginald Andre Jackson*, Jacqui Jarrold+, Michael Leicht, Joe Mallon+,

Max Reinhardsen+, Jaysen WrightUnderstudies

Bev Appleton* (Questenberg/Gordon), John Bambery+ (Max), Jeffrey Baumgartner* (Wallenstein), Lise Bruneau* (Countess), Hannah Cassidy Burkhauser (Ensemble), Andrew Criss (Tiefenbach/Astrologer),

Patrick Foley (Ensemble), Jacqui Jarrold+ (Thekla), Michael Leicht (Macdonald), John Lescault* (Czerny), Joe Mallon+ (Lundquist/Devereux/General), Glen Pannell* (Bailey), Lawrence Redmond* (Havarty/Kolibas), Max Reinhardsen+ (Ensemble), Brian Russell* (Octavio), Andrew Wassenich (Ensemble),

Jaysen Wright (Swedish Captain/Ensemble), Jacob Yeh (Ensemble), Hunter Zane (Singing Boy)

Movement Consultant: Diane Coburn BruningVocal Music Coach: Jenny Lord Directorial Assistant: Robert Lutfy

Production Assistant: Christopher Kee Anaya-Gorman

Special Thanks: Vulcan’s Forge/Lewis Shaw; Fiocchi Swords/Tom Fiocchi; GySgt Michael J. Poe and Sgt Jeffrey Smith.

THERE WILL BE ONE 15-MINUTE INTERMISSION.

The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members

of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a

member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative.

Copyright laws prohibit the use of cameras and recording equipment in the theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company.

Wallenstein

SM

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Colin CarmodySinging BoyCOMMUNITY THEATRE: The Alliance Theatre: A Christmas Carol, Willy Wonka, Mulan; Hunters Woods School: Flat Stanley, Bugsy Malone, Schoolhouse Rock. TELEVISION: House of Cards (Netflix), Evil Twins

(Investigation Discovery). TRAINING: Fairfax Choral Society, Rachel Carson Middle School, Hunters Woods Elementary School.

Andrew CrissGoetzREGIONAL: ReGroup Theatre: Thunder Rock; REGIONAL: Zachary Scott Theatre: Tartuffe, Mirandolina; Capitol City Playhouse: Street Theatre, Dark Rapture; Vortex Theater: Hamlet, Julius Caesar.

TRAINING: The University of Texas: BA in Drama.

Diane D’Aquila*Volumnia/CountessREGIONAL: Chicago Shakespeare Festival: Elizabeth in Elizabeth Rex (Jefferson Award for Best Actress); Stratford Shakespeare Festival: productions include Elizabeth Rex (debut production), Antony

and Cleopatra, The Swanne, King John, Oedipus Rex, Richard III, King Lear; National Arts Centre: St. Carmen of the Main, Macbeth; Soulpepper Theatre Company: Jitters, Leaving Home, Of the Fields, Lately; Goodman Theatre: Six Characters in Search of an Author; Luminato: La Belle et la Bête; Buddies in Bad Times Theatre: The Maids; American Repertory Theater: productions include Hot and Throbbing (debut production), Dido, Queen of Carthage, The Changeling, Alcestis (dir. Robert Wilson). INTERNATIONAL: Alcestis, King Stag. FILM: Take This Waltz (dir. Sarah Polley), Good Neighbours (Park Ex Pictures), Mary Silliman’s War (PBS). TELEVISION: Minister of Culture in Slings and Arrows (two seasons); 24hr Rental (Super Channel). AWARDS: Gemini Award for Best Actress, ACTRA Award for Elizabeth Rex (TV movie).

Philip DickersonEnsemble/Lead Drummer/Percussion CoachREGIONAL: Round House Theatre: Bengal Tiger at the Baghdad Zoo; Washington Stage Guild: Pygmalion, The Apple Cart; Source Theatre: The Uses of Enchantment; Capital

Fringe Festival: Insurgent Sonata. INSTRUCTOR: Alfred University, Howard Community College. TRAINING: Alfred University: BA in Acting; The Catholic University of America: MFA in Acting.

John Bambery+

EnsembleSTC: 2012-2013 Acting Fellow; A Midsummer Night’s Dream. TRAINING: Boston Conservatory.

Jeffrey Baumgartner* Ensemble/Tiefenbach/AstrologerREGIONAL: Goodman Theatre, Steppenwolf Theatre Company, Court Theatre, Chicago Shakespeare Theater, Marriott Theatre in Lincolnshire, The Denver Center

Theatre Company, Milwaukee Shakespeare, Renaissance TheaterWorks; roles include John Proctor in The Crucible, Tom in The Glass Menagerie, Jacques in As You Like It, Petruchio in The Taming of the Shrew, Caliban in The Tempest, Trigorin in The Seagull, Lopakhin in The Cherry Orchard, title roles in Billy Bishop Goes to War, Hamlet, Macbeth, Vincent, William Shakespeare in Shakespeare’s Roses, Barrymore’s Ghost, Man of La Mancha. OTHER: Borealis Theatre: Founder; Fox Valley Shakespeare Festival: Founder, member for 15 seasons; Cap-à-pie Productions, Producing Director; fine artist oil painter; JB ArtWorks Studio Gallery, Founder. TRAINING: University of Wyoming: BFA in Theater and Dance; the National Theater Conservatory: MFA in Acting.

Lise Bruneau*Roman Senator/ValeriaSTC: Mrs. Marchmont in An Ideal Husband, Chorus in Ion, Hermione in The Winter’s Tale, Emilia in Othello. REGIONAL: The Denver Center: Heartbreak House; Cleveland Play House:

The Game’s Afoot; Arena Stage: Legacy of Light; Round House Theatre: My Name is Asher Lev, The Book Club Play; Theater J: The Odd Couple, Mikveh (Helen Hayes nomination); Alabama Shakespeare Festival: Margaret of Anjou in Wars of the Roses; Centerstage: The Murder of Isaac, Mary Stuart, Mrs. Warren’s Profession, Blithe Spirit; American Conservatory Theatre: Les Liaisons Dangereuses, Angels in America; Seattle Repertory Theatre: Pygmalion; Oregon Shakespeare Festival: Love’s Labour’s Lost; Berkeley Repertory Theatre: Triumph of Love, Pentecost. OTHER: Taffety Punk Theatre Company: member/director: all-girl productions of Julius Caesar, Measure for Measure, Romeo & Juliet and upcoming Titus Andronicus; Nebraska Shakespeare Festival: director: Hamlet; MetroStage: director: Savage in Limbo. TRAINING: Royal Academy of Dramatic Art.

Cast BiographiesNick Dillenburg*Lartius/Volscian Lord/MaxSTC: Proteus in The Two Gentlemen of Verona, Vicomte de Nanjac in An Ideal Husband. NEW YORK: Ohio Theatre: Hater; Walkerspace Theater: Henry V. REGIONAL: Bermuda Festival of the Performing

Arts: The Tempest; Berkshire Theatre Festival: Birthday Boy; Pioneer Theatre: Hamlet; Portland Stage: Third; Commonwealth Shakespeare Company: All’s Well That Ends Well; Guthrie Theater: Resurrection Blues, Pride and Prejudice; Capital Repertory Theatre; New Repertory Theatre: Long Day’s Journey into Night; Utah Shakespeare Festival; Connecticut Repertory Theatre: Restoration Comedy (East Coast premiere). TELEVISION: Law & Order. TRAINING: University of Connecticut: MFA.

Avery Glymph*Ensemble/Swedish CaptainNEW YORK: Broadway: The Tempest; Off-Broadway: Roundabout Theatre Company: McReele; NY Shakespeare Festival: Antony and Cleopatra (dir. Vanessa Redgrave), Troilus and Cressida; The Drama Dept.: Hope

Is the Thing with Feathers; Lincoln Center Directors Lab: ’Maid. REGIONAL: Cleveland Play House/The Old Globe: The Whipping Man (West Coast premiere); TheatreWorks Hartford: Race; PlayMakers Repertory Company/Syracuse Stage: Angels in America; Actors Theatre of Louisville: The Tempest, Spunk; Crossroads Theatre Company: Lost Creek Township (Regional Tony Season); Cape Fear Regional Theatre: Fences. FILM: Against the Current, Last Ball, He Got Game (dir. Spike Lee), 13 Conversations About One Thing, I’m with Lucy. TELEVISION: A Gifted Man, Ugly Betty, Oz, Law & Order, Law & Order: CI, The Electric Company, The X-Files. AWARDS: San Diego Critics Circle “Craig Noel” Award Nominee, NAACP Theatre Award Nominee for The Whipping Man. INSTRUCTOR: UNCSA: Summer Acting Intensive. TRAINING: The North Carolina School of the Arts.

Philip Goodwin*Brutus/Questenberg/GordonSTC: Affiliated Artist, Malvolio in Twelfth Night, Mayor Stockmann in An Enemy of the People, Timon in Timon of Athens (Helen Hayes Awards); King John, Volpone, The Tempest, among others. NEW YORK:

Broadway: The Diary of Anne Frank, Tartuffe, The School for Scandal; Off-Broadway: The Public Theatre: Cymbeline, Pericles, Macbeth, the Fool in King Lear (with Kevin Kline); Theatre for a New Audience: The Broken Heart, Troilus and Cressida, Henry VI in Henry VI (Drama Desk Award nomination); Signature Theatre: Grace; MCC Theater: Drowning; New York Theatre Workshop: The Trestle at Pope Lick Creek; Classic Stage Company: Double Falsehood, Richard III; Atlantic Theatre Company: Celebration. REGIONAL: Studio Theatre: Kenneth Tynan in Tynan, The Puppetmaster of Lodz, The Lisbon Traviata, The

Seafarer; Kennedy Center: Passion, Golden Child; Hartford Stage, Guthrie Theater, Cleveland Playhouse, Portland Stage, Intiman Theatre, The Shakespeare Theatre of New Jersey, Williamstown Theatre Festival, Contemporary American Theatre Festival, The Acting Company. FILM: The Pink Panther, Pink Panther Two, Diary of a Country Priest.

Chris Hietikko*Ensemble/BaileyNEW YORK: Off-Broadway: The Actors Company Theatre: The Runner Stumbles; Rattlestick Playwrights Theater: A Trip to the Beach; Theatre Row Theatre: All Men are Whores. REGIONAL: Repertory

Theatre of St. Louis: Sunday in the Park with George, Humble Boy, Betrayal, Arcadia; Cincinnati Playhouse: As You Like It; Portland Center Stage: Opus; Denver Theatre Center: Glengarry Glen Ross; Humana Festival/ATL: Wonderful World; The Old Globe: Bedroom Farce; Great Lakes Theatre Festival: Who’s Afraid of Virginia Woolf?; McCarter Theatre Center: The Misanthrope, A Christmas Carol; Pioneer Theatre Company: Romeo and Juliet. INTERNATIONAL: English Theatre of Frankfurt: A Streetcar Named Desire. FILM: The Art of Losing (dir. Bruno Barreto), Interference, Popcorn Man. TELEVISION: Law & Order: SVU, Crossing Jordan, Jimmy Kimmel Live, Strong Medicine, General Hospital, All My Children.

Reginald Andre Jackson*Aufidius/Roman Senator/Macdonald/EnsembleREGIONAL: Seattle Repertory Theatre: Inspecting Carol, Ma Rainey’s Black Bottom, The Cider House Rules Pt. II; Artists Repertory Theatre: Race; Intiman Theatre: All

My Sons, Abe Lincoln in Illinois, The Dying Gaul; Lake Tahoe Shakespeare Festival: Othello, Twelfth Night; A Contemporary Theatre: Fathers and Sons, A Christmas Carol; Seattle Children’s Theatre: Night of the Living Dead, Holes; Seattle Shakespeare Company: A Midsummer Night’s Dream, Pericles, King Lear, Hamlet, Much Ado About Nothing; Book-It Repertory Theatre: The Beautiful Things That Heaven Bears, Cry, the Beloved Country, I Know Why the Caged Bird Sings, In a Shallow Grave. PLAYWRIGHT: Adaptations of Christopher Paul Curtis’ Bud, Not Buddy, The Watsons Go to Birmingham. AWARDS: American Alliance for Theatre and Education Distinguished Play Award in the category of Adaptation.

Jacqui Jarrold+

EnsembleSTC: 2012–2013 Acting Fellow; A Midsummer Night’s Dream. NEW YORK: The Seeing Place Theater: Sherry in Independence (reading); Columbia MFA Collaboration: Ensemble in Spoon River Anthologies.

OTHER: Maizie in AATE’s Developmental Premiere of The Edge of Peace at Northwestern University. TRAINING: Northwestern University: BA in Theatre, European History.

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Aaryn Kopp*Virgilia/TheklaSTC: 2011–2012 Acting Fellow; All’s Well That Ends Well (2012 Free For All), The Merry Wives of Windsor, understudy in Strange Interlude, The Two Gentlemen of Verona, Much Ado About Nothing. REGIONAL: The

Wilma Theater: The Pillowman; The Old Globe: The Women; North Coast Repertory Theatre: A Christmas Carol, Little Women; Kingsmen Shakespeare Company: The Winter’s Tale. TRAINING: West Virginia University: BFA in Acting.

Michael LeichtEnsembleNEW YORK: Off-Broadway: Mary Martin Theater: Boy’s Life. REGIONAL: Spotlighters Theatre: Hamlet, A Streetcar Named Desire, Gaslight, Picnic, Doubt, Twelfth Night, The Lion in Winter; Vagabond

Players: A Doll’s House, Speed-the-Plow; Fells Point Corner Theatre: Three Days of Rain; Everyman Theatre: You Can’t Take It With You.

Joe Mallon+

EnsembleSTC: 2012–2013 Acting Fellow; A Midsummer Night’s Dream. REGIONAL: Kimmel Center: The Fantasticks; Montgomery Theater: Picnic, The Last Night of Ballyhoo; Theatre Horizon: Working; Devon

Theater: Little Shop of Horrors; New Candlelight Theatre: Joseph and the Amazing Technicolor Dreamcoat. TRAINING: Tisch School of the Arts: BFA.

Patrick Page*CoriolanusSTC: Affiliated Artist; Iago in Othello (Helen Hayes Award), Macbeth in Macbeth, Claudius in Hamlet (2008 Free For All). NEW YORK: Broadway: Cyrano de Bergerac, Osborn/Green

Goblin in Spider-Man: Turn Off the Dark (Drama Desk, Outer Critics Circle nominations, Richard Seff Award), King Henry in A Man For All Seasons (Outer Critics Circle nomination), Grinch in How the Grinch Stole Christmas, Scar in The Lion King, Julius Caesar, A Christmas Carol, Lumiere in Beauty and the Beast; Off-Broadway: Richard II, The Duchess of Malfi, Rex; Carnegie Hall: The Sound of Music. REGIONAL: 25 years including Associate Artist of The Old Globe; roles including Cyrano, Malvolio, Richard III, Hamlet, Henry V, Autolycus, Antony, Brutus, Benedick, Mercutio. FILM: The Substance of Fire, Affluenza, Sing Along, Mystery of Matter. TELEVISION: The Good Wife, Law & Order: SVU, One Life To Live, All My Children. AWARDS: Helen Hayes Award, Joseph Jefferson Award, Drama-Logue Award, Princess Grace Award, Utah Governor’s Medal for the Arts.

Glen Pannell*Ensemble/Lundquist/DevereuxSTC: Lennox in Macbeth, Decius Brutus in Julius Caesar, Maecenas in Antony and Cleopatra. NEW YORK: Off-Broadway: John Houseman Theater: Never the Sinner; Keen Company: Pullman Car Hiawatha;

York Theatre: The Golden Apple. REGIONAL: Indiana Repertory Theatre/Portland Stage: Copenhagen; The Old Globe: Twelfth Night, The Merry Wives of Windsor, Trojan Women, Henry V; Signature Theatre/Rep Stage: Never the Sinner; Goodspeed Opera House: A Connecticut Yankee; North Shore Music Theatre: Cabaret. INTERNATIONAL: European tour: Cabaret. DIRECTOR: Princeton Triangle Club: A Turnpike Runs Through It, Stark Raven Mad, Store Trek, Family Feudalism, Doomsdays of Our Lives, Tree’s Company. TRAINING: The Old Globe/University of San Diego: MFA in Acting; Princeton University: BA in English.

Steve Pickering*Cominius/Volscian Lord/WallensteinSTC: Kent in King Lear (dir. Robert Falls). NEW YORK: Broadway: Death of a Salesman (including Goodman, National Tour, West End London runs); Off-Broadway:

New York Shakespeare Festival: Titus Andronicus. REGIONAL: Goodman Theatre: 36 productions, including The Seagull, Romance, Long Day’s Journey into Night; Chicago Shakespeare Theater: Othello, Caesar, Richard II; Next Theatre Company: title roles in Coriolanus, Macbeth; A Red Orchid Theatre: Fatboy; Seanachai Theatre: St. Nicholas, A Moon for the Misbegotten; Milwaukee Repertory Theater: nine productions including Moby Dick, Born Yesterday, Armadale; City Theatre: Blackbird. TELEVISION: Law & Order: SVU, Boss. AWARDS: Chicago Magazine Actor of the Year; Jeff Citations: Costume Design (Bailiwick Repertory Theater: Animal Farm), Best Adaptation (Organic Theater: In The Flesh), After Dark Award for Adaptation (Next Theatre: Burning Chrome); LA Weekly Award for Direction (Odyssey Theatre: Among The Thugs). OTHER: Goodman Theatre Creative Partner; Next Theatre Company: former Artistic Director; Shanghai Low Theatricals: Project Manager; Pine Box Theater: Member.

Max Reinhardsen+

EnsembleSTC: 2012–2013 Acting Fellow; A Midsummer Night’s Dream. REGIONAL: Williamstown Theatre Festival: The Comedy of Errors, Romance, Dead Fish, Two Slatterns and a King. FILM: CBGB. OTHER:

Workshop: The Aeneid (dir. Kay Matschullat, music by Duncan Sheik). TRAINING: Savannah College of Art and Design: BFA in Performing Arts.

Brian Russell*Ensemble/HarvatyNEW YORK: Broadway: The Farnsworth Invention, The Caine Mutiny Court-Martial; Off-Broadway: Perfect Crime, Heating And Cooling, The Water Engine, Merton of the Movies. NATIONAL TOURS: Laughter

on the 23rd Floor, The Graduate, On Golden Pond. REGIONAL: Actors Theatre of Louisville: Sirens (Humana Festival-world premiere); Arden Theatre Company: The Seafarer, Rabbit Hole; Syracuse Stage: Chesapeake, Lost In Yonkers. FILM: Paper Man, Handsome Harry. TELEVISION: House of Cards, Rescue Me, 30 Rock, Mercy, Law & Order. TRAINING: The Shakespeare Theatre Company’s Academy for Classical Acting at The George Washington University: MFA.

Michael Santo*Roman Senator/Volscian Lord/CzernySTC: Oswald in King Lear, Worcester/Silence in Henry IV, Parts 1 and 2, Leonato in Much Ado About Nothing. REGIONAL: American Conservatory Theatre:

The Invention of Love; Magic Theatre: The God of Hell; Theatre on the Square: Gross Indecency; Denver Center Theatre Company: Love’s Labour’s Lost, Taking Leave; Arizona Theatre Company: Talley’s Folly, Picasso at the Lapin Agile; Alliance Theatre: …,” said Said; Seattle Repertory Theatre: Make and Break, Bedroom Farce; Intiman Theatre: Blithe Spirit, The Play’s the Thing; San Jose Repertory Theatre: Hay Fever, Extremities; The Empty Space: The Mystery of Irma Vep; Milwaukee Repertory Theatre: Holmes and Watson; A Contemporary Theatre: Glengarry Glen Ross. AWARDS: Drama-Logue Awards for title role in Cyrano de Bergerac, Eddy in Conversations with My Father. INSTRUCTOR: PCPA: Instructor of Acting; San Jose State University: Instructor of Acting. TRAINING: San Jose State University: BA in Drama; Wayne State University: MFA in Acting.

Robert Sicular*Menenius/OctavioSTC: Touchstone in As You Like It, Stephano in The Tempest, Feste in Twelfth Night. REGIONAL: Denver Center Theatre Company, Actors Theatre of Louisville, American Conservatory Theater (ACT), Berkeley

Repertory Theatre, San Jose Repertory Theatre, South Coast Repertory, Seattle Repertory Theatre, The Repertory Theatre of St. Louis, Marin Theatre Company, California Shakespeare Festival, Colorado Shakespeare Festival, San Francisco Shakespeare Festival, Lake Tahoe Shakespeare Festival, Shakespeare in Santa Fe, Oregon Shakespeare Festival (company member for eight years). FILM: Never Die Twice, Love & Taxes, Dil Pardesi Ho Gayaa. TELEVISION: General Hospital, The Young and the Restless. TRAINING: University of California, Berkeley; London Academy of Music and Dramatic Art.

Jjana ValentinerEnsembleREGIONAL: Everyman Theatre: All My Sons; Folger Theatre: As You Like It; Round House Theatre: Pride & Prejudice, One Flew Over the Cuckoo’s Nest; The Studio Theatre; Theater J. TRAINING: The

Shakespeare Theatre Company’s Academy for Classical Acting at The George Washington University: MFA in Acting; Brigham Young University: BFA in Acting.

Derrick Lee Weeden*Sicinius/KolibasSTC: Northumberland in Richard II, Exeter in Henry V. REGIONAL: Oregon Shakespeare Festival: Company member for 25 years, title roles in Pericles, Othello, Coriolanus, Death and the King’s Horseman,

The Philanderer, Prospero in The Tempest, Brutus in Julius Caesar, Duke Vincentio in Measure for Measure, Caesar in Gem of the Ocean, Vershinin in The Three Sisters, Roy Wilkins in All The Way, among others; Chicago Shakespeare Theater: Othello in Othello; Berkeley Repertory Theatre: The Oresteia, The Continental Divide; Milwaukee Repertory Theatre: Joe Turner’s Come and Gone; Alabama Shakespeare Festival: Miss Evers’ Boys; Great Lakes Theatre Festival: Macbeth; Shakespeare Festival of Dallas; Portland Center Stage. NATIONAL/INTERNATIONAL TOURS: La Jolla Playhouse/Birmingham Repertory Theatre/Barbican Centre (London): Continental Divide: Mothers Against, Daughters of the Revolution.

Jaysen WrightEnsembleREGIONAL: Indiana Festival Theatre: You Can’t Take It with You; Brown County Playhouse: The Nerd; Dakshina: Contemporary Voices; Indiana University: The Pillowman, Hair, Angels in America, Rabbit

Hole, Take Me Out, As You Like It. TRAINING: Indiana University: MFA in Acting; Grinnell College: BA in Theatre.

Hunter ZaneYoung MartiusREGIONAL: Dramatic Impact: The Lost Christmas, The Christmas Window, Family, Monsters, Creeds, The Gospel According to Scrooge, Founding Fathers; Homeschool Cooperative: World Celebration,

Broadway Revue, The First Leon, The Best Christmas Present Ever. FILM: Extraordinary. TRAINING: Linda Townsend Mgmt Inc.: Voice-over Workshop, Acting for Kids; Angela’s Music Studio: voice lessons.

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Direction and Design BiographiesRobert PinskyTranslator/Adapter (Wallenstein)Poet Laureate of the United States for an unprecedented three terms (1997–2000). TELEVISION: a poetry reading attended by Lisa on The Simpsons; moderated a metaphor contest between Stephen Colbert and Sean Penn on The Colbert Report. AWARDS: include the Korean Manhae Prize, the Italian Premio Capri, the Harold Washington Award from the city of Chicago. OTHER: most recent book publication is Selected Poems; recently released PoemJazz, a poetry-and-music CD with Grammy-winning pianist Laurence Hobgood; created the Favorite Poem Project with videos at www.favoritepoem.org and the Summer Poetry Institute for K–12 Educators, with Boston University’s School of Education.

David MuseDirector (Coriolanus)STC: Associate Artistic Director, 2005–2010; Affiliated Artist; Director: Henry V, The Taming of the Shrew (Free For All), Romeo and Juliet, Julius Caesar, On the Eve of Friday Morning, Pericles (Free For All); Assistant Director: Othello, Lady Windermere’s Fan, The Tempest, Pericles, Macbeth; Director: ReDiscovery Series, numerous readings; Master Acting Class instructor. REGIONAL: The Studio Theatre: Artistic Director since 2010; Director: An Iliad, Dirt, Bachelorette,The Habit of Art, Venus In Fur, Circle Mirror Transformation, Reasons to be Pretty, Blackbird, Frozen, The Intelligent Design of Jenny Chow; Arena Stage: Frankie and Johnny in the Claire de Lune; Theatre Alliance: The Bluest Eye; Hudson Valley Shakespeare Festival: Antony and Cleopatra. INSTRUCTOR: Shakespeare Theatre Company’s Academy for Classical Acting; Georgetown University; Yale University. OTHER: New play development at numerous theatres including New York Theatre Workshop, Arena Stage, Geva Theatre, Kennedy Center, Ford’s Theatre. AWARDS: DC Mayor’s Arts Award for Outstanding Emerging Artist, National Theatre Conference Emerging Artist Award. TRAINING: Yale University: BA; Yale School of Drama: MFA in Directing.

Michael KahnDirector (Wallenstein)See For STC (page 38).

Blythe R.D. QuinlanSet DesignerSTC: Associate Designer to Ming Cho Lee for Lorenzaccio. NEW YORK: Off-Broadway: Signature Theatre Company: Iphigenia 2.0 (dir. Tina Landau); Juilliard School of Drama: The Wars; New York Summer Play Festival: Swansong. REGIONAL: The Studio Theatre: Venus in Fur; Hartford Stage: Antony and Cleopatra (dir. Tina Landau); Seattle Repertory Theatre: The Cure at Troy (dir. Tina Landau); Portland Stage Company: Lobby Hero; San Jose Repertory Theatre: Making Tracks; Yale Repertory Theatre: King Lear. FILM: I Don’t Know How She Does It, The

Tempest (dir. Julie Taymor), Arthur, Julie and Julia, Sex and the City, Before the Devil Knows You’re Dead, The Accidental Husband, Nanny Diaries. TELEVISION: Smash, Boardwalk Empire, PanAm, The Good Wife, Law & Order: CI. TRAINING: Yale School of Drama: MFA.

Murell HortonCostume DesignerSTC: The Government Inspector (Helen Hayes nomination), The Heir Apparent, The Liar (Helen Hayes nomination), The Alchemist, Edward II, Hamlet (2007), Titus Andronicus, Lorenzaccio (Helen Hayes nomination), Richard III (2003), Hamlet (2002), The Silent Woman, Hedda Gabler (Helen Hayes nomination), Camino Real (Helen Hayes nomination). AWARDS: 2007 Irene Sharaff Young Master Award for costume design. NEW YORK: Jeffrey Finn Productions, The Acting Company, The Juilliard School, Pearl Theatre Company. REGIONAL: Guthrie Theater, Oregon Shakespeare Festival, Denver Center Theatre, Cleveland Playhouse, Philadelphia Theatre Company, Berkshire Theatre Festival, Shakespeare Theatre of New Jersey, Madison Repertory Theatre, Indiana Repertory Theatre. OPERA: New York City Opera, Houston Grand Opera.

Mark McCulloughLighting Designer STC: Design for Living, Julius Caesar, Anthony and Cleopatra, Edward II, Tamburlaine, Titus Andronicus; Richard III, Hamlet, Henry V, Richard II. NEW YORK: Broadway: The American Plan, Accent on Youth, After Miss Julie, Jesus Christ Superstar (Broadway; National and UK Tour); Off-Broadway: The Language Archive, Old Money, Mouth to Mouth, How I Learned to Drive, The Long Christmas Ride Home; This is Our Youth, Lobby Hero. REGIONAL: Court Theatre; La Jolla Playhouse; Mark Taper Forum; Long Wharf Theatre; Hartford Stage; The Huntington Theatre; Centerstage; The Old Globe; Oregon Shakespeare; Guthrie Theater, Steppenwolf Theatre Company. INTERNATIONAL: London, West End: Whistle Down the Wind; Royal Shakespeare Company; Gate Theatre, Dublin. OPERA: Metropolitan Opera; The Bolshoi; La Scala; New York City Opera; Washington National Opera; Glimmerglass; Lyric Opera of Chicago; San Francisco Opera; Teatro Real Madrid; Royal Opera House Covent Garden; Opéra National du Rhin; Opera North; Dallas Opera; Opéra de Montréal; Seattle Opera; National Centre for the Performing Arts (NCPA) in Beijing. TRAINING: North Carolina School of the Arts; Yale School of Drama: MFA.

CREATIVE CONVERSATIONSThe Hero/Traitor Repertory

For more information about these events, visit ShakespeareTheatre.org/Education.

Page and Stage (formerly Windows)Wallenstein: Sunday, April 7, 5–6 p.m.Coriolanus: Sunday. April 14, 5–6 p.m.The Forum in Sidney Harman HallHear insights on creating the production from the artistic team and local scholars during this lively event.

Bookends Wallenstein: Wednesday, April 24, pre-show 5:30 p.m. and post-showCoriolanus: Wednesday, May 1, pre-show 5:30 p.m. and post-showSidney Harman HallExplore the production with this immersive discussion event. Pre- and post show discussions give complete access into the world of the play.

AsidesLIVE: Coriolanus/Wallenstein Sunday, April 28, 10 a.m–1 p.m.The Forum in Sidney Harman HallAsidesLIVE symposiums look deeply into the text and production, encouraging audiences to examine the onstage work from a well-informed perspective. Featuring poet and adapter Robert Pinsky.

Classics in Context Wallenstein: Saturday, May 4, 5–6 p.m.Coriolanus: Saturday, May 25, 5–6 p.m.The Forum in Sidney Harman HallRespond to the onstage production in a roundtable format with savvy theatre panelists.

Post-Performance Cast Discussion Coriolanus: Wednesday, May 15, post-show Wallenstein: Wednesday. May 29, post-show Sidney Harman HallExtend your theatre experience. Talk with the acting company after viewing the production.

Twitter Night Coriolanus: Wednesday, May 23Wallenstein: Wednesday. May 30 Sidney Harman HallUsing the hashtag #STCnight participants join the online conversation from the theatre lobby or from home. Performance tickets available for purchase.

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Expand. Explore. Engage.

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Mark BennettComposer/Sound Designer (Coriolanus)NEW YORK: Broadway: The Coast of Utopia (Drama Desk Award), Vanya and Sonia and Masha and Spike, Dead Accounts, Driving Miss Daisy, A Steady Rain, Who’s Afraid of Virginia Woolf?, The Goat, Henry IV, Lily Tomlin and The Search…, Golda’s Balcony, A View From the Bridge; Off-Broadway: BAM/Old Vic: Composer for all productions of The Bridge Project; The Public Theater: Why Torture is Wrong…, Dogeaters, The Seagull, eight Shakespeare productions; Lincoln Center Theatre: Chaucer In Rome, The New Century, Saturn Returns; New York Theatre Workshop: An Illiad (Obie Award), Valhalla, My Children! My Africa!, Mad Forest. REGIONAL: Ford’s Theatre: A Christmas Carol; Arena Stage: Rainmaker; The Globe Theater: Pygmalion; La Jolla Playhouse: A Midsummer Night’s Dream (Craig Noel Award), Most Wanted; Huntington Theatre Company: Dead End, Rose Tattoo. TELEVISION: The American Experience: Lindbergh. AWARDS: 1998 Obie Award Sustained Excellence in Sound Design, Ovation Award, two Garland Awards, two Lucille Lortel Award nominations, 14 Drama Desk nominations. OTHER: Feature articles in The New York Times, The Daily News, American Theater Magazine. INSTRUCTOR: New York University: Adjunct Faculty. TRAINING: Vassar College: BFA in Composition/Orchestration; The New England Conservatory.

Fitz PattonComposer/Sound Designer (Wallenstein)STC: A Midsummer Night’s Dream, Strange Interlude. NEW YORK/REGIONAL: Designed and scored more than 240 productions in 20 cities across the U.S. including five on Broadway. AWARDS: 2010 Lucille Lortel and Drama Desk Awards for When the Rain Stops Falling at Lincoln Center’s Mitzi E. Newhouse Theater; nominated in 2011 for The Other Place (dir. Joe Mantello). OTHER: He is the founder of Chance Magazine, a new theater design magazine coming out this fall in both print and on the iPad. UPCOMING: The Other Place, on Broadway, at MTC’s Samuel Friedman Theater. INSTRUCTOR: Barnard College of Columbia University. TRAINING: Vassar College, Bard College, Yale University.

Binder CastingJay Binder, CSA/Jack Bowdan, CSANew York CastingWith Mark Brandon, CSA, and Jason Styres. STC: Hughie, A Midsummer Night’s Dream, The Government Inspector, Two Gentlemen of Verona, The Boys From Syracuse, As You Like It. NEW YORK: Broadway: more than 70 Broadway shows, including Nice Work If You Can Get It, Born Yesterday, The Lion King, The Miracle Worker, Finian’s Rainbow, Brighton Beach Memoirs, A Chorus Line, Gypsy, The 39 Steps, Irving Berlin’s White Christmas, Is He Dead?, Inherit the Wind, Journey’s End, Butley, Virginia Woolf, Sweet Charity, Wonderful Town, Movin’ Out, 42nd Street, The Music Man, The Iceman Cometh, The Sound of Music, Beauty and the Beast, The Last Night of Ballyhoo, Chicago, The King and I, Damn Yankees, Lost in Yonkers, Jerome Robbins’ Broadway, The Goodbye Girl; every City Center Encores! production since its inception in 1994. FILM: Hairspray, Dreamgirls, Chicago, Nine. AWARDS: Nine-time Artios Award winner.

Daniel Neville-RehbehnResident Casting DirectorSee For STC (page 39).

Rick SordeletFight DirectorSTC: The Servant of Two Masters, Julius Caesar, Cymbeline, Twelfth Night, Richard II, Henry V, Antony and Cleopatra, Julius Caesar, Tamburlaine, Edward II, The Taming of the Shrew, Titus Andronicus, Henry IV, Part 1 and Part 2, Hamlet (Free For All), Henry VI, Parts 1, 2 and 3, Peer Gynt, As You Like It, Othello. NEW YORK: Broadway: 56 Broadway including The Lion King and Orphans, National Tours of Beauty and the Beast, Flashdance, Les Misérables. INTERNATIONAL: 52 First Class productions worldwide: The Lion King, Beauty and the Beast, Ben Hur Live. OPERA: The Metropolitan Opera, The Royal Opera House, La Scala in Milan: Cyrano de Bergerac (starring Placido Domingo); The Metropolitan Opera: Don Carlo (dir. Nicholas Hytner); San Francisco Opera: Heart of the Soldier (dir. Francesca Zambello). FILM: The Game Plan (starring Dwayne “The Rock” Johnson), Dan in Real Life (starring Steve Carell and Juliet Binoche). TELEVISION: Stunt Coordinator for Guiding Light (12 years) and One Life to Live. AWARDS: Edith Oliver Award for Sustained Excellence from the Lucille Lortel Foundation. OTHER: Board member for the Shakespeare Theatre of New Jersey. INSTRUCTOR: Yale School of Drama.

Diane Coburn BruningMovement Consultant (Wallenstein)REGIONAL: Woolly Mammoth Theatre Company: Mr. Burns, Civilization; The Studio Theatre: Bloody, Bloody Andrew Jackson; Solas Nua: Improbable Frequencies (Helen Hayes nomination). BALLET: Atlanta Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Boston Ballet, Milwaukee Ballet, Joffrey II, Nashville Ballet, Aspen Ballet, Ballet Chicago, Indianapolis Ballet Theatre, Juilliard Dance Ensemble, Ballet Memphis, Chautauqua Ballet. OPERA: Washington National Opera: Lucia di Lammermoor, Nabucco, Don Giovanni, Manon Lescaut; Pittsburgh Opera: Aida; Glimmerglass Festival: Beatrice and Benedict. INTERNATIONAL: Ballett Magdeburg, Germany; Daghdha Dance, Ireland; International Ballet Festival, Colombia. FILM: Sundance Film Institute: Prufrock. AWARDS: Guggenheim Fellowship, National Endowment for the Arts Fellowship, Sundance Fellowship, New York Foundation for the Arts Fellowships, Yale School of Drama post-graduate fellowship, McKnight National Fellow, Americans for the Arts International Artist Exchange Award, Heathcote Foundation Award. OTHER: Founder/Artistic Director of Chamber Dance Project, New York, guest artist at more than 25 universities and conservatories. UPCOMING: Pendulum (dance film), Chamber Dance Project. TRAINING: Yale School of Drama; NYU: Choreography; Butler University: Dance.

Ellen O’BrienVoice and Text CoachSee For STC (page 39).

Drew LichtenbergLiterary AssociateSee For STC (page 39).

Jenny LordAssistant Director (Coriolanus) Vocal Music Coach (Wallenstein)See For STC (page 39).

Gus Heagerty Assistant Director (Wallenstein)STC: Director: Macbeth (Fellows Project), Egmont (ReDiscovery Reading); Assistant Director: The Government Inspector, The Merry Wives of Windsor, The Two Gentlemen of Verona, The Boys From Syracuse, The Heir Apparent (Directorial Assistant), Julius Caesar. NEW YORK: Off-Broadway: Playwrights Horizons and New York Theatre Workshop: The Shaggs: Philosophy of the World (John Langs). REGIONAL: The Studio Theatre: The Walworth Farce (dir. Matt Torney), The New Electric Ballroom (dir. Matt Torney); Folger Theatre: The Comedy of Errors (dir. Aaron Posner); Kennedy Center Theatre for Young Audiences: Snow White, Rose Red (and Fred) (dir. Matthew Gardiner); Seattle Shakespeare Company: Hamlet (dir. John Langs); The Theatre @ Boston Court & Circle X Theatre Co.: The Good Book of Pedantry and Wonder (world premiere, dir. John Langs). OTHER: John F. Kennedy Center for the Performing Arts: William R. Kenan Directing Fellow (2010–2011). TRAINING: University of North Carolina School of the Arts: BFA in Directing (Gerald Freedman).

Robert LutfyDirectorial AssistantREGIONAL: credits include Arena Stage: Pullman Porter Blues (dir. Lisa Peterson); Folger Theatre: The Conference of the Birds (dir. Aaron Posner); O’Neill Theatre Center: House of Gold (dir. Sarah Benson); Director: Open Dream Ensemble: Big Shoes; Burning Coal Theatre: Two Buildings One Heart; Threshold Repertory: The Lieutenant of Inishmore; Collaborative Arts: Time Stands Still; 3M Productions: Sunset Limited. OTHER: John F. Kennedy Center for the Performing Arts: William R. Kenan Directing Fellow (2012–2013). TRAINING: University of North Carolina School of the Arts: Directing (Gerald Freedman).

Bret Torbeck*Production Stage Manager (Coriolanus)STC: 2012 Harman Center for the Arts Gala, Velocity DC Festival. NEW YORK: Off-Broadway: Vineyard: Miracle Brothers. REGIONAL: The Old Globe: Richard III, As You Like It, Inherit the Wind, The Tempest, Much Ado About Nothing, Amadeus, Sisters Rosensweig, The Women, Take Me Out; eight seasons at Seattle Repertory Theatre; four seasons at the 5th Avenue Theatre, Centerstage, Long Wharf Theatre, Pittsburgh Public Theater, many others. UPCOMING: 2013 Old Globe Shakespeare Festival: The Merchant of Venice, A Midsummer Night’s Dream, Rosencrantz and Guildenstern are Dead. INSTRUCTOR: University of Washington School of Drama. TRAINING: Carnegie Mellon: BFA in Production/Directing.

Joseph Smelser*Production Stage Manager (Wallenstein)Stage Manager (Coriolanus)STC: A Midsummer Night’s Dream, The Government Inspector, The Merry Wives of Windsor, Strange Interlude, Much Ado About Nothing, The Heir Apparent, All’s Well That Ends Well. REGIONAL: Arena Stage: Let Me Down Easy; Seattle Repertory Theatre: An Ideal Husband, A Doll’s House, Play On!, As You Like It, A Midsummer Night’s Dream, Peter Brook’s The Tragedy of Hamlet, Golden Child, Don Juan, Purgatorio, The Search for Signs of Intelligent Life in the Universe (with Lily Tomlin); American Conservatory Theatre: The Rivals, The Circle, The Government Inspector, Edward Albee’s At Home at the Zoo, Vigil; Berkeley Repertory Theatre: Journey to the West, An Almost Holy Picture, Having Our Say; Regional Tour: Let Me Down Easy, Twilight: Los Angeles, 1992 (both with Anna Deavere Smith). TRAINING: Oberlin College: BA.

Hannah R. O’Neil*Assistant Stage ManagerSTC: Assistant Stage Manager: Hughie, A Midsummer Night’s Dream, All’s Well That Ends Well (Free For All); Production Assistant: The Merry Wives of Windsor, Strange Interlude, Much Ado About Nothing, Julius Caesar (Free For All), The Merchant of Venice, An Ideal Husband, Candide, All’s Well That Ends Well; Stage Management Intern: Mrs. Warren’s Profession, Richard II, Henry V, The Alchemist. REGIONAL: Huntington Theatre Company: Pirates!; Ogunquit Playhouse: The Producers, Fiddler on the Roof, The King and I, La Cage Aux Folles, The Full Monty, Menopause the Musical. TRAINING: Emerson College: BFA in Stage Management and Production.

Elizabeth Clewley*Assistant Stage Manager (Wallenstein)STC: The Government Inspector, The Servant of Two Masters, The Two Gentlemen of Verona, Much Ado About Nothing, Julius Caesar (Free For All), Old Times, Cymbeline, Twelfth Night (Free For All), The Liar (ASM), Richard II, The Alchemist, The Taming of the Shrew (Free For All), King Lear, Ion, Twelfth Night, Romeo and Juliet, 2008 Harman Center for the Arts Annual Gala (Production Assistant), Julius Caesar, Antony and Cleopatra, Argonautika, The Taming of the Shrew, On the Eve of Friday Morning (SM Intern). REGIONAL: Theater of the American South: Driving Miss Daisy (Stage Manager); Cape Fear Regional Theatre: Thoroughly Modern Millie, Rodgers and Hammerstein’s Cinderella, Tuesdays with Morrie (Stage Manager). INTERNATIONAL: International Festival of Arts and Ideas (Stage Manager); International VSA Festival (Stage Manager). TRAINING: East Carolina University: BFA in Stage Management.

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About STCSTC is the recipient of the 2012 Regional Theatre Tony Award® as well as 78 Helen Hayes Awards and 322 nominations.

Presenting Classic TheatreThe mission of the Shakespeare Theatre Company is to present classic theatre of scope and size in an imaginative, skillful and accessible American style that honors the playwrights’ language and intentions while viewing their work through a 21st-century lens.

Promoting Artistic ExcellenceSTC’s productions blend classical traditions and modern originality. Hallmarks include exquisite sets, elegant costumes, leading classical actors and, above all, an uncompromising dedication to quality.

Fostering Artists and AudiencesSTC is a leader in arts education, with a myriad of user-friendly pathways that teach, stimulate and encourage learners of all ages. Meaningful school programs are available for middle and high school students and educators, and adult classes are held throughout the year. Michael Kahn leads the

Academy for Classical Acting, a one-year master’s program at The George Washington University. Beyond the classroom, educational opportunities like Creative Conversations are available to all in the community.

Supporting the CommunitySTC has helped to revitalize both the Penn Quarter and Capitol Hill neighborhoods and to drive an artistic renaissance in Washington, D.C. Each season programs such as Free For All and Happenings at the Harman present free performances to residents and visitors alike, allowing new audiences to engage with the performing arts.

Playing a PartSTC is profoundly grateful for the support of those who are passionately committed to classical theatre. This support has allowed STC to reach out and expand boundaries, to inform and inspire the community and to challenge its audiences to think critically and creatively. Learn more at ShakespeareTheatre.org/Support or call 202.547.1122, option 7.

$10,000 to $14,999Anonymous (2)Aetna Foundation The BGR Foundation, Inc. Peter A. Bieger Chlopak, Leonard, Schechter

and Associates DirecTV Douglas Development Corporation E. and B. Family Trust EagleBank Miguel and Patricia Estrada Finmeccanica North America Fleishman-Hillard

Fluor Enterprises, Inc French-American Cultural Foundation Helen Clay Frick Foundation Gould Property Group David and Jean Grier H&R Block Catherine Held Jackson Lewis LLP Norman D. Jemal T Scott Kaufmann T The Honorable Eugene Ludwig and

Dr. Carol Ludwig Kristine Morris Nissan North America, Inc.

Parsons Corporation Qualcomm Incorporated Steve and Diane Rudis Samuel Freeman Charitable Trust Judi Seiden AMB The Honorable Robert E. Sharkey and

Dr. Phoebe Sharkey AMB Doug and Gabriela Smith UBS Warburg Private Banking Venable LLP Patricia and David Vos Foundation Walker & Dunlop LLC Andrea and Stephen Weiswasser BA Lynn and Jonathan Yarowsky

SupportWe gratefully acknowledge the following donors that currently support the work of the 2012–2013 Season. This list is current as of February 4, 2013.

$15,000 to $24,999Anonymous (4)Esthy and Jim AdlerAltria Group The Theodore H. Barth Foundation Brown-Forman Corporation Clark Construction Group, LLC The Creative Coalition Culture Ireland The Dallas Morse Coors Foundation

for the Performing Arts Deloitte LLP The Max and Victoria Dreyfus

Foundation

Nina Laserson Dunn and Eric C. Rose BA Arthur and Shirley Fergenson ACA Trygve and Norman Freed Hogan Lovells US LLP Mr. and Mrs. Stephen A. Hopkins T Mike and Gina House T BA Humana Inc. Jerry and Isabel Jasinowski T

Kelley Drye & Warren LLP Helen Kenney Kirkland & Ellis The Jacob and Charlotte Lehrman Foundation M Powered Strategies

MARPAT Foundation, Inc. Kathleen Matthews Eleanor Merrill T Hazel C. Moore Ann K. Morales Mortgage Insurance Companies of America Melissa Moss T

PNC Bank Corp. National Law Journal & Legal Times BA Toni A. Ritzenberg Pauline A. Schneider T BA May and Stanley Smith Charitable Trust

$25,000 to $49,999 Anonymous The Margaret Abell Powell Fund Anne and Ronald AbramsonNick and Marla Allard T BA

Paul M. Angell Family Foundation Mr. and Mrs. Landon Butler T

Community Foundation for the National Capital Region

Erkiletian Family Foundation James A. Feldman and Natalie Wexler Nina Zolt and Miles Gilburne T

Margot Kelly

Lara Pels ProductionsStephen and Lisa Ryan T BA Vicki and Roger Sant 1616 Share Fund of the Community

Foundation for the National Capital Region

Clarice Smith Fredda Sparks and Kent Montavon George P. Stamas T Bill Walton Tom and Cathie Woteki

$50,000 to $99,999 Anita M. Antenucci T Stephen E. Allis T

The Beech Street Foundation T Afsaneh Beschloss T The Morris & Gwendolyn Cafritz

Foundation Dr. Paul and Mrs. Rose Carter T D.C. Commission on the Arts &

HumanitiesDr. Mark Epstein and Amoretta Hoeber T Steven and Deborah Epstein The Philip L. Graham FundThe Harman Family Foundation

John and Meg Hauge T Jeffrey M. Kaplan T Abbe David Lowell and

Molly A. Meegan T BA

Jacqueline B. Mars National Capital Arts & Cultural

Affairs Program/U.S. Commission of Fine Arts

National Endowment for the Arts Robert and Martha Osborne T Alan and Marsha Paller Suzy Platt The Shubert Foundation

$100,000 and above Anonymous Mr. and Mrs. Robert Falb T

HRH FoundationMichael R. Klein and Joan I. Fabry T BA

The Robert P. and Arlene R. Kogod Family Foundation

Robert H. Smith Family Foundation Suzanne and Glenn Youngkin T

Turner & Goss

News from the ACAEleanor Holdridge and Robert Richmond to Direct ACA’s Summer Repertory SeasonFor 12 summers now, the participants of the Academy for Classical Acting (ACA) have capped off their training with a fully supported repertory season. The season always consists of one play written by William Shakespeare and one play from the Jacobean era (1603-1625). With the announcement of our two plays forthcoming, we are happy to announce our selected directors.

Eleanor Holdridge will be directing our play from the Jacobean era. Eleanor is the current Head of Directing at Catholic University of America. This season she has directed: Body Awareness at Theater J, Zorro at Constellation Stage (which she also co-wrote), God of Carnage at Everyman Theatre and Hedda Gabbler at Catholic University. Her Off-Broadway productions that include Steve & Idi at Rattlestick Playwrights Theatre, Cycling Past The Matterhorn at

Clurman Theatre, The Imaginary Invalid and Mary Stuart at Pearl Theatre Company. Regionally, Eleanor has directed at Shakespeare & Company, Milwaukee Shakespeare, Alabama Shakespeare, Roundhouse Theatre, Folger Theatre, Everyman Theatre, Theater J and Taffety Punk. She holds an MFA from Yale School of Drama.

Robert Richmond will helm our Shakespeare production. The Hastings, England, native and Royal Scottish Academy of Music and Drama alum resides in Columbia, South Carolina, where he is the University of South Carolina’s Head of Undergraduate Performance. Prior to his current position, Robert spent 14 years as the Associate Artistic Director of the Aquila Theatre Company in New York. While he was there, he directed productions that toured across the U.S., Off-Broadway and in Europe. One of his most recent projects, Henry V at Folger Theatre, was named the best selling show in Folger history. He has also directed Othello and Henry VIII at Folger Theatre.

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$5,000 to $9,999Anonymous (4)Aflac Shawn J. Chen and Alexis K. Albion Mark Tushnet and Elizabeth Alexander Alston & Bird LLP Mark G. Anderson Consultants, Inc. Peter and Joan Andrews Drs. Hilda and William O. Bank Kyle and Alan Bell Barbara Bennett Sheila and Kenneth Berman BA Debra and Leon Black In memory of Evan Hale Bliss Ambassador Julia Chang Bloch and Stuart Bloch The Bozzuto Group Brookfield Office Properties Mary and Armeane Choksi The Honorable Joan Churchill and Mr. Anthony Churchill BA The Clearing House Marcel LaFollette and Jeffrey Stine ACA Compass Point Research & Trading LLC Computer and Communications Industry

Association D.C. Friends of Ireland Beverly and Richard Dietz DRS Technologies Craig Dunkerley and Patricia Haigh ACA Emily, Susannah and Michael Eig Ernst & Young LLP ExxonMobil Ambassador and Mrs. Richard Fairbanks The Financial Services Roundtable Forest City Washington Gensler & Associates Tim and Susan Gibson AMB Scott and Lauren Gilbert BA Marilyn and Michael Glosserman Janet W. Solinger and Jacob K. Goldhaber Sue and Leslie Goldman Alice and John Goodman The Greczmiel family William Stein and Victoria Griffiths BA Robert and Mary Haft Kevin T. Hennessy AMB BA The Hill Newspaper Hines Interests Limited Partnership Lynne and Joseph Horning The Mark & Carol Hyman Fund The International Union of Bricklayers and

Allied Craftworkers Maxine Isaacs Jackson Lewis LLPDoug James and Kay Mollick J.M. Zell Partners, LTD. Elaine Economides Joost Candace and Hadrian Katz Daniel F. Katz BA Kovler Fund of the Community Foundation

of the National Capital Region Kraft Foods Global Mr. and Mrs. Eric Luse In memory of Marilyn J. Lynch Heidi Maloni The George Preston Marshall Foundation MCCI Group Holdings, LLC MedStar National Rehabilitation Network Hilary B. Miller and Dr. Katherine N. Bent The Morningstar Foundation Rita Mullin Oracle America Corporation James and Wanda Pedas Theodore and Lea Pedas Robert and Susan Pence The Prince Charitable Trusts Property Capital LLC Public Strategies Washington Willam Pugh and Lisa Orange Qorvis Communications LLC The Honorable Molly Raiser Gerri and Murray Rottenberg 1616 Ron and Sharon Salluzzo

Victor Shargai and Craig Pascal Software and Information Industry Association SICPA Dr. Stanton Sloane Sovereign Strategy Limited Terra Nova Title and Settlement Services, LLC Time Warner, Inc. TPG Capital Mr. and Mrs. Jay Velasquez Verizon Foundation Vulcan Materials Company Foundation The Washington Post Company Marvin F. Weissberg Wells Fargo Philanthropy Westfield Carolyn L. Wheeler BA Gerry Widdicombe Alan and Irene Wurtzel Chris and Carol Yoder ZGF Architects LLP Judy and Leo Zickler

$2,500 to $4,999Anonymous (6)In honor of Jim Adler Robert N. Alfandre Mr. and Mrs. Robert J. Almassy Sunny and Bill Alsup Mr. Decker Anstrom and Ms. Sherron Hiemstra Celia and Keith Arnaud Association of Performing Arts Presenters Julie, Tina, June and Vince Auletta Linna Barnes and Chris Mixter BB&T Cathleen Blanton Mr. and Mrs. Jere Broh-Kahn ACA Claudyne Y. Brown BA Mr. and Mrs. I.T. Burden, III C2 Group, LLC Desiree Campbell Robert Crawford Carlson Dawn and James Causey Rita A. Cavanagh and Gerald A. Kafka Chadbourne & Parke, LLP BA Audrey Chang and Michael Vernick Joan Choppin Richard H. Cleva Linda and John Cogdill Mary Cole AMB Jeff and Jacky Copeland Marshall B. Coyne Foundation Kenneth W. Crow DAI Ralph Voltmer and Tracy Davis BA Louis Delair, Jr. The Charles Delmar Foundation The Dimick Foundation Fynnette Eaton and James E. Miller Helaine G. Elderkin Rob and Anne Faris Leo Fisher and Sue Duncan Barry and Marie Fleishman Mr. Randall Bevins and Ms. Monica A. Gaw Burton Gerber Mr. and Mrs. Kenneth W. Gideon Angelique Glass and Joe Lamantia 1616 ACA AMB Golden & Cohen, LLC Richard A and M. Theresa Gollhofer Mr. John Graves Ms. Barbara Harman and Mr. William Cain T Jean and Stephen Hersh Catherine MacNeil Hollinger and Mark Hollinger Charlotte Hollister and Donald Clagett Homes, Lowry, Horn and Johnson, LTD Larry and Georganne John John Edward Johnson Jones Lang LaSalle K&L Gates Carolyn J Kaplan Mr. Jerry Knoll Kristi and Scott Kubista-Hovis AMB David A. Lamdin AMB Bill Lands and Norberta Schoene

John Lanzillotta Richard Levi and Susan Perry LEVICK BA

Samuel M. Levy Family Foundation Dr. Mark T. Lewellyn James M Loots, Esq. and Barbara Dougherty Loots, Esq. BA Nick and Alyssa Lovegrove Noreen Lynch Patricia Magno Mr. and Mrs. Gregory May Mary McCue AMB Dorothy and Bill McSweeny 1616 Mehlman Vogel Castagnetti Rajesh and Radhika Murari Patricia Sherman and Terry Murphy Ralph and Gwen Nash National Association of Realtors Madeline Nelson Louisa and Bill Newlin Lawrence and Melanie Nussdorf Jim and Karen Nussle James Oldham and Elizabeth Conahan BA Theodore B. Olson and Lady Booth Olson BA Mr. and Mrs. David Osnos Theda Parrish Peck Madigan Jones Philip Bradford Nelson and Anne Parten Mr and Mrs Carl F. Pfeiffer Sydney M. Polakoff and Carolyn Goldman Lutz Alexander Prager Molly and Joe Reynolds BA Mrs. Stanley J. Sarnoff 1616 Steven and Beverly Schacht Richard Scott SCOTUSblog BA Linda and Stanley Sher Richard Simpson BA David Smith and Ilene Weinreich Alan Asay and Mary Sturtevant Professor Philip Tirpak Thomas and Molly Ware In memory of Dorothy B. Watkiss $1,500 to $2,499Anonymous (5)Mr. Derek Thomas and Mr. Ernesto Abrego Ernest and Dianne Abruzzo Miriam and Robert Adelstein Gisela and Thomas Ahern Douglas and Jane Alspach Galen and Carolyn Barbour Robert B. Barnett and Rita Braver BA John and Patricia Barth Danielle L.C. Beach BA Elaine and Richard Binder Mr. and Mrs. John H. Birdsall Martha Blaxall and Joe Dickey Kim Bollen British Council The family of Marion and Charles Bryce 1616 AMB Cambria Solutions Jodi and Alan Capps Cheryl and Matthew Chalifoux Matthew and Sharon Coffey Ryna and Melvin Cohen Family Foundation Mr. and Mrs. Anthony C. Collins Douglas W. Crandall Julia and Francis Creighton Jeffrey P. Cunard BA William C. and Sandra C. Davis Alan and Deanna Decherney Tom and Krista Di Iaconi BA David and Kenna Dorsen BA Dr. Damien and Elizabeth Doyle Claudia H. Dulmage, Esq. BA Becky and Alan Dye Elizabeth and Randolph Elliott Ms. Catherine B. Elwell Garrett Epps BA Raymond S. Eresman and Diana E. Garcia Marietta Ethier Bob, Kathy and Lauren FabiaGerald P. Farano and Monica J. Palko

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Measure For Measure

A Funny Thing Happened on the Way to the Forum

The Importance of Being Earnest

Henry IV, Parts 1 and 2*

Private Lives

Entrées

ShakespeareTheatre.org/Subscribe • Call 202.547.1122, option 2*Part of The Clarice Smith Repertory Series

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Eric Amick Katy and John Anderson Richard and Rosemarie Andreano Ms. Jerrilyn Andrews and Mr. Donald Hesse Ms. Bonnie Angelo Cherrill Alfou Anson M. C. Antoun Judy Areen and Richard Cooper Jean W. Arnold Carol Benedict and Paul Ashin Mrs. Martin Atlas Douglas J. Feith and Pamela Auerbach John Ausink Kevin and Sheila Avruch Carol A. Ball Mr. Joel Balsham Dan and Nancy Balz Jonathan H. Barber Mr. Michael Barrett and Danielle Beauchamp Joan Barron and Paul Lang R. Joseph Barton and Tricia Placido Rev. John P. Beal, III Julianne Beall Dr. and Mrs. James E. Bernhardt Sue E. Berryman Vaughn and Marian Bishop William D. Blair Charitable Foundation Dr. Donna W. Blake and Mr. Bruce E. Eckstein John Blandford James Blum Harriet and Bruce Blum Andrew and Kaye Boesel Ronald Bottomly Michael Boyd The Honorable Susan G. Braden and

Thomas M. Susman Dr. Ronald Brady Jill and Jay Brannam Robert and Lucy Bremner Chris and Jim Bridgeman Mr. John Broadbent Henry J. Brothers, II Dana E. Brown Marian Bruno Philip Buchan and June Krell Harold R. Bucholtz Maurice and Ruth Burg Col. and Mrs. Lance J. Burton Marianne M. Callahan James M. Carr Mr. and Mrs. Nicholas Carrera Ann Castiglione-Cataldo Sarah and William Cavitt Wallace W. Chandler Elaine H. Christ Frederick Wolff and Catherine Chura John Clark and Ana Steele Clark Mr. and Mrs. Thomas Clarke Tim Cole and Kathy Galloway Laura Hoffman and David Colin William and Carol Conrad Andrea M. Corcoran John Corrado Marsha E. Swiss and Ronald Costell MD Steve Crime and Mary-Jane Roth Whitney Moore and Jacy Daiutolo Maygene and Stephen Daniels Mr. and Mrs. Scott W. Davis Keith and Cindy Davis Matthew and Michel Dazé Michael Deane Tony and Nancy DeCrappeo Osborne Mackie and Morgan Delaney Tom Gusdorff and Ed Dennison Catherine and Michael Diener Ms. D. Chris Downey Jean and Paul Dudek Dutch and Brenda Dunham Susan and Dorsey Dunn Sayre Ellen Dykes EastBanc Stephen and Magda Eccles

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Cecile and James Srodes Dr. William and Vivienne R. Stark Andy Steinem Edward Steinhouse Robert and Virginia Stern Susanne and Carlton Stoiber Dorothy and Donald Stone Richard and Judith Sugarman Maureen Sullivan Linda Griggs and Bill Swedish Mrs. Richard Sziede Drs. Steven and Sheila Taube John Taylor Steven and Alison Thompson Peter Threadgill Lynn Trundle Michael Tubbs Mr. and Mrs. Alvin Tucker James P. and Cynthia S. Tuite David Turner Ed Turner and Steve Baker Dr. Kazuko Uchimura Rod and Marilyn Uveges Arina van Breda Joan and Lyman Van Nostrand Fernando and Stephanie van Reigersberg Dwight and Carrie Vaughn Martin and Susan Wald Libby and Herb Ware William Warren M.L. Weathers Mr. and Mrs. Roseanne Weber Thomas and Elizabeth Wehr Robert F. Weisberg Dan and Laura Wellington Sonia and Dale West Dr. Edward Whitman DeAunn and Jeffrey Wilder Virginia and Wayne Williams Caroline Willis Linda A. Winslow C. Lawrence Wiser George E. Wishon Marty Woelfle Donald R. Worden Mary J. B. Work Fund ACA Deborah Yaffe Penny Younce Margot and Paul Zimmerman

$250 to $499Anonymous (28)Donald Adams and Ellen Maland Mr. and Mrs. Charles T. Alexander Maqbool Aliani In honor of Ashley Allen Mr. and Mrs. Theodore E. Allison The Honorable and Mrs. Frank Almaguer Michael Alt Tom and Kathy Altizer Wolfram Anders and Michele Manatt Nancy P. Anderson Kirsten Anderson and Jeff Harris Edward M. Andrews and John H. McCrary William Atchison James H. Babcock John C. Babcock Mary Anne and Charlie Bacas Ms. Laura D. Bachle Leonard Bachman Beverly Baker Sheila Eddy Baker Dr. Sheryl D. Baldwin 1616 Mr. and Mrs. J. I. Ballestero Gary P. Barber Margaret and Gordon Bare Edward and Nancy Barsa Charles and Linda Bartlett Christy Schmidt and Tony and Peter Bayne Nan Beckley Marion and Rand Beers Anne Bellinger Janice L. Lower and Paul R. Berger Jane C. Bergner

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Wayne T. Decesar Charles and Connie Delaplane Mary des Jardins Marjorie Deutsch, Ph.D and John Broadbent, JD Col. and Mrs. Deverill Caroline M. Devine Carol Dickenson Peter Dickinson Mr. and Mrs. Frank Dicostanzo Colleen Dougherty Fayonne Doughty and Don Weinstein Dr. Richard Drawbaugh and Suzanne Drawbaugh William J. Tito and Debra J. Duncan David Dunn Jean M. Dunnington Mario Garcia Durham Mary and Bob Eccles Sandra and Fred Edwards Stuart and Joanna Edwards Dr. Stephen C. Ehrmann In memory of Professor Scott Elledge Roberta Ellington Marjorie and Anthony Elson Sarah G. Epstein and Donald A. Collins William Erdmann William Erickson Connie Ericson William Faragher Jill Feasley and Joan Lawson Jane and James Feather Anne and Marc Feinberg David Furth and Martha Finnemore Anne and Al Fishman James Fitzwilliam Donald Flanders 1616 Robert and Carole Fontenrose Richard L. Forstall V. Lee Fortna Elizabeth France Nadra Franklin Molly M. Frantz Dr. Helene C. Freeman Mike and Pati Froyo-McCarty Michael Gaba Patricia S. Gamble Mary Alice Garber Dr. Arlyn Garcia-Perez Carole Green Gelfeld Robert Gerard and Carol Goldberg Carl R Gerber Dennis Gerrity Frank H. Gibson Laura and Michael Gilpin David Ginsburg Virginia Giroux Scott Glabman Mr. Paul Glist Kathleen Gohn Mrs. Sue Golan Dr. and Mrs. Michael S. Gold Burton Goldberg David M. Goldberg Mrs. Lawrence Goldmuntz Ellen L. Goldstein Jeff and Carla Golimowski Marilyn Goode Morton and Roberta Goren Lynn Gowen Patricia Graham Jane Grayson and Robert Warren Bonnie Green Eldon and Emily Greenberg Susan and David Gries Joseph F. Grikis Walter and Janet Grissett Lisa Grosh and Donald Names David Grover Bruce and Georgia Sue Guenther Alan and Bonnie Hammerschlag George and Kathi Hanrahan Donald Harrison Rev. Linda Harrison

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36

Photos of Europe in Honor of the Hero/Traitor Repertory

If Shakespeare had a camera...

All proceeds from the sale of framed photographs and acrylics in

this exhibition go to the Shakespeare Theatre Company.

For additional information on the photographer and her photos,

please visit www.parkwoodphoto.com.

He may have traveled Europe to illustrate his plays. In this spirit, STC presents an exhibition of photographs taken by Nina Dunn, STC patron and Bard Association member.

March 28–June 2, 2013Sidney Harman Hall

Miller and Virginia Taylor Cynthia Terrell John A. Terry Carol Thayer Alice W. Thomas Jill and Scott Thompson Elizabeth Trangsrud Silvia B. Trumbower Mr. and Mrs. Jonathan Tuck Stewart Umphrey Drs. Stephen and Susan Ungar Eli and Zahava Velder James M. Verdier Mindi and Philip Walker Martha Wallach Linda Walsh In memory of Marjorie Hecht Watson Mr. Peter Q. Weeks - ElderCaring Robert and Isabel Wein Sally B. Weinbrom-Kram Barbara Wells Jack and Ruth Ellen Wennersten Ms. Carla Wheeler Ashley M. White Mr. Donald White and Ms. Betty Good-White Michael Williams Paul Wilson Ms. Anita Woehler Kathryn Wood Dr. Maria Wood Roberta and Henry Wulf Susan Yamada Julie and David Zalkind Mr. and Mrs. John J. Zeugner Permanent support through the

establishment of endowment fundsThe Leading National Theatres Program,

a joint initiative of the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation

Helen Harris Spalding and Herman Bernard Meyer Shakespeare Memorial Fund

Gizella Moskovitz Fund

Additional Members of the Society of 1616

Helen Alexander and Roland WeissSheryl BaldwinLorraine E. ChickeringAnne CoventryPeter and Linda Parke Gallagher*Ms. Claudia J. GreerMichael Kahn T

Arthur Katz and Sima OsdobyLt. Col. and Mrs. William K. KonzeEstate of Gwenneth Lavin*Mrs. R. Robert LinowesShirley LooMarian MlayJudith E. MooreSusana and Roberto Morassi*Mr. and Mrs. Richard J. ParkSuzy Platt* Jennie Rose Henry J. SchalizkiAnne and Daniel Toohey

In KindAmerican AirlinesAsia NineBritish AirwaysCafe CamilleCarmine’sCedar RestaurantConstellation Brands, Inc.The Creative CoalitionD.C. Scots4TotsDistrict Chophouse & BreweryFUEL PizzaGordon Biersch BreweryThe HillHill CountryHomewood Suites by Hilton Washington DCKnightsbridge, Inc.MAC CosmeticsMatchbox Food GroupMoet & ChandonMOM’s Organic Market

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Private Caucus RoomsTangysweetTeaismThinkFoodGroupU Street CleanersUrban EssentialsWashington Metropolitan Area Transit

AuthorityThe Washington Post CompanyWest Wing Writers

Matching GiftsBank of AmericaComputer Associates International, Inc.ExxonMobil FoundationFreddie Mac FoundationHoughton Mifflin HarcourtIBM International FoundationInternational Monetary FundPew Charitable TrustsSprint FoundationT. Rowe Price Foundation, Inc.Verizon FoundationWiley Rein LLPYourCause, LLC

Members of the Society of 1616, the Theatre’s planned giving society

Supporters of the Academy for Classical Acting

Ambassadors of the Theatre, generous donors who help to develop and enhance our patrons’ relationship with the Theatre. To join, please contact Tony Wagener at 202.547.3230 ext. 2312.

Members of the Bard Association, dedicated supporters of the Theatre who are members of the legal community. To join, please contact Emily Lynn at 202.547.3230 ext. 2325.

Members of the Board of Trustees

Deceased

Official 2012–2013 Sponsors

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Every effort has been made to ensure that this list is accurate. If your name is misspelled or omitted, please accept our apologies and inform the Development Department at 202.547.3230 ext. 2323 or email ProgramListing@ShakespeareTheatre.org.

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WILLHILLON

THE

WILL ON THE HILLMay 6, 2013

For additional information about Will on the Hill 2013, please contact STC’s Corporate Giving Office at

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The Shakespeare Theatre Company is a 501(c)(3) non-profit organization. STC does not retain or employ registered lobbyists or foreign agents.

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For STC

Michael KahnArtistic DirectorSTC: The Government Inspector, Strange Interlude, The Heir Apparent, Old Times, All's Well That Ends Well, The Liar, Richard II, The Alchemist, Design for Living, The Way of the World, Antony and Cleopatra (2008),

Tamburlaine, Hamlet (2007), Richard III (2007), The Beaux’ Stratagem, Love’s Labor’s Lost, Othello, Lorenzaccio, Macbeth (2004), Cyrano, Five by Tenn (at the Kennedy Center), The Silent Woman, The Winter’s Tale (2002), The Duchess of Malfi, The Oedipus Plays, Hedda Gabler, Don Carlos, Timon of Athens, Camino Real, Coriolanus, King Lear (1999), The Merchant of Venice, King John, A Woman of No Importance, Sweet Bird of Youth, Peer Gynt, Mourning Becomes Electra, Henry VI, Volpone, Henry V, Henry IV, The Doctor’s Dilemma, Richard II, Much Ado about Nothing (also at McCarter Theatre Center), Mother Courage and Her Children, Hamlet, Measure for Measure, King Lear (1991), Richard III (1990), The Merry Wives of Windsor, Twelfth Night, As You Like It, Antony and Cleopatra (1988), Macbeth (1988), All’s Well That Ends Well, The Winter’s Tale (1987), Romeo and Juliet. NEW YORK: Broadway: Show Boat (Tony nomination), Cat on a Hot Tin Roof, Whodunnit, Night of the Tribades, Death of Bessie Smith, Here’s Where I Belong, Othello, Henry V; Off-Broadway: Manhattan Theatre Club: Five By Tenn, Sleep Deprivation Chamber; Funnyhouse of a Negro, The Rimers of Eldritch, Three by Thornton Wilder, A Month in the Country, Hedda Gabler, The Señorita from Tacna, Ten by Tennessee; New York Shakespeare Festival: Measure for Measure (Saturday Review Award). Artistic Director: The Acting Company, 1978–1988. TEACHING: Richard Rodgers Director of Juilliard Drama Division July 1992–May 2006, faculty member 1967–; Shakespeare Theatre Company Academy for Classical Acting at the George Washington University. Previously: New York University; Circle in the Square Theatre School; Princeton University; British American Drama Academy; founder of Chautauqua Theatre Conservatory. REGIONAL: Arena Stage: A Touch of the Poet; Signature Theatre: Otabenga; Guthrie Theater: The Duchess of Malfi; American Repertory Theatre: ‘Tis Pity She’s a Whore; American Shakespeare Theatre: Artistic Director for 10 years, more than 20 productions; McCarter Theatre Center: Artistic Director for five seasons, including Beyond the Horizon, filmed for PBS; Chautauqua Theatre: Artistic Director, including The Glass Menagerie with Tom Hulce; Goodman Theatre: Old Times (MacArthur Award), The Tooth of Crime (Jefferson nomination); Ford’s Theatre: Eleanor. OPERA: Romeo and Juliette for Dallas Opera; Vanessa for the New York City Opera (2007); Lysistrata or The Nude Goddess for Houston Grand Opera and New York City Opera; Vanessa for Washington Opera and Dallas Opera; Show Boat for Houston Grand Opera; Carmen for Houston and Washington Operas; Carousel

for Miami Opera; Julius Caesar for San Francisco Spring Opera. INTERNATIONAL: Love’s Labor’s Lost at the Royal Shakespeare Company’s Complete Works Festival; The Oedipus Plays at the Athens Festival; Five by Tenn for The Acting Company’s tour of Eastern Europe; Show Boat for the National Cultural Center Opera House in Cairo; The White Devil for the Adelaide Festival. BOARD MEMBERSHIPS: Theatre Communications Group; New York State Council on the Arts; D.C. Commission on the Arts and Humanities; National Endowment for the Arts; Opera America’s 80s and Beyond. AWARDS: Honorary Commander of the British Empire; Theater Hall of Fame; seven Helen Hayes Awards for Outstanding Director; 2011 CAGLCC Excellence in Business Award; 2010 WAPAVA Richard Bauer Award; 2007 Mayor’s Arts Award Special Recognition for Shakespeare in Washington; 2007 Stephen and Christine Schwarzman Award for Excellence in Theatre; 2007 Sir John Gielgud Award for Excellence in the Dramatic Arts; 2005 Person of the Year from the National Theatre Conference; 2004 Shakespeare Society Medal; 2002 William Shakespeare Award for Classical Theatre; 2002 Distinguished Washingtonian Award from The University Club; 2002 GLAAD Capitol Award; 1997 Mayor’s Arts Award for Excellence in an Artistic Discipline; 1996 Opera Music Theater International’s Bravo Award; 1990 First Annual Shakespeare’s Globe Award; 1989 Washingtonian Magazine Washingtonian of the Year; 1989 Washington Post Award for Distinguished Community Service; 1988 John Houseman Award. HONORARY DOCTORATES: University of South Carolina; Kean College; The Juilliard School; The American University.

Chris JenningsManaging DirectorSTC: Joined the Company in 2004. ADMINISTRATION: General Manager: Trinity Repertory Company (1999–2004), Theatre for a New Audience (1997–1999); Associate Managing Director: Yale Repertory

Theatre; Assistant to the Executive Producer: Manhattan Theater Club; Founder/Producing Director: Texas Young Playwrights Festival; Manager: Dougherty Arts Center. MEMBERSHIPS: Currently serves on the Board of the Theatre Communications Group, DC Downtown BID, THE ARC, DC Arts Collaborative, the Penn Quarter Neighborhood Association, Theatre Washington, and is a member of the League of Resident Theatres (served on AEA and SSDC Negotiating Committees); has served as a panelist for the NEA, DC Commission on the Arts, Mid Atlantic Arts Foundation and Humanities, and Pew Theatre Initiative. AWARDS: Arts Administration Fellowship: National Endowment for the Arts. TRAINING: University of Miami: BFA in Theatre/Music; Yale School of Drama: MFA in Theatre Management.

Alan Paul Associate Director STC: Director: numerous galas, readings and special events, The Boys From Syracuse, Twelfth Night (Free For All); Assistant Director: 13 shows. THEATRE DIRECTING: Signature Theatre: I Am My Own Wife; Catholic University: Man of La Mancha; Apex Theatre Company: Richard II; Northwestern University: Six Degrees of Separation; readings for The Studio Theatre, Arena Stage, Woolly Mammoth Theatre Company, The National Academy of Sciences, The Phillips Collection, The Goethe Institut, Georgetown University. OPERA DIRECTING: Urban Arias: Blind Dates, Before Breakfast, The Filthy Habit, Photo-Op; The In Series: Dido and Aeneas, El Amor Brujo; Strathmore: Butterfly/Saigon, Blind Dates. UPCOMING: The Studio Theatre: The Rocky Horror Show (co-directing with Keith Alan Baker).

Deborah Vandergrift Director of Production REGIONAL: Sixth season at STC, Production Manager at Hartford Stage for six seasons; Stage Manager for more than 30 shows at Hartford Stage working with directors including Mark Lamos, Michael Wilson, Michael Langham, JoAnne Akalaitis, Richard Foreman and Anne Bogart; Stage Manager for La Jolla Playhouse, Georgia Shakespeare Festival, New Jersey Shakespeare Festival, Phoenix Theatre and other theatres. INTERNATIONAL: Pearls for Pigs international tour (dir. Richard Foreman), International Production Associates. OTHER: Project Manager: Arts Festival Atlanta, International Festival of Arts and Ideas; Stage Manager for 1996 Olympic Games, Glimmerglass Opera, New York City Opera. TRAINING: Oberlin College: BA in English and Theatre; UC San Diego: MFA in Stage Management.

Drew Lichtenberg Literary Associate STC: Hughie, A Midsummer Night’s Dream, The Government Inspector, All’s Well That Ends Well (Free For All), The Merry Wives of Windsor, The Servant of Two Masters, Strange Interlude, The Two Gentlemen of Verona, Much Ado About Nothing, The Heir Apparent. REGIONAL: Centerstage: Caroline, or Change, Cyrano; Centerstage/Lookingglass Theatre Company: Around the World in 80 Days; Yale Repertory Theatre: Lulu (adapted by Mark Lamos and Drew Lichtenberg); Williamstown Theatre Festival: The Front Page, The Physicists, The Corn is Green; New York Shakespeare Festival: Macbeth (associate dramaturg; dir. Moisés Kaufman). OTHER: Yale School of Drama: American premiere of Tarell McCraney’s In the Red and Brown Water. TRAINING: Yale School of Drama.

Ellen O’Brien Head of Voice and Text STC: More than 50 productions during 11 seasons. ACADEMY FOR CLASSICAL ACTING: 22 productions of Shakespeare and Jacobean plays. REGIONAL: Ford’s Theatre, Arena Stage, Charlotte Repertory Company, Aurora/Magic Theaters, People’s Light and Theatre Company, Shakespeare Santa Cruz, North Carolina Shakespeare Festival. PUBLICATIONS: Articles in The Voice and Speech Review, Shakespeare in the Twentieth

Century, Shakespearean Illuminations, Shakespeare Survey, Shakespeare Quarterly, Shakespeare and the Arts; The Voice and Speech Review: Associate Editor for Heightened Text, Verse and Scansion. TRAINING: Yale University: MA, MPhil, PhD (English); Central School of Speech and Drama/The Open University (London): Advanced and Post-Graduate Diplomas in Voice Studies. TEACHING: Academy for Classical Acting; University of California, Santa Cruz; Guilford College; Kirkland College.

Daniel Neville-Rehbehn Resident Casting Director STC: Hughie, A Midsummer Night’s Dream, The Government Inspector, All’s Well That Ends Well (Free For All), The Merry Wives of Windsor, The Servant of Two Masters, Strange Interlude, The Two Gentlemen of Verona, Much Ado About Nothing, The Heir Apparent, The Merchant of Venice, Old Times, An Ideal Husband, Cymbeline, Candide. REGIONAL: The Studio Theatre: Assistant Production Management and Casting for several productions including American Buffalo, Reasons to be Pretty, In the Red and Brown Water, Adding Machine: A Musical, Grey Gardens, Rock ‘n’ Roll, Blackbird, Shining City, The History Boys, Jerry Springer: The Opera; Centerstage: Production Management Intern, 2006–2007 Season. TRAINING: Towson University: BS in Theatre Design.

Jenny LordResident Assistant Director STC: Assistant Director: 13 productions from 2010–2013; as Director: All’s Well That Ends Well (Free For All), Dream a Little Dream (2011 Fellows Project); several ReDiscovery readings. NEW YORK: NYMF: Going Down Swingin’, Don Imbroglio; Manhattan Opera Theatre: The Filthy Habit. REGIONAL: Dallas Theater Center: A Christmas Carol; New Century Theatre: Bee-luther-hatchee; 42nd Street Moon: By Jupiter; several operas including favorites Così fan tutte and Eugene Onegin. As choreographer: California Shakespeare Theater, San Francisco Shakespeare Festival, 42nd Street Moon, etc. EDUCATIONAL: NYU/Stella Adler Conservatory: The Cherry Orchard, Angels in America: Perestroika; San Francisco State University: Street Scene. OTHER: Assistant to directors at Geva Theatre Center, Encores!, Mint Theatre Company, California Shakespeare Theater, Music-Theatre Group. TRAINING: Yale University: BA.

“Witty and full of clever contrivance”

—The New York Times (1924)

MAY 25–JUN. 23, 2013 | EISENHOWER THEATERThe Kennedy Center Theater Season

is sponsored by Altria Group.

TogeTher on sTage They make magic, buT behind closed doors The drama is all Too real!For TheaTer’s FavoriTe newlywed acTing Team, where does The acTing end and True emoTion begin?

A New

Kennedy Center

Production

A new adaptation by Richard NelsonBased on THE CLASSIC PLAY BY FERENC MOLNÁR

Directed by Gregory Mosher

Tickets on sale now!

(202) 467-4600 kennedy-center.orgTickets also available at the Box Office.

Groups (202) 416-8400 | TTY (202) 416-8524

900 F Street NW · Washington, DC 20004 (202)783.5454Reservations online at www.opentable.com

Daily Command Performances.

As proud supporters of the Shakespeare Theatre Company, Gordon Biersch gladly honors

201 E. Capitol Street, SE • Washington, DC 20003

2012/13 SeaSon

FOLGER THEATRE

www.folger.edu/theatre 202.544.7077

“If music be the food of love, play on.”

twelfth nightapril 30–june 9, 2013

ShakeSpeare’S

FOLTWL2739_STCad_3.indd 1 2/22/13 11:59 AM

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STC StaffArtistic Director Michael KahnManaging Director Chris JenningsExecutive Assistant to the Artistic Director and Managing Director Ray Bracken

ARTISTICAssociate Director Alan PaulResident Assistant Director Jenny LordHead of Voice and Text Ellen O’BrienResident Casting Director Daniel Neville-RehbehnNew York Casting Binder Casting: Jay Binder, CSA;

Jack Bowdan, CSA; Mark Brandon, CSA; Jason Styres

Literary Associate Drew LichtenbergArtistic Fellow Jacob JanssenAssistant Director Gus HeagertyAffiliated Artists Keith Baxter, Avery Brooks,

Helen Carey, Veanne Cox, Aubrey Deeker, Colleen Delany, Franchelle Stewart Dorn,

Cameron Folmar, Adam Green, Edward Gero, Philip Goodwin, Jane Greenwood, Michael Hayden,

Tana Hicken, Simon Higlett, Christopher Innvar, Stacy Keach, Floyd King, Andrew Long, Ethan McSweeny,

Jennifer Moeller, David Muse, James Noone, Patrick Page, Robert Perdziola, Nancy Robinette, David Sabin,

Miriam Silverman, Derek Smith, Walt Spangler, Tom Story, Rebecca Bayla Taichman, Ted van Griethuysen, Adam Wernick

ADMINISTRATIONDirector of Administration James RoemerAssociate Director of Administration Anne S. KohnHuman Resources Manager Lindsey MorrisHuman Resources Coordinator Danielle MohlmanAccounting Manager Mary Margaret FinneranAccounting Assistant Marco DimuzioCompany Manager Jeanne HoslerCompany Management Intern Shelly CohenReceptionist Ursula DavidDirector of Operations Timothy FowlerOperations/IT Assistant Melissa AdlerTheatre Building Engineer Dave F. HendersonTheatre Monitors Milton Garcia, Jeff WhitlowMaintenance Technician Al SandersCustodian Trent HollandHarman Porters Dennis Fuller, Roderick Proctor, Jorge Ramirez Lansburgh Porters Mirna Guzman, Agustin HernandezDirector of Information Technology Brian McCloskeySystems Administrator David HarveyDatabase Administrator Brian GrundstromIT Help Desk Deanna Gonzalez

DEVELOPMENTChief Development Officer Ed ZakreskiAssociate Director of Development Amy GardnerIndividual Campaigns Manager Emily LynnIndividual Campaigns Coordinator Norah QuinnSpecial Events Manager Eric C. BaileyDevelopment Operations Manager Meridith YoungDevelopment Operations Coordinator Kristina WilliamsDirector of Corporate Giving Noreen MajorCorporate Giving Manager Ali Peterson Major Gifts Manager Tony WagenerMembership Coordinator Katie Burns-Yocum

Manager of Foundation and Government Relations Meghann BaboDevelopment Intern Alison Goldberg

MARKETING AND COMMUNICATIONSDirector of Marketing and Communications Darby LuncefordMarketing Director Martin DrobacAssociate Marketing Director Austin AuclairMarketing Manager Becca GurganiousAudience Services Manager Joy JohnsonTicket Managers Danielle Cox, Tim HelmerSales Associates Zindzi Ali, Benjamin Chase,

Evelyn Chester, Holly Cobb, Hannah Folger, Eric Frederic, Heather Hart, Michel Higgs, Christopher Hunt, KC Johnson,

Jessica Kaplan, Jennifer Ketcham, Emmy Landskroener, Andre McBride, Katherine McCann, Izetta Mobley, Kristin Nam,

Pat Nixon, Christopher Pearson, Monica Powell, Carmelitta Riley, Marie Riley, Charles W. Rohlfs, Crystal Stewart,

Julia Thompson, Michael Wharton, Genevieve WilliamsCall Center Director Monte Hostetler Teleservices Associates Thomas Brennan, Kelly Carson,

Nicholas Feeney, Rockwell Flint, Eric Garvanne, Cheryl Kempler, Jill McAfee, Sohna Millar, Joanna Morgan,

Burton Napper, Colin O’Bryan, Cynthia Perdue, Jasmine Simon, George Sitter, Amy Sloane, Kirk Sobell, Nancy Tyson

Theatre Services Manager Dora HoytHouse Manager Amanda Loerch Assistant House Managers Melissa Adler, Quintin Cary,

Julia Curry, Kurt Elfmann, Addie Gayoso, Kirsten Gregory, Jocelyn Henjum,

Aaron Lewis, Stephanie McLean, Carissa Milliken, Laura H. Moore, Ronee Penoi, Ali Peterson, Bach Polakowski, Marie Riley, Kelly Rubin,

Justin Silverman, Caitlin StaebellRetail Manager Christopher Levy Assistant Retail Manager Sue FraserHarman Reception Meaghan McFadden Associate Communications Director Diane MetzgerPublicist Lindsay TolarMarketing and Communications Interns Kate Colwell, Alison EhrenreichWeb and Media Programmer Brien PattersonSenior Graphic Designer Chris LowJunior Graphic Designer Elayna SpeightGraphic Design Intern Chris BoothPhotographers Kevin Allen, Margot Schulman,

Scott Suchman

EDUCATION PROGRAMSThe Academy for Classical Acting Director Gary LoganACA Program Coordinator Sloane A. L. SpencerDirector of Education Samantha K. WyerAudience Enrichment Manager Hannah J. HesselCommunity Engagement Manager Marcy SpiroSchool Programs Manager Vanessa HopeTraining Programs Manager Dat NgoTraining Programs Coordinator Sara JamesonEducation Coordinator Laura Henry BudaEducation Intern Kevin Collins Resident Teaching Artist Jim GagneAffiliated Teaching Artists Carolyn Agan, Wyckham Avery,

Dan Crane, George Grant, Paul Hope, Rachel Hynes, Naomi Jacobson, Mark Jaster, Jessica Jung, Matthew Kacergis,

Casey Kaleba, Floyd King, Jessica Lefkow, Andrew Long, Sabrina Mandell, Nafeesa Monroe, George Page,

Matthew Pauli, Victoria Reinsel, Lorraine Ressegger, Melissa Richardson, Nancy Robinette, Amie Root, Oran Sandel,

Brent Stansell, Craig Wallace, Eva Wilhelm

PRODUCTIONDirector of Production Deborah Vandergrift Associate Production Manager Tim KaufmannBookings Production Manager Genevieve CooperProduction Administrator Tim BaileyResident Production Stage Manager Joseph SmelserAssistant Stage Managers Elizabeth Clewley, Hannah R. O’NeilProduction Assistants Christopher Kee Anaya-Gorman, Maria TejadaStage Management Interns Staci Battista, Jessica SkeltonCostume Shop Director Wendy Stark PreyCostume Shop Floor Manager Randi Fowler KudnerResident Design Assistant Lynda MyersDrapers Denise Aitchison, Randall Exton,

Sally Kessler, Tonja PetersenFirst Hands Jennifer Biehl, Tessa Lew,

Sandra Thomas, Sara TrebingStitchers C. Layton Kuchinski, Michele Ordway,

Jennifer Rankin, Donna Sachs, Alaina Venditti, Pamela Wilcox

Crafts Artisan Joshua KelleyKC/ACTF Costume Design Intern Caitlin RainCostume Interns Jenny O’Donnell, Edwin SchiffWardrobe Supervisors Jeanette Lee Porter, Monica SpeakerWig Master Dori Beau SeigneurOverhire Design Assistant Erin Nugent Overhire Crafts Artisan Kathleen Stack Overhire Stitchers Claire Cantwell, Sandy Smoker-Dureas Overhire Wardrobe Alina GerallTechnical Director Mark PreyAssistant Technical Directors Michael Bagley, Kelly Dunnavant

Scene Shop Foreman Greg SchmidtScene Shop Administrator Margaret TrattaCarpenters Carrie Cox, Kevin Oleksy, Matt WolfeCharge Scenic Artist Sally GlassScenic Artist Jose OrtizOverhire Scenic Painters Jamie Kumpf, Sam Shelton, Jessica WadeProp Shop Director Chester HardisonAssociate Props Director Eric ReynoldsLead Props Artisan Chris YoungProps Artisan Eric DixonProps Painter/Sculptor Eric HammesfahrHand Props Artisan Jaime BagleySoft Goods Artisan Rebecca WilliamsProps Intern Hillarie ShockleyMaster Electrician Sean R. McCarthyAssistant Master Electrician Lauren A. HillHarman Electrician Erin TeachmanLansburgh Electrician Jacob Moriarty-StoneElectrician Micah ManningElectrics Intern Jeremy OwensAssistant to the Lighting Designer Sonya DowhalukAudio/Video Supervisor Jason TrattaResident Sound Engineer Jessica MurphyLive Mix Engineer Brian BurchettLansburgh Board Operator Andrew SmithAudio/Video Engineer Geoff MooreStage Operations Supervisor Louie BaxterAssistant Stage Operations Supervisor Mic MurphyStage Carpenters Nick Custer, Katherine LucibellaRun Crew Laura Downes, Catherine Russell

Audience ServicesLansburgh Theatre450 7th Street NW

Sidney Harman Hall 610 F Street NW

Ticket sales and subscriber exchanges: Tickets: 202.547.1122 Toll-free: 877.487.8849 Group sales: 202.547.1122, option 6 TTY: 202.638.3863 Box office fax: 202.608.6350 Bookings: 202.547.3230 ext. 2206

Box Office phone hours (both theatres): Monday–Friday: 10 a.m.–6 p.m. Saturday–Sunday: noon–6 p.m. (Box Office window open until curtain time)

Lansburgh Box Office only open weekdays and on performance weekends.

Concessions and Gift Shops: Food and beverages are available one hour before each performance. Pre-order before curtain for immediate pick-up at intermission. Lansburgh Theatre and Sidney Harman Hall gift shops are open before curtain, at intermission and for a short time after each performance.

Connect with us: Facebook.com/ShakespeareinDC Twitter.com/ShakespeareinDC YouTube.com/ShakespeareTheatreCo Flickr.com/ShakespeareTheatreCompany

AccessibilityOur theatres are accessible to persons with disabilities. Please request special seating at time of ticket purchase and arrive 30 minutes before curtain for priority seating.

Sign-interpreted performances Coriolanus: Tuesday, May 28, at 7:30 p.m. Wallenstein: Tuesday, May 21, at 7:30 p.m.

Audio-described performances Coriolanus: Saturday, May 25, at 2:00 p.m. Wallenstein: Saturday, May 18, at 2:00 p.m.

An audio-enhancement system is available for all performances. Both headset receivers and neck loops (to use with hearing aids outfitted with a “T” switch) are available at the coat check on a first-come basis.

Program notes in Braille and large print are available at the coat check.

Support for the Shakespeare Theatre Company’s Accessibility Program provided by

The video and/or audio recording of this performance by any means whatsoever are strictly prohibited. As a courtesy, turn off pagers, telephones, watch alarms and all other electronic devices during the performance.

Audience members may be reached during a performance by calling house management at 202.547.3230 ext. 2517. Specify seat location.

Latecomers will be seated at management’s discretion.

44

The Academy for Classical Acting (ACA) at The George Washington University is the only full-time MFA program in the country focused exclusively on classical acting.

The Emerging Classical Artists Fund provides much-needed scholarship funds for MFA candidates at the ACA. Your support is crucial to our goal of providing financial aid to 100% of our students.

You are invited to name a scholarship through the Emerging Classical Artists Fund.

Donors of $5,000 or more to the ACA at The George Washington University may name a scholarship to fund one of our talented actors and connect with a recipient.

SHAKESPEARE THEATRE COMPANYACADEMY FOR CLASSICAL ACTINGAT THE GEORGE WASHINGTON UNIVERSITY

The future of classical theatre is here.

To make a gift or for more information, please contact Tony Wagener of the Shakespeare Theatre Company at 202.547.3230 ext. 2312, or Kimberly Portis of The George Washington University at 202.994.9909. You can also donate online at ShakespeareTheatre.org/Support or gwu.edu/give.

Photo of Gene Gillette and Nick Dillenburg in STC’s The Two Gentlemen of Verona by Scott Suchman.

“My year at the ACA was one of the best years of my life. I would not have been able to attend the ACA without scholarship support.”

Gene Gillette, ACA Class of 2007