parade magazine 5-24-15

PAGE: 01 CODE: 11A1 BOOK: 12 ISSUE: 5-24-15

S U N DAY, M AY 2 4 , 2 0 1 5 | PA RA D E .CO M

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© PARADE Publications 2015. All rights reserved.

PAGE: CODE: BOOK: ISSUE: PAGE: 2 CODE: 21A1 BOOK: 12 ISSUE: 5-24-15

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WALTER SCOTT’S

Q: Did Ray Liotta have to learn to ride a horse for Texas Rising?

—Matteo D., Providence, R.I.A: Liotta, 60, learned to ride in summer camp as a child, but he needed to brush up for Texas Rising, the History channel’s eight-hour mini-series

1. Born Mark Sinclair, he changed his name while working as a bouncer—Vin for his adoptive father, Diesel because he was always “fueled up.”

4. He loves playing Dun-geons & Dragons and taught Dame Judi Dench the game on the set of The Chronicles of Riddick.

5. He has a fraternal twin, Paul, a fi lm editor.

2. As a teen, he was a breakdancer in an in-structional video.

V is for VinBefore he was Fast and Furious, Vin Diesel began making a name for him-self as Pvt. Caparzo in the Oscar-winning World War II drama Saving Private Ryan (1998), an appropri-ate fi lm to re-watch this Memorial Day weekend. Here are fi ve more facts.

3. He and girl-friend Paloma Jiménez named their new daughter Pauline after the late Paul Walker, his Fast and Furious co-star.

Whateverhappened to

Kelli Garner, who starred in thePan Am TV series?

—Rose B, Evanston, Ill.

A: Garner, 31, who played Kate Cameron on ABC’s Pan

Am, will be showcased in the biggest role of her

career when Lifetime’s The Secret Life of Marilyn Monroe,

a two-night mini-series, premieres May 30. Garner

didn’t know much about the iconic actress and had only seen a few of her movies. “It was a real opportunity for

me,” she says.

After playing the womanizing Hank Moody on Californication, Duchovny, 54, returns to TV with NBC’s summer series Aquarius, premiering June 4. He’s set to reprise his role as Special Agent Fox Mulder in the new Fox X-Files series scheduled for 2016.

As police sergeant Sam Hodiak, you’re on the hunt for Charles Manson in Aquarius. You were only 9 when he made headlines in 1969. What did you know about him as a child? “I liked to read about true crime when I was little. I read about the ’20s, Dillinger and Bonnie and Clyde. Then around 10 or 11, I started to hear about Manson. It was the crime of the century up to that point.”

After Californication, Sam Hodiak is pretty straight-laced. Do you miss the freedom of cable TV? “Nudity I don’t care about. But as a writer, I wish that there wasn’t this obsession with language we seem to have on our broadcast networks.”

This June, you’re going to reunite with

several original cast members to film the new X-Files. “I’m excited to work with these people again. It’s really hard to get us together to do it; everybody’s got lives, careers and children, and we live in different places. Gillian [Anderson] and I have been talking about it for a long time.”

Your alt-rock album Hell or Highwater came out in May with 12 original songs. How did that come about? “Music’s always been part of my life, but not as a player. About five years ago, I wanted to actually play it, and I wanted my kids to see me learn something. I’m always asking them to learn things and telling them not to get frustrated, because it’s frustrating to learn a new skill.”

Email your questions for Walter Scott to [email protected]

2 | MAY 24, 2015

QWhatever

QWhatever

premiering May 25, in which he plays Lorca, an Alamo survivor. “I became obsessed,” he says. For several hours

a week, he saddled up for ranch sorting competitions, herding cattle into pens on horseback. “I’ve never really had a hobby, [but] right now, that’s it. I’m still doing it.”

WALTER SCOTT ASKS ...

DAVID DUCHOVNY

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When Jaws splashed and gnashed its way into

theaters in the summer of 1975, the world had never seen any-thing like it.

With its brilliantly minimalist advertising campaign—the im-age on a poster of a great white shark ready to chomp down on a pretty, young female swimmer and ominous “Don’t go in the water” marketing tagline—it lured sold-out crowds for weeks on its way to grossing more than $470 million globally (which would be $2.2 billion today). Folks stood in line to be terrifi ed by director Steven Spielberg’s modestly budgeted horror fi lm that became an industry-changing, pop culture phenomenon.

� e modern-day “blockbuster” was born.

Although “blockbuster” comes from World War II-era weaponry that could destroy an entire city block, it became the Hollywood buzzword for hugely popular adventures that captured moviegoers’ imagina-tions and impressive box-offi ce receipts.

It All Started HereIn the mid-1970s, the nation was ready for a juggernaut like Jaws, says Turner Classic MoviesTV host Ben Mankiewicz.

“Some movie was going to strike it big then,” Mankiewicz says. “It seemed an appropri-ate time for various sea changes in America. We [had] sort

of grown up as a country.” After the ravages of Viet-

nam and Watergate, America needed an escape—even if it was a frightening one. “People were scared to go in the water, but not really,” Mankiewicz says. “� ey liked to be scared. It made the water more fun.”

Four decades later, much of the allure of summer blockbust-ers lies in the tradition of fun and giddy escapism defi ned and established by Jaws. “Sum-mer is the season of cinematic fast food, and September and October is the Oscar season, cinematic fi ne dining,” says Paul

Dergarabedian, senior

media analyst for Rentrak, which follows box offi ce fi gures and television viewership. “A lot of summer movies are all calories and no nutrition. But people want it. It’s the suspen-sion of disbelief and checking your brain at the door.”

For years, Memorial Day weekend in late May marked the kickoff of summer block-buster season. But Hollywood has been known to jumpstart a good thing. � is year, the star-packed superhero saga Avengers: Age of Ultron opened May 1. But the 2015 summer movie season actually began April 3 with the automotive-action epic Furious 7, which had an impres-sive $147 million debut and continued to be a strong draw for weeks after its opening.

That Blockbuster Magic� e highest-grossing summer fi lms of all time run the gamut in terms of their origins, content and themes, from a long time ago in a galaxy far, far away in the Star Wars movies to small-town 1950s in Back to the Future or even further into the past with the dinosaurs of Jurassic Park. (See “40 Years of Summer Blockbusters” on page 8.) � ey are sequels and prequels, remakes and reboots. � ey come from the pages of graphic novels and young adult bestsellers.

But they all have one thing in common: a transporting sense of wonder and imagination.

“Summer is emblematic of an idea of carefree fun,” says Dergarabedian, “and the idea of the popcorn movie plays com-pletely into that.”

Frozen co-writer/director Jennifer Lee—who studied Jaws as the perfect blockbuster while at Columbia University’s fi lm school—says it takes many months for a team to build a script that’s universally relatable, yet has a specifi c, unique “voice.”

“Is it clear? Is it strong enough? Does it move you emotionally? We analyze that again and again and again, and we also search for themes that are simple but powerful,” says Lee, who alsoco-wrote the animated 2012 hit Wreck-It Ralph. “You know you

40 YEARS AGO, THE NATION WAS PRIMED FOR THRILLS AND CHILLS. ENTER JAWS, THE MEGA-MOVIE THAT STARTED THE TRADITION OF BIG SUMMER ADVENTURES AND BOX OFFICE RETURNS.

BY CHRISTY LEMIRE • COVER ILLUSTRATION BY THE ANDERSON GROUP

4 | MAY 24, 2015

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media analyst for Rentrak, which follows box offi ce fi gures and television viewership. “A lot of summer movies are all calories and no nutrition. But people want it. It’s the suspen-sion of disbelief and checking your brain at the door.”

For years, Memorial Day weekend in late May marked the kickoff of summer block-buster season. But Hollywood has been known to jumpstart a good thing. � is year, the star-packed superhero saga Avengers: Age of Ultron opened May 1. But the 2015 summer movie season actually began April 3 with the automotive-action epic Furious 7, which had an impres-sive $147 million debut and continued to be a strong draw for weeks after its opening.

That Blockbuster Magic� e highest-grossing summer fi lms of all time run the gamut in terms of their origins, content and themes, from a long time ago in a galaxy far, far away in the Star Wars movies to small-town 1950s in Back to the Future or even further into the past with the dinosaurs of Jurassic Park. (See “40 Years of Summer Blockbusters” on page 8.) � ey are sequels and prequels, remakes and reboots. � ey come from the pages of graphic novels and young adult bestsellers.

But they all have one thing in common: a transporting sense of wonder and imagination.

“Summer is emblematic of an idea of carefree fun,” says Dergarabedian, “and the idea of the popcorn movie plays com-pletely into that.”

Frozen co-writer/director Jennifer Lee—who studied Jaws as the perfect blockbuster while at Columbia University’s fi lm school—says it takes many months for a team to build a script that’s universally relatable, yet has a specifi c, unique “voice.”

“Is it clear? Is it strong enough? Does it move you emotionally? We analyze that again and again and again, and we also search for themes that are simple but powerful,” says Lee, who alsoco-wrote the animated 2012 hit Wreck-It Ralph. “You know you

don’t have your movie yet when it takes you a paragraph to describe what it’s about.”

Blockbusters are simplicity dressed up in multi-million-dollar suits. Man against shark. Super-sized robots disguised as trucks battle each other for the planet. Pirates set sail for adven-tures on the high seas. A dashing archaeologist travels the globe searching for ancient treasure.

Simple, Powerful—and Hard WorkDwayne “� e Rock” Johnson, whose blockbuster bona fi des include starring in � e Mummy Returns and three Fast and Furious movies, vividly recalls how Indiana Jones wowed him in Raiders of the Lost Ark in 1981 when he was a 9-year-old boy in the front row of a packed theater in Charlotte, N.C.

“I was so blown away by the movie and so blown away by the character, and I remember leaving there thinking, I really want to do that, like, I want to be that guy,” Johnson says. “It wasn’t even necessarily I want to be an actor. It was, I want to be that guy.”

Now, Johnson is that guy. His upcoming earthquake epic San Andreas, in theaters May 29, required him to wake up at 3:45 a.m. daily for three months to work out before 12 to 14

40 YEARS AGO, THE NATION WAS PRIMED FOR THRILLS AND CHILLS. ENTER JAWS, THE MEGA-MOVIE THAT STARTED THE TRADITION OF BIG SUMMER ADVENTURES AND BOX OFFICE RETURNS.

BY CHRISTY LEMIRE • COVER ILLUSTRATION BY THE ANDERSON GROUP

MAY 24, 2015 | 5

WHAT’S HOT THIS SUMMER:Dinosaurs, Superheroes & Spies What will be this summer’s can’t-miss popcorn fl icks? Matt Atchity, editor-in-chief of the web’s go-to movie review site, rottentomatoes.com, predicts the biggest box-offi ce smashes.

SAN ANDREAS (May 29)Dwayne “The Rock” Johnson in a big-budget earthquake movie looks like anything but a disas-ter at the box office.

SPY (June 5)Melissa McCar-

thy’s spy-comedy romp teams her for a

third collaboration with Bridesmaids and The Heat

director Paul Feig.

JURASSIC WORLD (June 12)Chris Pratt, who starred in two of last summer’s biggest films, The Lego Movie and Guardians of the Galaxy, now leads the long-awaited return to the dino-realm of Jurassic Park.

INSIDE OUT (June 19)Set inside the mind of a young girl where fi ve different emotions try to guide her through a crisis, this will likely repeat the Disney/Pixar magic of charm-ing both kids and grownups.

TED 2 (June 26)A raunchy R-rated comedy about a talking teddy bear makes over $200 million in the U.S and $500 million around the world? You should have known there would be a sequel!

MAGIC MIKE XXL (July 1)Channing Tatum and his buff crew hit the road for a stripper conven-tion. Females will fl ock to this as a girls’ night out, and it should be a lot more satisfying than Fifty Shades of Grey.

MINIONS (July 10)The little yellow guys from the Despicable Me franchise get their own spin-off, which tells the story of their quest to fi nd the right villain to serve.

ANT-MAN (July 17)After an epic and super-sized Avengers movie, audiences may be ready for a lighter story of a teeny superhero (Paul Rudd) the size of an insect.

MISSION: IMPOSSIBLE—ROGUE NATION (July 31)The MI franchise has been con-sistently reliable throughout Tom Cruise’s career, so this fi fth fi lm in the series looks like his best bet to get back on track as a box-offi ce force.

STRAIGHT OUTTA COMPTON (Aug. 14)This one’s going to be a late-sum-mer surprise: the story of one of hip-hop’s most infl uential acts, N.W.A., with Paul Giamatti as the group’s manager and O’Shea Jackson Jr. playing his own father, Ice Cube.

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6 | MAY 24, 2015

demanding hours of shooting.Making a blockbuster is a big

job, Johnson admits. “It is an incredible experience, and it is daunting and it is highly pres-surized, because there are a lot of responsibilities,” he says. “� ere is the responsibility to deliver a good movie for the public, there is the fi scal responsibility you have to the studio, and the responsibility you have to your-self to lock into a character you really love and enjoy and deliver a good performance.”

Sometimes fi lmmakers don’t realize they have a blockbust-er on their hands, especially while they’re making it. Jawswas a famously fraught produc-tion that went perilously over budget and took months longer than expected fi lming in 1974 in and around Martha’s Vineyard, Mass., thanks to a mechanical shark that kept malfunctioning. In the 2007 documentary � e Shark Is Still Working, director Spielberg called it “the toughest fi lmmaking production experi-ence I’ve ever encountered. We must have been complete idiots to have even expected to have an easy ride in the middle of the ocean making the movie,” he said.

During production on the supernatural thriller � e Sixth Sense, Walt Disney Studios had so little faith in the fi lm’s commercial prospects that the company sold the rights, recalls producer Barry Mendel, a two-time Oscar nominee. � en, when � e Blair Witch Project came out just a week earlier in the summer of 1999—and became a smash hit—hopes further dimmed that � e Sixth Sense could compete

Blockbuster Brain Teasers1. Director Steven Spielberg original-ly wanted which of these leading men for the role of police chief Brody in Jaws?

A. Gregory PeckB. Charlton HestonC. Paul Newman

2. Media personality Larry King made his movie debut

in which 1980s block-buster comedy?A. GhostbustersB. Stripes

C. Airplane!

3. Sounds from a dog, penguin, tiger, elephant and alligator were combined to create a roar for this block-buster.

A. AlienB. Jurassic ParkC. King Kong

4. Bruce Willis was offered the opportunity to co-star alongside his then-wife in this double-Oscar-winning 1990s hit, but turned it down.

A. Pretty WomanB. GhostC. Batman Returns

5. The top-grossing G-rated summer movie of all time is this animated blockbuster.

A. CarsB. The Lion KingC. Toy Story 3

Go to Parade.com/blockbusters to take our full Summer Block-buster quiz.

1) B. Charlton Heston; 2) A. Ghostbusters; 3) B. Jurassic Park ; 4) B. Ghost; 5) B. The Lion KingANSWERS


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with � e Blair Witch Project’srunaway success. But director M. Night Shyamalan’s Sixth Sensewent on to make nearly $673 million worldwide, with the help of a game-changing twist at the end that audiences surprisingly didn’t give away.

“A lot of it was word of mouth, a lot was second-time viewers,” says Mendel, who had another surprise hit later with Brides-maids, which made more than $288 million worldwide during the summer of 2011. “When a much broader acceptance and love of a movie happens, there’s no predicting it beforehand, no describing how it happens or why it happens.”

� is summer, Mendel pro-duced the new Judd Apatow comedy Trainwreck, with Amy Schumer and Bill Hader, in theaters July 17. And two weeks later, on July 31, clear the tracks for the next Mission: Impos-

sible—Rogue Nation, the fi fthin the Tom Cruise mega-franchise.

Cruise’s co-star for the past three Mission: Impossible mov-ies, Simon Pegg (he plays Benji Dunn), recalls the seismic eff ect of the original Star Wars when he was a boy growing up in England. Now, he’s a part of such spectacles himself; he also plays Scotty in the new Star Trek franchise, and he’s co-written the script for the next installment, out next summer.

� e modern blockbuster is “akind of a combination of scale and minutiae,” Pegg says. “It’s all about creating big set pieces and grand eff ects but having, at the heart of that, something to care about. If you can frame genuine human interaction and peril and emotion and love and all that stuff in the context of explosions and laser guns and spaceships, then you’re onto a winner.”

Jaws (1975), The Omen (1976), Star Wars (1977), Grease (1978), The Amityville Horror (1979)

Star Wars: Episode V—The Empire Strikes Back (1980), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial (1982), Star Wars: Episode VI—Return of the Jedi (1983), Ghostbusters (1984), Back to the Future (1985), Top Gun (1986), Beverly Hills Cop II (1987), Who Framed Roger Rabbit (1988), Batman (1989)

Ghost (1990), Terminator 2: Judgment Day (1991), Batman Returns (1992), Jurassic Park (1993), The Lion King (1994), Batman Forever (1995), Independence Day (1996), Men in Black (1997), Saving Private Ryan (1998), Star Wars: Episode I—The Phantom Menace (1999)

Mission: Impossible II (2000), Shrek (2001), Spider-Man (2002), Finding Nemo (2003), Shrek 2 (2004), Star Wars: Episode III—Revenge of the Sith (2005), Pirates of the Caribbean: Dead Man’s Chest (2006), Spider-Man III (2007), The Dark Knight (2008), Transformers: Revenge of the Fallen (2009), Toy Story 3 (2010)

Harry Potter and the Deathly Hallows, Part 2 (2011), The Avengers (2012), Iron Man 3 (2013), Guardians of the Galaxy (2014)

40 YEARS OF SUMMER BLOCKBUSTERSTHE SUMMER’S TOP BOX-OFFICE FILMS 1975-2014*

* It didn’t take studios long to realize they could capitalize on winter holidays too. Three of the fi ve top moneymakers of all time worldwide—Avatar, Titanic and Frozen—were November or December blockbusters.

Source: boxoffi cemojo.com

1970S

1980S

2000S

2010S

1990S

©JA

SO

N W

YCH

E

Around the

Air-popping is Swank’s favorite method because it yields fully popped, unfl avored popcorn that goes well with any topping. Her runner-up is stove-top popping. Either way, ½ cup of kernels yields about 8 cups popcorn. If you use microwave popcorn, choose an unfl avored variety and use 2 (3.5-ounce) bags.

POPCORN

Visit Parade.com/popcorn to try � ve more of Swank’s recipes.

ole!

POP THIS WAY

Whether you’re catching a blockbuster at the movie theater or in your own living room, popcorn is an important

supporting player. Thanks to Ashton Epps Swank, author of Party Popcorn: 75 Creative Recipes for Everyone’s Favorite Snack (Houghton Mi� in), you can branch out far beyond the standard bu� ered bowl. This version recalls the avors of the luscious corn on the cob that’s a popular street food in Mexico.

MEXICAN STREET CORN POPCORN

Whisk together 2 Tbsp melted butter, 2 Tbsp mayonnaise and 1 tsp lime juice in a small bowl. Pour over 8 cups popped popcorn; gently toss to coat. Then toss popcorn with a combination of 1 tsp salt, 1½ tsp paprika, ¼ tsp sugar and ¼ tsp cayenne. 8

Excerpted from Party Popcorn: 75 Creative Recipes for Everyone’s Favorite Snack © 2014 by Ashton Epps Swank. Reproduced by permission of Houghton Mi� in Harcourt. All rights reserved.



— FROM THE PUBLISHERS OF —

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MAIL THIS FORM WITH A CHECK FOR $24.95 TO:2014 IN PERSPECTIVE

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The American Annual offers perspective onthe events and people that shaped our lives in 2014.

This beautiful 160-page, hard-cover coffee table book ispacked with photos of the most compelling news

stories as well as the best of sports and entertainment.

ORDER BY PHONE: 1.877.528.4566ORDER ONLINE: AMERICANANNUAL.COM

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1

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Singers and Scientists share

more than might be expected.

Whether it’s a breakout melody or

a breakthrough in research. When

it comes together, everything fits.

It can change lives forever.

Stand Up To Cancer supports

the collaboration, innovation and

research that are turning discoveries

into viable treatments and possibly,

one day, a cure.

Stand up with us. Let your voice make

a difference because when we work

together, nothing is impossible.

Like, share and join SU2C. Find out more at standup2cancer.org

Two worlds.One dream.

Jennifer Hudson, Stand Up To Cancer Ambassador Shiva Malek, Ph.D.

Stand Up To Cancer is a program of the Entertainment Industry Foundation (EIF), a 501(c)(3) charitable organization. Photo by Nigel Parry.

T:8.375”T:9.25”

© PARADE Publications 2014. All rights reserved © PARADE Publications 2015. All rights reserved.

PAGE: 11 CODE:75A1 BOOK: 12 ISSUE: 5-24-15

Numbrix®

Complete 1 to 81 so the numbers follow a horizontal or

vertical path—no diagonals.

19

47

13

67

3

81

1

7

59

77

79

25

27

29

39

45

MAY 24, 2015 | 11

Ask MarilynBy Marilyn vos Savant

Our recorded voices sound very different from the way we hear ourselves when we speak. So how can entertainers do such good imitations of famous people? No matter how correct they sound to themselves, their audiences will hear something else.

—Mike O., London, England

Impressionists are all about vocal mannerisms such as accent, cadence, inflection, individual articulation habits and more—even vocabulary. A voice that is similar in pitch and tone is helpful (entertainers do use recorders to help them get as close as they can), but it’s their imitation of the unique hallmarks of the original speaker’s delivery that resonates with listeners.

Send questions to marilyn @ parade.com

0524_Ask Marilyn.indd 1 5/6/15 3:35 PM05062015154503

SCIATICA

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MagniLife® Fibromyalgia Relief com-bines 11 active ingredients, such as Coniium, for muscle aches and pains and Aconitum napellus, for pain in the joints and tendons. Tablets dissolve under the tongue and can be taken along with other medications. “I have

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RINGING IN

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MagniLife® Tinnitus Relief has already helped thousands fnd relief when nothing

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SHINGLES

PAIN OR ITCH?Are shingles outbreaks causing pain, tin-

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