programme - gwkof fictional beings, game pieces and avatars: toward a cognitive theory of game...
TRANSCRIPT
PROGRAMME
FROM 12:00 CHECK-IN IN THE OLD LIBRARY (101)
13:00 - 13:10 WELCOME BY THE CONFERENCE ORGANIZERS (110)
13:15 - 14:00 Torben GrodalAudience Bonding: Viewing as ri-tuals of emotional bonding among
András Bálint Kovács Predictability of Interpretation: The Role of the Analysis of the Causal Structures of Film Narratives
Katalin Bálint, Miruna Doicaru & Ed S. Tan Anatomy of suspense: dissecting a case of the film experience
14:00 - 14:45 Robert Blanchet Empathy as Looking at a Character’s Situation from the Perspective of his Concerns, as Opposed to Mine: an Alternative Account of Empathic Perspective Shifting in the Cinema
William BrownThe Question of Time in Film Studies
Karin BadtSeeking and Film Suspense
14:45 - 15:30 Susanne Schmetkamp The Importance of Moods and Expressiveness for the Cinematic Experience
Birger LangkjærTime travels and the problem of causality: Back to the Future (1985) and Looper (2011)
Keith BoundThe role of micro-narratives in the production of cinematic suspense in Transmedia thriller story worlds
15:30 - 16:00 COFFEE
16:00 - 16:45 James E. Cutting,Catalina Iricinschi& Kaitlin L. BrunickMapping Narrative Space in Holly-wood Films
Malcolm TurveyEvolutionary Psychology, Aesthe-tics and Film
Jelena Rosic& Pia TikkaAnnotation of film content for a neurocinematic analysis: Implica-tions for embodied approaches to filmmaking
16:45 - 17:30 Alexa Weik von MossnerA Cognitive Approach to Emotion and Cinematic Environment
Ben SingerPerceptual Simplicity and Comple-xity in Film: Competing Evolutiona-ry Aesthetics
17:30 - 18:00 COFFEE
FROM 18:00 ADDRESS OF THE PRESIDENT OF THE BERLIN UNIVERSITY OF THE ARTS / CHAMPAGNE RECEPTION (110)
TIME SLOT ROOM 158 ROOM 110 ROOM 004
WEDNESDAYJUNE 12
09:00 - 09:45 Maarten Coëgnarts& Peter Kravanja Embodied Meaning in Cinema
Joseph G. KickasolaSynesthesia and Cross-Modality: Lessons for Film Theory and Aesthetics
Bohdan Y. Nebesio Editing in Soviet Montage Theory: A Cognitivist Perspective
09:45 - 10:30 Charles Forceville & Julius Koetsier Embodied identity in werewolf films of the 1980s
Luis Rocha AntunesThermoception in film – Knut Erik Jensen and the aesthetics of cold
Markus Kuhn& Maike Sarah ReinerthToward an Interdisciplinary Approach to Representations of Subjectivity in Audiovisual Media
10:30 - 11:00 COFFEE
11:00 - 11:45 Emre ÇağlayanThe Aesthetics of Boredom: Slow Cinema and the Virtues of the Long Take
Katherine Spring& Patrick FaubertElectronic dance music in film: a cognitivist perspective
11:45 - 12:30 KEYNOTE BY PETER WUSS: TOWARDS A CORE MODEL OF AESTHETIC EXPERIENCE (158)
12:30 - 14:00 LUNCH
14:00 - 14:45 Julian HanichWhat we are afraid of when we are scared at the movies
Lewis J. Baker& Daniel T. LevinSpatial Discontinuities in Film Increase Awareness of Scene Properties
Lennard Højbjerg Style and Body Language in the Moving Image
14:45 - 15:30 Rikke SchubartIn Her Skin: Horror and Disgust as Gendered Emotional Experience in Dans ma peau (2002), Martyrs (2008), and Black Swan (2010)
Miklós Kiss& Steven WillemsenThe Attractiveness of Cognitive Dissonance: taming paradoxes, ambiguities, and incoherencies in complex movies
15:30 - 16:00 COFFEE
16:00 - 16:45 Carl PlantingaIs Cognitive Cultural Studies Possible?
Anne BartschMoved to Think. The Role of Emotional Movie Experiences in Stimulating Reflective Thoughts
Patrick Keating Camera Movement as Form, Style, and Representation
16:45 - 17:30 Jeff SmithFilmmakers as Folk Psychologists: The Role of Confirmation Bias in Film Characterization, Narration, and Spectatorship
Tony E. Jackson Mirrors in Minds: Social Neurosci-ence meets Black Swan
Anne Gjelsvik What is in a Close-up? Cinematic closeness and ethical encounters
FROM 19:00 SPECIAL EVENT (T+T): GUIDED TOUR IN BERLIN-KREUZBERG TO VISIT THE PLACES WHERE THE WALL STOOD
THURSDAYJUNE 13
TIME SLOT ROOM 158 ROOM 110 ROOM 004
09:00 - 09:45 Tim J. Smith& Janet Yvonne Martin-Por-tugues SantacreuTesting AToCC: The role of motion and audio in limiting awareness of Match-on-Action cuts
Trevor Ponech& Paisley LivingstonMoralism, immoralism, and the cinema of transgression
Felix Schröter Of Fictional Beings, Game Pieces and Avatars: Toward a Cognitive Theory of Game Characters
09:45 - 10:30 Marko RojnićGaze cueing of attention as an empirical explanation for cut moti-vation in point-of-view editing?
Dirk EitzenMoral Education through Movies: Fact or Fiction?
Alberto J. L. Carrillo Canán, Victor G. Rivas López & May Zindel Media, Illusion and Virtual Reality
10:30 - 11:00 COFFEE
11:00 - 11:45 Andreas Gregersen The dance of agenthood and pati-enthood: Sequential analysis and the structure of action in Mickey’s Fire Brigade and Clock Cleaners
Jason GendlerExposition in Narrative Cinema
Jason Mittell Complex Television and Serial Narrative Comprehension
11:45 - 12:30 Sennay Ghebreab, Torben Grodal, Talma Hendler et al. Automatic Video AnnoTation using Dynamic Audience Response How Movies Move Us?
Todd BerlinerFinding the Fit in Hollywood Story-telling: Shifting Story Logic in Red River and Other Classical Cinema
László Tarnay Thought and the Sensorium in Contemporary Visual Culture
12:30 - 14:00 LUNCH
14:00 - 14:45 Barbara FlueckigerAnalog vs. Digital – The Emotional Impact of Film Recording Processes on the Audience
Special Event (T+T): Interactive narrative experiences with the 3D installation “Virtuelle Mauer/Re-Constructing the Wall”
14:45 - 15:30 Daniel Barratt& Anna Cabak RédeiDoes the Kuleshov effect really exist? Revisiting a classic film experiment on facial expressions and emotional contexts
Guan Soon KhooReflection and time heal all wounds: Catharsis through cine-matic drama for individuals with remote life events
Special Event (T+T): Interactive narrative experiences with the 3D installation “Virtuelle Mauer/Re-Constructing the Wall”
15:30 - 16:00 COFFEE
16:00 - 16:45 Johannes Riis On the Role of Historical Norms in Film Performances: Constraints in the trade-off between voluntary and emotional components
Erwin FeyersingerVisual Abstraction, Schemas, and the Success of Animation
Special Event (T+T): Interactive narrative experiences with the 3D installation “Virtuelle Mauer/Re-Constructing the Wall”
Special Event (T+T): Interactive narrative experiences with the 3D installation “Virtuelle Mauer/Re-Constructing the Wall”
16:45 - 17:30 Yuri Tsivian & Daria Khitrova Cinemetrics Looks at Acting: Cross-cutting and Cross-action
Paul TaberhamBottom-Up processing, Entoptic Vision and the Innocent Eye
18:00 DISCUSSION OF THE PROJECT “VIRTUELLE MAUER/RECONSTRUCTING THE WALL” WITH THE ARTISTS (158)
TIME SLOT ROOM 158 ROOM 110 ROOM 004
FRIDAYJUNE 14
09:00 - 09:45 Dan FloryRace and Imaginative Resistance in Film
Nitzan Ben Shaul Disentangling Rashomon
Thomas SchickDifferential qualities, affective fields: Art cinema and affective experience
09:45 - 10:30 Sermin Ildırar& Stephan SchwanThe role of different types of links between shots on comprehension by film illiterate viewers
Catalina Iricinschi& Jacob FriedmanParsing puzzle films: Narrative content or perceptual salience?
Janina WildfeuerTrumpets and orange-coloured days — Inferences, associations and synaesthesia in filmic text
10:30 - 11:00 COFFEE
11:00 - 11:45 Arthur P. ShimamuraMultimodal Influences on Atten-tion Across Film Edits: An Empirical Analysis
Mario SluganThe Near-Absence of Controlling Fictional Narrators in Film
Mark WardArt in noise: an Embodied Simula-tion account of cinematic sound design
11:45 - 12:30 Stephan Schwan,Bärbel Garsoffky, & Caroline WirthTime leaps in films influence the level of mental construal of events
Casper TybjergFirst-Person History: How Films Shape Historical Consciousness
Johan-Magnus ElvemoSpatial Perception and Diegesis in Multi-Channel Surround Cinema
12:30 - 14:00 LUNCH
14:00 - 14:45 Murray SmithTruth, Truthfulness and Non-fiction Filmmaking
Henry BaconCognitive and historical aspects in developing methods for compara-tive analysis of film style
Rory KellyTimings and Turning Points in Mainstream Plot Structure
14:45 - 15:30 Margrethe Bruun VaageToken and type verisimilitude
Sergei FilippovLife-Size on the Screen: The New Data on the Alternative System of Space Perception in the Flat Visual Arts and the Perception in the Early Cinema
Henriette HeidbrinkPower, Moral, Reason – An Empiri-cal Study on Character Traits and Narrative Plots
15:30 - 16:00 COFFEE
16:00 - 17:00 FELLOW MEETING (110)
19:00 - 22:00 BOAT TRIP THROUGH THE CITY CENTRE („BRÜCKENFAHRT“)
TIME SLOT ROOM 158 ROOM 110 ROOM 004
SATURDAYJUNE 15