Notes

FOREWORD

1. Theodor Adorno, The Dialectic of Enlightenment, trans. by John Cum­ming (New York: Herder & Herder, 1972), p. 125.

2. Jean-Fran~ois Lyotard, The Postmodern Condition: A Report on Know­ledge, trans. by Geoff Bennington and Brian Massumi (Minneapolis,. University of Minnesota Press, 1989), p. 76.

3. Adorno, op. cit., p. 121. 4. Wolfgang Iser, The Act of Reading: A Theory of Aesthetic Response (Balti­

more, Md.: and London: Johns Hopkins Press, 1978), p. 107. 5. W.F. Haug, Critique of Commodity Aesthetics (Minneapolis, Minn.: Uni­

versity of Minnesota Press, 1986), p. 24. 6. Georg Lukacs, Realism in Our Time (New York: Harper & Row, 1971),

p.19. 7. Iser, op. cit., p. 107. 8. Gillian Rose, The Melancholy Science: An Introduction to the Thought of

Theodor W. Adorno (London: Macmillan, 1978), p. 125. 9. Hans Robert Jauss, Aesthetic Experience and Literary Hermeneutics, trans.

by Michael Shaw (Minneapolis, Minn.: University of Minnesota Press, 1982), p. 15.

10. Anthony Burgess, 'A Clockwork Orange: The Missing Chapter', Rolling Stone Magazine, 26 March 1987, p. 76.

11. Iser, op. cit., p. 107. 12. Ibid., p. 111. 13. Lucien Goldmann, Towards a Sociology of the Novel, trans. by Alan

Sheridan (London: Tavistock, 1975), p. 6.

CHAPTER 1

1. David Daiches, A Critical History of English Literature, Vol. II (New York: Ronald Press, 1960), p. 835.

2. Eric Quayle, The Ruin of Sir Walter Scott (New York: Clarkson N. Potter, 1968), p. 82.

3. Ibid. 4. Lewis Coser, Charles Kadushin, Walter Powell, Books: The Culture and

Romance of Publishing (New York: Basic Books, 1982), p. 2l. 5. William Charvat, Literary Publishing in America 1790-1850 (Phi-

ladelphia, Pa.: University of Pennsylvania Press, 1959), p. 82. 6. Ibid., p. 83. 7. Ibid. 8. Jean Kent and Candace Shelton, The Romance Writer's Phrase Book (New

York: Putnam, 1984), p. 5. 9. Ibid., p. 6.

115

116 Notes to Chapter 2

10. See D. Sokolov-Golubov's unpublished essay, 'Pale Whore, Pale Wri­ter: The Catachretic Craft of Crime and Punishment', University of Minnesota, Department of Comparative Literature, in which the au­thor clearly demonstrates that Dostoevsky uses the word 'pale' in such a repetitive way as to render the term dispassionately sentimental.

11. Edward Said, The World, the Text and the Critic (Cambridge, Mass: Harvard University Press, 1983), p. 113.

12. Ibid. 13. Raymond Howes, Historic Studies of Rhetoric and Rhetoricians (Ithaca,

NY: Cornell University Press, 1961), p. 360. 14. Ibid., p. 362. 15. William Kennedy, Billy Phelan's Greatest Game (New York: Viking,

1978), p. 1. 16. Saul Bellow, The Dean's December (New York: Harper & Row, 1982),

p.3. 17. Ernest Hemingway, Islands in the Stream (New York: Scribners, 1970),

p.3. 18. Marie Shedlock, The Art of the Story Teller (New York: Dover, 1951),

p.13. 19. Jose Ortega y Gasset, The Dehumanization of Art (Princeton, NJ: Prince­

ton University Press, 1968), p. 90.

CHAPTER 2

1. Karl Wallace, Francis Bacon on Communication and Rhetoric (Chapel Hill, NC: University of North Carolina), p. 147.

2. Pico Iyer, 'Fighting the Cocaine Wars', Time Magazine, Vol. 125, 25 February 1985, p. 26.

3. John Hellman, Fables of Fact: The New Journalism's New Fiction (Urbana, Ill.: University of Illinois Press, 1981), p. 3.

4. Ibid. 5. Tom Wolfe, The New Journalism (New York: Harper & Row, 1973),

p.21. 6. Hellman, op. cit., p. 11. 7. Walter Scott, Waverley (Baltimore, Md.: Penguin, 1983), p. 76. 8. See David Hewitt (ed.), Scott on Himself (Edinburgh: Scottish Academic

Press), pp. 118-36. 9. Terry Eagleton, Marxism and Literary Criticism (London: Methuen,

1976), p. 71. 10. Ibid., p. 46. 11. Jean-Fran<;ois Lyotard, The Postmodern Condition: A Report on Know­

ledge, trans. by Geoff Bennington and Brian Massumi (Minneapolis, Minn.: University of Minnesota Press, 1989), p. 75.

12. Josef Vacheck, Linguistic School of Prague (Bloomington, Ind.: Indiana University Press, 1966), p. 88.

13. Roland Barthes, The Pleasure of the Text (New York: Hill & Wang, 1978), p.50.

14. Jacques Ellul, Propaganda (New York: Random House, 1973), p. 6.

Notes to Chapter 3 117

15. Roger Fowler, Linguistics and the Novel (London: Methuen, 1977), p. 3. 16. Mirrors reflect 'reality' iconically in that the image reflected is reduced

from three dimensions to a plane surface of two, is doubled in dis­tance, is reduced from the actual by one-half, and is reversed from right and left - hardly a duplication of reality.

17. Eagleton, op. cit., p. 29.

CHAPTER 3

1. Honore de Balzac, Personal Opinions of Honore de Balzac trans. by Katharine Prescott Wormeley (Boston, Mass.: Little, Brown, 1899), p. 120.

2. H.J.C. Grierson, Sir Walter Scott To-Day: Some Retrospective Essays and Studies (London: Constable, 1932), p. 102.

3. As of this writing, there appears to be no definitive collection that includes these earlier works by Balzac. On a research trip to Paris, I found no such collection. Perhaps even French publishers are too embarrased to print them fearing the reading public will not buy them. Yet another commodification process.

4. In his personal opinions, Balzac said of Cooper that he didn't equal Scott, but he had his genius.

5. Twain was less complimentary towards Cooper's writing than was Balzac, commenting on more than one occasion that he felt Cooper to be less a craftsman than an artist. A more detailed account of Twain's scorn can be found in his essay, 'James Fenimore Cooper's Literary Offenses.'

6. See Eric Quayle, The Ruin of Walter Scott (New York: Clarkson N. Potter, 1968), for a thorough delineation of the rise and fall of Walter Scott.

7. David Daiches, A Critical History of English Literature, Vol. II (New York: The Ronald Press, 1960), p. 835.

8. Georg Lukacs, Studies in European Realism (New York: Grosset Dunlap, 1964), p. 12.

9. Ibid., p. 78. 10. Harry Levin, The Gates of Horn (New York: Oxford University Press,

1966), p. 157. 11. See Andre Maurois, Prometheus: The Life of Balzac (New York: Carroll &

Graf, 1965), for a more complete account of Balzac's entrepreneurial exercises.

12. Baudelaire, Oeuvres Completes (Paris: Editions Robert Laffont, 1980), p. 324.

13. Marian Cusac, The Narrative Structures in the Novels of Walter Scott (The Hague: Mouton, 1969), p. 15.

14. David Hewitt (ed.), Scott on Himself, (Edinburgh: Scottish Academic Press, 1981), p. 251.

15. Sir Walter Scott, The Heart of Midlothian, intro. by David Daiches (New York: Holt, Rinehart & Winston, 1969), p. xii.

16. John Lauber, Sir Walter Scott (New York: Twayne, 1966), p. 37.

118 Notes to Chapter 4

17. Christopher Caudwell, Romance and Realism: A Study In English Bourgeois Literature (Princeton, NJ: Princeton University Press, 1970), p.67.

18. See David Craig's 'Scott's Shortcomings as an Artist', in Alan Bell (ed.), Scott Bicentenary Essays (Edinburgh: Scottish Academic Press, 1973), p. 114.

19. Jacques Ellul, Propaganda (New York: Vintage Books, 1973), p. 15. 20. Ibid., p. 31. 21. Ibid. 22. Georg Lukacs, The Historical Novel, trans. by Hannah and Stanley

Mitchell (Lincoln, Nebr.: University of Nebraska Press, 1962), p. 33. 23. Cusac, op. cit., p. 11. 24. E. Preston Dargan, 'Scott and the French Romantics' Publications of the

Modern Language Association, Percy Waldrom Long (ed.), Vol. XLIX, (Menosha, Wis.: George Banta, 1934), p. 60.

25. Cusac, op. cit., p. 33. 26. Boris Ford, From Blake to Byron, Vol. 5 (New York: Penguin, 1983)

p.133. 27. Ibid., p. 134. 28. Cusac, op. cit., p. 32. 29. Grierson, op. cit., pp. 99-100. 30. Peter Brooks, The Romantic Imagination (New York: Columbia Universi­

ty Press, 1985), p. 13.

CHAPTER 4

1. Philippe Sollers, Writing and the Experience of Limits, trans. by Phillip Barnar with David Hayman (New York: Columbia University Press, 1963), p. 187.

2. William H. Gass, Fiction and the Figures of Life (Boston, Mass.: Non­pareil Books, 1980), p. 14.

3. Supti Sen, Samuel Beckett His Mind and Art (Calcutta: Firma K.L. Mukhopadhyay, 1970), p. 91.

4. Ruby Cohn (ed.), Samuel Beckett (New York: McGraw-Hill), p. 24. 5. Steven Rosen, Samuel Beckett and the Pessimistic Tradition (New Bruns­

wick, NJ: Rutgers University Press), p. 63. 6. Mark Axelrod, personal chat with Samuel Beckett, March 1985. 7. Ruby Cohn, 'Watt in the Light of the Castle: Comparative Literature,

Vol. XIII, No.2, Spring 1961, p. 162. 8. Gerd Brand, The Central Texts of Ludwig Wittgenstein (Oxford: Basil

Blackwell, 1979) p. 142. 9. Allen Thiher, Words in Reflection (Chicago: University of Chicago Press,

1984), p. 102. 10. Fred Hoffman, Samuel Beckett the Language of Self (Carbondale, Ill.:

Southern Illinois University Press, 1962), p. 119. 11. Donald Phillip Verene and Giorgio Tagliacozzo (eds), Giambattista

\lico's Science of Humanity (Baltimore, Md.: Johns Hopkins University Press, 1976), p. 78.

Notes to Chapter 5 119

12. Ibid. 13. Mircea Eliade, The Myth of the Eternal Return, trans. Williard Trask

(New York: Pantheon, 1954), p. 34. 14. Josiah Thompson, Lonely Labyrinth: Kierkegaard's Pseudonymous Works

(Carbondale, Ill.: Southern Illinois University Press, 1967), p. 117. 15. Eliade, op. cit., p. 35. 16. Michael Robinson, The Long Sonata of the Dead (London: Rupert Hart­

Davis, 1969), p. 105. 17. John Fletcher, The Novels of Samuel Beckett (London: Chatto & Windus,

1964), p. 76. 18. Wolfgang Iser, The Act of Reading (Baltimore, Md.: Johns Hopkins

Press, 1978), p. 108. 19. Bruce Kawin, Telling It Again and Again (Ithaca, NY: Cornell University

Press, 1972), p. 49. 20. Fletcher, op. cit., p. 73. 21. Daniel Berkeley Updike, Printing Types, Vols. I and II (New York:

Dover, 1980). 22. Ian Watt, The Rise of the Novel (Berkeley, Calif.: University of California

Press, 1957), p. 37. 23. Ibid., p. 59. 24. David Ogilvy, Ogilvy on Advertising (New York: Vintage Books, 1985),

p.96. 25. Daniel Boorstin, Democracy and Its Discontents (New York: Vintage

Books, 1975), p. 30. 26. Ibid., p. 31. 27. John DiPierro, Structures in Beckett's Watt (York, SC: French Literature

Publications, 1981), p. 134. 28. Phillip Stevick, The Theory of the Novel (New York: The Free Press,

1967), p. 142. 29. E. Preston Dargan, Balzac's Realism (Chicago, Ill.: University of Chica­

go Press, 1932), p. 139. 30. S.E. Gontarski (ed.), On Beckett: Essays and Criticism (New York: Grove

Press, 1986), p. 5.

CHAPTERS

1. Anthony Burgess, Joysprick (New York: Harcourt, Brace Jovanovich, 1973), p. 15.

2. David Foster, Currents in the Contemporary Argentine Novel, (Columbia, Mo.: University of Missouri Press, 1975), p. 154.

3. Jane P. Tompkins, Reader-Response Criticism From Formalism to Post­Structuralism (Baltimore, Md.: Johns Hopkins University Press, 1980), pp.54-5.

4. Robert Alter, The Art of Biblical Narrative (New York: Harper & Row, 1981), p. 100.

5. Ibid., p. 112. 6. Luis Harss and Barbara Dohmann, Into the Mainstream: Conversations

with Latin-American Writers (New York: Harper and Row, 1966), p. 233.

120 Notes to Chapter 6

7. Wolfgang Iser, The Act of Reading (Baltimore, Md.: Johns Hopkins University Press, 1978), p. 89.

8. Evelyn Picon Garfield, Julio Cortazar (New York: Frederick Ungar, 1975), p. 117.

9. Ibid., p. 150. 10. Leo Spitzer, Linguistics and Literary History (New York: Russell and

Russell, 1962), p. 11. 11. Doris Meyer (ed.), Lives on the Line: The Testimony of Contemporary Latin

American Authors (Berkeley, Calif.: University of California Press, 1988), p. 233.

CHAPTER 6

1. Renato Poggioli, The Theory of the Avant-Garde, trans. by Gerald Fitz­gerald (Cambridge, Mass.: The Belknap Press of Harvard University Press, 1968), p. 109.

2. Ben H. Bagdikian, 'Assembly Line Production', :fikkun Magazine, Vol. 5, No.3, 1990, p. 42.

3. Ibid. 4. Roger Fowler, Linguistics and the Novel (London: Methuen, 1977), p.

125. 5. Ibid., p. 126. 6. Raymond Williams, Marxism and Literature (London: Methuen, 1972),

p.36. 7. Encompass, Indiana University Comparative Literature Newsletter

(Bloomington, Ind.: Indiana University Alumni Association), Vol. 2, No.2, 1987, p. 4.

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Bagdikian, Ben H., The Media Monopoly, (Boston, Mass.: Beacon Press, 1990)

Bakhtin, Mikhail, The Dialogic Imagination (Dallas, Tex.: University of Texas Press, 1980)

Balibar, Renee, The Sociology of Literature (University of Essex Conferences, 1977)

Barthes, Roland, The Pleasure of the Text, trans. by Richard Miller (New York: Hill & Wang, 1978)

Bennett, Tony, Formalism and Marxism (London: Methuen, 1979) Berger, Peter, Social Construction of Reality (New York: Doubleday, 1966) Brecht, Bertolt, 'Against Georg Lukacs', New Left Review #84, March-

April 1974 Breton, Andre, Manifestes du Surrealisme (Paris: Jean-Jacques Pauvert, 1972) Caudwell, Christopher, Illusion and Reality (New York: International, 1963) Caute, David, The Illusion (New York: Harper & Row, 1971) Charvat, William, Literary Publishing in America 1790-1850 (Philadelphia,

Pa.: University of Pennsylvania Press, 1949) Chatman, Seymour (ed.), Literary Style: A Symposium (London: Oxford

University Press, 1971) Cdser, Lewis, Charles Kadushin, Walter Powell, Books: The Culture and

Romance of Publishing (New York: Basic Books, 1982) Cressot, Marcel, Le Style et Ses Techniques (Paris: Presses Universitaires de

France, 1947) Croll, Morris (ed.), Style, Rhetoric and Rhythm (Princeton, NJ: Princeton

University Press, 1966) Cummings, Michael and Simmons, Robert, The Language of Literature (Ox­

ford: Pergamon, 1983) Daiches, David, A Critical History of English Literature, Vol. II (New York:

Ronald Press, 1960) Daiches, David, Sir Walter Scott and His World (New York: Viking Press,

1971) Eagleton, Terry, Criticism and Ideology (London: New Left Books, 1976) Ellul, Jacques, Propaganda, trans. by Konrad Kellen and Jean Lerner (New

York: Vintage Books, 1965) Escarpit, Robert, Sociology of Literature, trans. by Ernest Pick (Painesville,

Ohio: Lake Erie College Studies, 1965) Fowler, Roger, Linguistics and the Novel (London: Methuen, 1977) Freeman, Donald C. (ed.), Linguistics and Literary Style (New York: Holt

Rinehart & Winston, 1970) Gass, William, Fiction and the Figures of Life (Boston: Nonpareil Books, 1980) Genette, Gerard, Figures of Literary Discourse, trans. by Allan Sheridan

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edited by Wm. Boelhower (St. Louis: Telos Press, 1980) Hall, Donald (ed.), The Modern Stylists (New York: Free Press, 1968) Haug, W.F., Critique of Commodity Aesthetics (Minneapolis, Minn.: Uni­

versity of Minnesota Press, 1986) Holub, Robert c., Reception Theory (London: Methuen, 1984) Hough, Graham, Style and Stylistics (London: Routledge & Kegan Paul,

1969) Howes, Raymond, Historic Studies of Rhetoric and Rhetoricians (Ithaca, NY:

Cornell University Press, 1961) Iser, Wolfgang, The Act of Reading, (Baltimore, Md., and London: Johns

Hopkins University Press, 1978) Jameson, Frederic, The Prison-House of Language (Princeton, NJ: Princeton

University Press, 1972) Jauss, Hans Robert, Aesthetic Experience and Literary Hermeneutics, trans. by

Michael Shaw, (Minneapolis, Minn.: University of Minnesota Press, 1982)

Josipovici, Gabriel, The World and the Book (London: Macmillan, 1971) Kolakowski, Leszek, Main Currents of Marxism, Volume 3 (Oxford Univer­

sity Press, 1978) Lemon, Lee and Reis, Marion, Russian Formalist Criticism (Lincoln, Nebr.:

University of Nebraska Press, 1965) Lodge, David, Language of Fiction (London: Routledge & Kegan Paul, 1966) Lukacs, Georg, Theory of the Novel, trans. by Anna Bostock (Cambridge,

Mass.: MIT Press, 1983) Lukacs, Georg, The Historical Novel, trans. by Hannah and Stanley Mitchell

(Lincoln, Nebr.: University of Nebraska Press, 1983) Macherey, Pierre, Theory of Literary Production, trans. by Geoffrey Wall

(London: Routledge & Kegan Paul, 1978) Merleau-Ponty, Maurice, The Prose of the World, trans. by John O'Neill

(Evanston, Ill.: Northwestern University Press, 1973) Meyer, Doris (ed.), Lives on the Line: The Testimony of Contemporary Latin

American Authors (Berkeley, Calif.: University of California Press, 1988) Ortega y Gasset, Jose, The Dehumanization of Art (Princeton, NJ: Princeton

University Press, 1968) Poggioli, Renato, The Theory of the Avant-Garde (Cambridge, Mass.: Belk­

nap Press, 1968) Prawer, 5.5., Karl Marx and World Literature (Oxford University Press,

1976) Rose, Gillian, The Melancholy Science: An Introduction to the Thought of

Theodor W. Adorno (New York: Columbia University Press, 1978) Said, Edward, The World, the Text and the Critic (Cambridge, Mass.: Har­

vard University Press, 1983) Shedlock, Marie, The Art of the Story Teller (New York: Dover Press, 1951) Simmel, Georg, The Conflict in Modern Culture and Other Essays, trans. by K.

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Simmel, Georg, The Philosophy of Money, trans. by Tom Bottomore and David Frisby (London: Routledge & Kegan Paul, 1978)

Spitzer, Leo, Linguistics and Literary History (New York: Russell & Russell, 1962)

Trotsky, Leon, Literature and Revolution, trans. by Rose Strunsky (London: George Allen & Unwin, 1925)

Vacheck, Josef, Linguistic School of Prague (Bloomington, Ind.: Indiana University Press, 1966)

Volosinov, V., Marxism and the Philosophy of Language (New York: Seminar Press, 1973)

Whiteside, Thomas, The Blockbuster Complex (Middletown, Conn.: Wes­leyan University Press, 1981)

Index

Adorno, Theodor (1903-69), xiii, xvi, 22,108

aesthetics, 108 alliterations, 51, 74 anaphora, 73 anapests, 66 anastrophes, 66 antistrophe, 74 Art of Understanding Men by their

Physiognomy, 45 Artaud, Antonin (1896--1948), 17, 23 assonance, 74 Asturias, Miguel (1899-1974), 89, 106 asyndeton, 51 authorial commentary, 51 authorial plot query, 51, 56

Bacon, Sir Francis (1561-1626), 13 Bagehot, Walter (1826--1877), 20 Bakhtin, Mikhail, (1895--1975), 110 Balzac, Honore de (1799-1850), xiv, xv,

11, 20, 21, 26--60, 66--9, 71-5, 7'h'l0, 83, 85--6, 90--2, 95, 97--8, 100--1, 108, 110--11

Autre Etude de Femme, 30 Catherine de Medicis, 29

• Les Chouans, 29, 39-43 La Comedie Humaine, 21, 29, 39, 44 Le Cousin Pons, 30 Cousine Bette, 81 Un Debut dans la Vie, 40 Le Cars, 40 L'Heritiere, 30, 31 Le Martyr Calviniste, 40 La Muse du Departement, 30 Oeuvres de Jeunesse, 21, 31 Le Pere Coriot, 31, 43-60, 81, 88, 98,

108--9 Petites Miseres de la Vie Conjugale, 30 Seraphita, 51 Ursule Mirouet, 30

Barthes, Roland (1915--80), 24 Pleasure of the Text, 24

Baudelaire, Charles (1821-67), 34 La Fanfarlo, 34

Beckett, Samuel (1906--89), xvi, xviii, 6, 18, 22, 26, 27, 48, 51, 55, 59,

61--86, 89-90, 95, 100, 102, 105, 108, 111-12

Murphy, 63 Proust, 64 Watt, xviii, 61--82, 94, 97, 100, 104,

108 Bely, Andrei (Boris Nikolaevich

Bugaev) (1880--1934), 27 Bellow, Saul, 9

Dean's December, 9 Benjamin, Walter (1892-1940), xvi Bianchot, Maurice, xiv Booth, Wayne, 27 Borges, Jorge Luis (1899-1990), 84,

88--9, 106 brachyologa, 76 Brecht, Bertolt (1898--1956), xvi, 20 Breton, Andre (1896--1966), 15, 23 Brooke-Rose, Christine, 24 Brooks, Peter, 46

The Melodramatic Imagination, 46 Burgess, Anthony, xvii, 94

A Clockwork Orange, xvii Joysprick, 87

Butor, Michel, 27, 112

Cabrera Infante, Guillermo, 99 Calvino, Italo (1923--85), 112 Capote, Truman (1924--84), 19 Cardboard Castles, xviii Carpentier, Alejo (y Valmont)

(1904--80), 88--9 Cervantes Saavedra, Miguel de

(1547-1616), 30, 88 characters

fixed,54 transitional, 54 verisimilitude, 45

charietismus, 74 Christie, Agatha (1891-1976), 84 coalescence, 44 Coleridge, Samuel Taylor (1772-1834),

36 commodification, xii, xv

in fiction, xiii, xi v Cooper, James Fenimore (1789-1851),

3,31

125

126 Index

Cortazar, Julio (1914-84), xvi, xviii, 6, 18, 22, 24, 26, 27, 48--51, 87-106, 108, 112

Blow-Up, 97 Las babs del diablo, 97 Rayuela, 90-106, 108

Daiches, David, 20, 32, 34 Dante Alighieri (1265-1321), 30 Defoe, Daniel (1660-1731), xi, xiv, 1,

77,89 Dickens, Charles (1812-70), xiv, 75,

102 Diderot, Denis (17l3--84), 1

Jacques, Le Fataliste, 62 Dablin, Alfred (1878--1957), xvii, 24,

108 Berlin Alexanderplatz, xvii, 108

Dostoevsky, Feodor (1821-81), 5, 83 Dumas, Alexandre (Davy de la

Pailleterie), (1802-70), 37

Eugene Onegin, 61 Eliade, Mircea (1907-86), 70 Ellul, Jacques, 25, 36-7

Propaganda, 25 epizeuxis, 73

Faulkner, William (1897-1962), xviii, 106

As I Lay Dying, xviii fiction,

Realism in, 36, 69-7l, 97 Realistic, 53, 58--9

Fielding, Henry (1707-54), 5, 31 Filloy, Juan, xv, 88--9 Flaubert, Gustave (182l-80), xiv, 83 Fonctions du Cerveau, 45 Forster, E(dward) M(organ)

(1879-1970), 2, 7, 27, 82 Aspects of the Novel, 7

Freud, Sigmund (1856-1939), 66 Beyond the Pleasure Principle, 66

Frye, Northrop (1912-70), 2, 7, 82 Fuentes, Carlos, 105

Gadda, Carlo Emilio (1893--1973), 112 Garcia Marquez, Gabriel, 18, 88--9, 106 Gass, William, 62 Gil Bias, 88 Goethe, Johann Wolfgang von

(1749-1832), xxi Goldmann, Lucien (1913--70), xix, 21,

28, 109

gram tax, 4, 38, 7l

Harlequin Romances, 113 Haug, W.F., xv

The Critique of Commodity Aesthetics, xv

Hegel, Georg Wilhelm Friedrich (1770-1831), 36

Heidegger, Martin (1889-1976), 22 Hemingway, Ernest (1899-196i), 9

Islands in the Stream, 9 Hugo, Victor (1802-85), 37 hyperbaton, 66

Ingarden, Roman, 48, 90-1, 104 Ionesco, Eugene, xii

Rhinoceros, xvii Iser, Wolfgang, xiv, xvii, 57, 102

The Act of Reading, xiv, xvi, xviii, 72, 74,85-6

James, Henry (1843--1916), 62, 82-4, 89 Portrait of a Lady,S

Jauss, Hans Robert, xvii, 86 Aesthetic Experience and Literary

Hermeneutics, xvii Johnson, Samuel (1709-84), 27 Joyce, James (1882-1941), xiv, xviii, 24,

51, 83, 87, 89, 105, 108 Dubliners, 83 Finnegans Wake, 83 Portrait of the Artist As a Young Man,

63,83 Ulysses, xviii, 63, 79, 83, 105, 108

Kafka, Franz (1883--1924), 2 Kennedy, William, 8, 66, 69 Kenner, Hugh, 63 Kent, Jean Salter, 5-7, 11

Romance Writers Phrase Book, 4, 7, 11 Kierkegaard, S"Hen (1813--55), 70

Repetition, 70

La Fontaine (1621-95), 32 Levin, Harry, 32

Gates of Horn, 32, 79 literary form, xiii, xiv literary value, 54 Lispector, Clarice (1925-77), xxi, 89 Lubbock, Percy, 2, 27, 82 Lukacs, Georg, 9, 26, 35-7, 39, 56

Realism in Our Time, xvi, 2, 7, 22 Lyotard, Fram;ois, xiii, 13, 23

The Postmodern Condition, xiii, 13, 23

Index 127

Machado de Assis, Joaquim (1839-1908), xvii, 2, 88---9

Dom Casmurro, xviii, 88 Memorias postumas de Braz Cubas, 62,

88 MacNovel, 113 magical realism, 10 Maistre, Xavier de (1763--1852), xv, 89

Un Voyage Autour de Ma Chambre, 20 Marinetti, Filippo Tommaso

(1876--1944), 5, 23, 105 Marx, Karl (1818---83), xi, xii Marxism, 26 Mass Market Absolutism, xi, xvi, xviii meta plasm us, 95 Mitchell, Margaret (1900-49), 69

Gone With the Wind, 69 Moliere Oean Baptiste Poquelin)

(1622-73), 30, 32

Nabokov, Vladimir (1899-1977), xviii Pale Fire, xviii

new journalism, 17-18 Nodier, Charles (178~1844), 37 Noigandres, 105 novel, 27

accretion in, 44, 50, 53-4, 56, 58 alienation in, 90 anti-, 61 commercial, xi dialogue, 57, 59, 69, 71, 72 form, xiv How To Write, xv, 8 . linearity in, 17, 25, 50, 59--62, 75, 88,

100,104 origins, 3 romantic, 3 Realism, 21, 25, 26 Realist, xi, 11, 89, 105 realistic, 3, 27 structure, xv, 17, 24, 25 style in, xvi, xvii, 108

Oates, Joyce Carol, 24 O'Brien, Flann (Brian O'Nolan)

(1911--66), 112 Onetti, Juan Carlos, 87, 112 Ortega y Gasset, Jose (1883--1955), 10

paradiastole, 51 periphrasis, 68 Plekhanov, Georgii Valentinovich

(1856--1918), xiii pIoche, 73

Poggioli, Renato (1907--Q3), 107 politextuality, xvii, 4, 11, 19, 23-4, 39,

51, 56--7, 59, 75, 77-8, 95, 100, 104, 109-10

polysyndeton, 51, 73-4, 95 postmodernism, xiv, 69 pragmatographia, 69, 72 prosographia, 67--8, 69, 71-2 Proust, Marcel (1871-1922), xiv

Quiroga, Horacio (1879-1937), 89, 106

Reagan, Ronald, xii, 10 repetition, xii, 6, 8, 13, 21-2, 25, 51,

55, 71, 73-4, 79, 95, 98, 111 Richardson, Samuel (1689-1761), xi, 1,

5,31,77 Pame/a, 5

Rimbaud, Arthur (1854-91), 108 Robbe-Grillet, Alain, 83 Robbins, Harold,S, 109

The Betsy,S romanticism, 36-7 Rulfo, Juan (1918---42), 89

Schulz, Bruno (1892-1942), 2, 112 Scott, Walter (1771-1832), xi, xiv, xv,

1, 3, 13, 19-23, 26, 29-32, 34-43, 45, 51, 53, 75, 90, 105, 108---10

The Antiquary, 29, 40 The Bride of Lammermoor, 31 Castle Dangerous, 39 Chronicles of Canongate, 29 The Fair Maid of Perth, 30 Fortunes of Nigel, 20, 40 Heart of Midlothian, 29, 34, 39 Ivanhoe, 29, 42-3, 110 Kenilworth, 29 Legend of Montrose, 31 Old Morality, 39 Quentin Durward, 37, 39 Red Gauntlet, 5 Rob Roy, 39 St. Ronan's Well, 34 Waverley, 34, 37--8, 40, 105 Woodstock, 35

Sainte-Beuve, Charles Augustin (1804--Q9), 2

scesis onamaton, 51 Shedlock, Marie, 10, 17, 25, 35, 75, 85

Art of the Story Teller, 10 Sheldon, Sidney, 24 Sollers, Philippe, 62 Sousa, Marcio, 2, 89

128

Steel, Danielle, 24-5, 109-10 Thurston House, 109-10

Steiner, George, xvi Stendhal (Marie Henri Beyle)

(1783-1842), 30, 43, 94 Le Rouge et Le Nair, 30

Sterne, Laurence (1713--68), 1, 31, 89 Tristram Shandy, 20

Stevick, Philip, 82-3 The Theory of the Novel, 82

structurek, 25 structured prefigurement, xviii, 38 synaesthesia, 51

Talese, Gay, 17, 19 Textthink, 7 Theory of Facial Angle, 45 Thierry, Augustin (1795--1856), 37 Todorov, Tzvetan, 83, 89

La Poetique de la prose, 83, 84 Tolstoy, Leo (1828-1910), xiv, 26, 28,

83 Anna Karenina, 61

topographia, 47, 49-50, 52, 67-9, 71-2 tropes, 50--1

Index

Turgenev, Ivan (1818-83), xiv, 28, 101 Fathers and Sons, 61

Twain, Mark (1835--1910), 31 typography, 75--8, 95, 104-5

guerrilla, 79 Tzara, Tristan (1896--1963), 17, 23, 105

Valle-Inch in, Ramon del (1870--1936), xv, 88

Vargas Llosa, Mario, 89 Vergessieu, Marcel (1821-67), xviii

Clytemnestra's Butterfly Pea, xviii Vico, Giovanni Battista (1668-1744),

68-70 Volksseele, 6 Volosinov, Vladimir (see Bakhtin,

Mikhail) Vortrag, 7

Watt, Ian, 2, 27-8 The Rise of the Novel, 27-8, 77

Wellek, Rene 2 Wittgenstein, Ludwig (1889-1951), xxi,

66 Wolfe, Tom, 18-19

For those interested enough in counting citations, the fact that Balzac and Scott have more than Beckett and Cortazar should only prove how politextually egalitarian the index is.