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New Mexico Historical Review New Mexico Historical Review Volume 83 Number 4 Article 2 10-1-2008 Rutas del Corazón: Pilgrimage and Cultural Commerce on the Rutas del Corazón: Pilgrimage and Cultural Commerce on the Camino Real de Tierra Adentro Camino Real de Tierra Adentro Enrique R. Lamadrid Miguel Gandert Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Recommended Citation Lamadrid, Enrique R. and Miguel Gandert. "Rutas del Corazón: Pilgrimage and Cultural Commerce on the Camino Real de Tierra Adentro." New Mexico Historical Review 83, 4 (2008). https://digitalrepository.unm.edu/nmhr/vol83/iss4/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected].

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Page 1: Rutas del Corazón: Pilgrimage and Cultural Commerce on

New Mexico Historical Review New Mexico Historical Review

Volume 83 Number 4 Article 2

10-1-2008

Rutas del Corazón: Pilgrimage and Cultural Commerce on the Rutas del Corazón: Pilgrimage and Cultural Commerce on the

Camino Real de Tierra Adentro Camino Real de Tierra Adentro

Enrique R. Lamadrid

Miguel Gandert

Follow this and additional works at: https://digitalrepository.unm.edu/nmhr

Recommended Citation Recommended Citation Lamadrid, Enrique R. and Miguel Gandert. "Rutas del Corazón: Pilgrimage and Cultural Commerce on the Camino Real de Tierra Adentro." New Mexico Historical Review 83, 4 (2008). https://digitalrepository.unm.edu/nmhr/vol83/iss4/2

This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected].

Page 2: Rutas del Corazón: Pilgrimage and Cultural Commerce on

Rutas del CorazonPILGRIMAGE AND CULTURAL COMMERCE

ON THE CAMINO REAL DE TIERRA ADENTR0 1

Enrique R. Lamadrid

Photographs by Miguel Gandert

For over four centuries, the Camino Real de Tierra Adentro (Royal Road

of the Interior) served as the passageway for people, politics, and trade,

linking New Mexico with Mexico and the rest of the world.zAs the oldest

continually used historical route in North America, much of the initial re­

search on the Camino Real has concentrated on military history, commerce,

technology, missions, and genealogy.3 On this foundation, the more elusive

contours of cultural history can be traced through the intangible heritage of

the Camino Real. 4

During the early colonial period, the Spanish established missionary

projects to convert the local Natives as New Spain expanded into the

northlands. This legacy of intercultural spirituality still inspires the peoples

of a vast region now crossed by an international boundary. The lure of pil­

grimage, self-discovery, and renewal leads the people of Mexico and New

Mexico back along the geographical and cultural corridors that join their

destiny with their history. No need to cross the ocean to find the spirit of

Enrique R. Lamadrid's research on the contexts and corridors of traditional Nuevomexicano

culture has led him up and down the Camino Real and into its watersheds. He led the design

team and was co-curator of the permanent exhibit at the International Camino Real Heritage

Center south of Socorro, New Mexico. At the University of New Mexico, he teaches folklore,

literature, and cultural history and directs the Chicano/Hispano/Mexicano Studies program.

His research on cultural hybridity culminated in his acclaimed book Hennanitos Comanchitos: 423lndo-Hispano Rituals ofCaptivity and Redemption (University of New Mexico Press, 2003)·

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Nuevo Mexico. Its cultural roots are still alive and well on the Camino Real

between Santa Fe, Zacatecas, and points south into Mexico.

Culture is so closely linked to identity that we must broaden the focus for

a moment. Nuevomexicano students often ask ifwe are Spanish or Mexican.

Instead of sharing personal perceptions, I direct them to the foundational

documents of the second of New Mexico's three villas. A more comprehen­

sive sense of the collective first person emerges from the proclamation of

Gov. Diego de Vargas on 19 April 1695, establishing the Villa Nueva de SantaCruz de Espanoles Mexicanos del Rey Senor Carlos Segundo (New Villa of

the Holy Cross ofSpanish Mexicans of the King Lord Carlos the Second).5 In

this document, students discover that the intertwined roots of regional iden­

tity emerge and encompass both hispanidad and mexicanidad.In this cultural landscape, folk religion, ritual, dance, and music are key

components that link north and south, past and future in one of the greatest

intercultural legacies of humanity in North America. Catholic saints' devo­

tions such as Nuestra Senora de Guadalupe, Santo Nino de Atocha, San

Antonio, San Lorenzo, and el Senor de Mapimi are central, as well as the

confraternities that tend them, most important the brotherhood of Nuestro

Padre Jeslis Nazareno (also known as the Penitentes).6 Ritualized folk dra­

mas include the Matachines (the dance of the conquest) and the plays of

the Morisma (Christians and Moors) and Pastorela (Christmas shepherds).7

Both religious and secular folk traditions served to transmit cultural values

and knowledge and satisfy the need for creative expression.

In the last decades before the United States invasion of northern Mexico

in 1846, formal education and the democratic ideals and liberal values of la

Ilustraci6n (the Enlightenment) permeated the major cultural current flow­

ing northward from central Mexico. Between 1750 and 1850, dozens of

N uevomexicanos from prominent and liberal families were educated in the

Colegio Seminario de Durango, originally founded by the Jesuits, in the

fields of science, metallurgy, government, humanities, letters, and theol­

ogy. They returned as leaders, engineers, educators, and clergy, and changed

New Mexico.s To see one of our hijos ilustres (eminent sons), Padre Anto­

nio Jose Martinez, honored with a bronze statue with book and pen in hand,

on the Plaza of Taos is heartening.9 But the illustrious influence of the En­

lightenment is a subject for another article. The focus of this inquiry is on

the popular traditions and first traveling devotions of the Camino Real, which

serve as the clearest window into the emerging mestizo soul of Nuevo Mexico

and the interconnection of its cultures.

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Pilgrimage remains the most dynamic and unifying link of the intan­

gible cultural traditions of the Camino Real de Tierra Adentro. Broadly

defined as the travel of the spirit, pilgrimage can also include heritage tour­

ism, the journeys of rediscovery of peoples separated by borders and other

political obstacles. According to cultural anthropologist Victor Turner, the

power of pilgrimage lies in its structural resemblance to rites of passage in

MAP OF THE CAMINO REAL DE TIERRA ADENTRO

(Map from The Royal Road: EI Camino Real from Mexico City to

Santa Fe [1998J. Map courtesy University of New Mexico Press)

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426 ~ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

which the initiate departs the everyday world and passes physically and spiri­

tually through an intense liminal or threshold state into communitas, a new

stage of life and communal consciousness. 1O

Before the European incursion into Mesoamerica, pilgrimage was al­

ready part of the cultural landscape. The migration of tribes from north to

south was remembered and re-enacted in ritual. Holy routes to mountaintops,

oceans, salt deposits, and water sources both celestial and terrestrial became

part of indigenous religion." According to European Christian beliefs, un­

like rites of passage imbedded in the sacraments, pilgrimage was not inevi­

table or obligatory, but rather volitional. The peregrino (pilgrim) chose to

hit the road and to explore the metaphorical realm of homo viator, the spiri­

tual traveler on the road of life. The reward remained communitas, a new

and enhanced sense of life and shared purpose.

The first Spanish Mexicans to venture north to found new communities

in the farthest reaches of Nueva Espana faced formidable barriers. Their

passage was so dangerous that divine favor and grace seemed as necessary

and important as good planning and proper provisions. The motivations for

travel under such difficult circumstances were by definition profound and

compelling. When explorer Gaspar Perez de Villagra composed his poetic

tribute to the settlement of Nuevo Mexico a mere decade after the entrada

of 1598, he chose the heroic endecasyllabic verse of Renaissance epic po­

etry. In stirring hyperbole, Villagra sang of emerging dynasties and a shin­

ing new city on the banks of el Rio del Norte founded by the noble sons of

Zacatecas. Legitimacy to possess the land was based on the illustrious Indo­

Hispano genealogy of don Juan de Onate's son Cristobal. Through his

mother, dona Isabel, the scion of don Juan was also a direct descendent of

Hernan Cortez and los Reyes mexicanos (the Aztec nobility). In full-blown

literary and historical allusion, Villagra linked the remote events of the up­

per Rio Grande (referred to as the Rio Bravo del Norte in Mexico) to the

founding of Rome, the most famous empire of yore, as established on the

banks of the Tiber River in the verses of Virgil's Aeneid. ll To the greater

glory of the Onate expedition's families, Villagra likened them to their Ro­

man and Greek forebears who survived their own ordeals to cross their great

river into the "Elysian Fields."'3 Historian fray Angelico Chavez noted the

biblical dimensions that underlie Villagra's references to classical antiquity.

As people of God, the first Nuevomexicanos crossed a forbidding Sinai to

the cool meadows and cottonwood groves of their River Jordan into their

Promised Land. '4

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But the epic sensibility also had a more recent inspiration in la

Reconquista (the reconquest of Spain), which was the only Holy Crusade in

which Spanish soldiers of the cross did not have to travel to foreign lands to

fight. Morisma or "Moorish" celebrations are ritual reminders ofthis struggle;

the mock battles and reconquest dramas are still celebrated on special occa­

sions and feast days in Mexico and New Mexico. In the spring and summer

of 1598, "Juegos de Moros y Cristianos" (the plays of the Moors and Chris­

tians) commemorated two key moments during the Spanish entrada into

New Mexico: the "First Thanksgiving" on 30 April after first crossing into

New Mexico and the feast day of Saint John the Baptist later in the summer

at Ohkey Owingeh,. San Juan Pueblo. 15 In a similar vein, "The Moors and

Christians" was performed in modern. day Alcalde, New Mexico, just north

ofOhkey Owingeh through the 1950S, and in nearby Chimayo, New Mexico,

through the 199os.16

Back in 1598, the epic struggle between Islam and Christianity was still

fresh in the popular imagination. Reveling in the triumphs of the past helped

with facing the threats of the present. As horses galloped back and forth and

harquebuses and cannons were fired, Pueblo Indians watched the spectacles

in fear and amazement. The modern Chimayo play shares motifs and epi­

sodes with other Morismas in Spain and the Americas: the Moors deceive

the Christians, steal their cross, and hold it for ransom. After the battle with

"ochenta mil soldados" (eighty thousand soldiers), as the script claims, the

cross was recapturedY This claim may sound like fanciful exaggeration on

the lips of the two dozen mounted actors in the New Mexico play, but a

visitor to the Morisma de Bracho in Zacatecas for the Feast of the Martyr­

dom of Saint John the Baptist celebrated annually on 29 August might see

legions approaching those outrageous numbers. In the summer of 2006,

fifteen thousand participants took to the field in Zacatecas. 18

Morisma texts have survived in various forms in villages, towns, and cit­

ies between New Mexico and Zacatecas. The New Mexico play may last

fifty minutes, complete with battles on horseback. With a labyrinthine plot

that conflates eight centuries of Christian-Islamic relations, the Zacatecas

play lasts for three days. In New Mexico, after the battle and the recapture·

of the cross, the Moorish prisoners are freed by the merciful Christian king

Alfonso. In the last scene, the Gran Sultan begs to become a Christian.

Over the last eight centuries, this drama commemorates Christendom's ut­

most fantasy, and the sultan has had many names, including Suleiman,

Abul Hassan, Argel de Ozman, Boabdil, Alf Pasha, Osama, and Sadaam.

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ATAQUE DE LOS TURCOS

The Turks advance on the Christians during the Morisma de Bracho in Zacatecas, 2006.

(Photograph Miguel Gandert)

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SULTAN:

Cristiano, ya tu valorMe tiene a tus pies postrado.

Te pido por westra CruzY por tu Dios veneradoQue me des la libertadQue estoy desengafiado

Que s610 tu Dios es grandeYMahoma todo engafio.

LAMADRID 7429

[Christian, your valor has me

Prostrate at your feet.

I beg you by your Cross

And by your venerated God

That you give me liberty

Because I see the light

Only your God is great

And Mohammed is alllies.Jl9

'-:

The mercy bestowed by the Spaniards upon their repentant foes did not go

unnoticed by Native American observers in New Mexico.20 Peace, inclu­

sion, and brotherhood were the rewards of conversion. By implication those

who did not submit to the True Cross could expect the flash and fury of

Spanish cannons, steel, and horses. After the Chichimeca wars of the six­

teenth century, there were few local Natives to impress in Zacatecas, there­

fore the current Morisma is performed entirely by and for mestizos.

Numerous scenes of conversion, baptism, and revenge lead into pitched

battles. Since 2003 the obvious parallels with the U.S. occupation of Iraq

add another level of irony for viewers and participants. The most grisly and

violent scene is the conversion and execution of King Argel de Ozman after

his defeat by the Christian knight don Armando de Guzman at the climax

of the play on day three. Moments after the waters of baptism splash his

brow, he is decapitated and his head is paraded in triumph across the battle­

field, the final event of a three-day frenzy of folk plays and pitched battles.2!

But enough of historical fantasy; the realities and disappointments oflife

on the northern frontier in the sixteenth century were more sobering than

the pageant presented. The moors were a world away. Closer. at hand were

the real threats of warfare and the specter of privation. In this grim context,

the inventories of family possessions are a poignant reminder of hope and

hopelessness. In the trunk of one proud family was a selection of lace, em­

broidered silk dresses, and twenty-one pairs of Cordovan leather slippers to

dance on the rough caliche plaza of San Gabriel Yungue Owingeh.22 As the

search for new bonanzas ofsilver proved fruitless, the threat of Native rebel­

lions loomed.

In the early years, colonial authorities restricted travel and commerce.

Only the permission of an alcalde gave license to travel within the prov­

ince. To venture beyond required the approval of the gobernador. In a closely

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guarded world, pilgrimage was localized and increasingly polycentric. Holy

journeys only ventured as far as the local calvaria (calvary), a hill or high

spot near each settlement, where the crucifixion of Jesus was recalled in

prayer and celebration. In a syncretic embrace, many calvarias were super­

imposed on already ancient sacred sites, as the contiguous petroglyphs and

ruins attest.23

The journey to the holy places of the life and death of Christ were and

are revisited ritually in las Estaciones (the Stations of the Cross), which are

especially powerful when staged outdoors in the streets of a village leading

uphill to a calvaria. Local pilgrimage is a complex surrogate for the journey

to the source and holy lands of la Santa Fe (the holy faith). The procession

is a simulated pilgrimage that resanctifies spaces, boundaries, fields, water

sources, and other sacred sites located just beyond the domestic sphere of

families and households. 24

The sense of New Mexico as a tierra sagrada (sanctified land) is a sign of

a new mestizo heritage forged after the great Pueblo Revolt of 1680. Within

a few generations, the settlers were spiritually possessed by the land. As they

became Nuevomexicanos and indigenous to the place, their Campo Santo(the Sacred Ground) boundaries extended past the narrow churchyard and

the bones of the dead toward valleys, plains, and mountains beyond.25 Cen­

tral to this sacred landscape are the Native and mestizo peoples who have

survived the rigors of the northern desert and the historic encounter of Im­

perial Spain and the Pueblo world. Like their ancestors from Taos to El

Paso del Norte, Zacatecas and beyond, the people of the northlands dance

in unison to the insistent but gentle music of drums and rattles, guitars and

violins. Matachines dancers are found in Indian Pueblos and Hispano vil­

lages alike. The fluttering ribbons that hang from their crowns and shoul­

ders are the colors of the rainbow. In proud formation they do battle against

chaos and reenact the terms of their own capitulation to a new spirituality.

A bull runs wild through their lines like the Minotaur through his laby­

rinth. With rain gourds in one hand and three-pronged lightning swords in

the other, the dancers carve the wind in symmetrical arabesques.

Christian souls or Aztec spirits? They dance in graceful reconciliation,

now in lines, now in crosses. In their midst a great king receives the counsel

of a little girl. She is Malinche. In the south her name is synonymous with

betrayal, but she is no traitor in New Mexico.26 Stumbling along the edges

of the fray, the grotesque abuelos guard the dancers, make fun of the people,

and ridicule the New World order. These old men of the mountains taunt

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ABUELOS VIVOS, TaROS MUERTOS

The bulls are castrated during the Matachines dance in Alcalde, New

Mexico, 1999.(Photograph Miguel Candert)

and overpower the toro (bull). They kill and castrate him. They cast his seed

to the joyful crowd. Have they vanquished evil as the people say or has the

savage bull of European empire met its consummation? Gracias a Dios it is

a mystery, we all agree.

Legend says that long ago Moctezuma himself flew north in the form of

a bird bearing bad news and good adviceY He warned that bearded foreign­

ers were on their way north, but if the people mastered this dance, the strang­

ers would learn to respect them, join in, and come to be just like them. This

lore is of course a poetic description of the Matachines dance and how it

came to be shared between the cultures of New Mexico.28 Ritual dance

drama cannot be explained, only evoked.29

The yearly revival of the Fiesta de Santa Fe commemorates the

Reconquista (1692) -the return of the Espanoles Mexicanos to New

Mexico -and the Matachines dance is the truest celebration of their atone­

ment and reconciliation with their Pueblo neighbors. 30 The link between

the triumph of the Reconquista of Spain in 1492 and the Reconquista of

Nuevo Mexico in 1692 was resonant in the minds of Governor Vargas and

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432 ~ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

his people. The final battle for Granada, Andalucia, was directed from the

encampment christened Santa Fe north of the Moorish city. In this light, the

fight for Santa Fe, Nuevo Mexico, two centuries later was doubly poignant.

Ask the people of Bernalillo, New Mexico, about Governor Vargas. He

died there in 1704, when he fell ill during a campaign against the Apaches

in the Sandia Mountains. According to tradition and historical memory in

Bernalillo, Vargas made a promesa (holy vow) to San Lorenzo when he

returned to New Mexico, for the Pueblo Revolt had erupted on the feast day

of San Lorenzo on 10 August 1680. According to this legend, he credited the

saint with delivering the people of New Mexico from destruction, allowing

them to escape to EI Paso del Norte, and enabling their return. The promesa

was to remember forever their deliverance through ritual dance and fiestas.

The people of Bernalillo have kept his promise and challenge the Fiesta de

Santa Fe by hosting the other "oldest continuous community celebration of

the state."l!

Ask the people of EI Paso del Norte, now Ciudad Juarez, about San

Lorenzo and the Pueblo Revolt. When their ancestors, the refugees from

New Mexico, settled just a few miles southeast of the old Guadalupe mis­

sion, they named the new town San Lorenzo. Now it is a neighborhood

and parish in the great border city. For their feast day, like the people of

Bernalillo, they dance the Matachines, but in the southern style to drums

and violins in brilliant red attire with embroidered reed aprons. They dance

in lively but solemn procession, in faith and in remembrance. l2 There are

many more links to a common heritage up and down the Camino Real de

Tierra Adentro.

With the advent of more peaceful relations with the Pueblo nations,

increasing travel and trade cast the network of local pilgrimage wider. An­

thropologist Turner notes that the patterns of commerce and mercantilism

that developed into capitalism owe just as much to the Catholic obligation

of holy pilgrimage as to the Protestant work ethic.ll The great trade fairs of

northern New Spain, such as San Juan del Rio, were synchronized with Catho­

lic pilgrimage and feast days. In New Mexico, trade fairs were sanctioned by

the Paz de Dios (God's Truce), which created a framework ofpeace in which

enemies could conduct their commerce. By the end of the eighteenth cen­

tury, Nuevo Mexico began to prosper.l4 The Bourbon Reforms brought ad­

ditional military protection, subsidies from the crown, diplomacy, and peace

with the Comanches to the Provincias Intemas, which included Nuevo

Mexico and Nueva Vizcaya. Production and trade diversified to include

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DANZA DE LA PLUMA

The pilgrims dance for San Lorenzo in front of Iglesia de San Lorenzo in Ciudad Juarez,

Chihuahua, 2008.

(Photograph Miguel Gandert)

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434? NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

manufactured products like the beautiful banded RIo Grande style sarapes,

which were used as blankets and rugs.

Born in 1771 during these prosperous times, Bernardo Abeyta was an

enterprising individual from the emerging weaving center of Chimayo, New

Mexico. His knowledge of the intangible heritage of the Camino Real de

Tierra Adentro reached far beyond Nuevo Mexico. Whether he or some­

one close to him traded or traveled south on the Camino is not specifically

documented, but through him, two new religious traditions came north.

First, in 1813 he petitioned to build a new Santuario (Sanctuary) on top of

an ancient Tewa sacred spring in the Potrero area of Chimayo to be dedi­

cated to the miraculous Senor de Esquipulas. The veneration of Senor de

Esquipulas originated with the Chorotega Mayans in Guatemala where a

miraculous Christ hung crucified on a green Tree of Life sprouting from

holy earth, which pilgrims collect, anoint, and ingest to sooth their ills. 35

After Abeyta's death in 1856, a nearby chapel was dedicated to another santo

of the Camino Real, Santo Nino de Atocha. This devotion to the child

Jesus dressed as a pilgrim on the road to his twin brother's shrine at Santiago

de Compostela proliferated in Chimayo. In subsequent decades, except for

the collateral benefit of the holy earth that could be obtained at the same

site, the devotion to Esquipulas was eclipsed by Santo Nino who became

the unofficial patron saint of Chimayo, and therefore, New Mexico. As a

pilgrim, Santo Nino is free to wander far beyond the confines of the altar to

help people in the places where they need him. He is remembered as a

protector of travelers and rescuer of captives. By the end of the century,

Chimayo began attracting a large variety of pilgrims, both Christian and

secular, and grew into the largest and most important pilgrimage destina­

tion in twentieth- and twenty-first-century North America.36

This legacy of intercultural spirituality still inspires people from the vast

regions of El Norte, which is currently divided by the U.S.-Mexico border.

American claims for Manifest Destiny imposed the international boundary

upon the region in the nineteenth century. Now, in the twenty-first century,

a globalized economy dictates that many people adopt transnational strate­

gies for survival, but people displaced by migration never forget their roots

and places of origin. Just as commerce and pilgrimage interconnect on the

Camino Real, the phenomenon of heritage tourism, which entices people

to travel in search of themselves, has become another element drawing people

along the Royal Road. By the 1990S, more than half of the people born in

Zacatecas lived in the United States. They are anxious to teach their chil-

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LA CAMINANTE QUIERE CAMINAR

The pilgrims offer their prayers in the Santuario de Chimayo in

Potrero,.New Mexico, 2000.

(Photograph Miguel Gandert)

dren about their homeland in Mexico and their historical connections to

America. Another International Camino Real Heritage Center has been

proposed in Zacatecas, as well as in Chihuahua, following the lead of New

Mexico.3?

The family history of one of my students at the University of New Mexico

is a case in point. After losing their ranch and land near Chalchihuites,

Zacatecas, to drought and poverty, parents, brothers, and sisters of the

Banuelos family gravitated first to cities in Mexico and then traveled across

the border to EI Paso, Texas, then California, and finally settled in Albu­

querque, New Mexico, to secure sustenance and stability. One by on~, over

fifteen years, each attained residency status in the United States. After years

of daily prayers, their mother's dream was fulfilled and their promise to

Santo Nino de Atocha could be repaid with a visita (holy visitation). The

mother had vowed to return a treasured picture of the Holy Child to the

altar where it was originally blessed at Plateros, Zacatecas.38

Parents, children, cousins, and grandchildren piled into a second-hand

recreational vehicle and made the pilgrimage south. Adventures on the road

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436 -+ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

included mechanical breakdowns and near disasters, but the manda (holy

vow) was completed. The holy picture and a five-page handwritten note of

thanks were left with tens of thousands of other ex-votos (offerings of thanks,

including texts, photos, locks of hair, etc.) on the walls of the convent of

Plateros. The earliest offerings date from the late eighteenth century. All

are stories and histories of the Camino Real de Tierra Adentro, despite the

present barriers and challenges of transnationalism. Now the family, like

increasing numbers of Mexican families in New Mexico, maintains the

devotion to Santo Nino, the pilgrim saint, by walking to the Santuario de

Chimayo for Semana Santa (Holy Week).

Bernardo Abeyta's second contribution has also persisted into contem­

porary times. Well before 1853, he introduced the Reglas (constitutional

documents), which established the autonomy and authority of the Santa

Hermandad de la Sangre de Nuestro Senor Jesucristo, the influential Catho­

lic lay penitential brotherhood.39 The brotherhood is dedicated to and now

named for Nuestro Padre Jesus Nazareno, which celebrates the aspects of

the Passion that recall Ecce Homo (Jesus at his trial) and the Man of Sor­

rows (Jesus scourged, crowned, wounded, and humiliated). This suffering

Jesus is supremely human, a man still standing with all the strength neces­

sary to fulfill his transcendental burdens. As the Son of God, he takes on the

role of his Father and exemplifies suffering humanity.

In each community, the hermano mayor (head brother) embodied pa­

triarchal authority and fostered cooperation and mutual aid. After the

U.S. invasion, hermanos (brothers) in Nuevo Mexico were deeply involved

in politics and supported cultural resistance to the American occupation.

Religion was a refuge and source of strength for the larger struggle at

hand. The hermanos were and still are in charge of community resources

like land, water, and agriculture-responsibilities long taken away from

them in Mexico during the modernization programs of La Reforma in

the 1860s.40

In March 2006, a group of Hermanos de Nuestro Padre Jesus Nazareno

from northern New Mexico made a historic pilgrimage to Durango, the

capital city of the Mexican state of the same name. The carefully self-se­

lected group, inc!uding craftsmen, singers, santeros (saint makers), and schol­

ars, comprised representatives and officers from different Morada chapels

and chapters. The spiritual quest of these hermanos was as strong as their

desire to take charge of their own cultural representation and interpret their

own history.

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Durango is deeply significant to the Hermandad because the Archdiocese

for Nuevo Mexico was headquartered there until 1851. Considered as the Ath­

ens of the Camino Real de Tierra Adentro, the city attracted students from all

over northern Nueva Espana and Mexico. As mentioned already, the most

famous graduate ofDurango's Colegio Seminario was Padre Martfnez ofTaos,

a key advocate and mentor to the Hermandad. 41

For the journey in 2006, three cofradzas (brotherhoods) in Cuencame,

Durango city, and Nombre de Dios were identified and contacted with the

support of Mexican colleagues, including anthropologist Tomas Martinez

Saldana and historian Jose de la Cruz Pacheco Rojas of the Instituto de

Investigaciones Hist6ricas who helped arrange formal visitas for the hermanos

to meet, pray, and break bread with each other. Heated controversies exist

regarding the origins and devotional practices of the Penitentes, with some

scholars veering as far afield as Andalucfa in search of clues. The curiosity

of some writers verges on obsession. Others have been openly critical and

even hostile to the brotherhood. No need to cross the ocean because just

down the Camino Real, cofradfas abound.

By 1790 there were over 150 cofradfas registered in Nueva Vizcaya.42 As

in Nuevo Mexico, their responsibilities included ensuring the general spiri­

tual and material well being of the community, plus maintaining the devo­

tions dedicated to their patron saints. Some cofradfas in mining areas

accumulated capital in silver. Other cofradfas controlled farms, sources of

water, orchards, livestock, and even property in urbanized areas. Besides

economic resources, the cofradfas also had political influence. Hermanos

often held political and administrative posts such as alcalde mayor. Despite

the similarities, by the nineteenth century the Hermandad located north of

the international border faced a new crisis as they dealt with an American

political system intent on the subordination of the Hispano and Native popu­

lation. In Mexico the Hermandades confronted a triple crisis: the Bourbon

and Jansenist reforms of the late eighteenth century; la Reforma in the lat­

ter nineteenth century, which eliminated traditional systems of land and

water governance; and the Mexican Revolution of 1910 and the counter­

revolutionary Cristero wars from 1926 to 1929. The Church recruited

hermanos to challenge the new revolutionary government and its armies

with tragic and disastrous results. In Mexico it is remarkable that any cofradfas

survived at all.

The first visita of the hermanos Nuevomexicanos in 2006 was to

Cuencame, an old mining settlement on the Camino Real as it winds north

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438 -+ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

HERMANOS DEL SENOR DE MAPIMI: BROTHERS OF OUR LORD OF MAPIMI FROM

CUENCAME, DURANGO, 2006

(Photograph Miguel Gandert)

of Zacatecas and into eastern Durango state. The devotions and rituals in

Cuencame center on Nuestro Sefior de Mapimf, a miraculous crucified

Christ that is especially significant to miners and to frontline communi­

ties that fought the Indians during the colonial period. On Jueves Santo

(Holy Thursday) in 1715, the Toboso Indians attacked a procession at

Mapimf and killed over three hundred people. Two soldiers managed to

escape to the east with the Cristo to the Sierra de Jimulco, where they hid

the santo in a mesquite tree by a spring. A pious Indian woman found and

guarded the saint, and notified the nearest village. On 6 August 1715, the

Cristo was brought to Cuencame and a cofradfa was soon organized. When

the saint was loaded for transport to Mapimf, the wagon became too heavy

to move, a sign that the Cristo wanted to stay in Cuencame. Because

many of its members were miners, the Cofradfa del Sefior de Mapimf

grew and prospered. In a 1790 register, its assets totaled 3,825 pesos, a size­

able fortune.

The devotions to San Antonio, Nuestra Sefiora de los Dolores, and Jeslls

Nazareno are also prominent in Cuencame, with societies of Matachines

and Pluma dancers all around. An identical ritual cluster can be found in

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AND LITTLE BROTHER OF OUR FATHER

TRISTEZA DEL VIERNES SANTO: SISTER

JESUS IN IGLESIA DE SAN AGUSTIN IN

CIUDAD DURANGO, DURANGO, 2008

(Photograph Miguel Gandert)

the villages of the Sandia and Manzano mountains, complete with the color­

ful Matachines conquest dance drama. In 2005 mayordomos (fiesta stewards)

from San Antonito in the Sandia Mountains made their own visitas to

Cuencame to make personal contact with their patron saint, el Senor de

Mapimf. The Mexicanos were amazed that Nuevomexicanos from the other

side of the border shared their devotion, which dates to the late eighteenth

century in New Mexico.43 In Cuencame on their pilgrimage in 2006, the

Nuevomexicano hermanos were received by their Mexicano hermanos with

a reZiquia (reliquary) or communal meal ofcaZda duranguefio, known as green

chile stew in Nuevo Mexico. They learned that since the parish priest serves

as hermano mayor, the Hermandad

del Senor de Mapimi is effectively

under the control of the Catholic

Church. The lack of local autonomy

sets this cofradia apart from the New

Mexico cofradfa, although devotions,

customs, foodways, and even music

share so many commonalities.

In Durango the next visita was the

Iglesia de San Agustin, home to a size­

able congregation of hundreds of

Hermanos de Nuestro Padre Jesus

Nazareno divided into seven caTOS(choruses), each in charge ofspecific

devotions, music, and days ofSemana

Santa. In 1673 the Cofradfa del Dulce

Nombre de Jesus and its prominent

Spanish and criollo members brought

a stunning image of Jesus Nazareno

in the Escuela Montanesa style from

Sevilla.44 If the strategy of Counter

Reformation art was to persuade and

impress, this Nazareno fulfilled its

function and attracted many new

members to the devotion. Abp. Pedro

Tamar6n y Romeral was especially

moved by the sculpture. When Au­

gustinian friars selected a group of

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440? NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

ESCLAVOS DE JESUS

Three generations of faith come before God in

the Templo de Jesus de Nazareth in Nombre

de Dios, Durango, 2006.

(Photograph Miguel Gandert)

pardos brothers to be in charge of the church in 1746, there was a struggle

for ownership of the image, which still resides there today.

The cuadernos (notebooks) of alabado hymns sung at San Agustin in

Durango contain many of the same hymns used in Nuevo Mexico, per­

formed in the same a capella musical style sung in unison and in antipho­

nal dialogue between prayer leaders and the congregation.4\As in Cuencame,

governance of this cofradfa is dominated by the church, with the Augustin­

ian order clearly in charge. Again, autonomy and governance are the key

distinctions between this cofradfa and the Nuevomexicano cofradfa.

In stark contrast, the Hermandad de Nuestro Padre Jesus in the town of

Nombre de Dios has always

been autonomous and inde­

pendent. As with the Her­

mandad of the same name

in Nuevo Mexico, the clergy

visits by invitation only. An

early Franciscan outpost was

established here in a well­

watered valley south of

Durango in 1561, the first

mission north ofZacatecas.46

On each side of a river, twin

communities emerged; Nom­

bre de Dios was where Span­

ish Mexicans and criollos

lived, and San Francisco del

Malpafs was the Indian town.

The first brotherhood to take

root was la Cofradfa de la

Santa Vera Cruz. The Native

cofradfa was named Dulce

Nombre de Jesus, founded

in 1671.This latter group coa­

lesced around an image of

Jesus Nazareno named

Dulce Nombre de Jestls.

The devotion to this santo

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FALL 2008 LAMADRID ~ 441

CONCILIO DE LOS HERMANOS

The council of the brotherhood met in Nombre de Dios, Durango, in 2006.

(Photograph Miguel Candert)

became a focus of resistance and social opposition to the civil and ecclesias­

tical authorities. The independence of the Templo de Jesus de Nazareth

was never fully respected, but persists to this day. Its struggle for land and

water is personified by Urajen de Luna, a legendary Indian leader from the

beginning of the eighteenth century. In a water rights dispute he sustained

a massive skull injury from which he miraculously recovered. His battered

but intact skull still guards the church of his brotherhood, just as the carved

death cart figures guard the Morada chapels of Nuevo Mexico.

During their Lenten visita in 2006, the Nuevomexicano hermanos recited

the Estaciones and participated in a communal meal and meeting with their

Mexicano counterpartsY In the church, they were astounded to find the same

constellation of devotions that are now found in the north, including Jesus

Nazareno, el Santo Entierro, Nuestra Senora de los Dolores, Nuestra Senora

de la Soledad, la Virgen de Guadalupe, Santo Nino de Atocha, las Animas

Benditas del Purgatorio, San Francisco, San Antonio, San Ysidro, Santiago,

and the memento maTi (reminder of death in the form ofa skull or ofa carved

death image). In our Semana Santa rehlfn visita in 2008 we observed an

ancient full-scale santo with flexible leather shoulder joints in use for

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442 ~ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

multiple aspects of the Passion,

the Prendimiento (arrest and

imprisonment of Jesus), the

standing Nazareno figure for

his trial, the Crucifixion itself,

the Descendimiento (descent

from the cross), and the buried

Christ in the glass pane coffin

of the Santo Entierro (Holy Sep­

ulcher).48 Bearing witness to

these venerable rituals and the

accompanying music and pray­

ers gave the distinct sensation of

returning into a distant past to

witness Nuevomexicanos' cul-

tural origins.

Heritage tourism cast in the

tradition of pilgrimage and visi­

tas led these hermanos and col­

leagues past regional horizons

fixed in place by the tradition

ofpolycentrism and the barrier

of the border to reaffirm and

rediscover the intangible heri­

tage of the Camino Real de

Tierra Adentro, break the illu­

sions of the Spanish fantasy

heritage, and connect Hispano and Native peoples again to the Greater Mexico

that unites us all. For Nuevomexicanos, travel up and down the Camino Real

de Tierra Ade~tro offers a poignant sense of deja vu, knowing that ancestors

have trod the same routes, sought their fortunes in the same towns, eaten the

same foods, and prayed in the same sanctuaries. The same plazas and edifices

remain, a tangible heritage waiting to be rediscovered. Intangible traditions

are less overt, more fleeting, and easily overlooked. In the fiesta and pilgrim­

age, however, cultures in conversation are on full display, negotiating identi­

ties, filling byways and public spaces. Pilgrims and heritage travelers are

mindful ofseason and calendar, so their efforts are rewarded with finding and

encountering the human communities from which they sprang.

GUARD lANES DEL TEMPLO

San Francisco and the skull of Urajen de

Luna are the guardians of the Templo de

Jesus de Nazareth in Nombre de Dios,

Durango, 2006.

(Photograph Miguel Gandert)

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FALL 2008

Appendix. Nos vemos en eJ Camino . ..

LAMADRID ~ 443

We close with a brief list of the northern pilgrimages along the Camino

Real de Tierra Adentro, which unite the people of northern Mexico and the

Southwest United States in a common transnational legacy. This partial list

is a call for travel and discovery, for a reconnection with Mexico, for future

research, collaboration, and celebration:

• To Tepeyac and the Virgen de Guadalupe from Queretaro (and many

other points of departure), all year round, but especially for the feast

day on 12 December

• To Cerro la Bufa and la Virgen del Patrocinio in Zacatecas, who is

credited for delivering the city from the U.S. Army in 1847

• To Aguascalientes and the feast of Santiago on 25 July and la Asuncion

de Marfa on 15 August, which features a miraculous appearance of

Santiago on a white horse bringing an army ~f dead Moors back to

life

• To Zacatecas for the feast of the Martyrdom of San Juan Bautista and

the phenomenal Morisma de Bracho in the hills east of the city on 29August (Morisma battles and celebrations also occur in many other

cities and towns of the state of Zacatecas; the feast of San Juan on 24

June and the feast of Santa Cruz on 3 May are examples.)

• To Plateros, Zacatecas, and the Santo Nino de Atocha from all points

of the compass, which is the second largest pilgrimage in Mexico all

year round, but especially at Christmas

• To Cuencame, Durango, and el Senor de Mapimf, from Mapimf and

all northern Mexico, on 6 August

• To EI Tizonazo, Durango, and el Sei'ior de Guerreros, a Chichimeca

shrine and missio~ (with no accompanying village) on the first Friday

of March

• To El Zape, Durango, and la Virgen de la Macana, a wounded survivor

of Indian rebellions, on the feast of la Virgen de Inmaculada

Concepcion, 8 December

• To the San Lorenzo church in Juarez, where refugees of the Pueblo

Revolt of 1680 settled, with Matachines in procession from the

Guadalupe Mission in central Juarez, on New Years Day and 10 August

• To the Guadalupe Mission at the central plaza of Juarez, from barrios,

towns, and villages all over Chihuahua for the feast of Guadalupe on 12

December

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444 ~ NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

• To Monte Cristo Rey, a monumental Christ figure on a mountain nearEl Paso where Texas, New Mexico, and Chihuahua meet for Holy Week

(The U. S. Department of Homeland Security has fenced off the routes

of this pilgrimage in fear of international terrorism.)

• To Tortugas Mountain near Las Cruces, New Mexico, for the feast of

Guadalupe on 12 December

• To the large Calvaria at Cerro de Tome near Belen, New Mexico, for

Holy Week (In this pilgrimage, people have symbolically reclaimed

the lost common lands of the Tome land grant.)

• To Zuni Pueblo, New Mexico, and a Santo Nino figure rescued from

the Pueblo Revolt of 1680, probably the oldest santo in New Mexico,

all year round

• To Bernalillo, New Mexico, for the grand fiesta of San Lorenzo, 10

August

• To the Santuario de Chimayo and Santo Nino de Atocha for the holy

earth of el Senor de Esquipulas, all year round but especially for Holy

Week

• To all points of the compass, every town and city, and all the local sa­

cred sites for Holy Week in our polycentric pilgrimage tradition-the

center is everywhere

• And finally back to Santa Fe to more fully understand its fiesta, which

in spite of cultural differences and the contradictions of our history,

would seek to join us together in celebration

• After visiting primos and hermanos along the Camino Real, then we

will finally be truly ready to visit our abuelos in Spain

Notes

1. Preliminary versions of this essay were originally delivered at the Coloquio del

Camino Real de Tierra Adentro in Socorro, New Mexico, and the 2006 Santa Fe

Fiesta Lecture.

2. Carninos reales (royal roads) linked regional capitals. From 1598 to 1610 the capital

of New Mexico was San Gabriel (across the river from Ohkay Owingeh Pueblo

and north of Espanola), which operated as the official terminus of the Camino

Real de Tierra Adentro for twelve years. With independence from Spain in 1821,

the caminos reales officially became carninos nacionales (national roads). How­

ever, communities from El Paso to Taos still call local routes "El Camino Real" as

a kind of popular anachronism.

3. Max L. Moorhead, New Mexico's Royal Road: Trade and Travel on the Chihuahua

Trail (Norman: University of Oklahoma Press, 1995); Jose de la Cruz Pacheco Rojas

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FALL 2008 LAMADRID + 445

y joseph P. Sanchez, eds., Memorias del Coloquio Intemacional El Camino Real

de Tierra Adentro (Mexico, D.F.: Instituto Nacional de Antropologfa e Historia,

2000); Gabrielle G. Palmer, comp., june-el Piper and LouAnn Jacobson, eds., ElCamino Real de Tierra Adentro, vol. 1, Cultural Resources Series, no. 11 (Santa Fe:

Bureau of Land Management, New Mexico State Office, 1993); Gabrielle G. Palmer

and Stephen L. Fosberg, comps., June-el Piper, ed., El Camino Real de TierraAdentro, vol. 2, Cultural Resources Series, no. 13 (Santa Fe: Bureau of Land Man­

agement, New Mexico State Office, 1999); and Christine Preston, Douglas J.

Preston, and jose Antonio Esquibel, The Royal Road: El Camino Real from Mexico

City to Santa Fe (Albuquerque: University of New Mexico Press, 1998).

4- Article 2 of the United Nations Education Scientific and Cultural Organization

(UNESCO) Convention for the Safeguarding of the Intangible Cultural Heritage

in 2003 defines the intangible cultural heritage as "The practices, representations,

expressions, knowledge, skills-as well as the instruments, objects, artefacts and

cultural spaces associated therewith -that communities, groups and, in some cases,

individuals recognize as part of their cultural heritage. This intangible cultural

heritage, transmitted from generation to generation, is constantly recreated by com­

munities and groups in response to their environment, their interaction with na­

ture and their history, and provides them with a sense of identity and continuity,

thus promoting respect for cultural diversity and human creativity.... The 'intan­

gible cultural heritage' ... is manifested inter alia in the following domains: (a)

oral traditions and expressions, including language as a vehicle of the intangible

cultural heritage; (b) performing arts; (c) social practices, rituals and festive events;

(d) knowledge and practices concerning nature and the universe; (e) traditional

craftsmanship." UNESCO, "Convention for the Safeguarding of Intangible Cul­

tural Heritage" (Paris, 17 October 2003).

5. J. Manuel Espinosa, Crusaders ofthe RIO Grande: The Story ofDon Diego de Vargasand the Reconquest and Refounding of New Mexico (Chicago: Institute of Jesuit

History, 1942), 225-26.

6. See Marta Weigle, Brothers ofLight, Brothers ofBlood: The Penitentes of the South­west (Albuquerque: University of New Mexico Press, 1976).

7. Tomas Lozano, Cantemos al Alba: Origins ofSongs, Sounds, and Liturgical Dramaof Hispanic New Mexico, trans. and ed. Rima Montoya (Albuquerque: University

of New Mexico Press, 2006); and Marta Weigle and Peter L. White, The Lore ofNew Mexico, Publications of the American Folklore Society (Albuquerque: Uni­

versity of New Mexico Press, 1988).

8. Research on the impact of Durango's Colegio Seminario on New Mexico and the

identification of Nuevomexicanos in academic records is ongoing at the Instituto

de Investigaciones Hist6ricas de Durango. See jose de la Cruz Pacheco Rojas, ed.

Los Jesuitas en el norte de Nueva Espana: sus contribuciones a la educaci6n y el

sistema misional (Durango, Mexico: Universidad Juarez del Estado de Durango,

Instituto de Investigaciones Hist6ricas, 2004).

9. Karla Baca, "The Taos Priest: A Monument to Honor Father Antonio jose Martinez

is Unveiled," Santa Fe New Mexican, 17 July, 2006.

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446 + NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

10. Victor Turner and Edith Turner, Image and Pilgrimage in Christian Culture: An­

thropological Perspectives, Lectures on the History of Religions, no. 11 (New York:

Columbia University Press, 1978), 1-39.11. Leslie A. White, The Acoma Indians: f<orty-Seventh Annual Report ofthe Bureau of

American Ethnology to the Secretary of the Smithsonian Institution 1929-1930

(Glorieta, N.Mex.: Rio Grande Press, 1973), 139·12. Gaspar Perez de Villagra, Historia de la Nueva Mexico, 1610, trans. and ed. Miguel

Encinias, Alfredo Rodriguez, and Joseph P. Sanchez (Albuquerque: University of

New Mexico Press, 1992), 6.

13. Ibid., 126.1+ Angelico Chavez, My Penitente Land: Reflections on Spanish New Mexico (Albu­

querque: University of New Mexico Press, 1974), 1-17.

15. For a number of years since the Quincentennial in 1992, the El Paso Chamber of

Commerce and other local organizations have been laying claim to the idea that

El Paso, Texas, and not Plymouth, Massachusetts, is indeed the site of North

America's "First Thanksgiving."

16. Mary Austin, "A Drama Played on Horseback," The Mentor 16 (September 1928):

38-39; and Enrique R. Lamadrid, Hermanitos Comanchitos: Indo-Hispano Ritu­als ofCaptivity and Redemption (Albuquerque: University of New Mexico Press,

2003), 20-26.

17. Josie Espinoza de Lujan, Los Moros y Cristianos: A Spectacular Historic Drama

(Chimayo, N.Mex.: J. E. Lujan, 1992).18. David F. Garcia, "Moros y Cristianos: Intangible Cultural Exchange along the

Camino Real" (master's thesis, University of New Mexico, 2007)'19. Enrique R. Lamadrid, Tesoros del espiritu: A Portrait in Sound of Hispanic New

Mexico (Albuquerque, N.Mex.: Academia/EI Norte Publications, 1994), 10.

20. Native Americans in Mexico have appropriated Morisma celebrations, unlike their

brethren in New Mexico, who have distanced themselves from the observances. There

is only one reference to Pueblo participation in Morismas at the turn of the twentieth

century. See Aurelio M. Espinosa, The Folklore ofSpain in the American Southwest:Traditional Spanish Folk Literature in Northern New Mexico and Southern Colo­rado, ed. J. Manuel Espinosa (Norman: University of Oklahoma Press, 1976), 23·

21. Juan Jose Zaldivar Ortega, Las Morismas de Bracho: Investigaci6n Hist6rica de laFiesta de Moros y Cristianos, Serie Antropologia, no. 5 (Zacatecas, Mexico: Fondo

dc Cultura Zacatecana, 1998), 76-77.22. George P. Hammond and Agapito Rey, cds. and trans., Don Juan de Onate: Colo­

nizer ofNew Mexico, 1595-1628, 2 vols., vols. 5-6 of Coronado Cuarto Centennial

Publications, 1540-1940, 12 vols., ed. George P. Hammond (Albuquerque: Univer­

sity of New Mexico Press, 1953)'23. Archaeological surveys of the Cerro de Tome, a calvario and pilgrimage site south

of Alburquerque, note over eighteen hundred petroglyphs around the same geo­

graphical feature, a clear indication that it has always been a sacred site. See Dan

Scurlock, Joseph C. Winter, and Ronald L. Stauber, Spiritual Land, Historical

Land: Tome Hill, New Mexico (Albuquerque: University of New Mexico, Office of

Contract Archeology, 1999)'

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FALL 2008 LAMADRID 7447

24. Sylvia Rodriguez, "Procession and Sacred Landscape in New Mexico," New Mexico

Historical Review 77 (winter 2002): 1-26.

25. Anthropologist Alfonso Ortiz fully develops the parameters of sacred space in the

Puebloan cosmos. See Alfonso Ortiz, The Tewa World: Space, Time, Being, and

Becoming in a Pueblo Society (Chicago: University of Chicago Press, 1969)'26. Max Harris, "Moctezuma's Daughter: The Role of La Malinche in Mesoamerican

Dance," Journal ofAmerican Folklore 109 (spring 1996): 149-77.27. Enrique R. Lamadrid, "From Santiago at Acoma to the Diablo in the Casinos:

Four Centuries of Foundational Milagro Narratives in New Mexico," in Express­ing New Mexico: Nuevomexicano Creativity, Ritual, and Memory, ed. Phillip B.

Gonzales, 42-60 (Tucson: University of Arizona Press, 2007), 52.28. Two styles ofMatachines dance exist in the Borderlands. Danza de la Pluma (Dance

of the Feather) in Mexico, also referred to as Matachines in northern New Mexico,

features mitre-shaped headdresses, trident-shaped wands, violin and guitar music,

and two unique characters-Monarca (also known as Moctezuma) and the torito(little bull). The other type, called "Chichimeca" or "Apache" style Matachines,

includes dancers dressed in red wearing aprons embroidered with horizontal reeds,

drum accompaniment, and a clacker that resembles a bow and arrow. Both

Matachines styles use gourd rain rattles and have ancestral figures called abuelosor viejos (grandfathers or old men). Little girls also play the main role ofMalinche

in both Matachines dances. See Sylvia Rodriguez, The Matachines Dance: RitualSymbolism and Interethnic Relations in the Upper R(o Grande Valley, Publications

of the American Folklore Society (Albuquerque: University of New Mexico Press,

1996).29. Rodriguez, The Matachines Dance; and Lozano, Cantemos al Alba.30. For an analysis of the symbolism and public ritual of the Fiesta de Santa Fe, see

Ronald 1. Grimes, Symbol and Conquest: Public Ritual and Drama in Santa Fe,New Mexico, Symbol, Myth, and Ritual Series (1976; repr., Alburquerque: Univer­

sity of New Mexico Press, 1992). Although Matachines dances can o~casionallybe

seen in Santa Fe, they are not a central component of this fiesta, which is largely

civic in character. The fiesta triumphantly celebrates the "peaceful" Reconquest

and excludes elements centered on atonement or reconciliatiol. These latter themes

are present in Bernalillo, the other Hispano New Mexican fiesta, which references

the Reconquista in a traditional and religious manner. Picuris Pueblo also cel­

ebrates San Lorenzo's feast, but from a decidedly Puebloan perspective.

31. Lamadrid, "From Santiago at Acoma to the Diablo in the Casinos," 51-52.

32. Dolores Araceli Arceo Guerrero, San Lorenzo, los que cuentan su historia: memo­ria hist6rica y tradici6n oral (Ciudad Juarez, Chihuahua: CONACULTA, 1997)'

33. Turner and Turner, Image and Pilgrimage in Christian Culture, 234.

34. Ross Frank, From Settler to Citizen: New Mexican Economic Development and the

Creation ofVecino Society, 1750-1820 (Berkeley: University of California Press, 2000),

119-75·35. Stephen F. de Borhegyi, "The Miraculous Shrines of Our Lord of Esquipulas in

Guatemala and Chimayo, New Mexico," El Palacio 60 (1953): 83-111.

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448 -7 NEW MEXICO HISTORICAL REVIEW VOLUME 83, NUMBER 4

36. Sam Howarth and Enrique R. Lamadrid, Pilgrimage to Chimayo: Contemporary Por­

trait ofa Living Tradition (Santa Fe: Museum of New Mexico Press, 1999), 13-25.

37. Tomas Martinez Saldana (scholar on the Tlaxcalan Diaspora and the Camino Real

de Tierra Adentro, Colegio de Post Graduados de la Escuela Nacional de

Agricultura), in discussion with the author, Mexico, D.F., January 2005.

38. Jose Banuelos (trained scholar of Mexican and Latin American literature), in dis­

cussion with the author, Sombrerete, Zacatecas, May 2006.

39. The oldest surviving record of the Reglas is dated 1853, but this version is assumed

to be a second or third generation copy. Thomas J. Steele, S.J. and Rowena A.

Rivera, Penitente Self-Government: Brotherhoods and Councils, 1797-1947 (Santa

Fe, N.Mex.: Ancient City Press, 1985), 18.

40. La Refonna was a revolutionary period of liberal reforms in Mexico from 1854 to

1876, led principally by Pres. Benito Juarez. The Catholic Church lost vast land­

holdings and power. Land grants and other traditional forms of government and

resource management were abolished as the modern state took control.

41. Michael P. Carroll, The Penitente Brotherhood: Patriarchy and Hispano-Catholi­

cism in New Mexico (Baltimore, Md.: Johns Hopkins University Press, 2002), 178.

42. These data and discussion points derive from the research and presentations of the

Seminario Internacional sobre la Cofradia de Nuestro Padre Jesus Nazareno, and

the dialogues they have produced are the result of research and an ongoing semi­

nar between scholars and hermanos from New Mexico and Durango at the Instituto

dc Investigaciones Hist6ricas, Universidad Juarez del Estado de Durango in March

2005 and March 2008. See also Pacheco Rojas, Los Jesuitas en el norte de Nueva

Espana.

43. Contacts were made in Cuencame in 2004, when Enrique Lamadrid and Tomas

Martinez Saldana led a research expedition and University of New Mexico (UNM)

class to Zacatecas with the purpose of collecting photographs, interviews, and maps

for the permanent exhibit of the International Camino Real Heritage Center south

ofSocorro, New Mexico. The next summer, UNM graduate student David F. Garcia

led a pilgrimage to Cuencame for Dorela and Roberto Perea and family, longtime

mayordomos of el Senor de Mapimf in San Antonio, New Mexico. They were

given a santo of el Senor de Mapimf to replace the one stolen from their church

during the folk art boom of the 1970S.

44. Jose Ignacio Gallegos, Historia de la Iglesia en Durango, Colecci6n Mexico Heroico,

no. 100 (Mexico: Editorial Jus, 1969), 181.

45· During a visit to the San Agustin church and its hermanos in 1994, Cecile Turrieta

collected a number of cuadernos with alabado hymns. See "Inventory of the

Hermandad de Nuestro Padre de Jesus Semana Santa Songbooks, 1912-1979:' MSS

608 BC, Center for Southwest Research, University Libraries, University of New

Mexico, Albuquerque.

46. Jose de la Cruz Pacheco Rojas, Breve Historia de Durango, Secci6n de obras de

historia (Mexico: Colegio de Mexico, Fideicomiso Historia de las Americas, Fondo

de Cultura Econ6mica, 2001), 44-45.

47. In March 2008, the New Mexico/Durango research team reassembled to revisit

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Cuencame, San Agustin, and Nombre de Dios for a full documentation of the

rituals of Semana Santa.

48. Scholar William Wroth discusses how the eighteenth-century innovation of articu­

lated santos allowed for multiple uses in various rituals and processions. In New

Mexico, they were produced through the 1860s and used into the early twentieth

century. See William Wroth, Images of Penance, Images of Mercy: Southwestern

Santos in the Late Nineteenth Century (Norman: University of Oklahoma Press for

Taylor Museum for Southwestern Studies, Colorado Springs Fine Arts Center, 1991).