portfoliomarcell szodfridt

projects

2016 Nyír-Demondich showroom competiton Építész Stúdió 25 short film comp. 3rd.p. Drama in Design public event series Tihany look out for sunrise Tesla Kult - interior redesign for acting 120 hours international competiton Kispest, modular florist pavilion - Honorable

2015 Somló - Wine region architectural landmark Ubikeklektik festival gate installation EcoLab Bódva project PlaySpace Mount Bence lookout competiton TEDx Danubia installation building

2014 Hudec Zone international course EcoLab Bódva project Cloudfactory MOME field-work Bivuac building & photo - Prise for Architeture from the press nom. Kollective Space, public installation, Miskolc

SOFTWARE PRACTICE Office programs, SketchUp, ArchiCAD, Rhinoceros, Grashopper, V-ray, Keyshot, Photoshop, Premiere Pro, After Effects, InDesign, Lightroom, Corel Draw

LANGUAGE SKILLS English - B2 complex, German - beginner

B O A T H O U S EAlongside the lush shores of Old-Túr in the neighbouring reed, was our loca-tion. The historical landmark watermill is just a few meters from the camping we were planning for. The building should give shelter for eight

rentable canoes. The funcionality of the nearby houndreds of years old mill inspired my planning meth-ods. I created a log-ical procedure from arriving to the pier to the final stocked position of the ca-noes. The boats roll into the their cases

on the storing cars. This solution lets the water leave the boats and it is also for min-imalising the size of the building, so it can fit into its surround-ings much easier. The higher shore, and the dense sedge can obscure its height. It also functions as

a bridge, letting the walkways on the two sides of the river to join. The bridge could be opened from wa-ter and from the sides aswell.

C O N S U L T A N T SCsaba KovácsÁron Vass-Eysen2013, BA/1

B I V U A CIn the middle of Bakony moun-tains surrounded by charming wild-life stands this little shelter. The building should accomodate four people for night, and it shold serve small groups of hikers during daytime. The

structure must tola-rate to be realocated several times in the forest. This also de-fined the size of the building, it must fit into a lorry that can lift it up, and move to the next location near some tracks in the forest. The shape is to be stong and

to give shelter from wind and rain but also to experice the surrounding nature while you are inside. The furniture is not fixed inside, it could be brought outside so it can serve more people, or can be put around a camp-fire or could be used

for sleeping under the open sky. It had to be able to build by ourselves, in the for-est, using only tim-ber, screws and hand tools.

C O N S U L T A N T SCsaba KovácsÁron Vass-Eysen2014. BA/1

C H A I R R E H A S HWe made a slightly different sitting ob-ject from an old chair.I found that the orig-inal elements can bear with the load from a different angle. They joined togeth-er to make the chair stronger but its flexi-bility could remain.

F O R M S T U D I E SFind a basic man-made item from some artificial mate-rial that can be multi-plied and jointed to a bigger structure that resembles a natural or living form. I found that these insulating dowels joint together look like a coral reef.

The other element is to represent transfor-mation. It can change through a sheet form through this bended stage to a compact form. It all works if the cuttings are on the right side and meet in the right angle. C O N S U L A N TPéter Pozsár

2014. BA/1 BA/2

B LO C K _ O F _ F L AT SThe plot is on the east side of Castle Hill, Budapest, an archi-tecturally very mixed neighbourhood. Offi-cially the first rule is to fit into the land-scape and to the nearby houses. The house must include luxory features, such

as a spa, and the flats should also be exceptional. I creat-ed double story flats on 1st and 2nd floors. The living room area of these flats is very well-lit and spacious via the huge open-ings on both sides. The upper levels have an astonishing

panoramic view to the historic citycen-tre, what you can see right when you arrive to the flat. The facade of the build-ing is coverd with a special type of nat-ural material which supports lichen and moss and absorbes dust and noises. In

appearance it is sim-ilar to the fortressing walls and butresses of the area.

C O N S U L T A N T STamás NagyIldikó Mag2015. BA/2

In parallel with ar-chitectural design I got to know building materials, junctions, structural and insu-lating layers, heating and cooling systems, lighting etc. . In this case, using high per-formance insulating was for both comfort and energy efficien-

cy reasons. I creat-ed a layer structure that has a thermal mass to compensate sudden thermic and damp changes, a thin rigid insulation inside for wireing and en-gineering and for a warm inner surface and thick outer lay-ers for performance.

G A S T R O C O U R TFor a temporary 2yrs usage we were to propose solutions for a gastronomy expert client. The histori-cal building situat-ed in the citycentre of Sárvár had been through many modifi-catoins during its life, so some demolition

was neccesary and was already in pro-gress. My advice was to use the old parts of the building and some old timber from the court and all the other parts should be rentable or reused or refitted in the future building. I wanted to create a place where

you can cook with pro-fessional appliances, buy homegrown gro-ceries, ingerdients, some seasonal goods, and also fresh foreign specialities. You could also use the help of the chefs of the place but you could cook on your own. You could invite as many friends

as you want, and they can also be in-volved to the cooking not just the consum-ing. A similar little pub would have been placed in the smaller building on the plot.C O N S U L T A N T SÁkos JuhászGábor TurányiGergely Barcza

Scale

situation

PA R A M E T R I S I N GParametric design is an exciting newcom-er in architecture. It is getting widely known and named as the new contemporary design, even if it is be-ing used for decades in the starchitect era.During the course we used Grashopper for

describing logical se-quences.The connection with Rhinoceros makes it easily integrated into architectural design and visualising. It can also be useful for ana-lysing, and gathering data for further use. C O N S U L T A N TPéter Debreczeni

R E N D E R I N GFrom floorplans and sections to 3D mod-ell. We got some plans about the building, and alos it can be found on var-ious sites with more details. My task was to make a 3D modell in Rhinceros and than further edit it with

V-ray to render. Var-ious material layers, enviroment, sun etc.

ORIGINAL BUILDINGCrosson Clarke Canachan ArchitectsCrosson Lake HouseNew-Zealand

C O N S U L T A N TPéter Debreczeni

1 2 0 H O U R SHouse without func-tion. Design a house, make floorplans and sections. Does pro-gram and location hold architecture back? -or could ar-chitecture be archi-tecture without func-tion or must it have boundaries?

We were thinking for a long time when this thought came to our minds. When we are just wondering, there are no rules, no fixed location or program. Its function is unde-scribable, but it is es-sential.T E A M M A T EFerenc Vértesi

L O O K O U TAn open competiton for a new landmark around Lake Velence, on Hill Bence. The place is already a look-out, but the trees have grown high and with the other greenery it creates an unusual natural envi-ronment wich should be reserved. Otherwise the hill is occupied by holiday

houses, family houses, and some other teleco-munication towers, so just another tower which only entertains with its height would be quite disappoint-ing. Our lookout plays with light, and uses the reflec-tions to be detectable from a distance. A closer look reveals that the layers of the covering metal net

create some interference. This vibrating view contin-ues as you climb up to the top. One of the sides of the building is made of local, carved stone and gener-ates a contrast with the lookout’s rigid form with the translucent metal nets. This stone side continues down on the hill, reveal-ing a lesser-known track to

the direction of the mine, where the stone came from. The lookout and this line could be identified at night too, glowing in the forest.

T E A M M A T E SRenáta PomáziÁron Szabó

Á r v í z t ű r ő tükörfúrógép

Net mod molor max-imilique poreper-ae peritassimus ab ist, te eos nempore nimpedia quam dol-lati dunt estiberio. Tatesed qui doles-su ndantiosam alit ili-

cid magnihillab id quas dolo omnitatum et ex exerroreicim ipsum et ullaboratus di cuptiam, sapidis con pellenitas et asitibus.Num reptaeperita soluptat qui occatis volorerrum, que ped esti nihitisti ommod quam dollorVit qua-

tur magnis dolut enducient.Acia cor am volore, te eturecepudit hillignimos cuscidi gnimus quo quidis-cia dolore, omniam vidion cum archit mos dolum re, qui bea vent qui om-mos el miligni mag-

nihi tecepro bere et volecepedi od quis delenihitest eossum reptas ex-eritatur, offic tem-pora tiusant fugia sitatureius, simaxi-mil ma porere, cum volorpo repernat il-iciist, quaspic iaspi-tibus aceptae

F L O R I S TIn the outskirts of Buda-pest, between a ceme-tery and a newcoming stadium, onto a narrow plot was an open com-petition for florist pavil-lions. The pavillions must be stiff and lockable, and should visually match with the industrial-like

neighbourings and with the pitched roof cem-etery buildings. Some-thing likable for elderly people and undestroy-able for football ultras. The structure we creat-ed is permeable but eas-ily lockable. It is holding the pavilions together, preventig it from revolt-

ing concurring conven-tional fittings and addi-tions. The interior and the furniture is modular and could be easily per-sonalised. The furniture can be dismantled with-out any tools so it can be stored much more efficiently. Plumbing and wireing was optional.

T E A M M A T E SRenáta PomáziÁron Szabó

S T O R I N GWe designed a storing system for our stu-dio for a course. The design compensates the weakness off the wall, and features an easily reorganisa-ble system. The siz-es of the boxes are designed to work in every position.

T E A M M A T E SÁron SzabóÁron PállFerenc VértesiVince RudolfMáté KudarC O N S U L T A N TSzabolcs Gergő Kovács

SPACE_FOR_THERAPYThe site is close to a former monastery for Kamaldul monks, who spend their days in silence. They concen-trate on what is in-side. They live in sep-arated houses , their days are work and prayer. We spent some time in their

houses so we can feel the silence in the athmosphere. Later I spent some time in the forest alone, tracking signs of nat-ural inhabitants and humans. This forest is a mixture of natu-ral and athropomorf elements. The trees are in a raster but

animal tracks are dif-fering from this rec-tangular form. There is a highway on one side and a lake on the other. Natural and artificial meets everywhere, but from a distance it looks like unspoiled nature. Concrete is quite sim-ilar. As it ages it be-

comes much more natural but it re-mains a man-made element. The mass-es fit into the raster of the forest so does the entrance alley to a cut in the forest C O N S U L T A N T SÁkos JuhászGyörgy NagyGergely Barcza

The building is equal-ly distanced from the highway and from the lake, on the edge of the forest and the scrub. It is revealed as you go off the road, leave your ve-hicle aside, and catch the track heading towards the forest. The building does not

block the track it lays on, it crosses through between the two main volumes, one is the therapy room the other is the kitch-en, service areas and workspace for the therapists. I wanted to make the thera-py room as clear as possible.

The inside natural concrete surfaces brightend by reflex-ions from the glossy flooring which gath-ers light from the wall-to-wall win-dows, and from the lantern-lights be-tween the beams. This also emphasis-

es the clear struc-ture. In the thera-py room the light comes from above, and can be modi-fied by translucent curtains which is also useful for rear-ranging the space as the occasion re-quires.

I wanted as little machinery as possi-ble. The ventillation works with gravity, as the hot air lifts up and exits through the up-per openings it is re-placed by cool, fresh air from the natural-ly tempered base-ment. Depending on the crowd and on the

activity, some artifi-cial support could be integrated. The not regular use and the ventillation suggest radiating heating. All these together, aug-mented by the insula-tion create an energy efficient easily opera-ble and comfortable house.

GSPublisherEngine 0.0.100.100

A1-A1

A2-A2 B1-B1

GSPublisherEngine 0.0.100.100

16

x 0,

050

= 0,

800

Drawings

1:1 scale

COLLECTIVE SPACEJust after first year at university we were invited to an international work-shop to northern Hungary. Acompa-nied by local archi-tects and Slovakian students we creat-ed an art installa-

tion for one of the main junctions and meetingpoints of Miskolc. The instal-lation reflects on the densing roads and the growing magnitude of crowd and public service lines heading to this junction.

B I V U A CIn cuntinuance of a university tradition, one of the plans of the second semester had been chosen to be built during field-work in the summer. We had to design joints that could be built using only hand-tools on the location.

As the design and building procedure went on we got some first-hand experience about the physical at-tributes of the mate-rials. It was also chal-lenging to keep the team together and distribute the tasks.

We made handouts with the joints and volumes, a structural and junction modell, and also a 3d file, but many decisions were made on location, due to the natural ir-regularity of timber, weather conditions, or just a better idea popped up.

D E S I G NÁron SzabóT E A MPomázi Renáta, Rudolf Vince, Kudar Máté,Gencsi Kacc, Háló Veronika Páll Áron, Vértesi Ferenc, Bálint Viola, Kő Csikó Lázár Korpai Judit, Murczin Evelin Seenger Dóri, Veres Adrienn Juhász Lili, Vass-Eysen Áron Kovács Csaba, Józsa Áron

C L O U D F A C T O R YAs a member of MOME EcoLab i have participated in build-ing the Cloudfactory, a lovely place in a ne-glected school yard. This is a part of a long term social design program where we are trying to make perspectives in bad

neighbourhood. This program is to re-fute stereotypes and help children to be open minded and have dreams to work for even if they live in destitution. The building is an open-air pavilion where they can play and learn with joy.

E C O L A BAs an other piece of our social design program at Bódva valley, we built a playground for the children with the children, inspired by their drawings. During the year we frequently visited

them, held work-shops, asked them about their dreams and ordinary days. We continue this program and im-prove and spread our activity in the region with the help of the information we gathered.

U B I K E K L E K T I KA new art festival with experimental music, various arts and a lovely crowd. We helped to de-sign and realise its iconic elements like the gate installation or the information boards, bars etc .

This was not only about building, it was more about col-laboration with the other artists to make a comprehensive artwork or experi-ence. None of the elements are identi-cal, but they streng- then each other.

T E A C H E R SAttila NyáriCsaba KovácsÁgnes LigetiÁron Vass-EysenNándor NagyFerenc BazsóGyörgy KosarasPéter PozsárIstván FerenczGábor Turányi

Gergely BarczaGyörgy NagyÁgnes NovákAndrás VelősyTibor PálócziTamás NagyIldikó MagSándor SólymosFerenc RadnócziZsófia Csomay

Péter DebreczeniAndrás GödeÉva HorányiTamás OltvaiTamás PintérDominika TihanyiMarcell BensonTamás Börzsei

D R A W I N GMárton Magyari

Szabolcs Gergő KovácsKatalin Máthéné Bognár

Photos|

Marcell SzodfridtÁron SzabóNikolett KustosÁron JózsaJudit Korpai

Contact|

+36305313776sz.marcell008@gmail.com

Marcell Szodfridt2016, MOME