pelissier love's garden for mixed voices and piano · 1 1 u„n_„„j list...
TRANSCRIPT
MO43084
V
PELISSIER
LOVE'S GARDENFOR MIXED VOICES AND PIANO
.^l^^'WW!ff*'^H
^f^ .^
Rights resGPved,
* t-n; ^1 With,-Uialogue and byrica by
ARTHUR DAVENPORT. f/dfy
LONDON; JOSEPH WILLIAMS, UrxiTeB32 OfeaT Portland Street W ^V '
NEW YORK: E. pCH UBE RTH aC? ^"^
|?Pi6e 3//netr.
C.0 RODER US. LONDON
ROOM USE
All Riqhts Reserved. Price 3/6 net.
London-.
Joseph Williams. Limited,32, Great Pordand Street, W.
All penfjpming Riglrts of this Musical Piece are rsser\/ed. 5in£/E decachsd numbers maytie 5unjf at: Cnncercs, not more thsn two at aay one Concert, tut they must te gi\/en wit/iaut
costume or action. In no esse must such perfDrmgnce he announced as a "Select/an from thepiece"Applications far tte right ofsinging mare Chan the above or ofperforming the piece mustbe made ta M^H. G.Peuss/£R, 3./i. Bl£nheim MANSIONS, CoswA y Street, Lond oa/, N. W.
"The Follies"»X?X IN KSk.
"LOVE'S GARDEN,"{!S. IPantasij.)
THE STORY AND MUSIC BY
H. G. PELISSIER.The Dialogue and Lyrics by
ARTHUR DAVENPORT.
«^l"l=
ARGUMENT.
Bacchus is discovered asleep in Cupid's bower after a night at the Olympus Club, during which the
neotap proving too potent, the God of Love has succumbed.
On waking Bacchus recollects what occurred the previous evening, and, as he has appropriated Cupid's
bow and quiver, he resolves to have a joke at the latter's expense, and pose as the proprietor of Love's Garden.
In his exuberance he has already done some rather reckless shooting on his way to bed, and an arrow
has found its billet in the bosom of one, John Smith, a typical Englishman. This unfortunate gentleman has seen
and fallen in love with simultaneously two young ladies—Uptodata, a modern woman, and Domestica, a young
person of the early Victorian era.
This trio has found its way to Love's Garden, and imagining Bacchus is Cupid, the ladies are naturally
somewhat disgusted and resolve in future to do without the tender passion.
At this moment, Mrs. Grundy, attended by an Inspector of Nuisances and a constable, arrives to inspect
the grounds on behalf of the London County Council.
She finds the bow, and, as archery was considered a lady-like amusement when she was a girl, she gives
an exhibition of her skill .... and hits Bacchus.
Those struck by the arrows from Cupid's bow fall in love instantaneously with the first person they meet.
It is, therefore, a dangerous weapon in other than its owner's hands, and many complications, owing to
miscellaneous shooting, occur among the various characters.
Mrs. Grundy, however, by a cunning ruse, fmally obtains possession of the bow and threatens to shoot
Cupid herself and doom him to hopeless misery unless he restores them all to their former happy condition.
He consents and she dictates her terms, which are that the Gardens shall [n future be entirely under
the control of the London County Council.
The result of this arrangement will be seen in the final tableaux.
'^LOVE'S GARDEN/^
CAST.
Cupid
Mrs. (irimdy
Bacchus
John Smith...
Domestica ...
Upto-data ...
An Inspector of Nuisances
Ethel All.\ndai,e
Lewis Sydney
.. H. G. Pelissier
Dan Evekakd
GwKNNiE Mars
.. Muriel George
Norman A. Blume
A Nymph ...
A Dryad
A Satyr
A Policeman
Ethel Allandale
Norman A. Blume
Lewis Sydney
Dan Everard
SCENE: Cupid's Garden.
CONTENTS.
io.
LOVES GARDEN.INTRODUCTION.
Moderate.
PIANO.
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list to me, whose con - stan - cy Your mai - den hearts shall rend; As
Dreamil\
^1*- ^ 3 J fn?;^*
years roll past my love -will last And tri -umphin the end! My pas- sions grow for you, and though my
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:Mi.=^=Jfa s fesj^ P p i p r ^p p p ^love you cast a - way, I swear to you 1 shall be true for
Allegro.
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J. W. 14858
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9
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J. W. 14858
N9 2. "IT ISN'T LOVE- IT'S BACCHUS!"
(SONG.- BACXHL'S.)
VOICE.
PIANO.
#
Allegro.
±1
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^BACCHUS.
m E^5 ^ J- r ^I
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1 For2."Love
0»
many a deed is
makes the world goCu - pid praised That Bac - chus has ef
round."the}- say; How can they be so
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Pi' ^^Bacc. £
fee - ted. Its high time that the
stu - pid? As though this mas - sive
point was raised. The er - ror was cor
lump of clay Could get pushed round by
m*#
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J. W. 14858
Ba,cc.#f^ P- rcc - tod.
Cu - pid?LoveBut,
*=5
^^^^maycrawl
.^f
^be sweet, but
ing: home - wards
^mf
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with dis - tress Andon the gTi5und Lest^
Bacc W ^ ;^
lous - y 'twill
3osts should at
ll
lamp - posts should at
i^m
rack us;tack us.^ And
^^'e
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mf
FI
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^when man's found true/mow wliat makes the
Bacc.H. i' J-. }. ^
hap - pi - ness It
world go round, It
IS
is
ntn't
!^
love, its
love, it's
^^Bac - chus.Bac - chus.
S
(Musette.)
^ -^4(SATVR.)
^^ e£ Wis - n't love, it's
is - n't love, it's
M' > II
Bac - chus.
Bac - chus.
J. W. 14858
10
3
How oft a young man at a ball.
Who's got a weak digestion.
Will take his partner in the hall
And pop the fatal question?
Says he: "I will be true, eh, what?
Howe'er the Fates may whack us!"
What is it makes him talk such rot?
It isn't Love— it's Bacchus!
4
What is it makes us take a wife,
Though we may learn to rue it
Through many years of weary life?
It's Love that makes us do it.
But when she's dead and reached a clime
From where she cannot track us,
What makes us wed a second time?
It isn't Love— it isn't Bacchus-
It's insanity.'
J. W. 14858
NO 3. ''love's a bore."
(TRIO. UP-TO-DATA, DOMESTICA and JOll N SMITH.)
11
Allegretto.
J (i%' Up-to-Data.
PIANO.
IEDomestica
PJohn Smith.
¥''^ [U
1. We must say that to - day Has been
2. Folks de - Clare Love is fair, But from
m
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Cu-pid, we
He's no coy
^ ^both a - grec,
lit - tic boy,
^Is the
For he's
Dom.
full of dis - il - lu - sions and re - gret
what weVe seen we cant a - gree with that
J. W. 14b5S
*"S:j:s«
12
JUtoD
P p I
I 1' r r ^ (»-=-
B
i
most un-plea-sant manwe've ev - er met!
mid -die aged and get -ting- vc-ry fat!
^
Ucno mosso
X ^ I \[J.S. ^
^^Lack-a - day!
Love is still^ Mii-er - ee,
Pas -sing fair,SSkies are
Take your
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^Will you go?
You're a goose!^ NVe say no
.
It's no use.
Will youWill you
i iM*^' Pr ^^
N grey,
fill
Woe is me
!
While 'tis there.^ Hear my prayer,
My hearts j'ours
,
Hear me svear,
Love en-dures,
' »ri j' ^ ^
i^Sia tempo
± ' fl i > nfli >is:2:
r f
UtoD
Dom.
J.S.
go.' We say no
!
We say no
!
^3Love's a bore. No-thing more;
Hear me swear,Hear me swear.
Pk-ar my prayer!
Hear my prayer
!
Love's a bore, .^h Ah! I im-plore,
r): ^ ^ i j=^^ ^f5.
i i ? ^ :S^
J. W. 14858
13
UtoP
DoMI.
J.S.
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way you rave a -bout it seems ab - surd. Do'nt im - plore an-y more, Rr such
Utoli
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J.S.
UtoD
Dom
J.S.
we'Uw itlidraw,
$^:eE^^£ fe:fi:pa===Ulrp r ^ U PJas be- fore; 1 im-p!ore! not a bore to the core! Not a bore
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UtoD
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Don
bore, No-thing- morC)
.¥ ^ tp_^
Love's a bore
J.s fe=Sto the core. A borel
^^^^: E=^^^^^:^^^f-X-^—AYou're a borf,Yuu're a bore, You're a bore!
N*
t=t=M4=M==&-M-P I r I II
to the core! A bore! Not a bore, Not a bore, Not a bore!
s
J. W. 14858
15
N9 4. "STALWART INSPECTORS^'
INTRODUCTION.Allegretto.
PIANO.
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BASS II.
J^ POLICEMAN.'J, *• TT
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Stal-'wart In- spec -tors we,.
INSPECTOR. ^^
Of Pub - lie mor - al - i - tee.-
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Mrs GRUNDY. ^^
t^^l-r^P^^T-^^ r M ff tL=6=g^
Of Pub-lir mor-al - i - tee..
J.W. 14858
16
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Stal-wartln-spec-tors ve, Em-ployed by the L. C. C Ourmindsare soniceWedis-cov-erthevice that
£Stal-wart In -spec-tors we, Em-ployed by the L. C. C OurmindsarcsoniceWe dis-cov-erthevice that
iatyfesfefeis^M'^ r MP p^^ If r pI F^=gJ:M=M^=£^^^
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17 f f f fI
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L.H.
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C Aiidwith Vir -tu-ousgloom All plea-sureto doom,Forthe good of hu-man - i - tee!"
^S I^IM^-^^-^^p p p p pTrP P P r P i T'i^ -"^"-^
C .Andwith Vir - tu-ousgloom All plea-sureto doora,Forthe good of hu-man - i - tee!
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L.H.
plea-sureto doom,Forthe good of hu-man - i - tee!.
J, W. 14R5fi
17
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^m. 1Mrs GRUNDY
|-^^?=!i4^
fl^ //*.
7 ^ 7= ^-i tj J'
^A - bout each res - tau - rant.
In - to a Mu - sic Hall
.
You think that A. B. C's _Love's g.ir den now wefll stop.
AndLast
AreP'rom
^^?nk,
J^j^ r-T-jrjp^
J. W 14S58
18
..." 1 _ _ ._ J T'l, .. 1.,^n *U.^,- -^^^rtrt• -n-itl-i KiHi»-l W-aVa rt-i-iinnr tn h riv*^ *ampub - lie house -we've nosed; The pop - u - lace they cheer vith beer! We're going^ to have em
Tues - day night we dropped;— We're going to have each jest sup-pressed.Or get the li - cense
harm -less pla - ces, but The legs of ev' - ry chair are bare! Were going to have 'em
do - in"- fur - ther harm, And in twelve months you'E see 'twill be A mo - del poul - try
^5 1 1 \' '^3.£
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shut,
farm!
AIn
YouLove's
bout each res - tau
to a Mu - sic
think that A B
rant-
Hall_
C's_
And pub - lie housewe've nosed; The
Last Tues-day night we dropped; We're
Are harm-less pla - ces, but The
gar- den now we'll stop From do - ing fur - ther harm, .\nd
^^K-ip p
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pop - u - lace they cheer with beer! We're going to have 'em
going to have each jest sup -pressed, Or get the li - cense
legs of ev' - ry chair are bare! We're going to have 'em
in twelve months you'll see 'twill be A mo - del poul - try
^ r ^p r•'''
I
f'^'' ''^ ^ I ^ tJ'
3
closed!
stopped!
shut
farm!
D. C. al %
J.W. 14858
19
SOPRANOS I A II.
^„ , J> .^ .^
stu_uua^ J_JlJl.^. J . J.^-J^ETT^i^^f
Stal-wart In- spec - tor.-
TENOR.
Of pub - lie mor - al - i
* . iJCjiiurv,. ^ ^
tee;.
Stal --W'iirt In - spec - tors
BASS I.
•we. Of pub - lie mor - al - i
lE^^gg^i^l^
tee;
f-i ^p |M?-X=ft=Ei|-:Stal-wjrt In - spec - tors
BASS II.
Of pub - lie mor - al - i
^-1 ff ff p (^tee;
Stal-vart In- spec - tors we,, Gf pub - lie mor- al - i - tec:.
i J> J^ J J) i<'—^ J' i) J) J) J i A
pjr.^f4=f=^^^-t^^~f^rYT p-f—f^.SOR ^Stal -wart In - spec - tors we,. Ein - plu3ed by the L. C.
^^^^^mB.l.
B.n.
stal -vart In - spec - tors we,
^^MmM £=.jt=j=^EE|EE;j;=f=P
Stal-vart In - spec - tors ve,.
Us
P I MP r-^^pN^ ^f-m - ployed by the L. C. C It':s a
Em - ploy.'d by the L. C. C. It's
J.W. 14858
20
sol'.fc=h=ji J^r
pi J_J J^ \ ^ i^n pi J_Jip ^M P r P
glo - ri - ous thing to be Em-ployedby the L C C Andwith Vir - tu-ous gloom All
|-^''i . ji j^ J'f p ^4^J i I ^, jr-rp
pI i-j).^ I P P p r P
glo - n - ousthing to be Em-ployedby the L. C. C Andwith Vir - tu-ousgloom All
B 1^^ p p p ^ n r- r p I p^=5 i^ sr^rf^ -f-
glo - ri - ous thing to be Em-ployedby the L. C. C And with Vir - tu-ousgloom All
^'A , P P P^^
Pf 1? I P~fl P P 1
17 f jfc^jBll. ^N
glo- ri- ous thing to be Em-ployedby the L. C. C Andwith Vir - tu-ousgloom All
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[|t'i,ji J, j|-;[i Ji J> uJi ji ^ J i) I J. j i
SOP.iS'ii. 7 7
plea-sure to doom,For the good of hu-man- i - tee!
<^ii JiTTJi i^ u-^' Ji JL^Ji I J. Ji-^—^
plea-sure to doom,For the good of hu-man- i tee!-
ciV'i.p p p pTp i''P p p ^^r^-f^B.I,
B.n.
plea-sure to doom,For the good of hu-man - i - tee!
^'%p HM ^P-f-f-^=f4^^ ^1
plea-sure to doom,For the good of hu-man - i - tee!
riien.
J.W. 14858
'41
NO 5 DUET- ''WHERE IS A MAID LIKE YOU:
(BACCHUS and ML^ GRUNDY.)
Moderate.
VOICE
.
PIANO.
^ ^^^ rTT^jT'j'*' *
fate _
shine
oVr vale and moun - tain
in heav'n to g-uide me, .
I've searched from
I want no
^^mL g * * -
r^^f=r^I i
I
^ m ^^m #^^ ^
^ p ^ ^ m ^ear
moon to
fe^
lig-ht
till
medew-
ony
myeve;
way
.
I've
While
^i ^3=T ^ ^~7
3c:
r^ :^
«7
^
7 -p.
^^ ^^^E^^r
J.W. 14858.
28
sought her all in vain,
1 have you, my avm .
by stream and foun - tain,,
sweet-heart, be - side me, _
And now in
And search the
i3'ou
depth's
;E fl=^ Jl ^ t^ '".'
^. P ^I've found her 1 be - lieve
of those two eyes of grey
.
Give me your hand that
Oh, dry those tears and
P ^' i^ J^ f hf-f^ 3»±: ^ E^E^E
1 may press it gent - ly
wait uii - til the sun shines,
Be - tween mine own,
The night has got
and then oh, pro - mise
a thou - sand ejes to
g:x~g i" I r- TTfpeep,
That you will
And if per
3
gaze
chance
to my eyes in
hap - pens that not
tent
one
V^J. W. 14858.
23
Refrain.
ik=^JOZ
Fresh
,
soft, pure,
~~a
sweet. 1 lay mj' heart at your dain - ty
^feet; Fair,
^fond,
Iee
kind,
atrue,
-i ir-h
Where in the
T if
Ah! Ah!. Ah!
pmmI—^f
=i= ^ m^^
i
•5S2.
^ ^EEt-M-r— TM P ^
mworld is a maid like you?
7f > f ^you? A maid like you
.
A maid like
^ f ,f
Ah! Ah!
J. W. 14858.
- _._..»_ .'* • ^ - »m»»»-»* . « - . ».»^».»^ .... ^»«».»;» .'-" '. »>.»#• * '• • •' .'.'-•'•SVi
24
N96. YOU MUST HEAR WHAT I SAY. (QUINTETTE.)
SOPRANO I.
[up-to-data]
SOPRANO II.
[do.mestica]
TENOR.[JOHN S.MITH]
BASS I.
[BACCHUS.]
BASS II[mt.s GRUNDY.]
PIANO.
iiAllegro.
^^F^
^^^
^3']}' (^-
(:^'\!' (t^^
^
ff.
ff
7 pI ? ^ p J) p 7 V p
I p p p J' p 7^ff
Oh, do hear what I say! Oh, please don't turn a-way! My
^Ji J) j) ^•'
(Tl J J' ^h Ji'.J)^Oh. do hear >A hat I sav ' Oh. please don't turn a-way! Mv
^^ \> \^\) ^^-^P P [V-M^^Oh, dohear%vhat 1 say! Oh, please don't turn a-way! My
ff|t^P p PP ,^t^ P p PP s^Oh, do hear what 1 sav! Oh, please don't turn a-way! My
E^zf:^ J^ p 7 7 p I
P p h i^ f^^;e
-7
—
Oh, do hear what I say ! Oh, please don't turn a-way ! My
{r)}^, (^bJ jl^^f7 in, ^ ^r
^ ^a tempo
^ i^ 'M p M" PI P p Wl B^S.I.
s u.
^mlove I must de-clare. Be-ware'Take Care! 1 swear my hair I'll tear, And wear my-self a-way; You
.rif-
.
a tempo
n pJ'' i>
p pJ' l
ipI
li
p p;- J' J' iJ' J' j^
I J^ Ji ;, Ji Ji ^ 1p
!ove i must de-clare. Be -ware! Take Care! I swear my hair 111 tear, And wear my-se!f a-way; Yourif^ a tempo
g^f^ p P P P-P I ? P "P P -p-p"T^ I P"TT^^ -T*—
^
love 1 must declare. Be-ware!_Take Care! I swear my hair Til tear. And wear m^-self a-way; You•it. a tempo
^r— L rn. a Tempo
p p ff fTTV%I
^f? g»p /> ^p pjrI
ff p p p p V V fB.I.
B. II,
love I must de-clare. Be-ware! Take Care! I swear my hair I'll tear, And wear mj-self a-way; Youa tempo
<^ P P p p fipp P I P f P ^ '^ ^ p=fT^ p J^p t t ^ \
^ love I must de-clare. Be-ware!Take Care! I swear my hair 111 tear, And wear my-self a-way; You
ia tempo
^ ^rit.
w^ fc*i -i^-^^^TT^-^;
tf*^
J. W. 148.58
•-;5
r\ rit.
S.I.
S.II.
1^^p P p r- P
I
P P ff^^p^^-^lM-Hji^shall hear vhat 1 say! E'en from the grave I'd rise and rave Till I had said my say!
all hear what I say! E'en from the grave I'd rise and rave Till 1 had said my say!E'en from the grave I'd rise and rave Till 1 had said my say!
0\ ;•//.
I." M p p"p P P
'
'p\%4^M'^^^E^
P P P .Pshall hearwtial 1 say! E'eii from the grave I'd rise and rave Till I had said rn; say!
"*/TV . "'
(.!:J. ^ ^ ^ ^ M P P P 1M! i
i
p p ti IJiH?- ^=5
shall hear what I say! E'en from the grave I'd rise and rave Till I had said my say! Oh,
rit.
B.II.
j f. Andante.
s. I. WfLrV' "• ^^P P
PP ^ SS.II. i
des-pair,
V^no one,
P1 U' i) ^
to share,
^#=f^^
des-pair,
Pno one,
3?
to share.
PP ^ Sdes-pair, to share,
B.I.
R.II.
tri'b" "p p_^ji iiI ff p n f P -Y^-^Ji6=£^ i
love is black, des - pair, And no one's fit to bear it! I've lots of love to share With
w^ T P P 7 ^ e V
des-pair, to share.
J. W. 14858
2Q
s. 1. i^ MP
I [7 -j^p P p
ji jM ;> j^ i' p r^^no one. Mj- heart is sore with love ga - lore, My se-pul-chre pre-pare it I So
<i TT^h-^ JiI
ii i'i|j^ j) ;i
J, B iii jii,j)j',^*-'—o^
no one. Mj' heart is sore with love ga - lore, My se-pul-chre pre-pare it! So
t p p p I p ffp p g w jt ji
Iji ; i) jiiJ ^
no one. My heart is sore with love ga - lore, My se -pul-chre pre-pare it! So
^^mM^^B.I.
B.II
fe^^^^
^E^no-bo-dy to share it. So
^ f PI P P »f p ^C p ^
ji ;iJ J'J'pp J Jrf
\ no one. My heart is sore with love ga - lore, My se-pul-chre pre-pare it! So
¥^ ^ ^ FnP fr^^Qf^|ES M lit # ^1 r r T rs^
arse. e accel.!». . h
fi i'liJ) n ^p p iiff 'i^l''P T P ;P P H^^ l P p pJi P^^P.I.
S. II,
why de - ny m}' cry? For I may sig-h'^Good-bj-erAndtrj" to die 'Ere 1 have had my say, So
cresc. e accel.A , cresc. e accet. .
^ ^ ^ ^ , ^ . l >
i
why de - ny my cry?For I may sigh"Good-bye,''And try to die 'Ere 1 have had my say, So
cresc. , e accel.
l
ip 'ip''P P P P 'M TP P p M P P P I P P M P ^ ^
'^I
why de - ny my cry? For 1 may sigh"Good-bj'e,"Andtry to die 'Ere I have had my say, So
cresc. e , accel.
W^\< \ ^\^ ^ \ 'P VI
^^-^^ PPpy^l
ffp p P D,JP.I.
B.II.
whj- de-ny my cry? For I may sigh"Good-bye,'' Andtry to die 'Ere I have had my say. So
cresc. e accel.
s^'p p p p
pL-gp p J-f-^-^-M^-M-^-l-^P ^' ^- ^ ^
^ why de-ny my cry? For I may sigh"Good-bj-e," Andtry to die 'Ere I have had my say. So
^' ^^J. W. 14858
:i7
s. 1.
s. u
^ ^p p
^' p ^ ^^ay n p P P "P-UU"^ P"ff P p"P P ^please don't turn a-wajM
mM}' love I must de- Clare Be-ware ! Take Care! I swear my hair 111 tear And
rit.
easedon'tturn a-way! My love 1 must de-clare Be-ware 'Take Care! 1 swear my hair III tear And
^^^p wp i p-fTP P N JeT^-^ P L^^JPplease don't turn a-way! My love I must de-clare Be-ware!Take Care! I swear my hair I'll tear And"" "
rif.
R. 1
H. U,
zp P p P p , , pj[^^-HHM^^-t^l^ I^^F ? f ^P=^!=#^
please don't turn a-way! My love I must de-clare Be-ware ! Take Care! 1 swear my hair I'll tear And"
rif.
tJijj;JL p JU) p > > p I P P p p piifl
f,PIMP P P p P ^
N pleasedon't turn a-way ! My love I must de-clare Be-ware ! Take Care! 1 swear my hair I'll tear And
S. 1.
S. II,
^ ^ I ^ ^ tempo ^ >-0\ _ r/Y.
i^
=—
^
i — - '
-J.- (spoken)
wear my-self a-way; You shall hear what I say! E'en from the grave I'd rise and rave Till I had said my say! There!
rifa tempo i=. HZZ O -- -, ~
itempo s=. IHIZ:f^
"
1 1."
l
J^ jiji ji^^ p i
p pTTTr-M^^ji jip p"p'ipipp:j>"''~niwear my-self a-way, You shall hear what I say! E'en from the grave I'd rise and rave Till I hadsaidmy say! There!
a tempo
P riiiM' / ii ! i::L}\iiijiLiwm.B.I.
B. II
wear my-self a-way, You shall hear what 1 say! E'enfromthe grave I'd riseandrave Till I hadsaidmy say! There!
:=-«! tempo ^ » m m _^''"'- - -
^.,1, PppPp,,pife^i^' -m 0-
P P P PPiip p P4fP-P P r h I I
wear my-self a-way, You shall hear what I say ! E'enfromthe grave I'd riseandraveTiil I hadsaid my say !There!
~ -a tempo ,>- ~ ^
^ wear my-self a-way. You shall hear what I say ! E'enfromthe grave I'd rise and rave Till I hadsaidmy say ! There!
.1. W. 14858
•^H
N97. LOVE IS A MERRY-GO-ROUND.(SONG.-CUPID.)
Allegro.
VOICE.
PIANO.
i J' jj J' I rs
Loves a sort of round - a - bout, .\nd
Off you go, the ma - gic ring You
* J^ J PCu - pid is the show - man;spin a - round like wink - ing;
It^^ ^
r
i#
Once it starts you can't get out, The
Close - ly to your part - ner cling, No
^^ 11 P ^;
dTFJ?^
wheels can stop for no man; The pranc - ing steeds on which you ride
time to stop for think - ing; But. when your nerves are calm a - gain, Per
J. W. 14858
29
i P p^-^p P r p 1^' J'p p P i r p
^'1 p
Two by two c;o side by side; The part-ner you get as you whirl a - long' may per -
- haps you will think she's ra - ther plain; You see some o- thergirl on a - head you would
hi i i I * £ • F^^
'(/.
Ir * ^ip
* ^ ^ P P^^haps be all right,
ra - ther have hadOr per - haps be all wrong.By your side in-stead.
i
YouBut
m ^ S5 3^E
^ ^LI^ J.e ^^
need - n't frown, you can't get down; The Or - gan starts to play.
on you whirl, the o - ther girl You can't catch up this ride.
m S 7 7 -g 7 7i P J ^
TheAnd
=?=^ 7 7 ^^a tempo
^ ^ } 7 7 ^•^P7 7 ^P=¥==¥ * 7 7 '^r~7~~77 7 '-jZJZ^ ^^F=^
$ i i
En - gine goes, the whis - tie blows, They're off, they're off, hur - ray!
if 'twere done, its ten to one You'd not be sat - is - fied!
^^ m I r J i mdi4
r\
to:^>f, , ,^fj
.^, \iilp, V >p , , ^ ^ p 7 7 '-r^?==r=^=^
J. W. 14858
30
CORO.
P fr-^ J) j^ J'iI J^ h j^ J JU-^UJUU^ J) \ J) J)
j^^ .
—
m^ --^^ .-kf- *u ^mer-ry - go-round, I'm wil-iing' to va-ger a bob to a pound,Love is a sort of a
s m
i 7 -^^^ :4=
I7-^ ^ ?=
1^ JuJ-. Ji P-P-^^- p li^'P'.^p1
1^'p
i
i-i''iiJ J''
I p 1
1^'p ^
No -one with life will be- quite sat -is - fied Till theyve paid up their pen-ny and sam-pled a ride.
fe i^^ 4^=^'g i
i-'^ 'i
^
^^ ^^ U»t Vf
^ i^ i, J; JiI
-.^^=i^
i;g »M f g ' ^r p p r
Oh! the ex-citement of whirl-ing a -way! Young folks and el-der-ly all of 'em say:
ip p p p p p I p p p r P
^"Ab-so-lute pleasure can on-ly be found on Cu - pid's
J. W. 14858
81
rr.
ujJ'pVAr ^raer-ry-go - round!'
i ^ ^^mw JuT^ ^^
Merrj'-go - round!
^1fiza^ S
4^-^ ^2 ^ H^—^-^=j^=T ;?=s^ it s it
iZaj/ time.
I't^'Tr^^Ffairrrr i ^rrrcf itprYYTJih
Z?. C. fo %
i
>^rJl^^t.!^^^i
^^^^t^i
^r j^^H^^-
^^accel.^ ^ ^ ^PS
*^^f^Yf¥-¥ !>*ek«!.« ffh*Vf^Vf^T f^yf..rf i
*
^ ^ 1 t j^ 7 V \ 7i
i ^ I^
II 7 j^ 7 7 i 7fe- 3E 'y j y
•^^ 1^—1^; ' J:—^!
J. W. 14858
N9 8. "VERY REFINEDf(DUET.I
Andante.
PIANO.
teimfDelicately
^IPSiH eE
^^
f
^P^^
^=t=^
«f fi
frr-frr i -ffff f i^frrrr#—
»
riY.
i^^ ^^P ^F=Ti feE±i ^?H?^ 3^f" '^cXJ" _Cjirr
^ flfif //J.
i^ fe ^ P\ y y ^ ^ ^1. Though we're dis-tinct - ly mid - die class, Yet please to bear in
2. Al - though our wit is known to be As keen as a - ny
^J^
^ > h ^ y h ^ ^ ^'^ y y .\ T~y -^^^^-
;^a tempo
[W^ V y ^J^ J^J'' ^ > /i^ 7 ^ JH *> j^ ^t^
$ JMJ J^ ^^ N JN J ^ 3^$ ^ ^rz:^ " — — — f^ *
mind How ev - cr up - to - date we are, We're nev - er un - re - fined. Wera - zor, We ne - ver give wives cause to say: George, look the oth - er »uyy sir!" And
:#k
i ^^^ ^ V > h v ^ mm ^^=^1
,SS |,J,) y y ji^^=T [,J^ ^ ! J^ vs ^^^
J.W. 14858
33
£ mg E ^ ^ Eal - ways look be - fore
if folks say, when - e're
we leap, And think be - fore we
we sing", How out of tune wespeak .
are,
OurThat
con
is
verse nev - er broug-ht a blush To an - y - bo - dy's cheek. For we're
be - cause we won't be found To - ge - ther in a bar. We are
*ve-ry re - fined, We'r« ve - ry re-fined, Wo do'nt touch the knuck- Ic or sail nearthe wind; When we're
ve-ry re -fined, We're ve-ry re-fined,And a - dapt ev- tv phrase to the in-nocentmind: For in-
4i fP=f=^=t=l=\^ J>J, J
0'IJ^ i. J, I J' J'
I J'
J
mchang--ing our mind We pulldown the blind, Be - cause we're so ve-ry so ul - tra re-fined.
stance,wepause,Thenwesay: "Chest -of -Bloom-ers," Be cause we're so ve-ry so ul - tra re-fined. ;,.
ft. - . i-J . r I I
": lJm I I I r-T 1 I h- , , , t=
t—F- 5 g m m
m i $ ^D.C.al%
J. W. 14858
34
3
You may not think our dancing is
Particularly chic,
But, when we dance, you'll please observe
How very low wc kick.
And thoug-h you watch 'till all is blue,
However swift you dart a
Most searching' glance at our high kicks
You'll never see a_ honi soit qui mal y pense!
REFRAIX We're very refined, we're very refined,
And, when down at Richmond's Hotel we have dined,
Its title we render
As : "Star and Suspender,"
Because we're so very, so ultra refined.
4A photographic artist once
Invited us to pose,
And so we first arranged his fee.
And then arranged our clo'es.
Said he:"When looking through the lens
I see j'ou upside down"
And so 1 got a piece of string
And fastened down my gown.
REFRAIN. We're very refined, we're very refined.
And I always wear dresses that button behind,
But he said: "You're exposed"
Then the interview closed.
Because we're so very, so ultra refined.
J.W. U838
85
N9 9. FINALE.
(tutti)
In -to Love's beau, ti - ful gar - den In love we seem fa -ted to fall
rfi 1 fl ^-:
|
|.'P
J' i' J' ^ I'J^ l—jM: I'llI? F P-
ll^lI V^^
v,oo.-tc-*v,^* ^^^^ fc. fori tr. h;.r _ Hen- All Tilfa_sure has tumcd in - to ffall Andhearts that seem fa- ted to har - den; All plea.sure has turned in - to gall
^ms *^r^?^^m mm m ' f4J3^ ^
^^^ffitff=sS^
J. W. 14858
36
i ^ h J) J^ J) J^ice we looked o - ver tne
^Slife don't ap-pearwortha far . den Since we looked o- ver the wall
gtia..
V.-^^ a. S ^ 3
, I , I i ^ ^In - to Love's beau - ti . ful gar
^fEi2^
1^! J J ^ f^
Cu-pid hear our dread -ful tribf^k4-»i^
prayer, for we re^ 7^
fla - tion,And
J=ai
rrrrif you can re -
frf^ ^^^r T r- pr r r (
? ^
*E(Unaccompanied .)^
*Wf ^^ f 3i Sma - tion: Our
-1 J. J^
premise re - for
J J J J
rrT f f "f fin the Soup, Oh,move your ban We
A^^M Spir - its droop, we're
J J IJ. i' llJ J iJ Jrrrr f r p r r r p rr rr
&J.W. 14SSR
if fT7
hear our sup-pliftion! Oh,
J ! J. ;>
rT=rTjust be - cause all
^^=^37
)as - sion was By
^ J llJ tfJ J ^^« pas
-J ^WF^^^^=^r r r r r
«s
^ -i^^Ah
M J- A^^ ^Tffirst in
rf fyou at
^i=^
ven
^*ted We don't see quite you^^ have the right To
-J)-^^?^
$m
*J J ^
'f f f fdrive
^us all de
,.L^J J-
'T r r r
i=i:
men - ted! The
J J . j)
r—r-r
^ ^ "f i
^'
game is up, were
r r r—
r
f f "? Tsold a pup In
iiJ J iJ J
-r-T—r—
r
i
fTTTrCfTTstyle un . pre - ce - den - ted Oh,
A-
m
AhCUPID.
5Cu - pid dear, We
'1 t ^
'
1- t
r kf rpray you hear!
^F^^^
I V Ji|'T w as
^g£
J. W. 14858
*—** P P I r n ji JJ J) ji J) ji
s*—»— o
—
the Lon.don Coun.ty Council! la. gree! Then let Re-for- ma-tion take its course!
*^^ i-T^>- 5^ H ^^^
^JA. S
1rrr ^^l»^ !>;5:
CUPID.
n K„h ;,j^-^^ ill J_J J^W) J) J) J^ J) ^ g
Yes 1 a - gree to it all
.
To al . ter my beau . ti . ful gar . den, My
— -J J) ^^'^
/. «•' ^ 1
)^ ^TTra U ? i>tt»K j'TJl I,
, n ^ nT
^ ;i p n-^^ p^' J) I r'"~ r p
I;!
^' •^' -J' ^' ''
plea. sure has turned in . to
igall And Life don't ap-pearworth a far . den! In
I — ^E^^^^^?
f ^ t-i EAA • A 1 « ^^ ^
^ rjn rnm m m m m m PFH,
jS ^T=
(|»p lip p p p-^ II J J) ;i J)^^Love ne'er a - gain shall we fall. We've felt all our Sen . ti . ments
#H S^ it| I j i ^^^^ f f I f ^^
51 5 ^ 5^ b^'
-rShi
—
m #-:1=J^ =
^P P P P P P fSince we looked o- ver the wall, Since \\e looked o - ver the wall.
#^ it s
arai: a=ai
tf i I i I i I g^^
^ i) i> ;^ >B 9 B
?? ? r ? ?, ? FF
m - to Love's beau . ti . ful, In . to Love's beau . ti . ful gar . dtn
.
Our
Andante
ih'. f li
p y pJi i ' J i ,i \ 1
1'
' ^ J'i. f ^.^ii^jM-^^^a^
love for you is just as true As e'er it was of yore, And, thoughwe now have niade a vow To
V^-h:I
f J * J ^i
fal' in love no more, We'll ne'er for - get what love we met And
how 'twas cast a - way, And swear to you We will be trueF6r ev - er and ii
(Curtain falls.)
J.W. 14858
*
ia—:
t 4=1 :|=l =
J * * ^ tz=4w^'—m
^ i Se^JEQ
(> ^^ '^ * ^ ^ -^^-^-m T
t
m ^B 1 l^hl \ iJTi-H-^CIirr^5fe j -i
in
^~i^
^^^ i i i-9 -9 -W -9 »
** »^l^^ .-,,.-1. v,..- *i,Xtt./1 in tri craU Anil I i fp rioiit MI) _ rii";ir worth a.plea - sure has turned in to g'all. And life doiit ap . pear worth a
ih
fpup I'p p-(^ ?^<'pI ^if-=r=T^-r^^-=^^^--^^^
far - den. In love ne'er a.g-ain shall we fall We feel all our sen . ti . ments
ik g ^ k
^Sfm^miSi^ 1^-^ F
^j.£Lg giiF * #^ l>^
J^J^ il P l|gden Since they came o . ver the
0^^^.
wall ,. . , .
-70-» P —
J^ft"fT^^T?" «*accel.
(4-|> ?• /^^ s
i |T , ,I j^ J) i^-^^#
^r
—
; p ; p r ' rince tney came o . ver the wa
iti
J> ii i> i> i) ^,
j ^ i) i) ;> ji *? ? c p p I r,mce they came o . ver the wai
1 ? P P ? 7"In to Love's beau . ti . fulwall>
i'l±J L±J ii^» i ^tr^r fiif M f f f ^^ * i
J. W. 14858
42
iday!
^^
^ -fFrt=i 3 a znra— ^' :
-J «^ -«1 -J1=«=J
"(P 9 ^ (>«•
i
•^E3;az—»^;:=i:
t :52 ^T^^ 5^ ^ ^is:
^.* ' W V J V ^ Iw- ^^^ » *
it=^
* "W:
(Curtain rises)
^##rrtrt 5i^^^^
1^ l^ii W t[^ V }}^
J=-hi^4-^y •»« *
(tutti)
J. W. 14858
43
plea, sure has turned in to gall, And life doiA ap . pear -^orth a
-f
—
g g ; g rSince they ca'mc o - Ver tlit wall,
11i) ^ J) i) i) 1> , ^
P—
P—
7
—P
—P—
P r-ince thev came o . ver the wall,
J' ^ i) -N ^ ^Since they
7 P P P f TIn to Love's beau . ti . ful
J. W. 14858
4.4
$» ^ ^ J) J^
"T~rTg^ar . den of ro . ses To
ffi
^ ^ ^ ^ j) A^.p ? p ?
i
^ter Love's beau . ti . ful
H' tr.^ h
£Gar
P ^P P P ''P^ ^
^ ^.
g
^den!
I
F
^ i i i ri^jjh^^W ^ ^^Wj55^ « ^^'"^o
^ft 'UJ-4-A ^
JOSEPH WILLIAMS'S ALBUMS.1. Vocal.
CONTENTS.White Souall \.yi-
^"''^,'1
Sweet Nighungak ^i l^'l^-"-,,She wore a wreath /; -^^ ^"'f'i
Light of other days ,?'„,What we have loved C. Ptnmit
One Shilling Net.
2. Instrumental.
W. STERNDALE BENNETT'S WORKS.
CONTENTS.Three Musical Sketches, Op. lo.
Scherzo, Op. ii-
Edited by AETHUE O'LEAEY,
One SkilHng Net.
Capriccio, Op. 2.
3. Instrumental.
FLOB.IAN PASCAL.STRAY LEAVES.—Twelve Little Sketches for Piano
CONTENTS.Moderate con tenerezza
Grazioso quaai Allegretto
Allegro non iroppoAndantino sostenutoAllegrettoAllegretto
One SkilHng Net.
Andante placideCapricciosoWoderatoAllegretto grazioso
Con tristozza
Moderate
4. Instrumental.
MARCH ALBUM.CONTENTS.
TorchliKlit (froi» " Ooches tie Corneville ") R. Planguett
March (in " Alceste ") C/»cA
March (from " Zauberflate ") MozartBride's .March (from " LShengiin ") WagnerMarch (in " Rinaldo ") HdndetThe Night P.itrol Marck L. IVtly
Dead March in "Saul" ,Handel
MarchinD '. f*'- Hijl
Occasional March HandelMatch C. RemeckeFestal March '*' Smallwood
Edited and Arranged by HENE7 FABUEE.
One Shilling Net.
5. Instrumental.
W. STERNDALE BENNETT'S WORKS.PIANO STUDIES.
CONTENTS.Six Stutiies, Op. II. Two Studies. Op. 29.
Edited by AETHOE O'LEAEY.
One Shilling Net.
6. Instrumental.
W. STERNDALE BENNETT'S WORKS.SUITE DE PIECES POUR PIANO. Op. 24.
Edited by AETHUE O'LEAEY.
Out Shilling and Sixpence Net.
T. Vocal
Six Vocal Duets by Florian Pascal.For Soprano and Contralto.
CONTENTS. WORDS BYI. Lullaby G. Wither2. Bird of the Wilderness /. Ho^c3. Sweet day so cool Geo. Herbert4. Sigh no more, ladies ShaJisperr
5. Day is over Barry Commall6. Love and the Rose Sir Walter Scott
One Shilling Net, Paper.
Two Shillings Net, Cloth.
8. Vocal.
PATRIOTIC SONGS.
Flag that braved a thousandyears
My ancestors were EnglishmenTug of War
CONTENTS.God save the QueenBrave Old OakI'd rather be an Englishman
9. Instrumental.
Twelve Drawing Room Studies by Kuhe.
CONTENTS.Romance from Mibul's " Joseph ' On the Tremolando'Twere vain to tell (Swiss Air) On Repeated Nor.ts
Duetto, "L'Elisir d'Amore" On the Staccato
Oft in the Stilly Night ' On the Legato
Robin Adair On the ShakeMy lodging is on the cold ground On Grace Notes
The Blue Bells of Scotland On Scales
Casta Diva On the Cantabile
The Russian Hymn On Reversed Position
Chorus, from "II Flauto Magico " On Thirds
Ab ! che la morte On Arpeggios
Charlie is my darling On Octaves
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One Shilling Net.
XO. Instrumental.
JOSIAH PXTTMAN.DIVERSIONS.—BOOK I.
CONTENTSPrelude and Fugue John Bennett
Prelude and Fugue /"A" Bennett
Prelude and Fugue John Bennett
Introduction -.
FuguePrelude and Fugue John Bennett
Prelude and Fugue John Travers
Prelude and Fugue J'h" Travers
Preludeand Fugue J'hn Fravers
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XI. Instrumental.
JOSIAH PITTMAN.DIVERSIONS.—BOOK II.
CONTENTSPrelude and Fugue John Travers
Prelude and Fugue John frave, s
Prelude and Fugetta Dr.JohnBlo-MChaconne Henry Puree!
The Golden Sonata Henry Purcel!
Suite de Piece'.
• •. • D''- A me
Preludeand Fugue Dr. Nares
Prelude and Fugue Dr. Maunce Greene
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XZ. Vocal.
Six Songs by Frederic H. Cowen.VOL. I. -SOPRANO.
BOOK I.—Contents. words by
1. Night has a thousand eyes A non
2. Rondal (Kiss me, Sweetheart) /. Payne
3. Good Night litrs. Hemans
4. If thou wilt remember (When I am dead) Christina Rossetli
5. I think of all thou art to me Violet Fane
6. Mas 1 alas ! how easily things go wrong /. Macdonald
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13. Instrumental.
SIR MICHAEL COSTA.— " ELI.
Favourite Airs arranged for the Piano.
contents.Ouartet " Hear them. Lord, in the day of trouble
"
Air "I will extol Thee, O Lord"Prayer " Turn Thee unto me "
Chorus " The Lord is good"
Duet " Wherefore is thy soul cast down ?"
Song " Philistines, hark, the trumpet sounding '.
"
The Morning Prayer " Lord, from my bed "^
Chorus " For everything there is a season"
The Evening Prayer.. " This nieht I lift my heart to Thee '
Chorus of Angels " No evil shall befall thee"
Air with Chorus " Let the people praise Thee "
The Choral March " God and King of Jacob's nation"
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14. Instrumental.
SIR MICHAEL COSTA.— " NAAMAN."Favourite Airs arranged for Piano.
contents,1. Air "I dreamt . was in heaven
'
2. Triumphal Chorus " With sheathed swords"
3. Chorus " The curse of the Lord'
4. Air " The seed shall be prosperous'
5. Trio " Haste to Samaria'
6. Duet "I sought the Lord, and He heard me '
y. Air " .AJise, O Lord, arise'
8. Chorale " God, who cannot be unjust'
9. Air "It made me sad—it gave me pain'
10. Quartetlo " Honour and glory, Almighty, be Thine'
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IS. Instrumental.
SIR MICHAEL COSTA.—"ELI."Favourite Airs, aiTanged for Harmonium or American Organ.
CONTENTS.1. Morning Hymn " Lord, from my bed again I rise
'*
2. Evening Prayer " This night I lift my heart to Thee "
3. March of Israelites
4. Air and Chorus " Let the people praise Thee '*
/ Recitative " Unto Thee, O Lord ''
^' \ Prayer *' Turn Thee unto me "
6. Duetto. " Lord, cause Thy face to shine"
/ Recitative " Open unto me "
' 1 Air " I will extol Thee"8. Duetto " Wherefore is thy soul cast down '
g. Trio *' Thou shalt love the Lord"
^^ /Solo *' Go in peact'"
\ Quartet *' We bless you in the name of the Lord '
/ Chorus of Angels " No evil shall befall thee'"
\ Chorus of Levites Eleis ye the Lord '
J Chorus of Levites *' O ye kindreds of the people ''
\ Chorale " Oh make a jo>'ful noise'
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X6. Instrumental.
SIR MICHAEL COSTA.- 'NAAMAN."Favourite Airs, arranged for Harmonium or American Organ.
CONTENTS,Duet "I sought the Lcrd '
Air *' Invoking Death "
( Recitative " Behold, O man of God "
\ Air " The seed shall be prosperous "
J Recitative .
. " Oh, that I knew where I might find him."
\ Trio " Haste to Samaria "
Triumphal March " With sheathed swords "
Air " I dreamt 1 was in heaven"
Chorus " God, who cannot be unjust"
Prayer *' Maker of ev'ry star"
/Recitative " Uehold Gehazi '
I^Air '* Lament not thus''
Quartette '* Honour and glory, Almighty, be Thine"
March _" The Arrival"
( Chlorale '* When famine over Israel"
\ Chorus ;" Mighty Rimmon "
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IT. Vocal
Merry Littie Songs for Merry Little Folk.
Written by L. H. F. BU TEEEEAUX.Music arranged by ALBEETO KANDEGGER.
CONTENTS.8. Huntsman Jack Zl Pus:
Hareg. Wonderland0. The Stubborn Fox1. Potatoes2. The King's Feast
The Christmas TreeThe HunterThe WeedRound-hand BowlingThe CuckooMatchesThe Tailor's Fate
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XS
.
I nstrumental.
HOMMAGE A HANDEL.Arranged for
PIANOFORTE, HARMONIUM, or AMERICAN ORGANBy J. PITTMAN.
CONTEN15
1. All power in Heaven above2. We therefore pray Thee3. Then round about the starry
throne4. Recall, O King5. Then shall they know6. So are they blest who fear
the Lord
7. O Father, whose almigb/
power8. Eternal Monarch of tl|
Sky9. Alleluia 5 ("Deborah")
10. Thus rolling surges rise
ir. He sent a thick darkness12. Welcome, mighty Kin^
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X9 . Instrumental.
Pleyel's Six Duets for Two Violins,
Op. 23.
Edited and fingered by HENRY FARMER.
Two Shillings and Sixpence Net.
20* Instrumental.
Six Original Pianoforte Pieces
By Lindsay Slopcr.
Valse Brillante
EntreatyFear.
CONTENTS.
[4. Saltarclio
Three Shillings Nel.
A Dream of SummerEclogue
32. Gri*eai,t :E*03?tl£fci:i«a St3?eet, Uoridon, Ifi?-
JOSEPH WILLIAMS'S ALBUMS.
521. Instrumental.
Shori Classical Pieces for Piano.
Arranged and fingered by WILLIAM SMALLWOOD.
CONTENTS.Grand March Sf^ff*''Rondo in A ^^^f^""*,Aria Grariosa -f/O'^^Minuetto Beethoven
Aria in A Mozart atid Beethoven
Ah ! Perdona (" La Clemenza di Tilo ") ^IS^^*'iLa Consolation ..Dussek
Waltz in C Beethoven
Waltz in F Beethoven
Minuet (" Don Giovanni ') ;"^^^,Prelude in A minor J-S- Bach
Ancient French Carol Composer unkmnvnArietta Ste^Mlt
March d'Achiile - - •^'^''
Andante in F Beethoven
Gavotte in G -^-i'/r
,
Ere Infancy's bud (" Joseph ") i»/^A«/
Water parted from the sea (" Artaxerxes ")rr ^,
Allegro in G V "'H--Gavotte in F P<^drt Martini
Pastorale Ktthlau
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32, InstrumentaL
FIVE ORIGINAL PIECES.By HENRI ROUBIEE.
CONTENTS.
1. Menuet Sentimental I 4- Les Hirondelles (Valse de
2. Kntrie du Bailly (Gavotte) Salon)
3. Fleur du Japon (Valse)| 5. Brise du Soir (Barcarolle)
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23. VocaL
Words and Music for Children of all Ages.
Words by H. P. STEPHENS.
Ma&ic by FLORIAN FASCAL.
Down aad up the streamWhen I'm a big manFather's gone a huntingThe Doll's LullabyThe Iniatiable ApeThe C^inaraao's Dog
7. SnowdropS. The Boy KangarooQ. GingeiBeer(DrinkingSong)
10. The Two Fairies
11. The Mechanical Curate12. DourdiefortheUnionJack
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24£t. VocaL
Twelve Songs by Frederic H. Cowen.VOL. IlL—SOPRANO.
With English and German Wokus (the latter are byA, M. VON Hlomberg).
CONTENTS. WORDS BY1. Thy Remembrance Longfellow2. Snowflakes Anon3. A Song of Morning (Sweetheart) .5". Doudney4. Sweet evenings come and go, love George Eliot
5. Far away Barry Cornwall6. Is my lover on the sea? Barry Cornwall
7. Evening Star Barry Comzvall8. Nightfall H'hyie Melville
9. He and She Christina Rossetti
10. Love me if I live ,
Barry Com-.-uill
1 1, riie Fir.si Farewell Owen Meredith\2. Tlioughti at Sunrise Owen Meredith
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241: l3. Vocal.
Twelve Songs by Frederic H. Cowen.VOL. III.—CONTRALTO.
With English and Gehman Words (the latter are byA. M. VON Blomberg).
CONTENTS. WORDS BV1. Thy Remembrance Loiig/cilain
a. Snowflakes A non
3. A SoDg of Mornine (Sweeihcari) S. Doudney4. Sweet evenings come and go, love Geari;e Ellot5. Far away Barry Cornwall6. \% my lover on the sea? Barry Cornwall7. Evening Star Barry Cornwall8. Nightfall U'hyte Melville% He and She Christina Rossetti
C-. Love ma if 1 live Barry Cornwall. , The First Farewell Owen Meredith1 2. ThouehtS at Sunrise Owen Meredith
^Qur Shillings Net.
25. Vocal.
SIX SACRED SONGS.Fy FLOEIAN PASCAL.
CONTENTS. WORDS BV
I. On Heaven R. Hcrrick'2. On Resignation Chatterton
3. The Golden City Rev. E. Paxton Hood4. The Hour of Prayer G. Clifton Bingham5. Vital Spark Alexander Pope6. The Silent Artist G. Clifton Bingham
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26. Vocal.
TWELVE MELODIES.By J. MASSENEl.
CONTENTS.1. 'Tis in vain that I seek ip mes saeurs)
2. To Columbine iA Colonibine)
3. Women of Magdala {Les Pemmcs de Magdala)
4. The Page's Song (^rz^:/^, " Je suis pres-guenjant
5. One fine Autumn day {Ballade Aragonaise)6. Moonlight's Magic Hour {?/2tit d'Espagne)
7. Zanetto {Serenade du Passant)8. Lullaby {Dors ami)g. Brightest and best {O bien-aime)
10. With a heart bounding g:^ily {Chanson de don Cesar)
11. Autumn Serenade {Serenade d'Automne)12. Look down that lane {L'improvisateur)
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2T. VocaL
SIX VOCAL DUETS.Composed by WILFRED BENDALL.
CONTENTS. WORDS BV
1. Weep no more 4n^nymous2. The Sun and the Brook Erom the German of Ruckert
3. How Sweet the Moonlight Shakspeare
4. Song of the Minnesmgers From ilie German5. Snowbloom Lucy Larkom6. A Song for the Seasons Barry Cornwall
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28. InstrumentaL
THREE SONATINAS by CARL REINECKE.
Edited and lingered by JOHN FABMEB.CONTENTS.
No. I in C No. 2 in D. No. 3 in B fiat. Op. 47.
0}te Shilling Net.
29. Vocal.
Four Vocal Duets for Soprano & Tenor.
ByFEEDEBIC H. COWKN.
CONTENTS WORDS BY1. Edenland The Author ofJohn Halifax^ Gentleman2. The boy and the brook Longfello^.u
3. On her lover's arm she leant . .^ Tennysonj\. The fountains mingle with the river Shelley
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30. InstrumentaL
A SELECTION OF SCOTCH SONGS.
Arranged for VIOLIN, VIOLONCELLO, and PIANO.CONTENTS.
I. Within a mile of Edinbro'town
Ae fond kiss and then wesever
O Nannie, wilt thou gangwi' me
Logie o'Buchan
Arranged by JDLES DE SWEBT.
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3i. Vocal.
A SELECTION OF SCOTCH SONGS.
VOICE, VIOLONCELLO, and PIANO.CONTENTS.
Within a mile of Edinbro'townAe fond kiss, and then wesever
O Nannie, wilt thou gangwi' me
Logie o' Euchan
Arranged by JULES DE SWEBT.
One Shilling and Sixpence Net.
32. InstrumentaL
A SELECTION OF IRISH SONGS.
Arranged for VIOLIN, VIOLONCELLO, and PIANO.CONTENTS.
Here awa', there awa'The blue bells of ScotlandThe Campbells are cominThe waefu' heartAuld Robin GrayThe Pibroch of DonuilDu
Here awa', there awa'The blue bells of ScotlandThe Campbells are comin'The waefu' heart.\uld Robin GrayThe Pibroch of DonuilDhu
Oft in the stilly night
Oh ! watch you well bydaylighl
The Harp that once thro'
Tara's HallsThe return to Ulster
1. What will you do, love
2. The minstrel boy3. The Cruiskeen lawn4. Rich and rare were the
gems5. Flow on, thou shining river
6. The last rose ofsumiivcr
Arranged by JULES DE SWEBT.
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33. Vocal.
A SELECTION OF IRISH SONGS.
VOICE, VIOLONCELLO, and PIANO.CONTENTS.
What will you do, loveThe minstrel boyThe Cruiskeen lawnRich and rare were the
gemsFlow on, thou shining river
The last rose of summer
Oft in the stilly night
Oh ! watch you well bydaylightThe Harp that once thro*
Tara's HallsThe return to Ulster
Arranged by JULES DE SWEET.
Two Shillings and Sixpence Net.
34. InstrumentaL
A SELECTION OF ENGLISH SONGS.
Arranged for VIOLIN, VIOLONCELLO, and PIANO,CONTENTS.
I love theePhillis is my only joyThe cuckoo, " Whe;daisies piedWhere the bee sucks
1. Black-eyed Susan2. Wapping oM stairs
3. Since then I'm doomed4. Love without hope5. The farmer's boy6. The bailifTs daughter
Arranged by JULES DE SWEET.
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35. VocaL
A SELECTION OF ENGLISH SONGS.
VOICE, VIOLONCELLO, and PIANO.CONTENTS.
Black-eyed SusanWapping old stairs
Since then I'm doomedLove without hopeThe farmer's boyThe bailiff's daughter
7. 1 love thee
8. Phillis is my only joy
9. The cuckoo, " Whendaisies pied
"
la \Vhere the bee sucks
Arranged by JULES DE SWEBT.
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36. VocaL
SONGS FOR THE NURSERY.
Miss MarigoldTo London TownThe sad little ladyThe tale of a tart
Aly babyLittle Pickle
CONTENTS.7. The misguided lambS. Very busyo. My darling
10. A bird's song11. The melancholy calves
12. The prudent sparrow
Words by F. E. WEATHEELY.
Music by MABCIA TYNDALE.
Otte Shilling, Paper. One Shilling^ Sixpence, Clotk.
3Tr, Instrumental.
SCENES PITTORESQUES.(Suite d'Orchestre.
)
Arranged for PIANO SOLO.CONTENTS.
1. Marche2. Air de ballet \ g^fenes Pittoresques.3. Angelus4. Fete Boheme1. Overture2. Harlequin enters
3. Columbine musing at her\ Harlequin and Columbine.
window -,~ i^ Pantomime.)
4. Harlequin s Serenade
5. Duet between Harlequin and 1
Columbine '
Ey J. MASSENET.
Two Shillings and Sixpence Net.
JOSEPH WILLIAMS'S ALBUMS.
38. Vocal.
Twelve Songs by Florian Pascal.
CONTENTS. WORDS BY
J. Come, live with mc Ch. MarlMve2. Do not wanton Binjoiison
3. Cavalier's Love Song Sir \V. Davenant
4. Sweet content ^. Dekker
5. The mad maid's song R- Merrick
6. To daffodUs R- Hcrrick
7. To music to becalm his fever R- Her-rick
8. It was a lover and his lass if. Shakspctire
Q. Crabbed age and youth '*' Shakspearc
10. Mounsier Elizaietk Kcgina11. Love me little, love me long Anon12. The Troubadour Sir IValUr Scatt
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39. Vocal.
SIX IRISH SONGS.MEDIUM VOICE.
CONTENTS.Lullaby
I4- The Tipperary Boys
Flower of Erin 5. The Pearl of Bandon TownUnder the Fern
I6. Spinning Song
Words by F. E. WEATHERLY.Music arranged by P. Pascal.
Om Shining Net.
40.SIX
Vocal.
IRISH SONGS.LOW VOICE.
CONTENTS.
I4. The Tipperary Boys
1. Lullaby .
2. Flower of Erin 5. The Pearl of Bandon Town3. Under the Fern I
6. Spinning Song
Words byF.E. WEATHERLY. Music by P. PASCAL.
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41. Instrumental.
MINUETS. Book I.—Classical.
CONTENTS.1. Tw» Minuets J-S. Back2. Tw» Minuets G. F. Hdndtl
3. Minuet (from Bourgeois Gentilhomme) Lul/y
4. Minuet Boccherini
5. Ox Minuet /. Haydn6. Minuet \V. A. Mozart
7. Minuet (from Symphony in E flat) W. A. Mozart
8. Minuet (from Septett, Op. 20) Beet/to^'ett
g. Minuet (from Quartett, Op. 168) F. Schubert
10. -Minuejtto espressi\ o l^. Stentdate Bennett
Edited by HENRY FARMER.One Shilling Net.
43. Instrumental.
MINUETS. Book II.—Modern.
CONTENTS.1. Minuet (from Opus 16) Benjamin Goda?-d
2. Menuet noble Henri Roubler
3. Menuet du XVI lime. Siecle Th.Lack4. IJueenie Minuet E. B. Farmer5. Dolly's Minuet F. Pascal6. Minuet W. H. Harper7. Minuet Carl Reinecke
8. Menuet Symphonique G. Bachmann
Edited by HENRY FARMER.One Shilling Net.
43. * InstrumentaL
GAVOTTES. Book I.—Classical.
CONTENTS.1. Two Gavottes, a, in G minor, *, La Musette, \nC../.S. Back2. Gavotte in E J.S. Bach3. Gavotte in G /. S. Bach4. Gavotte in D (from Violoncello Sonata No. 6). . . ./. S. Bach5. Gavotte in B flat G. F. Handel6. Gavotte ia F G. F. Handel7. GavoUe in A A. Corelli
8. Gavotte in A C. Gtuck
9. Gavotte in F Pcutre Martini10. Gavotte (La Bourbonnaise) F. Couperin11. Gavotte (Le Tambourin) /. P. Ratniau1 2. Gavotte in D J. P. Rameau1 3. Gavotte in G minor Dr. Blow14. Gavotte in U flat Muzio dementi
Edited by HENRY FARMER.One Shilling Net.
44.R
Instrumental.
I G O D O N S.
CONTENTS.t. Rigodon H. Purcell
2. Rigodon (I. & U.) Campra3. Rigodon J.P- Rameau4. Rigodon Mmtsigny5. Rigodon F. P<xscal
6. Rigodon At/red .May
Edited by HENRY FARMER.One Shilling Net.
45. Vocal.
Six Songs by Frederic H. Cowen.VOL. IL—SOPRANO.
CO.NTENTS. WORDS BY
1. A Little While D. G. Rossetti
2. A Lullaby (Sleep, my love, sleep) Wkylc Melville
3. Outcry .-l.O'Shaugnessy
4. Because Adelaide Proctor
5. Fantasia (Kiss mine eyelids) O. Wendell Holmes6. Think of Me Clarke
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46. Vocal.
Six Songs by Frederic H. Cowen.VOL. II,—MEZZO SOPRANO.
CONTENTS. WORDS BY1. A Little While D.G. Rossetti
2. .\ Lullaby (Sleep, my love, sleep) IVhyte Melville
3. Outcry A. O'Sknu^ncssy
4. Because Adelaide Procter
5. Fantasia (Kiss mine eyelids) O. Wendell Holmes6. Think of Me Clarke
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47. Vocal.
Six Songs by Frederic H. Cowen.VOL. n."CONTRALTO.
CONTENTS. WORDS BYI. ALittle While D. S. Rosetti2. A Lullaby (Sleep, my love, sleep) Whyle Melville
3. Outcry A. O'Skau^nessy4. Because Adelaide Procter
5. Fantasia (Kiss mine eyelids) O. Wendell Holmes6. Think of Me Clarke
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48. InstrumentaL
BEETHOVEN.Sonatina in GSonatina in FBagatelle in E flat
Minuet in DBagatelle in G minor]Minuet in E flat
CONTENTS.Andante in B flat
Rondo in FWaltz in CWaltz in FAria in DMinuet in G
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49. Vocal.
Ten Songs by Haraish MacCunn.
CONTENTS. vVORDS BY1. Teli her, oh tell her Thomas Moore2. The Huntsman's Dirge Sir l^'all^r Scoti
3. Welcome, sweet bird Thomas Moore4. The young rose I give thee Thomas Moon5. When the first summer bee Thomas Moore6. Autumn Song Shelley7. Love in her sunny eyes Abraham Co^vley8. Her suffering ended James A Idrich
^. There be none of Beauty's daughters Lord Byronlo. When twilight dews Thomas Moore
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SO. Vocal.
T ,.-elve Songs by Frederic H. Cowen.VOL. IV.—SOPRANO.
CON 'ENTS. WORDS UYDost thou love me Elizabeth B. BrowningAsk nothing more A. C, StvinbunteFor a Dream's Sake Christina RossettiTo a Flower Barry CornwailBird Raptures Christina RossettiLaugh not, nor weep' (a Love Song) Barry CornwallInsufficiency Elizabeth B. BrowningSong for Twilight Barry CornwallThe Violet Barry CormvallThe Angel of Death Adelaide ProctorAn Idle Poet Anon1 think on thee in the night Thomas Hervey
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SX. Vocal.
Twelve Songs by J. L. Hatton.
CONTENTS. WORDS BV1. Vogclweid, the Minnesinger //. W. Lonefellow2. Revenge P.. Fitzbatl
3. The Shepherd's Winter Song Thomas Olipkant
4. In that sweet summer time W. H. Bellamy5. Letanie R. IIerric'.i
6. In days of old W. .W.Bellamy
7. Hoi fill me a tankard W. H. Bellamy8. I will sing no more of sorrow Mark LemoK9. Simon the Cellarer W. H. Bellamy
to. Clown's Song SkakspeareII. The Change of Twenty Years Godfrey TurnerI ;. Voice of the Western Wind E.C. Stcdman
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52. Vocal.
Twelve Songs by Frederic H. Cowen.VOL. IV.—CONTRALTO.
CONTENTS. WORDS BYDost Ihou love me Elizabeth B. Browning.^sk nothing more A. C. SrviniumtFor a Dream's Sake Christina Rossetti
To a Flower Barry CoinwaABird Raptures Ckrisiina Rossetti
Laugh not, nor weep (a Love Song) Sarry Cornwall
Insufficiency Elizabeth B. BtrjmingSong for Twilight Barry CornwallThe Violet Barry CornwallThe Angel of Death .\delaidc Proclor
An Idle Poet AnonI think on thee in the night Thomas Hervey
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53. Instrumental.
DANCE MUSIC.
CONTENTS.1. Gladys Waltz E- H. Frout
2. Cloches de CorneviUe Quadrilles Lkas. Coote
3. Erminie Waltz fakobawsii
4. Balmoral Scotch Lancers Fred Godfrey
5. Silver Star Waltz Conrad Huber6. Little Jack Shepherd Quadrilles ^ Grenville
7. Babiole Galop -I. Grenville
8. Blue Coat Boy Polka Conrad Huber
9. Bright Eyes Polka Mazurka Ttnney
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54. Instrumental.
SIXTEEN PIANOFORTE PIECES.
Composed by FLORIA.N P.\SC.\L.
I, Pens^es Celtiqucs. No. i
2. Pensies Celtiques. No. 2
(Berceuse)
3. Idyl. No. I
4. Idyl. No. 2
5. Idyl. No. 36. Air with Variations
7. Triumphal March8. Silver Ripples (a Study)
9. Nocturne. No. i
10. Vignettes. No. i (VaUeMelancolique)
Four Shillings
Vignettes. No. 2 (ValseLSgire)
Vignettes. No. 3 (VaklLente)
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Joyeuse)Vignettes. No. 5 (Vaise
Coulante)Vignettes. No. 6 (Valse
F^erique)Caprice Espagnol
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55. Vocai
Twelve Songs by C. Chaminade.French and English Words.
I-RENCH
contents. wokds by
I. Rosemonde Marc Constantin
z. SdrJnade Sevillane Edward GuinanJ
3. Chanson Groenlandais /."'? "'"',
4. Sombrero Ed. G,„na,id
5. Mignonne -yfi"'^"''''I L'^t6
j^d.iiUinand
y. Balladei'laLune'.'.' Alfred de Mussel
8. Chant d'Amour, f''- 'i'""""^9. Villanelle H 9-'"'
.i
,0. VieiUe Chanson H '^'""^.,
,1. Trahison Ed Gutnand
i:,. Aubade ^'^- ^"''''"^
Four .'.hi.'lings N:t.
JOSEPH WILLIAMS'S ALBUMSSe. Vocal.
ERNEST WALKER.Op. I.
CONTENTS. WORDS BV- Full falhom 6ve SKakeipearea- It was a lover and his la^ Shakespeare3 Whjn icicles hang by the wall ShatetpeareJ r ruhlingsglaube (German and English words) Uhland5 Fruhhngsruhe Uhland6. Fruhlings.-nhe Uhland
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ST. Vocal
A= GORING THOMASSix Roi»!Ances et Deux Duos
,,,,. ^ ,.CONTEHTi. WORDS B«
^ T 'i"C°"=''= «' '« Present (Romance) CTvMn Bingham2 Le Lis et ie Carillon (Romance) Cliflon Bingham3 Je lie veux pas d'autre? chose (Romance . . Clifton Bingham4 Le I'ortrait (Romance) Clifton Bingham5- Sara la Baigneusc (Romance) aifton Bingham6 Le Heiir et le Papillon (Romance) ai/lon Bingham7. Hymue >>octiime en Mer (Night Hymn at
SeaJJDuo) Mrs. HemamA..- ;3uri \ illageoises (A Rustic Scene) (Duo) Clifton Bingham
ENGLISH AND FRENCH WORDS.Six S/'iil.'{:ie! Net
SS. Vocal.
A Song Cycle of Lite and Lovt.BV
G. W. L. MARSHALL HALL.
CONTENTSJ ljfeandLove(after Goethe)i A Voice from Dreamland3 Meeting.< Foreboding
iNTS.
5- Past (a study on Tennyson's"Oiiana").
Long After (a study onTennyson's " Maud ")
j^ive Shillings Ntt.
(>d> Vocai
Twelve Songs bj A. £, HopFoeks.
. , CONTENTS ,.OR^S Bi... A jpaaisn Serenade h £. Sheridan1. An Idle Poet T. Jl. Roberlion3 Kondei. W hen love is in her eyes " A. M Fay,. As a fond mother Lonaftllow> Meie s a flower for your grave J. If. Jtf'Carthi:* Lo. my heart, so sound asleep J. M. M'CarthyI S?"^'"^
'"- °" ^" '"*' George Macdonald27'.',*° From the Oerman of Aiierbach
&. To blossoms \ '....Berrick10. I once had a sweet little doU Kingtleift " Water Babiet11. Summer isovet Tennj/Mon*' io bej liove Joth^ia Syheiter
Four Shillings Net.
60. Vocal
A ytAR OF LOVINOTwelve Songs by FLOEIAN PASCAL.
1. Januaryr February3. March . . -
4- Apn5. Ma\ .
.
6. June7
CO.STf . WORDS BVCliflon Bingham
. • Clifton Bingham- Clifton Bingham
Clifton Bingham. Clifton Bingham
- - • . -Clifton BinghamJ"lv ..Cliflon BinghamAugust Clifton Bingharr.September aifton BinghamOctober Clifton BinghamNovember Clifton Binghamijfxvnber ....Clifu>l.£ingfM',.
Five Shillings Nei,
6X. Vocal
Six Songs by tredenc H. Cow^^iVU1-. I.-CONTRaLTC
.. CONTENTS WORDS B5^itihl nas a tuousand eyes Anon.Kondei, " Ki« me, sweetheart " J PaimewoodNi^ht Mrl.Hemam
. 11 ibou wilt remember ChrUtina Sotietti5. i think of all tnou art to me VioUt ."anef. Alas 1 iiai 1 how easily things go wrong /. Jtacdoxiic
Fiasr Shillings Mi.
ea. VocaLTwelve Songs by F. E. Cowea=
VOL. V—SOPRANO or TEWO.R.COHTEUT& WORDS BT
1. At the mid hour of night iVtomoj Moore2. A Serenade..... Barry Comuail3. Cradle song Barry Comaall* A past spnng.tune George Eliot
I" A v-/ o"George Eliot
t. AbndeSong ChrUlina Roueltx7. Pf stars Barry Comwttll8. Fedalma Clifton Bingham9. rhe land of violets Barry Comuail
to. Somewhere ChrulirM BouetliII. Abirthoaj ., CnrUtina JiouetaII Day is dying.. ..George £liot
Four Shillings Net.
63. Vocal,
Slx SongS) oy A, E. Bojproeks..Op. IC.
CONTENTS. WORDS BV.'• ™"?.i==?°'- rneo.MaraaU.' Ths Winter IS past Robert Burm3. first ixive ChrUtina RoueUi^- Fofget-me-not Anonymous5- The answer..
._ M. C. Gillington.6 ,^ 1 bonny was yon rosy briar Roberi Burnt.
Tw-i .St.i.'.ingi arid Sixpence Net,
64. VocaL
Six songs by R. Francillon.COtlTE.NTS. WORDS BV
1
.
o^iuice •.....••......,....,,..2. A Crown of Thorns '.'.'.'.'... Oxixn Meredith.^ T^ -^'i^'
Autlin Dobion.*
Sl.','°i ,•,••-•••• J. O. WMttier.
S. Un: f aimoiuh IS a fine town W. E. Henleyt. Lullabv
Two_Shillings^ and Sixpence Net.
Instrumental,
, ERKfeST WALKJiSo1 „ ,. . "P- 5- CONTENTS. w««-5 ..
': SSS^'S.e'lir''^"-"" (Henry VIII.) ....aJL^^l
3- What does little birdie say .:!".:'
iiZ^HZJ.
The^e eyes of Spring-time (Germaiad B^^Jbh^^T'• ?Sfi"^" = Slow K lying „ Z^ HeSL6. The Secret
Three Shilling Net,BHne.
^71. Vocal ~~ "—FIFTEEN ENGLISH SOKG*^
By JACQUES BLUMENTHAlwb/ GWENDOLEN GOJl£.
'y. AVigiL
Op. lOG.
1 boundless Trusi'2. Whco Cometh Love3. Dawn.
Attractioa
5 Winged thoughts6. Tus wind and the /os;.f. Two memories.8. Caprice-
F&ur Shillings Net.
72.
UnderstaixfiBg.,. Glad Tidiags.12. Nator^ Mass.13. For them.i< Lot* or KateIS' A rejoge.
65.Six Scandinavian Sketches by F. Pascal.
Ok- Shilling anc^ Sixpence tiet.
66< VocaLHymnsfortheYoung, byW. Smallwood.
„,.,, . ^ ..,CONTENTS. WOROS BV
1. t-tuioren 01 the rieavnlv King ^vhi Cennick.- The Lord my Shepherd IS ...Itt^e, Watu5. God IS Love ...Anon.*. Lord of the Worlds above jsaac Watts'.J How sweet the Name of Jesus sounds Jorm Newton.c Shepherd of Israei W. H. Bathurtt.-. resu cast a lOok on me John Berridgr,S. Lead us Heavenly Father Jamee Edmeston.t). Sweet IS the Work, mv God, my King Isaac Wata
10. Christmas Caroi James Montgomery.n. aovreign Ruler of tne Skies John BylarMir. Quiet, Lord, my froward Hean John Sewton.My God, my King Imac Watu.
Fountamof Mercy Anne FUxxrdew.There is i Dwelling Place above Bishop Richard Man.From Egypt lately come Thomas Aelly.Rise, my Soul Robert Seagrate.Lamb ot God
19 My soul repeat Hie Praise Jsaac Walls .
20. Palms of Glory21- O, Lord, another day is flown Eeary Kirne White.22. Hear, gracious God Samu-i Medley.23 O, Jesu, Lord of Heavenly grace John Cnandier.24. The Day of Rest25 Guide me, O Thou Great Jehovah William Williami.26. Blest be Thy Love John Aiuan27. When I survey Life's varied scene Anne Steele28 HarklmySoul John AusHr.
Old Notation, Or;e Shilling Net.
14
IS-
16.
17iS.
In Cloth, Six Shiiiit^,
Vocal,Melodies by Benjamin Godani,
CONTENTS. WORDS Bi1. Chanson de Florian (Song of Florian) .. J. E. Carpenter2. tmbarquez-vous (Barcarolle) M. C. Gillingion3. Je ne veux pas dauties choses (I ask for no
otter riches) .. Reginald Bamett.» narca-;"!!' Itaaenne (BarcaroUe ai/ion Bingham5- Consomion (Consolation) Clifton Bingham6. Apres L Orage (After the storm) aiftor. Bingham.7. Chant et baiser (If song to thee) aifton Bingham8. Souvenir (Remembrance) aifton Bingham9. A la bsen-aunte (O soul of my soul) .... ai/Um Bingham
10. La Paquerette (Easter Daisy) Clifton Bi»Kham.J 1. La fee (Come, pretty chUd) aiftou Bingham12. Dans le cloltre (In tte cloister garden) ..aifton Bingham13. Ph^ene (Night-moth) aifUm Bingham14. Le Presage (Omen) aifton Bingham15. i-apiUons Dlaocs (Love s butterflies) aiftoa Bingham.
I'rice Eighi Shillings net.
73. VocaLRUSSIAN SONGS.
2NGUSK LYRICS BV Y. K. SEPOK.
I
MUSIC EDITJU, 6v CH. TOURVILLKI
I. The Gleaner.|
^, Frost Ki^.{
2. Give me wings 5 Lo, thou ait »otI
3. Darling httle LuU.| 6. Lonely.
' One Shilling and Sixpence Net.
!^^. VocaL
'''
Twelve Songs by F. H. CSowen.VOL y—CONTRALTO or BARITONE.
CONTENTS, WORDS sVI. At the mid hoar of night Tattnas Moore
:"• A Serenade Barry ComaaU
1 3. Cradle Song Barry Cornwall! 4- .^ past spnng-tin.
. ..6e*rge Elioi: .i. lonely... .George Elto:I 0. A bnde Song . . . . ChrUtina Jtossettt' 7 Thestare Barry ComaatiI
*• S?'^'™* aifton Bingham: 9. llle land of violei Barry CormeallI 10. Somewhere CTirMliizo Rossetli. I!. A birthday Christtna Rossetni 12. Day IS dying Georse Elict
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Tonic Soi-Fa, Sixpence Net.
GT. Piano
Polish Dances*, i)> Franz Morgen,One Shilling and Sixpence net.
6Si Vocai.Two-part Songs.
SONGS OF THE STREAM,By H. A. J. CAMPBELL.
CO.^TENTS —BOOK I.
1. Brcok- Seng|
4, The Forget-me-not.2. The \l'ater-ou,4el. 5. The Dead Butterfly.3. The Brooks Sluinb« Song. | 6. The Mill Wheel.
One Shilling and Sixnence Net.All separately, Fourpence each.
69. VocaiTwo-part Songs.
SONGS OF THE STREAM.By H A J. CAMPBELL.
CONTENTS.—BOOK H.7. Raindrops. I 10. Boat Song8. The Water Fairies n. The Dancing Ripples.9. Wind Song.
| 12. The Voice of the Sea.Otie Shiliing arid Sixpence Net.
All se-oarately, Fourpmce each-
VSo Instnimental.
Sketch Boos., by Mary Louisa White,CONTENTS.
1. Minuetj 4. Gavoac.
2. Marcn. 5. Walti3. Hunting Son^ | 6. Pastorale.
One Shilling Net.
T&m InstnunentaLSIX SHORT PIECES FOR CHILSKEN,
By MASY LOUISA WHITE.CONTENTS,
3. Andante.{
1 4. Gavotte.I
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MmuetNoveilecce.
Aartante.Himtiiig Song.
InstrumentaLTONBILDER.
.J.--AJiiiCTXitisTic Pieces for Yotjng PiAHSSTi.
Bt £. SADEBBSEli.One Shilling Net,
Thirteen Songs for Voice and Guitar.I Wildfiower (j Pi,rn(2. Autumn Serenade j, Massenet3- Zanetto J. Massenet4. A Cuban Hammock Song F. Faladilh*-5. Dawn Song f. Pasca:6 Moonlight s Magic Hour J. Matsene.7. I love my Mountain Home G.Linlei,8 To Columbine J, Hassenie Day by Day Guglielmc
IC. Danube River H. Aid.-II
.Last Serenade s J^aiadtl/i*
sti CcjEOe Dolly F. tUmond Ocrt--- >: ^Cfb^ B-. r. OsnUKU rtrv9" --liuiiisrestdSixvaue.Mei
-.A V * • -
JOSEPH WILLIAMSS ALBUMS.
79 Vocal.
Fourteen Songs by A. E. Horroeks.CONTENTS. WOKUS BY
\Lullal>y Y^ ^ Sf/,-""',"".•,aid:n Voices ^- ? 5^ m"*
°"
Kairy Thr:.ll • • • • f- C. <?"«"/<"
, Tht Suns the heart of the sky Augutia V/tM-r
5. My Love is a shimbering flower M. C.Mhngh'r.
6. Lovt'r KeQuiera M.C.GMmgton
7. Rosaline i;.-,r Tw^"/'8. Cometothylatlice W^'i?""'^'9. Across the World ,;*A^.^'°T'
10. My Love will ne'er forsake me ilC. Oimn^lon
1,. HI had a Court and Casth -^. <?.f'"'"f«"
u. Philoniel and the Aloe Sower ^"^'"''^ „?!:'"13. A Spanish Pastoral J'j ?•
OM^ngan
U. To Ahhea, from prison Richurd loveiaee (16)
80. Vocal.
Three Songs by Dr. A. f. Msekenzie,CONTENTS WORDS BV
I Love, Song, Wins (Student Song) -•-''''"• R«S'
J. The Light of Love ...John Say
3. She comes sa ec (Expectation) Jehn Hay
Two Shillings Net.
81. Vocal.
Five Voeal Duets by A. 1, Mo^roeks.CONTENTS.
1. A New Year's burden I 4. Night ha: i thoasani fyes
1. U>yj iias turned 5- Come 'av? %a:rnt
^. A flower 1
Three Shilling' V
aa. VocalTHIRTEEN VOCAL ^JETSBy FELIX MEKDELSSOHN BASTHOLDT,
CONTENTS. VORDS BVI. I would ;ha!- mv boundless love Mra. 0. F. ByronJ. Birds of jasaage lin. 9. F. Byron3. Greeting Mrl.O. F. Byron
4. Autumn Eong Mrt.O.F B-;ron
%. O wert '.hcu m the cauld blasit Mrt. a. F. Bjron6. The May Bells and the Flow'rets ifri. a. F. Byron
7. The Lord': ^ay Mrt.O.F Byron8. TheCornfiJd Mrt.O. F. Bjron
g. Bird, Flower ind Star Mrs. O. F. Byron
JO. How -an my heart be blithe of cheer? ..Urs.O.F. Byron
II. Nocti::rne .. Mrs. &.F. Byron
11. Voyaeer, The .iirs. 3. F.Byron13. Suiclka md Hateir, Mrt.. <?. F. Byron
EnGLI;:-! iND GSXMAN WoRDr.^Ke 7hilHne and Sixptna N.i
Atso separately,, T.d. each
83 Vocal,
Twelvs Jongs by F. IL '^awfea.
VOL. VI —SCPRANC OR TENOP-.CONTENTS. WORDS -V
Near ri:ee Mrs. .'Jemans
1 love my Love Wilhelminc Baints
3. Mariana Christina Hosscltz
4. Lovers.. .Fliilip Bourke Alurston
5. .^ong the Shore Author of '' John Halifax "
6. The Time of Rc«. T. Hooi7. Tc the Night She'.le-j
8. A !^airy S.-np: Mrs. Benvins
9. The Broker: Flow.r Mrs, 3emans: 0. Summer "s . ere Cliftan Bingham11. Ac Parting .Fhilip Bourke Marston
12. Two Castles Wilhelmina BuincsEnglish and '-^rkan V/crds.
Fottr Shillings Ne-.
84. VocalL
Thre® Songs by Perey leevt
How rng ar.2 dreary is d:e Night ,
Lassir wT the Unt white locks
Mary Mcrisoc
.
One Shilling Net.
words by...Robert Burns...Robert Burns
, Roi'-' ^tirn.'.
S5.Six Je
VocaL
by .@. MeyeF Helmund.CONTENTS. WORDS 8Y
1. O look on mo idra. Q. F. Byron2. Serenade Mrt. O. F. Hyron3. Gipsy Song . . Mrs. O. F. Eyron4. Lovt It the lattior Mrs. O. F. Byron5. Coaniless words - , . Mr$. G. F. Byron*. Under the Balcony Mrs. G. F. Byron
Two Shillinps Net,
8S. Instrumental,
du:ets for t'a^o violins.Ha^t anc FsO':^Ra;ssivE foh Majter and Pdfil,
STc Vocal.
Four Songs by J, Crei^hton.CONTENTS. WORDS B7
1. No luck in Love ... R.Herrick2. To DaflTodils R. UerHck3. Love's wisdom ...R.U Onllimne4 .\. Song of the four Seasons A. Jktbton
Om Shilling anii Sixpence Net.
88. Vocal.
Four Songs by C, St. Amorj,CONTENTS. WORDS BV
I. The Morning .ind Evening Star f/amilton Aid/a. Hymn to the Night LxmiUou Aiar3. 'The Music of thr Sea Hamitton Aids.1 From a Battlemcnr. HamUton Aid(
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89. ¥ocal.
iix lljullabies.
Words ^r^w. ' The Search Light," by kind pisrtnisdon 0/C. A. PsARSON, Esq,
Set to Um8« by H. k. I. CAMPBELL. O- 20,'S
CONTENTS.3 - JapaiiSse Lallaby I »j. Canaiiian Lullaby2. G^TJST Il.uHaby
j 5. Norse Lullaby.
;. French .ImsUzot, , .5. Darksv Lu!Js,b7
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90. iiaatrumessta!.
'^©sles iia First and Tfoird P©gl
For the Violin.
m JOHN HEHLET.
Cat ShilliKf vid Sixpence ^
91. 'nsitmmeiQtal.
By{Christmas Pieces.)
MENDEJ.3S0HN BAETHeiDT.
O;''^, Skilling N'ji.
'.'.Op. ¥2).
s®.S<ri=n!p 1?®!? tilho IwiiBJfif-
BOOK .^I.—CONTENTS,
r, rue Goslings.2. Snaiipy.
3. B5,:rd:£s' .etj-iiem.
4. Fightfn5 kiiKans.
=,. Morning pr-iyer
6. Geese
7. K ,3!cGg of bedtime.8, Q.:«;k r a:k
5 The.- ; V:
c Whs..., Uj;,,-: .-t
HtmXH B» r. S. 7.'EATHZELBy.'V'lC BT HARCIA TYNDALB.
'»M ShilliKg ffeS.
96. Instrumental.
Scandinavian Suite for the Pianoforte„By FBEDBEin MULLEN,
One Shilling and Sixpence Net.
93. lasixwz.m.iak
ITwtll^® InstFuetiv® Pi®®;:;!?',,
For the Piano.59 IB. SAlIEBaS^'.
OiU Shillisf^ Met.
94,- ilostafflisfflliailc
9S. '^ocai
f-W(flv@ iC'Jsig-g foy W. E. G&wi-n.VOI- VI.—CONTRALTO OR BARITONE.
contents. vorjvS :iV
1. SfjarThie Jdri. Htmani2. ILovemyLovs Wilhulmina Badtes3. Mariana Christina Ross^tU4. T overs Philip Bourke Marston5. -Mcnc the ahore Author of ^' John Halifax"' The time of Rosr,: . . T. Hood7. To the Night .... ....^helU-'y
3. A Fairy Song .... . Mrs. Hemausg. The Broken Flow. .- Mrs. tie nfjns
10. Summer's here .... . Clifton Sxngham11. At Parting , Fhilip Bourkg Marston13. Two Castles ................. ,^ Wilhelmina Baines
Fcxsff Skmccfs i»o*
9T. Instrumental.
Spring Idylls.
,SIX SHORT PIECES FOR CHILDREN,For the PianoforteBy MAEY SHILLIKGTON.
One Shilling and Sixpence Net
98. histrumental.
In Fancy's Fields.
For Violin and Piano,By G. .k. LOVELL. (Op. 5).
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gg. Instrumental.
Six DaiiGe Intermezzi.
For Violin and PianoBy S. ^. LOVELL. (Op. 6),
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100. nstruiEPutaL
March AlbumsECOK n.—CONTENTS.
Eli, March of Israelites Ctista
ht Proobete, Gra n il March from Meyirlfter
Drams of Heaven Chas. D. BlakeMarch of the Knights F. Schuberi
Faust, The Celebrated Hungarian March Berlioz
The British Grenadiers W. Kiihe
Athalie, March of the Prieiits MendelssohnMarguerite of Monte Carlo F. Osmond Carr
Marche au Tomnoi Ftorian Pascal
Marche des Creates BlumenthalBirthday March SchumannNaaman, Triumphal Marc Costa
One Shilling NU.
ICSl, !.3Strumf.ntal.
lenry Faritier's Dancer,IFoR Small Hands).
CONTENTST' irst Lev,'. Waltz.Midsummer Quadrilles.
Merry Christmas Mazurka.Chimes J?olka.
-Ida Waltz.Rifle GalcD.
7. Mama's Pet. Waltz.8. Rose of the Valley Polka.
9. Laughing Galop.10. Merry Midnight Polka.
11. Christmas Quadrilles.
12. Little Fairies Quadrilloj.
Ctu Shilling Net.
X02. Instrumental.
SUITS FOR PIANOFORTE,B,T FEED. M01LI1EN.
jV: Minuet.;. .jigue.
:. Prelude I
2. Gavotte.j
3. Ri^audon, ]
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103. I!nstnimbn'aL
EIGHTEEN 3HORT PFELUDES:'in vARiot;s Ksys, ftr Piano.
By Is. ELLIOTT,
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X04c VocaJ.
FOUR MEL^ODIEff,B;- EDWAED W. B. NHIHt^LSON, MA
Bodley's Librarian,(Author and Composer of " Waiting for you,") witli Pianofort*
Accompaniment by Sir J. Stainer, Mus. Doc.
:. They mount from glory to ijlory Words by Sir Lewis Morris
2. The Last Minstrel ,, £.11^.8. Nicholson
3. River Wye » E.W. B. mc/iotsmWelsh translation bij WaUyn Wyn
4 Bear Mountains Words by E. W. D. .yickohnu
Wc:^-,h .rar..-lation hi Waleyn ITjc
'ydSc- ilkillitsg Not.
JOSEPH WILLIAMS'S ALBUMS105. Vocal.
Tw.nty-foup Progressive StudiesfortheVoicerOK SOPRANO AND TI-.NOE
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106. Vocal.
Twenty-four Progressive StudiesfortheVoicerOR CONTRALTO AND BASS.
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lOy. Instrumental.
SIX SHORT PIANO DUETS.By J. B. DUVERNOV.
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lOS. Instrumental.
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THREE PIANO DUETS (Op. 6;.
By GEORGE E. MOTT, B.A.Cantab.I. Danse Fanl.-istique.
' ^. Danse Rustique.3. Scherzo.
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THREE BAVARIAN DANCES.SUITE "
FROM THE E.VVARI.VN HIGHLANDS.By EDWARD ELGAR.
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111. Instrumental.
DANCE ALBUMCO.NTu;-
uicers.t
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Waltz.I
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TWENTY NORWEGIAN FOLK SONGS.NEW SERIES.
ARRANOED FOR PIANOFORTE .--OLO.
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112. Instrumental.
EIGHTEEN SKETCHES.(Hatis jViisti)
FOR PIANO.By CARL REINECKE.
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XX3. Instrumental.
GARDEN MELODIES.— :rs OF Sketches for the Plano.
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XI*. Instrumental.
THIRTY-ONE EASY EXERCISES.Pkei'Aratorv to the Celebrated 101 Exercises.
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1X5. Vocal.
OLD ENGLISH NURSERY RHYMES,I'OU S.MALL AND GROW.N.UP CHILDREN,
WITH MUSIC.
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HT. Instrumental.
SIX PIANO PIECES.By HAROLD THOMAS.
CON'iENTb.1. .Across Country.
| 4. Singing Founta;:;.2. Persian Serenade. 5. Valsette.3. An .April Shower.
| 6. Brook.
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iXa. Vocal.'~
SIX SONGS.By ALFRED J. DYE.
Co.NTEXTs. Words by1. 1 ou loved me once c. Ai-nola2. KatiesRing M.Btai,.3. Memorj- j j^t- ^'V, ^''?f'=!!?<=''S • . '.'.'.'.'.'.H.'Eldcn/i.5. Fickle MoUle Jennie E. T. Dmc6. Love b Offering .;,„„ ^. Freir.oi::.
1X9.
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Vocal.
SIX DESCRIPTIVE SONGS,WITH ENGLISH AND GERMAN WORDS.
Set I.
1. Raft.2. The Village Blacksmith.3. The Storm.4. The Two Grenadiers.5. The Wreck of the Hesperus.6. The A\"andering Jew.7. Sir Briar, the Bold.
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X20. Vocal.
DUETS FOR MALE VOICES.TENOR AND BARITONE.
1. WTten Lovers are not Rivals.( a. Love and V»'ar.
2. Golden Hours. 5. Our Girls.3. To Arms.
j
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X2SX. Instrumental.
PUPIL'S DAILY EXERCISE.By J. B. CRAMER.One Shilling Net.
X22. Instrumental.
THREE DIVERSIONS,-AS PIANO DUETS, Oi'. .;.
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123. Instrumental.
THE VERY FIRST DUETS FOR PIANO,Op. 104, Book I.
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X24. Instrumental.
THE VERY FIRST DUETS FOR PIANO,Of. 194, Book II.
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125. Vocal.
SIX SONGS.By M. J. ERB.
WITH ENGLISH AND GERMAN WORDS.CONTENTS.
Echoes of the HeartAt PartingSilver ChimesHer VillageLove ! do you love mc ;
A yuiet Comer
English Words by
Adrian Jioss.
12s. Vocal.
SIX FOLKSONGS.By J. St. A. JOHNSON.
WITH ENGLISH AND GERMAN WORDS.CONTENTS.
1. Mother mine.|
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^'Z'7. Vocal.
PASTELLI MUSICALLFIVE ITALIAN SONGS.By VITTORIO RICCI.
V.TTH ENGLISH, GERMAN AND ITALIAN WORDS.CONTENTS.
Dolce morte (Sweet Death).Doinande (Wishes).O falce di luna Calaiite (O, loveKest Uoan).Prime Amore (First Love).Per la tacita sera (In the silence of 2i^t).
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12s. Vocal.
SIX SONGS,By FREDERIC H. COWEN.
Vol. VI r.
SopR.\No (ok Tenor).CONTE.N rs. Words by
1. Peace he around thee thomas Moore2. O, skylark, for thy wing Urs. Heinaiu3. Adieu Dante Gairicl Rossctii4. Golden Glories Christina Rossetti5. The Nautch Gu^Is Song Sir Ediuin .Arnold6. Zaiioub.Vs Song Sir Ed'Htin Arnold
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X29. Vocal.
HUMOROUS DUETS,FvJR B.AJilTONE AND SoPRASO (OR MeZZO SowtAXo).^. . , „ .
CONTENTS. Composed byI. Comical Courtship M. ila/linson1. My pretty Maid'^- Wily Widower Ed. Solomon4. Family Solicitor F. Osmond Cn^y5. Gardening Duet E.H.Cou'en6. Sol-fa Duet /aim Ba<mt!
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ISO. Instrumental.
TV/ELVE HUNGARIAN MELODIES,FOR PIANO.
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131. Vocal.
Twelve Songs for Voice and Guitar.Arranged by LILY MO.MAQU.
„ ,CONTEXTS. Composed by
' There are Pearls .Alfred Cellier-• Who IS .Sylvia? Scl:uherl;.. Shall I wear a white Rose? E. B. Farincr4. Andalusienne E. Burnett5. .Song of Florian B. Corii-id6. TwoCastles F. H. Cnc-en7. I once had a sweet little 1
1
. . ..t. E. Itoyrocks'-
6 ^^'i'**'Serenade .... ...A.E. Horrocks
0. Kaffir Song ("My C.ir! ' , Osmond Ca.y10. When Love is in her Eye.. A, E. Horrocks11. CradleSong F.H.Coiucn12. Festa Romana (wnth Mandoline Obligalo) ...E. Paladtlhc
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132. Instrumental.
DANCE ALBUM.CONTENTS-
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FIVE SONGS.By LOUIS H. BARNBV.
WITH ENGLISH AND GERMAN WORDCONTENTS.
1. Boat Song
Dreamless Rest Waltz.A Simple Sweet G.ilop.Liberty Bell Bara Dance.Skirt Dance.
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_
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A Serenade3. The Three F.arewells
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.
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Words byYrrie Clci;Iand. . Thonuts Hood. Gilbert Ilitdson
Kut/i AttenBen Jansort
JOSEPH WILLIAMS'S ALBUMS.134. Vocal.
SIX SONGS.Br F&EDEBIO H. COWES.
VOL. VII.—MEZZO SOPRANO (OR CONTRALTO).NO. CONTENTS. WORDS BY1. Peace be around thee Thjmc^ Moore2. O, skylark, for thy wing Mrs. Hemans3. Adieu Dante GahrieUt Rossetti
4. Golden Glories Christina Rossctt:
5. The Nautch Girl's Song .S'lV Ed-win Arnold6. Zanouba's Song Sir Edwin A moid
(With English and Gorman Words.)
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135. Instrumental.
Six Pieces foF Mandoline and Piano.WITH GUITAR OBLIGATO.
NO. CONTENTS.1. Dreamless Rest ,.,.F. Osmond Carr2. Vous daase/ Marquise Ade Kahaih3. Daphne H. Klvssmann4. Lied oiine worte Ed. Heinrich5. Chacone H. Roubier6. Spanish Students Fr. Bchr
Two Shillings Ne!.
136. Vocal,
SIX SONGS.B7 FLOBIAN FASOAIi.
NO. CONTENTS. WOKDS BY1. Love I knew thee D. Christie Murray2. When meads are pied D. Christie Murray3. Winter in May M. E. Ropes4. The land of sleep M. C. Gillinston5. A very old story D. Christie Mvrray6. Forgotten lives Cecil Lorraine
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137. Vocal.
SIX SONGS.By A, GOEING THOMAS,
No. CONTENTS. WORDS BV'^ \
1. A Memory F. D. Delitle2. Flower of May M. C. Gillington3. Love's echoes M. C. Gittington
4. If there be a charming lawn M. C. Gillington5. Honour to age M. C. Gillington6. Ecstasy M. C. Gillingiort
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138. Instrumental.
THREE PIECES FOR PIANO.By MAY SAWSOS.
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133. Instrumental.
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141. Instrumental.
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143. Vocal.
Piilowland.
SET OF SONGS FOR CHILDREN.Wrictea and Composed by CLIFIOJ^ BIKGHAU.
1. Piilowland.
2. Ro^y Posey3. A busy morning
CONTENTS.4. The Artist.
5. Chaitt;rbox.6. Like mother.
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144. Vocal.
SIX SONGS.By C. OHAMIBADE.
NO. CONTENTS. WORDS BY1. The Golden hour M.C. Gillington2. Under your window M. C. Gillington3. The mad maid's song M. C. Gillington4. Butterflies Mrs. G. F. Byron5. Ninette M. C. Gillington6. The hour of mystery M. C. Gillii^on
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145. Vocal.
SIX DRAWING-ROOM BALLADS.WITH ENGLISH AND GERMAN WORDS.
Set I.
NO CO.MFOSED BY
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2. Insouciance B. Godard
3. in the olden time. .. - ....E IV Hunter
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6. The star of our love /'. H . Co7tcn
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146. Instrumental.
SEVEN PIANO PIECES.By JOHH FEASCIS BAENETT.
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4. Sunset.
CONTENTS.5. Fortitude.6. Mazurk Aligant.
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147. Vocal.
SECOND SET OF IRISH SONGS,(Alte Irische Lieder),
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148. Vocal.
LAYS OF THE LOWER THAMES.Written by Composed by
M. C. GILLINGTON. F. PASCAL.contents.
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4. Night on the River.
5. Billingsgate.
6. Song of the Buoy.
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148. Vocal.
SIX SONGS.By BENJAMIN GODAED
contents.
1. Chanson de Florian.2. EmbarqueZ'Vous.3. La Paquerette.
(English and French Words).
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7. The Chelsea Pensioner.8. Pilot Song (Off the Nore).g. A Song of Leigh.
ro. The Tug.II. Woolwich Forge.la. Revery.
4. Dans le Cloltre.
5. Phalene.6. Chant et Baiser.
ISO. Vocal.
A SERIES OF RECITATIONS.SET TO MUSIC
By A. G. MACKENZIE.
Op. 59.
NO. wkitten by1
.
iabberwocky Leiuis Carroll2. The Dream oi Eugene Aram '. Thomas Hood3. The Confession Thomas Ingoldsby4. Queen Mab Tltomas Hood5. Faithless Nellie Gray (A Pathetic Ballad). . . . Thomas Hood
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BOOK I.
Allegro-Nocturne.
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I 4-
Menuet and MusetteGavotte.
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154. Instrumental.
EIGHT SHORT PIECESFOR THE PIANOFORTE.By H. A. J. CAMPBELL.
BOOK II.
1. Marurka.2. Habanera.
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ISS. Vocal.
SIX SONGS,By W." METCALFE.
NO. CONTENTS. WORDS BY1. Smiles and Tears C. R. Pemberion2. Too late (Douglas, Douglas, Tender & True). . ..D. M. Craik3. When hope lies dead A. Hunter4. A year's spinning E. B. BrowningS- A widow bird ShclUy6. On a faded violet S/telley
(With English and German Words).
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IS6. Vocal.
FIVE SONGS,By CAEOL SCHETKY TUEVET.
NO. CONTENTS. WORDS BY1. The Daisy Margaret Deland2. An idle poet Anon3. Were I a brooklet fair(with German words) /. C. J)ldnny, 18504. Mollie's eyes Frank L. Stanton5. The red clover Margaret Deland
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157. Vocal.
SIX VOCAL DUETS,By FEANZ ABT.
NO. CONTENTS. WORDS BY1. A rose in heaven The Rev. E. D. Jackson2. The monarcbs of May ; or. The rose and the nightingale
M. C. Gillington
3. Ni^ht wind Af.C. Gillington
4. Hiaden treasure M. C. Gillington
5. The fairy godmother M. C. Gillington
6. The enchanted garden M, C. Gillington
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158. Vocal.
SIX SONGS,By JOHN ACTON.
NO. CONTENTS. WORDS BYI. Sweet content Anon2. A ditty Sir Philip Sydney3. Beloved, dream of me W. Wilsey Martin4. Yesterday5. Swtdiih love song Georgia Roberts
6. If I w;re arose Constant Runcie
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JOSEPH WILLIAMS'S ALBUMS.1.5S. Vocal.SEVEN SONGS FROM ELIJAH,
By MENDELSSOHH,FOR SOPRANO OK TENOR.
MO. CONTENTS WORDS BY
1. if wjtb al' ^our hearts Air. W. Bartholomcv.'
2. Lord God Sf Abraham Aria. ^3. Is not his v/ord like a fire Arja. m4. Hear ye, :;srael Aria. m5. O rest in the Lord Aria. h6. For the mountains shall depart . . . .Arioso.
7. Tben shalltheriKbtcousshineforlh.Aria. -»
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167. VocaUEleven Songs for Voice and Guitar.
arranged by F. GIACOilO.FOR .MEZZO-SOPRANO
KO. CONTENTS.1. The Bridge M. Lindsay2. 1 built a bridge of fancies A. Fricker3. O, fair dove, O, fond dove A. S. Gatty4. The old home ;(-. M. Hutchison5. TheUquidgem W. T. li^rig^htm6. Faraway M.Lindsay7. F.idmgaway A. Fricker8. Thy voice is near W. T.lVrighton9. MyBaimies H', M_ Jlutckison
ao. Oh, ye tears F. AitII. Don't forget me C. Pinsuti
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169. Vocal..SIX SETTINGS OF POEMS,
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NO. CONTENTS.1. My bed and pillow are cold2. Fire of heaven, whose starry arrow3. The idle life
4. Angel spirits of sleep
5. Crown winter with green6. Pedlar's Song
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ITO. Vocal.SIX VOLKSLIEDER,
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173. Vocal.
EIGHT SONGS, POEMS FROM HEINE,ENGLISH AND GERMAN WORDS.Music by FSANCES ALLITSEN.
NO. CONTENTS.1. A pine tree siandeth lonely {Der Fichtenbavmy2. Two sapphires those dear eyes of thine (Saj^hire sind die
A ugen dcin)
3. Diamonds hast thou ana pearls (£*» hast Diamanien undPerUn)
4. King Duncan's Daughters (Die Botscha/?)
5. Since my Icve now loves me not(5«/ die Liebstetvartnt/emf)6. Fathoms deep may drirt the snow i,Ma£ da dravssen Sckncc
sich thiiyr''.tft)
7. Ondeath, it is tixcalA, !xi&msh.t(PtrTod,datisidifiilnieNacki)
8. Katherine (.SaiAariw);
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174. VocaLi
SIX HUMOROUS SQNGSoMusic by F. OSMOSD CiEE. I
NO. CONTSNi:; WORDS EV I
1. The man about town .. .. .. ..Adrian Hass\
2. Society
3. Drinks of the day ...4. Milord Sir Smith5. International Flirtation .
6. Calamity's child --.
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175c VocsLSIX SENTIMENTAL SONGS.
Music by F, OSMOND CASS.NO. CONTENTS. WORDS BY1. Dreamless rest ,,,,..,,,,.,,...,^0^^.,..Adrian Ross2. If 1 were a royal lady.. ...•..<.......>. „3. A dream come tm: ........•... ..
4. Come, O, my own5. Light of love
6. .Avowal
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176. VocaLSIX HUMOROUS DUETS
Music by F. OSMOBD CASB.NO. CONTENTS. WORDS BY\. Dear mamma (The golden mean)... .. . ........ .Adrian Ross2. The dancing giri = ..-.......... „3. In pastoral seclusion „4. The missing word -,,
5. Hey nonny O^'hen a youth) ^ „6. A written agreement ,4
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177. Vocal.SIX HUMOROUS SONGS.
Music by F. OSMOSfD CASE.NO. CO.NTENTS WORDS BYr. The pet of 'igh society. .Adrian Ross2. The new Home rule
3. Modem civilisation .....4. Honesty Jim5. The modem reformer6. An Eastern legend ...
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181. Vocsj,SIX VOCAL Z)UET.S, Op. 46.
CONTENTS.NO. NO.1. Evening I 4. In the garden by the river
2. Scottish Ballad 5. No passion fierce
3. Tears | 6. DawnBy P. TSCHAIKOWSKT.
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182. Vocal.iSIX SONGS FOR CHILDREN,
1 WITH ENGLISH AND GERMAN WORDS'
Music by IJOEL JOHIiSON,,NO. CONTEN-^1. A May song ..ina Marsion2. A song of leaves Lina Marston
\3. The butterfly Lina Ularston
\i. Good morning, bees I .
.
Lina Marston5. In London Liyta yiarsion
) 6. The moon . Lina Marston1 One Shilling Net.
178. VocaLSIX HUMOROUS SONGS.
Music by F. OSMOND CAES.NO. CONTENTS. WORDS BV1. Marguerite of Monte Carlo .Adrian Ross2. The peer of the realm3. Di,di,di4. Chinee dolly •
5. Gretna Green ,,
6. The maid with a wink in her eye ,,
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QUATRE RHAPSODIES ESPAGNOLES,FOR P1-\N0.
Music by FLOEIAN PASCAL.Two Shillings and Sixpence Net.
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Er der Herrlicliste von AllenIch Icann's nicht fassen
Du Ring an meinem linger
Der Page, Op. 30, No. 2,
Icli wand're nicht
Volksliedchcn. "Wennichfriih in den Garten geh "
Der NussbaumWidmung
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209. Vocal.
III.TWELVE SONGS. VolBy P. TSCHAIKOWSKY.
CONTENTS-Op. 28. I
No. I. No, when I love. No.„ 2. The Red Beads.
| „,, 3. Why?,, 4. He loved me so dear. I ,,
,, 5. No word from thee.] ,,
,, 6. One only word.| ,,
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Don Juan's Serenade.'Twas when the Spring.In Billowy Dances.O mightosi lliou butonce.From the other world.Florentine Song.
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MERRY LAYS FOR HAPPY DAYS.A SET OF SIX SONGS.
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CONTENTS.
THE WINDOW, or THE SONGS OF THE WRENiA SET OF SONGS
WITH ENGLISH AND GERMAN WORDS.Written by ALFRED TENKYSON.
Composed by ABTKUR S. SULI.IVAN.CONTENTS.
1. On the hill (The lights and shadows Ay).2. At the window (Vine, vine and ejilantmc).
3. Gone (Gone I gone till the end of tlic year).
4. Winter (The frost is here, and fuel is dear).
5. Spring (Birds' iove and birds* song).6. Tne Letter (Where is another sweet as my iwcct).
7. No answer (The mist and the rain).
S. No answer (Winds are loud and you are dumb).9. The answer (Two little hands that meet).
10, When (Sun comes, Moon comes, time slips away).11. Marriage morning (Light so low upon enrth).
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5. Danse Fantastique in
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2X4:. VocaL
m waldc12. Das ist ein Flolen und
Geigen13. Mondnacht14. Allnachtlich im Traume15. Du bist wie cine Blume16. Die Lotosblunie17. Die Thrane18. Liebesbotschaf;
FIRST ALBUM OF PEOPLES SONGS, &e.By MALCOLM LAWSOJC.
CONTENTS. WORDS BV1. Hereafter (When I am dead) Ckrisiina G. J\osse
2. Love's resolves Sir John Suckli
3. The proud princess Charlts KingSi
4 W^orld's Age (Republican's song) Ckarlis Kings>
5 Adieu Tkomoi Carl;^
6 The passionate shepherd (Come live with me)Kit MttrUnuty /jdj-/^
7, Cavalier constancy Si?- John Suckti
3. Love and debt Sir John Suckli
g. Sing heigh ho C'narUs Kings,
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I -2. A virelay Edtnund VV. Go13. In the garden 'I'hio Marzu[4. The Angels' flower Whyte M4IV1'. 5 . Olivia's song (When lovely woman from Goldsmith's
' Vica^ 0/ Wakefield
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I. Tin soldiers.
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SECOND ALBUM OF PEOPLE'S SONGS. &By MALCOLM LAWSON.
CONTENTS WORDS DV1. O 1 that my heart Tkio Marzi2. A Secret ,.
l . A love-dream (Nocturne),
,
4. Kitty and the bee '
,,
5. Kitty and the flowers ,,
6. Kitty's beauty Malcolm Law,7. A tragedy Thio Marzi8. Red as Oleander9. A serenade
,
,
to. A Yorkshireman's love song,
,
11. Oh! for a peach „12. The pipe of life Thio Marziais «&* Sydney Le13. The sea gulls, No. i Tn4o Marzi
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TWELVE SONGSWITH ENGLISH AND GERMAN WORDS.
By LIZA LEHMANN.CONTENTS.
1. The maiden speaks (Das Madchen spricht).
2. O, tell me, nighting^de, sweet bird (Die Nachtigall, als ichfragte).
3. ^Vhen thoughts of thee are floating (Wcnn ich an dgedenkc).
4. Within a rose (Im Rosenbusch).5. The h'-Tb "Oblivion" (Das Kraut " Vergessenheit ").
6. If 1 a bird could be (Wenn ich ein vOglein war).
7. Here 'neath tha spreading vine leaves (Hier untcr rebrankeii).
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(With Tonic Sol-fa by H. Elliot Button.)contents.
1. May Days. 1 4- Water Lilies.
2. Cowshps. 5. On the downs.
3. The Reed. Ib. Winter and Summer.
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SIX DIALECT SONGS.jWords by M. C. Gillinuion. .Music by F. Pascal.
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... The Widower (Isle of Wight). \ For baritone.
H. Tom the fiddler (East Somerset). }
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SONGS OF A HIGHLAND HOME.Edited by AnneC. Wilson (A. C. MACLtou).
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FIVE SONGS.Composed by W. A. Aikin.
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SIX SONGS.By Edward J. Lodlu.
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EIGHT SONGS.(4lh Scl.)
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^. The reason why Lena Cuiibcrt
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EIGHT SONGS.(51I1 Set).
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7. There is no one beside thee.
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SIX DESCRIPTIVE SONGS.WITH ENGLISH AND GERMAN WORDS.
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SIX SELECTED SONGS,By TSCHAIKOWSKV.
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SIX SELECTED SONGS.Bv Frederic H. Cowen.
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^j^^ II
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SIX SONGS, by CHARLES GOUNOD.With Lyrics by M. C. Gillington.
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SIX OLD ENGLISH SONGS.contents.
J. Here's to the maiden of bashful fifteen
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SINGING-TIME.A -SECOND SKT OF .-.ONUS i OR CHILDREN.
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Auld Robin Gray|
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THE GIRL IN THE. GARDEN.FIVE LITTLE SONGS FOR LUW VOICE.Words by Jktta Vogel. Music by K. H. Walthew.
(\V'iih German text by F. H. Schneider.)CONTENTS.
I Spring's awakening i 4 The first red leaf
s The fl^^t hyacinth I 5 Hope's renewal
3 The nesting bird|
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FANCIES..^ SEX OF TWELVE CHILDREN'S SONGS
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THE SWALLOW.A SONG-CVCLE.
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LES CLOCHES D£ CORNEVILLE.(The Bells of Corneville.)
A COMIC OPERA, WITH DIALOGUE, IN THREE ACTS.
Written byMM. Clairville & Cii. Gabet.
Composed byRobert Planquette.
The English Version byH. B. Farxie & R. Reece.
ACT I.
—
Scene I.
—
T/i£ Seashore near Com^iUt.
Scene \l.~~Tke Villase of ComevHU.
Scene III.— r//,r Market Place.
ACT IL—Scene—.-i CJuzmber in the Ckdteau.
ACTIII.—Scene—.-!« Orchard.
The Comte de Lucenav. aitainteJ for political reasons, flies trom France, leaving his
infant daughter Ll'Cienne and considerable personal prcperty in the care of a retainer,
Gaspard. Tbis wily Norman, however, forseeing that the Comte may never retuin to claimhis own (which indeed happens), brings up the child as his niece, under the name oi
Gekmaine, and gratifies his insatiable greed for money by hoarding the Comte's treasure.
He has chosen for iiis coffers the decaying rooms of the old Chateau of Corneville, long sincedeserted by its lord, attainted of treason like De Lucenay, and an exile from France. Thegrandson of ibi^ >Iarquis de Corneville is, however, alive, and the interdict on the estates
having been removed by the King, the village gossips believe that one day the long expectedheir will return. Meanwhile the Castle has an evil notoriety. It is haunted : mailed spectresstride along its corridors, and ghostly phantoms flit across its lighted windows at night. Butin truth, these are devices of the cunning Gaspard, to frighten away all intending tenants or
the old Chateau. At the opening of the Opera a knot of girls are on their way to the hiring
fair. Amongst these is Serpolette, a waif picked up by Gaspard on a bank of wild thymein one of his fields and growii now into his servant of all woi^. She has thrown up his
protection, however, and seeks a better place. Gekmaine eventually joins the band, also
flying from Gaspard's house—but from a ver>- different motive. The old miser has promisedher hand to the village Bailie, a pompous, meddling old fellow, lately come to his kingdom,with a strong desire to open the Chateau and audit the Barony accounts. Now Germainehas belhrothed herself to a ne'er do well of the locality, a young fisherman namedGrenicheux, who, as she supposes, saves her from drowning. But in fact her deliverer wasreally the long lost heir—the young Henri de Cor.neville, now captain of an armed ship,
with a ro\-:ng commission, who, a year before, had put ashore at Honfieur to reWsit the houseof hib fathers. At the opening of the Drama, he again returns—and this time he resolves to
take possession of his ancestral castle. The hiring fair, where he engages servants—amongstothers Germaine, Serpolette, and Grenicheux (now turned coachman), concludes thefirst port of our storj".
The sceae changes to the haunted halls of the Chateau. The young lord, with his
officers and crew, torch and sword in hand, break into the deserted rooms—and lay their
plans to surprise the adventurers, whom they suppose to be really the ghosts of the village
tradition. Two discoveries, bearing directly on the fortunes of the two heroines, are heremade by the Marql'is. Firstly, he finds that the girl he rescued from the sea, is theGermaine who has captivated him, but who beUeves herself bound in honour to
Grenicheux. Secondly, he discovers certain documents (left by old Gaspard) referring to
the flight of Comte he. Lucenay and the placing of his infant daughter with the miser. Thevivacious Serpolette immediately rushes to the conclusion she is the noble child in
question, and thenceforth gives herself all the imaginary airs of her rank. The arrival ofsomeone is announced by the scouts
—
Grenicheux is put into a suit of mail to watch the
intruder unseen.—and the Marquis and his crew retire to the armoury. The old Miserappears—works his phantoms—lights the candelabra—wallows in his gold—and then comes aswift and awful vengeance. The rusty bells toll—a ghostly chaunt is heard— then a legion of
mailed spectres—all the dead and buried Lords of Corneville appear—and advance on the
appalled Miser, who sinks wandering and terror-striken on his gold. This startling tableau
concludes tht secomd part of the stor^-.
The last Act is devoted to the unravelling of the mystery attached to Germaine. Thisis done by patching together the hints dropped in his ravings, by old Gaspard—who confirms
them, on his return to sanity, and owns that Ger.maine is not his niece but Mdlle. heLucenay. In the same moment, that young lady leanis that she is free to give her hand whereshe loves, for that to Henri de Corneville and not to Grenicheux. she owed her life.
Acro^ the serious interest of the denouement comes the lighter texture of Serpolette'sfortunes. No sooner did she assume the silks and satins of rank, than she is undeceived as
to her real position, and has again to look forward to sabots and cotton. Over the betrolha
of the Marquis and Germaine come, t^is time gladly, the chimes of the Bells of Corneville.
Period^ ijoo. Time ofperformance about two hours afui a half.
Licensed by The Lord Chamberlain.
CHARACTERS.
THE BLACK SQUIRE,'")R
WHERE THERE'S A WILL THERE'S A WAY.
A COMIC OPER.\, ^VITII DIALOGUE, IX THREE ACTS.Written by
H. P. Stephens.Composed by
Floriax Pascal.
Briefly summarised the plot, which is quite intricate when compared with those which areso particularly abundant to-day, is as follows;—The Opera opens in the Village opBoi-sovER, in the period of 1800, where Philip Bolsovek is in possession of the estate left
oy his uncle, whose will has never been found. By his conduct, Philip has earned for
himself the soubriquet of "The Black Squire." Portland Bill, a smuggler chief, hasplaced his daughter Dora, when in infancy, at Mrs. Baytree'.s school, and has never seenher since. When he comes to claim her, he is furious to find that she is in love with a navalofficer. Mrs. Bavtree refuses to allow him to take Doka away, as she is to be Queen of theRoses at the annual school prize distribution. An .\merican, Chipmunk by name, who hascaught his daughter Cissv attempting to elope in boy's clothes with Rupert Rattlebavne,arrives on the scene, and bribes Mrs. Baytree to take her into the school in order to checkany future attempts at such romance. Dora, to further her attempt at escape from schoolpersuades Daphne, a school teacher, to take her place as Queen of the Roses. The BlackSquire sees Daphne, and falls in love with her. Portl.\nd Bill has obtained possessionof the late squire's will, under which the whole of the estates revert to his cousin AlgernonBoLSOVER, and uses it to compel The Black Squire to marr>- his daughter- He tells himshe is to be Queen of the Roses, and The Bl.^ck Squire, thinking that she is Daphne,agrees to carrj' her off. The three girls get up a scheme to mystify everybody, and arrangeihat Cissy shall be the Queen, and Dora shall appear as Mrs. Baytkee. WTien at thecrowning of the Queen, the girls are so mixed up that Portland Bill does not know his
own daughter, and carries them all off to his cave. In the second act,- the girls are discoveredprisoners in the smugglers' cave. Portl.and Bill endeavours to find out which is his
daughter, but cannot, and tells The Black Squire he must do so, or the missing will will
be produced. Algernon, a naval lieutenant, and rightful heir, comes to the vicinity of thecave, and Dora shows him the password. Algernon and Chipmunk, by strategy, obtainadmission to the cave, the latter also looking for his daughter. Philip (The BlackSquire) persuades Daphne to accept Portland Bill as her father. Ruiert (Algernon'sfriend) and Mrs. Baytree obtain admission to the cave, disguised as beggars. Chip.munkdiscovers where Portland Bill has hidden the lost will, and obtains possession of it. ThenDora, Cissy, Algernon and Rupert put an opiate into the drink of the smugglers, andwhen it has taken effect, endeavour to escape, but are stopped by PoRTt^ND Bill.
Mrs. Baytree declares Dora to be her daughter, but Philip will not marry anyone butDaphne, whereupon Chip.munk produces the will, which places Algernon in possession of
the property. The sailors come and overpower the smugglers. In act three, Algernon is
installed at the hall, and is going to marry Dora. They concoct a plan to get Portl.\ndBill, her father, out of the countrj', which he overhears, and determines to revenge.
Ck'.pmunk comes dressed as a pedlar, looking for his daughter, who, however, has mamedRupert. Portl.a,nd Bill persuades Mrs. B.wtree to confess that she is the widow of the
late squire, and that D.^phne is her daughter, and so the estates being entailed, go to
Daphne. Philip marries Daphne, and remains in possession of the estates, and the
curuin comes down on a scene of general rejoicing.
Costumes of tke period. Time of perjormancej about two hours and a-half.
Licensed by The Lord CHA:MaEKLAiN.
Serpolette. (A Waif.)
Germaine.
Manette.
Jeanne.
Gertrude.
SUSANNE.
Catherine.
Marguerite
With Chorus.
With Chorus.
With Chorus.
With Chorus.
With Chorus.
With Chorus.
The M.A.KVUIS deCorneville. SEffE
Gaspard. (A Miser.)
The Bailie.
GoBO. (His shadow.)
GRENICHEinC.
^4Christ&phe. (A Page.) With Chorus.
Peasants, Sailors, &c.—C.iokus.
FEES.
On application to Joseph Williams, Limited, the Proprietors. For the
hire of the Full Band Parts, One Guinea per month, upon which a deposit
of ten guineas must be left until the pails are returned. Vocal score,
7s. (>di.. net. Book of the Words, is. net. Book of the Lyrics, 6d. net.
Costumes (on Hire) : From ;^lo los. for one performance and dress
rehearsal ; Chorus not to exceed 14.
CHARACTERS.
Philip Bolsover. (The Black Squire.)
Algernon Boi^ovek, R.X. (His Cousin.)
Rupert Rattlesr.wne, R.X. (Algernon's Friend.)
Se.ti.mls p. Chipmunk. (An American Citizen.)
Portland Bill. (A smuggler.)
Battledore & SHUTTLECt)CK. (Two of Phillip's Satelites.)
KiTCH. (A Smuggler.)
Flint, "j
> (Two Gamekeepers.)Steel. J
Mrs. Bavtkee. (A Schoolm:stre:v<.
)
^
^^
Wi rH Ch okus.
With Chorus.
With Chorls.
;" (Her Pupils.)
DAPHNti.
ii^iCissy. (Chipmunk's Daughter.
Cherry. (A Milliner's Assistant.) 1
J.
With Chokus.
Patty. {\ Parlour-Maid.) J
School-Girls and Boys, Sailors, Smugglers, Reapers, &c.
FEES.
On application to JOSEPH W1LI.IAMS, Limited, the Proprietors. For hire of
the Full Band Parts, One Guinea per month, upon which a deposit of
ten guineas must Iw left until the parts are returned. Vocal Scores,
6s. net. Book of the Words, is. net. Book of the Lyrics, 6d. net.
Costumes (on Hire) : From /^lo los. for one performance and dress
rehearsal ; Chorus not to exceed 14.
FIVE NEW SONGSComposed by H. G. PELISSIER.
^^== Just Published. -==^
WHAT A FUNNY WORLDWE LIVE IN! (Humorous.)
Words by ARTHUR DAVENPORT and H. Q. PELISSIER.
MY MOON (Ballad)
Words by ARTHUR DAVENPORT.
CHUBBY LITTLE CHERUB (Song)
Words by ARTHUR DAVENPORT and H. Q. PELISSIER.Sung by Miss QWENNIE MARS at The Apollo Theatre.
CONTRARY MARY! (Humorous)Words by ARTHUR DAVENPORT and H. Q. PELISSIER.
YES! I DON'T THINK! (Humorous)Words by ARTHUR DAVENPORT and H. Q. PELISSIER.
JOSEPH WILLIAMS, LIMITED,MUSIC PUBLISHERS,
32, GREAT PORTLAND STREET, LONDON, W.
POPULAR SONGS BY H. G. FEILISSIER.Ypsilanti.
Andante.
Words by ABTHUB DAVKNPOBT. Price 2/- net.
The Flower Girl. {AUo in F.) words by ARTHUB DAVKNPORT. Price 2/- net.
Ail day long at the oor.ner of the street Yon will hear my ery: Po-aefl neat and ro . 5*^^ sweet, Gone, wbdl) buy, ivho'll bny?"
IVIandye words by H.Q.PKLISSIRR. Price 2/r^et.
s J) i^^jii iiprJT"p ip r pi-i * ij' i'^ji jjjiiip p ip-ie=:p:=if ^-i-p-p- piCJ'PiL^JM&o.dy 1st g>ine to se. rejiAde you, Mso-dy, my dear, But I be, gin to he a.fraid You don't want to b«ar, Slip out the side-door
T=T*I "want somebody to love rae. words by h.g.pelissier & abthuti davenport, (.aiso in g.)
p a//ettuoao
Price 2/- net.
p affettuoao ^^_^__^_^ I t, k,
. i
1 WAOt somo- bo.dy to lovt rue, Somc.bo.dy who3e heart wHl be for ev _ er
^ Band j>nri$ in JC Keg Prie^ ^6 m
Zulu liUlU. Words ty ARTHUR H IMPKRIS. Price 3/- net.
Zu . Ill Lu , lu, come to mo do, Lou, C . ver the sea, Lou, Come :i. long o' m", Lou, Pi nd miss Ion.a . ry Called "Lit-tte Ma . ry," Who'll mahe us one, love
The Toothbrush and the Sponge, words by arthur davenport. Price £..' net.
SpoDge, Sponge, daji-ty lit. tie sponge, Walter juggins you must be! Pont go too_ far with that U . zy loo. fah, Can't you be con.tent with aie?
XJnder the "weepiiija; willoiv. Song or Duet, words by akthits ^v^MPERIs.Slo^oly and drcamxlif
Price 2/- n <.
When ends the wei . ry week, and skies are blue, de>ir, Down by the stream 1 seek, So _ i»ee with yon, dt^r.
^ r r r rOur Canadian Canoe. Duet, words by arthur da\tinport.
rPrice 2/- net.
Dear maid .en do you think of me As all the Lvt- longday. On ao offloo stool 1 aqulrm.love, Making money for the firm, love. While all my thoughts arewitbyou On the ri.ver
London. JOSEPH WILLIAMS Limited, 32, Great Portland Street, W.
ROOM USE,
This book is given special protection for the reasonindicated below:
tAutograph
JNIVERSITV OF ILUN0I9-JRBANA
11 III II III II! Ill I III Hill I Hill II
3 0112 040919653