olivia bina and simone tulumello with sandra mateus, lavinia pereira, annalisa caffa – ics-ulisboa...

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Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future Imagined: Insights from the arts (filmic and literary representations) FLAGSHIP is Funded by the 7 th Framework Programme of the European Union Thinking ahead sustainably: Policies, Scenarios and Models to address Grand Societal Challenges [email protected]

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Questions  What are the main concerns/hopes in futures fiction? Can they enrich our capacity to envision the future? Can they enrich today’s framing of GSCs? o What differences & what implications?

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Page 1: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

Olivia Bina and Simone TulumelloWith Sandra Mateus, Lavinia Pereira, Annalisa Caffa

– ICS-Ulisboa

Brussels – 16/12/15FLAGSHIP Final event

The Future Imagined: Insights from the arts

(filmic and literary representations)

FLAGSHIP is Funded by the 7th Framework Programmeof the European Union

Thinking ahead sustainably: Policies, Scenarios and Models to address

Grand Societal Challenges

Page 2: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

http://europeanmovies.org/wp-content/uploads/2012/03/italian-movizes.jpg

FLA GSCs

Page 3: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

Questions What are the main concerns/hopes in

futures fiction? • Can they enrich our capacity to envision

the future?• Can they enrich today’s framing of GSCs?

o What differences & what implications?

[email protected]

Lavínia Leal Pereira
Films instead of cinema
Page 4: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

4

Fiction & FLA

[email protected]

CREATIVE INPUTBalance methods based on

evidence/expertiseWith creative inputs

DETAILCounters tendency

towards abstraction: Simple/poetic;

Detailed/daily symbolic factual vs macro systemic

perspectives

WARNINGAnticipatory knowledgePredict & explore risks

Identify possible warning signals

Popper: Science Fictioning

REFLECTIONOn cultural codes, values,

ideologies;Explore alternatives to

socio-political status quo

CRITIQUESocio-historical critique of

social structure, power, politics and agency;

Help DMs think of ethical implications/dilemmas of

alternative futures

INVOLVEMENTReach wide audience –

thus amplify participation in debate/reflection;Identify themes that

resonate widely with the public

Page 5: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 5

ApproachGSCs &

FLAGSHIPChoice of

“texts”

Analytical matrix:

themes & dimension

s

Template for each

record/text

Content analysisNetwork analysis

RESULTSCore

ChallengesMajor

patterns

Page 6: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

GSCsKnowledge to “shape

the future”

InnovationTechnology

DemographySocial

Change

Society

EnergyEnvironment

Governance

FinanceEconomics

Development

Science to shape the future:the making of GSCs

Page 7: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 7

Choices…Selecting “texts”

Page 8: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 8

Lead by MCRIThttp://flagship-project.eu/flagship-visions/

Futures Fiction

Films

Novels

64

150 yrs

Page 9: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

9

The Machine Stops

The Tomorrow File

Paris in the Twentieth Century (1863)

The Time Machine

We

Brave New World

The Space Merchants

The Lathe of Heaven

Stand on Zanzibar

A Clockwork Orange

Do Androids Dream of Electric Sheep?

1984

The Handmaid’s Tale

Ender's Game

Z for Zachariah

The Stand

Fahrenheit 451

Alphaville

La Jetée

On the Beach

Solaris

Logan's Run

The Terminator

Dawn of the Dead

Mad Max

RoboCop

Blade Runner

Brazil

Total Recall

Twelve Monkeys

The Fifth Element

Waterworld

Matrix

Gattaca

NeuromancerThe Diamond Age, or A Young Lady's Illustrated PrimerThe GiverInfinite JestCloud AtlasThe PassageThe Windup GirlUgliesThe RoadFeedThe SwarmLa police en l'an 2000Soylent GreenVerdens Undergang aka The End of the WorldLe tunnel sous La MancheMetropolisThings to come

Escape from L.A.Code 46V for VendettaDistrict 9Hunger GamesChildren of MenAvatarMinority ReportElysium (2013)Vexille28 days LaterAppleseedThe Day after Tomorrow

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“significant and lasting impact on the public imagination”

Page 10: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 10

Results1) Archetypal futures

http://europeanmovies.org/wp-content/uploads/2012/03/italian-movizes.jpg

FLA

GSCs

Page 11: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

Archetypal visions ofthe future: Clardy 2011

Archetypal visions of the

futureExplanation n %

Collapse The natural or non-natural motivations behind the civilizational decadence or ruin 26 40,6

Anti-utopia As the portrait of authoritarian projects resulting in the contrary of utopia 25 39,1

Dystopia The complex, chaotic scenarios and borderline societies 24 37,5

Apocalypse The more prophetical or religious approaches related to the end of times 14 21,9

Conflict & Revolution Description of a society in constant warfare 10 15,6

UtopiaThe benefits of a rational/ equalitarian

systems and the rebirth of new forms of utopia

8 12,5

Page 12: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

Network Analysis of Archetypes(categories after Clardy 2011)

[email protected]

Utopia

ConflictApocalypse

Dystopia

CollapseAnti-Utopia

praise of the technological/ scientific/ rational model present in utopian texts; nihilistic and critical tendencies in dystopian texts (Booker, 1994).

Page 13: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

Utopia

ConflictApocalypse

Dystopia

CollapseAnti-Utopia

Network Analysis of Archetypes(categories after Clardy 2011)

Page 14: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

Alternatives to disruption paths

Non-human developments& human disruptive events

Resource Scarcity &

Environmental Crisis/Collapse

Gradual evolution towards disruption (building on

‘present’ trends)

Social cultural tensions leading to

crisis/Collapse

Acritical acceptance (utopian narratives)

of technological advances

Page 15: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 15

Results2) Core challengesFrequent patterns

http://europeanmovies.org/wp-content/uploads/2012/03/italian-movizes.jpg

FLA

GSCs

Page 16: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

16

When fiction speaks “its Truth” to futures and science

Fiction has the power to illustrate what might happen:

when science blurs the boundaries between human and non-human;when the relationship between humans, technology and nature reaches the proverbial point of no return;

when the built environment promotes individuals’ alienation; when the structures of power, education and property all contribute to deepen social stratification and inequality.

[email protected]

Page 17: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

17 Content analysis4 Core Challenges in fiction

Source: Bina et al forthcoming

1. Individuals, society and culture2. Science/Technology and society3. Environment -Technology vs Nature

4. Society and social changeControl & Manipulation

Page 18: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

18 23 most frequent patterns1. Individuals, society and culture 2. Science/Technology and society

“Scarcity” - individual dignity, human values and wellbeing (50,0%)

Dehumanizing processes (39,1%) Disrespect of Human Rights (37,5%) Strong homogenization of identities (37,5%) Social control and subjective distress (26,6%)

Advanced technology (42,2%) Technology as a socio-political instrument of

control (39,1%) Technology use restricted to specific ends or

for/by elite groups (39,1%) Technology used for social domination and

manipulation (26,6%) Science as a tool for manipulation, control and

rationalization (26,6%)

3. Environment -Technology vs Nature 4. Society and social change (Near)impossibility to breathe in open air (39,1%) Technology used for control of nature (39,1%) Extreme urbanization and vertical density (34,4%) Interconnectedness and resulting fragility (34,4%) Species extinction and decline in biodiversity

(34,4%) Aesthetic/ Spiritual Value of Nature (31,3%) Food scarcity, replacement & lack of choice (28,1%)

Socioeconomic discrimination (based on propriety, education or other) (34,4%)

High stratification and unequal societies (32,8%) Existence of resistance and opposition

movements (31,3%) Women inequality (31,3%) Stratification of workers & occupations (28,1%) Absence of consumption (26,6%)

Source: Bina et al forthcoming

Page 19: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

“future present”resulting patterns & warning signals: elements of such future

have already escaped the imaginary world to make part of today’s experience.

Beware of ‘gradual evolution towards disruption’

Page 20: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

20

Other Futures(Levidow and Neubaue, 2012)

• Current H2020 priorities assume that • “all innovation is socially beneficial”

• “grand challenges have been generally framed • in ways favouring capital-intensive

technoscientific solutions, at the expense of other approaches”

• even when the possibility of promoting an alternative research agendas is perfectly viable.

[email protected]

Page 21: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 21

Results3) Risk of scarcity - redefined?

http://europeanmovies.org/wp-content/uploads/2012/03/italian-movizes.jpg

FLA

GSCs

Page 22: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

22

Self-direction (1984, 1949; The Handmaid’s Tale, 1985; Logan's Run, 1976; Twelve Monkeys, 1995)

Reflexivity (Feed, 2002; Matrix, 1999)

Dignity (The Tomorrow File, 1975; A Clockwork Orange, 1962; Hunger Games, 2012)

Freedom (Escape from L.A., 1996)

Hope (Soylent Green, 1973; On the Beach, 1959; Blade Runner, 1982; Children of Men, 2006)

Security and protection (The Time Machine, 1895; Mad Max, 1979)

Sentiments and capacity to feel emotions(We, 1921; Do Androids Dream of Electric Sheep?, 1968; The Giver, 1993)

Equality (Metropolis, 1926; Elysium, 2013)

Identity (We, 1921; Uglies, 2005; Twelve Monkeys, 1995)

Peace (Appleseed, 2004)

Privacy (Stand on Zanzibar, 1968; Minority Report, 2002)

Justice (Elysium, 2013)

Idealism and creativity (Paris in the Twentieth Century, 1863; Brazil, 1985)

Love (The Handmaid’s Tale, 1985)

Source: Bina et al forthcoming Trust (Ender's Game, 1973)

Drag picture to placeholder or click icon to add

What risks to become scarce inimagined futures?

Page 23: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

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Fiction invites us to rethink “scarcity”

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Scarcity

“Internal”“intangible

”External

Page 24: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

24

A more balanced focus forFLA and research agenda

ExternalResources and Ecological Functions/Services

Focus Technoscience

Internal/IntangibleIndividual dignity, human values and wellbeing, what makes us human

Focus Emotional, self-knowledge,

spiritual (& implications of transhumanism)

[email protected]

Page 25: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected] 25

Results4) H2020+Re-visiting research agendasCaution & Daring

http://europeanmovies.org/wp-content/uploads/2012/03/italian-movizes.jpg

FLA

GSCs

Page 26: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

26

H2020 Challengesa summary of the patterns identified in fiction and which are largely or fully absent in H2020 discourse

Source: Bina et al forthcoming Table 29

[email protected]

Page 27: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

27

H2020 + CautionWarning signals: High frequency patterns

Technology used for social domination and manipulation use restricted to specific ends or for/by elite groups as socio-political instrument of control Science as a tool for manipulation, control and rationalizationScarcity: individual dignity, human values and wellbeing, what makes us human Dehumanization processes Strong homogenization

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Page 28: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

28

H2020 + Daring8 dimensions (& 31 patterns)

Happiness and wellbeing (psychological conditions & QoL)Connectedness (interaction, physical closeness)Progress and future (ideas of progress & time, ideas of risk in the future)Identity (belonging, collective memory/aspirations, homogenisation/subcultures)Systems of beliefs (values, ethics, spirituality, religion)Meaning of life and existence (Personal project and personal identity (who am I))Conceptions of the human (e. g. human nature, human condition, trans-humanism)Entertainment and art (self-expression, creativity, leisure, entertainment/control)Aesthetic/ Spiritual Value of Nature (redeeming role and to embody the notion of hope itself)

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Page 29: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

Concluding:21st C needs a new

Archetype of the Future

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Utopia

ConflictApocalypse

Dystopia

CollapseAnti-Utopia

Page 30: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

Know what we do NOT want

Envision what we MIGHT

desire

Invest in the KNOWLEDGE

we NEED

© T

he M

atrix

And now, over to our FLAGSHIP colleaguesThanks!

Page 31: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

[email protected]

31 GSCsiKnow

1.Water security and vulnerability 2.Energy security and vulnerability 3.Health, illness and well-being 4.Sustainability and climate change 5.Ageing and demographic issues 6.Food security and culture 7.Globalisation and localisation 8.Social cohesion and diversity 9.Technological security, hazard and risk 10.Consumption and behavioural change 11.Innovation, knowledge and technology 12.Work-life balance and mental health 13.Science, technology and ethics 14.Crime, security and justice 15.Governance, democracy and citizenship 16.Coexistence and conflict 17.Social pathologies and ethics 18.Social exclusion, poverty and affluence 19.Economic prosperity and growth

dynamics 20.Urban and rural dynamics 21.Education and skills dynamics

JRC-IPTS (2008) Need to Change the Current Ways of Using

Essential Natural Resources Need to Anticipate and Adapt to Societal

Changes Need for Effective and Transparent

Governance for the EU and the World

ERA1. Realising a single labour market for researchers 2. Developing world-class research infrastructures 3. Strengthening research institutions4. Sharing knowledge5. Optimising research programmes and priorities6. Opening to the world: international

cooperation in S&T

H2020 7 Societal Challenges (Council Decision 2013)

Page 32: Olivia Bina and Simone Tulumello With Sandra Mateus, Lavinia Pereira, Annalisa Caffa – ICS-Ulisboa Brussels – 16/12/15 FLAGSHIP Final event The Future

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Environment and Food (resource

efficiency)

Individuals, society and

culture

Innovation and technology,

resource efficiency

Demography, social change,

skills and empowerment

Scarcity

Economy (GDP)

Scarcity of human values

Dehumanization processes

Anthropocene

Control and manipulation

Social Inequality and stratification

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