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ALODIE GIRMANN ARCHITECTURE PORTFOLIO | 2016

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Undergraduate Architecture Portfolio Spring 2015

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ALODIE GIRMANNARCHITECTURE PORTFOLIO | 2016

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CONTENTS

COVINGTON COMMORANCYV + M APARTMENTS

MISBEHAVED TECTONICSMT. AIRY ARCHERY PAVILION

LUDLOW LIBRARY

U.S. DEVELOPMENT GROUPSEA TURTLE MARKETPLACE

UNIT WALLQUAD CONSTRUCTION

SKETCHESFINE ART

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STUDIO

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LONGITUDINAL SECTION - FACING WEST

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COVINGTON COMMORANCYCovington, KY - Spring 2015

Located on the bank of the Ohio River in Covington, Kentucky, this row house was designed for married couple Linford Detweiler and Karin Bergquist,

members of the band Over the Rhine. The client’s needs included a recording studio, large amounts of entertainment space, guest rooms for former band

members, and areas where the couple could reconnect, as the back and forth travel between LA and Cincinnati for recording had placed a strain

on their marriage.

The building is separated into public and private spaces, as well as working and social spaces. The ground floor is where the recording studio is located, along

with indoor and outdoor entertainment spaces. The second floor contains guest rooms as well as kitchen and dining areas that have picturesque views of

the Cincinnati skyline. The third floor is solely to be used by the couple, and in-cludes sleeping quarters, a large master bath, and a study area that is open to the

second floor and also has views of the city.

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STUDY/SITTING

MASTER BEDROOM

W.I.CON SUITE

LIVING ROOM

KITCHEN & DINING

BATHROOM

GUEST BED

GUEST BED

LAUNDRY

OPEN TO BELOW

THIRD FLOOR

SECOND FLOOR

TRANSVERSE SECTION - FACING NORTH

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GUEST BED

GUEST BED

SECOND FLOOR

BAR/LOUNGE

RECORDING STUDIO

VIEWING AREA

HVAC

SOUND BOOTH

R.R.

PATIO

GARAGE

BREEZEWAY

NORTH ELEVATION

SECOND FLOOR

FIRST FLOOR

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V + M APARTMENTSCincinnati, OH - Spring 2015

Cincinnati’s Over the Rhine neighborhood is in the process of being revitalized (or gentrified) and as property values increase long-time residents are being forced out of their communities. This mixed used building located between Vine and McMicken would combine subsidized units and real estate value units, creating a diverse micro-community.

Safety was a large concern as the area is still a hot spot for crime. For increased security and privacy glass windows and doors were joined to sliding blackout panels, and the Vine St courtyard is clearly protected while remaining inviting.

REAR ELEVATION

DIAGRAM SHOWING VACANT BUILDINGS IN RED, SEX OFFENDERS IN BLUE, ASSAULT IN ORANGE, THEFT IN YELLOW, SEX WORK IN PURPLE, AND FOLIAGE IN GREEN

DIAGRAM THE STREET LAMPS IN THE AREA AROUND THE SITE

CONCEPTUAL COURTYARD RENDERING

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SECTION FACING NORTH

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STANDARD UNITS

ONE BEDROOM

TWO BEDROOM

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TWO BEDROOM

THREE BEDROOM

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PAPER FOLDING PATTERN PLASTER DIPPED YARN

CNC ROUTE PATTERN

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MISBEHAVED TECTONICSSummer 2014

As a predecessor to the Mt . Airy Archery Pavilion, there was a five week study of a tectonic system of our choosing. I worked with tessellating

the folded plate through a series of digital and physical models.

Rhino was used to create models that would be 3D printed and CNC routed. The faded origami pattern you see on the cover page was also

aided by Rhino, as was the pattern you see at the bottom left.

I found the physical model studies to be the most helpful in regards to learning about my system. From dipping a knitted yarn in plaster to

casting a model made of soap, the unintentional forms that were created during this study greatly informed the design of the following project.

3D PRINT PATTERN

LASER CUT AND STRING WEAVE

SOAP CAST

SOAP CAST

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MT. AIRY ARCHERY PAVILIONCincinnati, OH - Summer 2014

Following the five week study of Misbehaved Tectonics, I was to design an archery pavilion in a Mt. Airy Forest clearing. While the pavilion would initially be used as archery camp, the program stated that it would need to house other activities in the following years. I decided that the best way to make the pavilion adaptable was to create a system of folding panels.

Every third panel of the pavilion, save the three stationary spaces surrounding the main event space, is placed on a moving track system that is embedded in concrete. This allows the walls to move and create different nooks in the event space. Several example configurations are shown to the right.

The poles that connect the panels to the track contain tube lights, which make the polycarbonate structure appear to glow at night. The panels are connect-ed by a hinge system, allowing for flexibility even among the panels that aren’t directly connected to a pole.

EXTERIOR MASSING - TRAIL VIEW NIGHT RENDERINGCONFIGURATIONS

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NIGHT RENDERING

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LONGITUDINAL SECTION - NORTH FACING

MODEL AND EARLY CONCEPT SKETCHES

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POSTURE SPACEMASSING SKETCHES

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LUDLOW LIBRARYCincinnati, OH - Fall 2013

The product of fifteen weeks that started with a reading posture model, a theoretical library for the Clifton community was created that would

reside on Ludlow Avenue. The assignment called for specific square footage requirements to be met for each part of the program, and also

introduced some basic code and structure concepts.

The site the building would be hypothetically built on is currently a parking lot, through which pedestrians often cut. The massing of the

library was determined by my wanting to preserve this aspect of the site. Thus, the building is actually split in two on the ground floor, with

windows looking down into the passage from the upper levels .

POSTURE SPACE COMPOSITE

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EXPLODED AXON OF LUDLOW LIBRARY ADULT READING AND STACKS RENDERING

DIAGRAMS

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EAST FACING SECTION

NORTH FACING SECTION

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INTERNSHIP WORK

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MATERIALS

FLOOR PLAN

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U.S. DEVELOPMENT GROUP Houston, TX - Winter 2014

While I worked on a little bit of everything during my time at Gensler’s Houston office, one of the most memorable projects I worked on was a small remodel of an office space in downtown Houston. I helped design

several options for the new lobby space, along with a second break room. This project required that I attend a site visit, select new finishes and match existing finishes, and work on construction documents. I also

helped prepare a client presentation by adding color to greyscale renderings from Revit.

LOBBY OPTIONS BREAK ROOM RENDERING

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PROPOSED FLOOR PLANSITE PLAN BY WOOD + PARTNERS, INC.

RENDERED ELEVATION

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SEA TURTLE MARKETPLACE Hilton Head Island, SC - Summer 2015

As an intern at Court Atkins Architects I primarily worked on drawings and construction document sets for high end residential projects.

However, Sea Turtle Marketplace is one of the projects I briefly worked on with the commercial studio.

I created the rendering below for a proposed revitalization of a shopping center on Hilton Head Island which had fallen into disrepair. The master

planning for the project was done by Wood + Partners, Inc. and one of their plans is referenced on the far left.

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PHYSICAL CONSTRUCTIONS

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UNIT WALL Spring 2013

The result of nine people each designing separate units that could stack together to create a screen, the unit wall is composed of 28 identical pieces, with the exception of the seven pieces that have a concrete tip. Constructed from particle board and held together by copious amounts of wood glue and hope, these units can be stacked into numerous arrangements, my personal favorite being a series of cantilevered columns .

PARTICLE BOARD AND CONCRETE,FRESHMAN HOPE AND OPTIMISM

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QUAD CONSTRUCTIONUniversity of Cincinnati - Spring 2013

The final assignment of freshman year was to design an 8’x8’ space that was to be constructed on the University of Cincinnati’s Herman Schneider Quad. The design process lasted several weeks and resulted in the creation of over five scale models, a site model, a topography model, and numerous studio-wide meetings.

Our final construction was based heavily on the concept of rest, with benches on both the exterior and the interior of the space. The idea of view was also a large factor, with the interior of the construction stepping up as it increased in height, framing the sky.

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MDF AND LUMBER

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ARTWORK

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CHARCOAL

MICRON PEN

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SKETCHES2012-2016

Sketching has been greatly emphasized during my time at the University of Cincinnati. After experimenting with charcoal and

markers, among other mediums, I became predisposed to working in ink. I feel ink pens grant me the ability to be more detail

oriented in my sketches, thus helping me covey information more efficiently.

Some sketches were done on site in Columbus, Indiana and were later watercolored to add another level of information to the drawings. While

I had not previously worked with watercolors extensively, I believe it to be valuable when it comes to representing materiality in drawings.

WATERCOLOR

MARKERS

CHARCOAL

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FINE ART2012-2016

Since I was a child I have always enjoyed art. In high school as well as during my free time, I have been able to explore my hobbies and create some rather unique pieces.

In my last year of high school I took a class called Senior Studio, the closest thing offered to AP Art. My favorite project was easily the “thesis project” I did during my final semester. For this project I painted a series of skateboards that reflected different eras of history. Also in this class, I replicated Vincent van Gogh’s Undergrowth with Two Figures on a wine bottle. The panda is a batik project, which uses multiple layers of wax and dyes.

During my freshman year at UC I did several 100 + 1 projects, using at least 100 of something and using only one other thing to hold it together. The green paper bowls were cut in to quarters and held themselves together in a bunt formation without a plus one. Something similar occurred when I created a vest made out of pop tabs. Due to how I wove all 2,068 tabs together, I again needed no joining agent.

ACRYLIC ON SKATEBOARD DECKS

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VINCENT VAN GOGH’S “UNDERGROWTH WITH TWO FIGURES” AND THE SAME PAINTING RECREATED IN ACRYLIC ON A WINE BOTTLE

PAPER PLATES

BATIK - DYE AND WAX ON MUSLIN

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THANK YOUFOR YOUR CONSIDERATION

ALODIE [email protected]