selected undergraduate works
DESCRIPTION
My portfolio includes the work I designed at the University of Florida. Works include mostly upper division projects and projects from lower division, a study abroad in China, a charrette, and a Chinese Calligraphy class.TRANSCRIPT
Lynette SalasBachelor of Design | University of Florida-Gainesville
The following excerpt was written as a combination of Seal and Clerical Scripts, because it was written between the two phases. Seal Script has delicate, circular strokes, while Clerical has dramatic strokes with flare.
SALAS 61
A Place to Sit: Activating an Interstitial SpaceUF School of Architecture, Gainesville, FL10-hour Charrette
Group Charrette with Emily Marvel and Jieun Jeong
For this Charrette Design Students were asked to supplement the School of Architecture with cost-effective solutions for one of the following issues:
1. lack of public/shared seating2. dilapidated studio desks3. lack of signage to direct incoming students and visitors
Our group decided to activate a dead space between classrooms on the fourth floor of the architecture building. This interstitial space has a nice view of campus. In fact, many students sit on the floor of this space for studio breaks.
62
Below sections created by Emily Marvel
We created a space that had two primary functions:
1. leisure/relaxation/dining space2. lecture space
Boards were mounted onto one of the walls for the lecture space and 4’ x 1’ rolling presentation boxes were placed perpendicular to the presentation wall to create a space for critiquing.
A latticed wall made of resinite tubing registers with the presentation boxes to create another space for leisure.
Cubes made of resinite tubing were also utilized for seating, tables, and/or display depending on the arrangement of the user.
All drawings and renderings were created by Lynette Salas, except where noted.
Above arrangment of cubes is for leisure or dining, while below arrangement is for final critique with cubes arranged against the presentation boards to display models.
SALAS 63
Raumplan Analysis Model Design 2 of manipulating light 7
Gallery, Plaza, Tower, and Occupiable Wall Design 4 of articulating space, skin, and mood 8
A House in the Pines Design 5 of adapting to and highlighting different landscapes + climate 10 of being myself
Tything + Trustee Lot Design 6 of designing a skin that speaks volumes 16
Charleston Community Library Design 6 of designing in a historical urban context 20 of thinking unconventionally
Revitalizing the Hudson Rail Yards Design 7 of designing in and for a dense urban context 28 of applying theory to design of having conviction
URBAN TETRIS: Reading of a Sectional City Seminar of visualizing and analyzing a city’s history, culture, past, 38 present + future, and layers of development
Stitching the Fabric of Chen Lu Design 8 of developing an infrastructure according to a place’s needs 42 of applying design to health, business and sociology
Chinese Calligraphy Spring ‘09 of creating a line full of richness 58 of conveying passion in a single stroke
Pride in a Place Charrett Spring ‘09 of making cost-effective solutions to immediate needs 60 of going with my gut
Project Level Importance... Page
64
Lynette Salas
(954) 261.449414917 SW 37th StreetDavie, FL 33331
Sheridan Technical Center May 2010Certificate in Web Design (In Progress)
University of Florida May 2009Bachelor of Design Minor in Business Administration
Florida State University May 2006General Education Requirements
Generative sketch for a lower-division landscape project. SALAS 65