MUSIC IN THE

HUNTER 2016 19-21 AUG

AUSTRALIA'S MOST INTIMATE CHAMBER

MUSIC FESTIVAL

RESIDENT ARTISTSGOLDNER STRING QUARTET DENE OLDING, violin IRINA MOROZOVA, viola JULIAN SMILES, cello DIMITY HALL, violin

SPONSORED BY CONSTABLE ESTATE VINEYARDS

GUEST ARTISTS JAMES CRABB, classical accordion

GENEVIEVE LACEY, recorders NEAL PERES DA COSTA, harpsichord

KIRSTY McCAHON, double bass

WELCOME NOTES DENE OLDING 2 DAVID CONSTABLE AM 3

ARTIST PROFILES GOLDNER STRING QUARTET 4 JAMES CRABB 5 GENEVIEVE LACEY 5 NEAL PERES DA COSTA 6 KIRSTY McCAHON 7 KEN HEALEY AM 7

PROGRAMME 8-9

MENU 10-11

FURTHER INFORMATION 14

MUSIC IN THE

HUNTERAUSTRALIA'S MOST

INTIMATE CHAMBER MUSIC FESTIVAL

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DENE OLDING

2016 has been a busy time as always for the Goldner String Quartet. It seems that the world is accelerating at a faster rate every year, and now and then I feel it necessary to take a moment to reflect on the important things in life and admire the beauty that exists around us.Music embodies great beauty, a quality that inspires the deep love of musicians. It can be a semi-religious experience to perform great musical works, when time seems suspended. In my opinion, a great piece of music, characterised by such a suspension of time, can be considered a worthy contribution to the musical canon.Surroundings are a large influence on a performing musician. In a weekend such as Music in the Hunter, many works must be practised, rehearsed and performed in a short space of time. This pressure can be ameliorated by the peace and tranquility of the countryside and the conviviality of colleagues and audience members.We are very pleased to welcome back James Crabb, who thrilled us in the past with his virtuosity, musicianship and exploration of his chosen instrument’s possibilities. We also welcome newcomers to this festival: Genevieve Lacey, an outstanding recorder virtuoso and all round wonderful person; Neal Peres Da Costa, a harpsichordist in much demand around Australia and staff member of the Sydney Conservatorium, and Kirsty McCahon, exuberant performer on the double bass, who will add another dimension to our mini baroque orchestra. Ken Healey, our renowned resident musical expert, will entertain and enlighten us with his pre-concert talks. As always, the Goldners will be in residence at the festival we often consider our home base. We have appeared at every Music in the Hunter Festival and our year would not feel complete without this annual event in our calendar. Our quartet has just recorded the ninth CD in the UK for the Hyperion label and completed multiple appearances at the Australian Festival of Chamber Music. Later this year, we will appear as soloists with the Sydney Symphony Orchestra, perform at the Huntington Festival and mentor young string quartets for a week in Hobart, sponsored by the Australian Youth Orchestra. We will also continue to perform as part of the Australia Ensemble @UNSW.On a personal note, after many years as Concertmaster of the Sydney Symphony Orchestra, I have decided that now is the right time to relinquish this position. I first led this orchestra as Guest Concertmaster in 1983, and since my official appointment in 1987, it has been a great privilege to be involved in countless performances as Concertmaster and soloist, whilst working with many of the world’s great conductors, singers and instrumentalists. In making a decision of such significance, I have come to appreciate even more keenly the magic and wonder of music as an art form par excellence, and it has renewed my love for music, particularly the chamber music repertoire. I hope you will enjoy our musical offering.

DAVID CONSTABLE AM

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I wish to welcome our new subscribers and existing members. It is lovely to see you here at Music in the Hunter. The Valley has had both good and bad experiences this year. January started out beautifully with high hopes of an excellent vintage. The ‘experts’ predicted an El Nino effect, aided and abetted by constant media stories of a very dry summer.

Future forecasts are not worth very much at anytime and certainly not predictions of weather events. The outcome was record rainfall in January and February together with two hailstorms. This had the effect of changing our crop from one with considerable promise to below average.

On the other hand our gardens and particularly the deciduous trees benefited greatly. The growth was the best in the 33 years I have been owner of Constable Estate.

On the musical side of life, the last year has been a standout, with Dene leading the Sydney Symphony Orchestra in performances of Beethoven Symphonies, as well as concerts presented by Musica Viva at the City Recital Hall.

Ida and I are pleased to have the same successful venues for the concerts and meals this year. In addition to the Goldner String Quartet, we are fortunate to have Kirsty McCahon (double bass), Neal Peres da Costa (harpsichord), James Crabb (classical accordion), Genevieve Lacey (recorders) and Ken Healey (pre-concert speaker).

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GOLDNER STRING QUARTET

Celebrating their 21st Anniversary Season in 2016, the Goldner’s has widespread and long-standing recognition for excellence, as not only Australia’s pre-eminent string quartet but as an ensemble of international significance, favourably compared with the best in the world. Launched for the 1995 season, and still retaining all four founding members, this is an outstanding achievement, which is unique in the history of string quartets in Australia.

The players are well known to Australian and international audiences through performances, recordings and their concurrent membership of the Australia Ensemble @UNSW. All members have occupied principal positions in organisations such as the Sydney Symphony Orchestra and Australian Chamber Orchestra.

In 1997 the Goldner’s made its debut at the Wigmore Hall in London. Unanimous audience and critical acclaim has ensured regular return invitations to London and major festivals in the UK, Europe and the Asia Pacific region. In 2001 the Quartet made its American debut with concerts at the prestigious 92nd St Y in New York and in Washington DC. Closer to home they have performed in China, Korea, Singapore and Brunei and New Zealand.

The Goldner’s regularly appear at leading music festivals around Australia, including Music in the Hunter where they have been the resident musicians for over 20 years, and at the Australian Festival of Chamber Music where their long-term involvement has been formally recognised with the title of Quartet-in-Residence. The Huntington Estate Music Festival, Musica Viva’s Sydney Festival, and the Coriole Festival to name a few, are regular features of the Goldner’s calendar.

Special projects have included a major retrospective of 20th-century string quartets for the 2000 Adelaide Festival and in 2004 their first complete Beethoven String Quartet Cycle

in Sydney for Musica Viva (recorded live). The Quartet’s appearances in the 2011 City of London Festival drew capacity audiences and was broadcast on BBC.

The Goldner’s numerous critically acclaimed recordings include eight on the Hyperion (UK)label with pianist Piers Lane, and releases on Tall Poppies, ABC Classics and Naxos. New works are regularly commissioned from leading Australian composers. Universal rave reviews have followed, including Diapason D’Or, Editor’s Choice in Gramophone and BBC Music Magazine’s, as well as finalist for the 2009 BBC Music Magazine’s Chamber Music Award. The Goldner’s live recordings of the Beethoven cycle won the 2009 Limelight Award for Best Classical Recording.

The Goldner’s had a close working relationship with Peter Sculthorpe which culminated in three volumes of his string quartets and a DVD documentary. The Goldner’s own special projects continue to be distinctive; their multi-media Sculthorpe Project and Sydney’s Sister Cities world tour being the current focus. Strongly committed to teaching the next generation, the Goldner’s regularly mentor ensembles for the Australian Youth Orchestra, Musica Viva and Sydney Conservatorium.

In recognition of their 20th Anniversary, the Goldner’s undertook a nationwide tour for Musica Viva’s 2015 International Concert Series.

Dene Olding, Dimity Hall violins, Irina Morozova viola, Julian Smiles cello

ARTIST PROFILES

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JAMES CRABB

James was born in Dundee, Scotland and started playing the accordion at the age of four. He studied at the Royal Danish Academy of Music in Copenhagen with classical accordion pioneer Mogens Ellegaard from 1985-92 and was awarded the Carl

Nielsen Music Prize, Denmark in 1991. His acclaimed London debut in the Park Lane Group series at the Purcell Room in 1992 catapulted him on to the international concert platform and since then he has performed worldwide pioneering the classical accordion. Critics internationally have praised him for his virtuosity and versatile musicianship, and he is widely regarded as one of the world’s leading exponents and ambassadors of his chosen instrument. James has appeared at festivals worldwide and has performed as soloist with orchestras and ensembles including the BBC Symphony, BBC Scottish, Sydney and Melbourne Symphonies, the Philharmonia, London Philharmonic, London Symphony, Hallé Orchestra, Rotterdam Philharmonic, London Sinfonietta, Birmingham Contemporary Music Group, Paragon Ensemble, Nash Ensemble, Scottish Ensemble, Northern Sinfonia, English and Irish Chamber Orchestras and the Kuhmo Virtuosi. In 2005, James entered a new period of development in his career directing opera productions and concert performances from the accordion.

James’ great passion and acclaimed authority for the music of Astor Piazzolla has been highlighted by several concert performances with the original members of Piazzolla’s Quintet and in 2003, his highly acclaimed recording as soloist and arranger of the works of Piazzolla with the Australian Chamber Orchestra was released (Song of the Angel, Chandos). In 2005, his second recording of Piazzolla’s music in its original quintet

instrumentation was released (Mulberry Hill Recordings). James has recorded for several labels and has given world premieres and recorded works by, amongst others, Harrison Birtwistle, Thomas Adès, Luciano Berio, Sofia Gubaidulina, Django Bates, Sally Beamish and Gustavo Beytelmann. He is professor of classical accordion at the Royal Danish Academy of Music in Copenhagen and hold masterclasses worldwide. [jamescrabb.com]

GENEVIEVE LACEY

Genevieve is a recorder virtuoso, serial collaborator and artistic director. She has a significant recording catalogue, a career as an international soloist and a growing body of large-scale collaborative works to

her name. She is passionate about creating possibilities for her instrument, and has commissioned, premiered and recorded scores of new works.

Genevieve’s recent creative works include Pleasure Garden (a kinetic sound sculpture for Sydney Festival 2016), 1infinity (a music-dance piece, 2016-), Life in Music (a 5-part series, for ABC radio, 2015), Namatjira (a theatre piece), Recorder Queen (a bio-docu-mation, being created with Sophie Raymond and Clare Sawyer).

Her wide-ranging musical interests have seen her playing for the Queen in Westminster Abbey, representing Australian culture with a performance at the Lindau International Convention of Nobel Laureates, playing as a concerto soloist in the Proms, making music in a prison in remote western Australia, and at the opening night of the London Jazz Festival.

Genevieve performs music spanning ten centuries with collaborators as diverse as the Australian Chamber Orchestra, Poul Høxbro, Marc Silver, Scott Rankin, Paul

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Kelly, and the Black Arm Band. Genevieve has also performed as soloist with Academy of Ancient Music, English Concert, Concerto Copenhagen, St Petersburg Chamber Orchestra, Korean & Malaysian Orchestras, and all Australian Symphony Orchestras. Her long-term musical partners include Karin Schaupp, James Crabb, Australian Brandenburg Orchestra, Flinders Quartet, Marshall McGuire, Neal Peres Da Costa, Daniel Yeadon and Jane Gower. She has performed at The Proms, Paris Festival d’Automne, Moscow Chekhov International Theatre Festival, London Jazz Festival, Klangboden Wien, Seoul Festival, Copenhagen Summer, Sablé, Montalbane, MaerzMusik, Europäisches Musikfest, Mitte Europa, David Oistrakh Festival, and major Australian festivals.

Genevieve has won two ARIAs, a Helpmann Award, Freedman and Churchill Fellowships and Melbourne Prize for Music. She holds degrees in music and English literature.

Genevieve is inaugural Artistic Director of FutureMakers, Musica Viva Australia’s artist development program, Chair of the Australian Music Centre board, guest curator and artistic advisor to Ngeringa Arts, and professional mentor for the Australian National Academy of Music’s fellowship program. In 2014 she curated and presented Words and Music for the Wheeler Centre, Melbourne. Between 2008-2012, Genevieve was the Artistic Director of Four Winds Festival, and directed the Melbourne Autumn Music Festival from 2000-3. She has curated the live music for the Art Music Awards. In 2013, she gave the 15th Peggy Glanville-Hicks Address. [genevievelacey.com]

NEAL PERES DA COSTA

A graduate of the University of Sydney, the Guildhall School of Music and Drama (London), the City University (London) and the University of Leeds (UK), Neal has forged a highly

successful career as a performing scholar, music educator and researcher, specialising in historically informed performance. Currently, he is Associate Professor and Chair of the Historical Performance Unit at the Sydney Conservatorium of Music and has worked at UNSW, Royal Academy of Music and Trinity College in London, and the University of Leeds from which he was awarded a PhD in 2002. His monograph Off the Record: Performing Practices in Romantic Piano Playing (Oxford University Press, New York, 2012) has received critical acclaim.

Notable performances include Bach’s monumental Goldberg Variations at the Festival Baroque in Perth (2009), and the Peninsula Summer Festival (2010) broadcast on ABC Classic FM. With Ironwood, he is involved in ongoing cutting-edge projects that have led to performances and recordings of late-Romantic chamber repertoire in period style. To that end, his collection of keyboard instruments has expanded to include historical 19th-century grand pianos including by Collard and Collard (English c.1840), Erard (French c.1869), and Streicher (Viennese replica c.1860). Neal has performed and recorded with a host of distinguished soloists and ensembles in Australia and abroad including Fiona Campbell, Emma Kirkby, Pieter Wispelwey, Florilegium, London Sinfonietta, Orchestra of the Age of Enlightenment, Academy of Ancient Music, Ironwood, Australian Chamber Orchestra, Sydney Symphony Orchestra, Song Company, Orchestra of the Antipodes, Pinchgut Opera, Latitude 37, Australian Brandenburg Orchestra and Orchestra Victoria.

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KIRSTY McCAHON

Kirsty is a passionate musician, performer, educator, advocate and mentor for all things double bass. Kirsty has played with the Australian World

Orchestra since 2011 and joined them on their recent India tour. In 2000, Kirsty was the recipient of a prestigious Churchill Fellowship. She has held the position of principal double bass with the Australian Brandenburg Orchestra from 1996-2016. In 2013, she was awarded an Honorary Fellowship of the University of Melbourne for Services to Orchestral Music and Performance.

Kirsty has performed, recorded for CD and toured with the Orchestra of the Age of Enlightenment, John Elliot Gardiner’s Orchestre Revolutionaire and Romantique, Christophe Rousset and Les Talens Lyriques, ELISION Ensemble, Brodsky Quartet, Pierre Boulez’ Ensemble l’ltineraire, Ironwood, Sydney Symphony Orchestra, Australian Chamber Orchestra, Australia Ensemble, Pinchgut Opera, and Sinfonia Australis.

Kirsty has been a guest soloist at many festivals including Australian Festival of Chamber Music, Brisbane Baroque, Mornington Peninsula and Kangaroo Valley Festivals. Bringing the bass out of the shadows, Kirsty and her husband Kees Boersma have established a duet Bass Extravaganza.

Committed to youth music education, Kirsty mentors young artists and was invited to participate in the Women of the World program, offering professional guidance for women. She is an alumnus of the Australian Youth Orchestra and in collaboration with her husband, established a highly successful string program for children at their local public primary school.

KEN HEALEY AM

In the mid-1950s, Ken fell in love with chamber music as a self-taught wind instrumentalist, arranging chamber ensembles for the forces at hand in

the Franciscan house of studies. His own instrument, the alto saxophone, posed some problems, most of which — except the technical ones — disappeared when he was given an oboe, about ten years later.

Being locked away with limited access to recordings and published music induced Ken to track down and arrange a very odd assortment of repertoire. He read voraciously, and came to know a little about a far wider range of music than most of his peers who studied the art in conventional circumstances.

For years, his daily music consisted of singing the psalms and High Mass in Latin plainsong settings. It is against that unusual musical background that Ken delights in an encomium bestowed by a listener much later, following a pre-concert talk for the ACO. ‘You aren’t a music critic’, sounded like the beginning of a wince-inducing attack, but it was followed by an astonishing punch line: ‘You are a celebrant of music!’ Ken’s professional life has been shared between reviewing the performing arts as a critic, and celebrating them as journalist, producer, teacher, scriptwriter, occasional performer, and increasingly in recent years, as pre-concert speaker. The last category certainly feels like a kind of performance.

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FRIDAY 19 AUGUST

7:30pm Champagne Reception

8:30pm Concert

J.S. BACH (1685-1750) Concerto in A Major BWV1055 Allegro Larghetto Allegro ma non tantoJames Crabb, soloist

ASTOR PIAZZOLLA (1921-92) Le Grand TangoJames Crabb, Julian smiles

VIVALDI (1678-1741) Concerto in C Major RV443 Allegro Largo Allegro moltoGenevieve laCey, soloist

INTERVAL

HANDEL (1685-1759) Sonata No.3 in C Major HV365 Op.1 No. 7 Allegro Larghetto A tempo di Gavotta AllegroGenevieve laCey, neal Peres Da Costa, Kirsty mCCahon

BORODIN (1833-87) String Quartet No.2 in D Major Allegro moderato Allegro Andante Andante-VivaceGolDner strinG Quartet

SATURDAY 20 AUGUST

10:15am Pre-Concert Talk

11:00am Concert

J.S. BACH Sonata in E Major BWV1035 Adagio ma non troppo Allegro Sicilliano Allegro assaiGenevieve laCey, neal Peres Da Costa, Julian smiles

DOMENICO SCARLATTI (1685-1757) Sonata in F# Major K.318, Andante Sonata in C Major K.159, AllegroJames Crabb, soloist

Sonata in D minor K.294, Andante Sonata in D Major K.353, Allegroneal Peres Da Costa, soloist

ELENA KATS CHERNIN (1957-) Re-Inventions 1, 2 and 3Genevieve laCey, GolDner strinG Quartet

INTERVAL

MOZART (1756-91) Duo in B-flat Major for violin and viola K424 Adagio-Allegro Andante cantabile Tema con variazione -Andante graziosoDene olDinG, irina morozova

HAYDN (1732-1809) String Quartet in F Major, ‘The Dream’ Op.50 No.5 Allegro moderato Poco Adagio Menuetto Allegretto Finale-VivaceGolDner strinG Quartet

CONCERT PROGRAMME

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SATURDAY 20 AUGUST

6:15pm Pre-Concert Talk

7:00pm Concert

GUISEPPE SAMMARTINI (1695-1750) Concerto in F Major Allegro Sicilliano Allegro assaiGenevieve laCey, soloist

SHOSTAKOVICH (1906-75) String Quartet No.9 in E-flat Major Moderato con moto Adagio Allegretto Adagio AllegroGolDner strinG Quartet

INTERVAL

ITALY 14TH-C. ANON. Tre Fontane

TWO NORWEGIAN FOLK MELODIES (i) Sylater’n (ii) Bjørnhallingen

SALLY BEAMISH (1956-) (arr. Crabb) ‘Lament’ from Seavaigers (2011)

SCOTTISH/BORDER FOLK TRAD. (arr. Crabb) Cuckold come out of the Amrey (Extended variations by Matt Seattle)Genevieve laCey anD James Crabb

J.S. BACH Concerto in C minor BWV1060 Allegro Adagio Allegroneal Peres Da Costa, James Crabb, soloists

SUNDAY 21 AUGUST

10:45am Pre-Concert Talk

11:30am Concert

J.S. BACH Preludes and Fugues No.16 in G minor BWV885 No.1 in C Major BWV870 No.12 in F minor BWV881neal Peres Da Costa, soloist

BEETHOVEN String Quartet in F Major Op.135 Allegretto Vivace Assai lento, cantabile e tranquillo Grave, ma non troppo tratto-AllegroGolDner strinG Quartet

INTERVAL

GIOVANNI PIERLUIGI DA PALESTRINA Vestiva i colli (Divisions by Francesco Rognoni 1570-1626)

DAMIAN BARBELER (1973-) Shadow Box (2013-14)

JOHN BANISTER (1630-79) A Division upon a Ground Genevieve laCey anD James Crabb

HAYDN (arr. Salomon) Symphony No.104 in D Major Adagio-Allegro Andante Minuetto Allegro Spiritoso

FRIDAY RECEPTION

—Canapés —Quail and veal scotch eggs, piccalilli

Cured ocean trout, ruby orange and dill

Heidi Gruyere goujères

Salt cod fritters with saffron rouille

Tartare of beef, buckwheat blinis and caper aioli

Pissaladière with olives, pimentos and tomato

Brioche, feta, pickled cucumber and olives

— Supper — House sourdough

Slow braised Milly Hill lamb shanks with charred fennel

Roast parsnips, butternut pumpkin, local honey and grain mustard

Radicchio, witlof and walnut salad; Jerez vinaigrette

— Desserts — Little strawberry tartlets, toasted marshmallow

Lemon curd macaroonsLime marmalade beignets, rose mascarpone

Tea, coffee and biscotti

— Wines — Constable Estate Sparkling Cuvėe

2015 Constable Estate Premium Chardonnay

2014 Constable Estate Premium Cabernet Merlot

2009 Constable Estate Botrytis Semillon

SATURDAY LUNCH

— Lunch — Garlic flat bread, dukkah and beetroot relish

Crispy snapper, fennel salt and lime yoghurt

Confit of duck leg, sumac, tabbouleh, shallots, preserved lemon and rocket

Pickled, raw and roast beets with horseradish crème fraîche and walnuts

Roast cauliflower, kohlrabi, crispy quinoa, carrot and pine nut salad

Smoked eggplant, garlic, lemon and za’atar

Watercress, Puy lentils and pomegranate

Watermelon, olives, mint, chilli and feta

— Desserts — Lime baklava, honeyed crème fraîche and

saffron poached cocktail pears

Fresh fruit platters

Tea, coffee and Turkish delight

— Wines — 2015 Constable Estate Verdelho

2015 Matilda Semillon Sauvignon Blanc

2014 Matilda Cabernet Shiraz

2009 Constable Estate Botrytis Semillon

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Menu

SATURDAY DINNER

—Canapés — Tunisian pumpkin ‘cigars’ with ras el hanout

Haloumi and courgette fritters with walnut pesto

Whole meal sourdough rolls and olives

—Entrées —Beetroot-cured ocean trout, fennel,

caviar, red elk lettuce and capers

— Mains — Braised Wagyu brisket with liquorice

and pickled mushrooms

Oxtail pithivier

Broccolini, almonds and lemon oil

— Desserts — Roast quince and rhubarb, Belgian chocolate

sorbet and salted pecan brittle

Tea, coffee and truffles

— Wines — 2015 Constable Estate Verdelho

2015 Sparkling Matilda

2011 Constable Estate Premium Cabernet Sauvignon

2014 Constable Estate Premium Cabernet Merlot

2009 Constable Estate Botrytis Semillon

SUNDAY LUNCH

Naan bread, papadums, pickles

and cucumber raita

Tandoori chicken, lemon and caramelised onions

Lamb Rogan Josh

Pumpkin, carrot and cumin bhajis

Toor dhal with toasted garlic

Basmati saffron rice, wild rice, chickpeas and cardamon

Little gem lettuce, crispy eschallots, tomatoes and nigella seeds

Local cheese, cheddar, bouche de chèvre, Brie, lavosh and muscatels

Fresh fruit with local honey

Tea, coffee and biscotti

— Wines — 2015 Matilda Semillon Sauvignon Blanc

2014 Matilda Cabernet Shiraz

2009 Constable Estate Botrytis Semillon

MUSICA VIVA IS A SUPPORTER OF MUSIC IN THE HUNTER

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MUSIC IN THE HUNTER

CONSTABLE ESTATE IS FAMOUS FOR ITS AWARD WINNING WINES AND BEAUTIFUL GARDENS

FOUNDING DIRECTORS David Constable AM Ida Lichter Irina Morozova Dene Olding

GOLDNER STRING QUARTET Dene Olding & Dimity Hall violins Irina Morozova viola, Julian Smiles cello

2016 GUEST ARTISTS James Crabb, classical accordion Genevieve Lacey, recorders Neal Peres da Costa, harpsichord Kirsty McCahon, double bass Ken Healey, pre-concert speaker

Philippa Horn, administrator

CONNECT WITH US

We’d love to hear from you. Join the conversation on Facebook and Instagram.

facebook.com/ConstableEstate instagram.com/constableestate

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YOUR SAY

Did you enjoy the festival? What was your favourite piece? We’d love to hear from you. Email: philippahorn@optusnet.com.au

Constable Estate was established in 1981. Out of a total of approximately 15 hectares, 7 have been planted with Shiraz, Cabernet, Semillon, Chardonnay and Verdelho. Proprietor David Constable has landscaped an awe-inspiring garden containing many unique sculptures.

Cradled against the magnificent Brokenback Ranges within the world famous Hunter Valley wine region, Constable Estate has a charm absent in many of the larger vineyards.

The vineyard’s premium wines have won numerous trophies and gold medals at National and State Wine Shows. Constable Estate limited production wines are only available via the cellar door, mail order, online and at selected local restaurants.

UPCOMING EVENTS

26 SEPT - 1 OCT 2016 Goldners mentor string ensembles of the Australian Youth Orchestra Hobart, Tasmania

6 OCT 2016 Mozart in the City - Goldners join with the Sydney Symphony Orchestra City Recital Hall, Angel Place, Sydney

16 NOV 2016 Musica Viva Coffee Concert, 11am Coffee and cake followed by concert Independent Theatre, North Sydney

19 - 20 NOV 2016 Huntington Estate Music Festival Prelude Weekend Huntington Estate Winery, Mudgee

23 - 27 NOV 2016 Huntington Estate Music Festival Huntington Estate Winery, Mudgee

goldnerquartet.com

205 Gillards Road, Pokolbin NSW 2320 Australia T 02 4998 7887 | F 02 4998 6555

constablevineyards.com.au | goldnerquartet.com