Lynn HasdayGraphic Designer

516 428 4464lrhasday@gmail

lynnhasday.com

To explore upcoming opportunities in graphic design while working with and contributing to a creative team that offers intellectual challenge and growth opportunity

PARSONS THE NEW SCHOOL FOR DESIGN, NYC AAS Graphic Design 2007–2009

COLBY COLLEGE, WATERVILLE, ME BA History, and STS Cum Laude, 2001–2005

Adobe Illustrator, Photoshop, InDesign After Effects, Dreamweaver, Word, ExcelExcellent time management skills

Conversational Spanish

IFC, NYC Designed poster, Whitest Kids ‘U Know, 2009

EARTH FAMILY ORGANICS, NYC Created logo, designed prduct labels, 2009

EMPIRE STATE HEALTHCARE COALITION, NYC Designed logo for this charity organization, 2009

KEPPT (CLOTHING COMPANY), AUSTRALIA Designed logo, 2009

STARK DESIGN, NYCAssisted with studio projects, Intern, 2008

BEAVER CREEK SKI AND RIDE SCHOOL, CO Snowboard Instructor December 2008 –Present

FRENKEL & CO., LLC, NYC Helped clients obtain life insurance policies Handled administrative responsibilities

May 2008 – September 2008

Deans list every semester at Colby CollegeVarsity ice hockey; three year starterNESCAC women’s ice hockey awardCertified Snowboard Instructor AASI level 2

Adaptive Snowboard Level 1 Certification Children Accreditation, 3 –6 Endorsement

Objective

Education

Skills

Experience

Achievements

Logos

Praha 2016 OlympicsGraphic Design 2

Fall 2008

Girls LTR Style ManualDesigning SymbolsFall 2008

GIRLS CAMP  APRIL 3-8 

BEAVER CREEK

Kate SmithGirls LTR Manager

Beaver CreekSki & Snowboard School

beavercreek.com866 261 0667

Kate SmithGirls LTR Manager

Beaver CreekSki & Snowboard School

beavercreek.com866 261 0667

Kate SmithGirls LTR Manager

Beaver CreekSki & Snowboard School

beavercreek.com866 261 0667

Beaver Creek Ski & Snowboard School

11 Elk Track RoadAvon, CO 81620

Stationery, Envelope, CardDesigning SymbolsFall 2008

MonogramsDesigning SymbolsFall 2008

520 S. Main StreetBreckenridge, CO 80424

970 453 2243snowkids.com

520 S. Main Street Breckenridge, CO 80424 970 453 2243 snowkids.com

520 S. Main StreetBreckenridge, CO 80424

970 453 2243snowkids.com

520 S. Main StreetBreckenridge, CO 80424

970 453 2243

Snowkids Designing Symbols

Fall 2008

Print

Form Before Function: Boston’s T Mapsfeaturing Nigel Wilson

Tuesday, October 13, 2009 7pm Olin 1

Nigel Wilson, MIT’s transit research program director, will discuss the inaccurate, but aesthetically

pleasing map for Boston’s public transportation system. He addresses the issue from both

directions: the map is represented clearly (although inaccurately). The map serves

its purpose in communicating each train’s path of travel. However, the map

confuses riders through inaccurate representation of distances.

Function Before Form The Bauhaus Kitchen

featuring Philipp Oswalt

Wednesday, October 14, 2009 7pm Olin 1Philipp Oswalt, architect and head of the Bauhaus Dessau Foundation argues how

the East German post-war kitchen demonstrates the theory that function

is more important than form. Bauhaus architects’ utilitarian

design in this period gave rise to a modern architecture

that was an unquestioned symbol of a better,

progressive Germany that continues

to inspire architecture

today.

The Substance of Style: Aesthetics, Form and Functionfeaturing Virginia Postrel

Thursday, October 15, 2009 7pm Olin 1

Author of The Substance of Style: How the Rise of Aesthetic Value is Remaking Commerce, Culture,

and Consciousness, is the final speaker. Her talk, entitled The Substance of Style: Aesthetics,

Form and Function, brings everything together. She addresses the topic from multiple

angles, emphasizing the importance of aesthetics when addressing form and

function for all products in today’s consumer driven society.

SUBSTANCETHE OF

What’s First: FORM or FUNCTION?

a lecture series about the importance of aesthetics in everyday society

FORM

befo

re

Nigel Wilson Nigel Wilson, MIT’s transit research program director, and graduate from the Imperial College in London and MIT (S.M and PhD) comes to Colby to discuss the aesthetics of Boston’s transportation system. According to Wilson’s studies, these maps are designed based upon aesthetics rather than the actual distances between each stop. Nigel Wilson addresses why the form of this map is acceptable even though it does not function as an accurate representation of the city it serves.

Say you’re visiting Boston, or don’t go downtown much. You’ve spent the day at the aquarium and need to get to the Red Line on the T. If you look at the MBTA map, you might be tempted to hop on the Blue Line, switch trains at State Street to the Orange Line, and then switch lines again at Downtown Crossing. Or you could take the Blue Line to Government Center, switch to the Green Line, and then switch again to the Red Line at Park Street. This would be a waste of time. Listen as Nigel WIlson debates the advantages and disadvantages of form over function.

source: The Boston Globe Online

Time 7pmDate October 13, 2009

Location Olin 1

BOSTON’S T MAP

Philipp Oswalt

Philipp Oswalt, head of the Bauhaus Deassau Foundation will come to talk at Colby College in Waterville, Maine. This lecture focuses on this Bauhaus architecture and how function takes precedence over form in

the East German Bauhaus kitchen.

During the post-war era, modern architecture was an unquestioned symbol of a better, progressive Germany. The Bauhaus architectural style from this period continues to inspire many aspects of modern architecture.

Oswalt will examine the form and function of a typical East German kitchen – completely streamlined and utilitarian in style.

Time 7pmDate Wednesday, October 14, 2009Location Olin 1

FUNCTION

befo

re

THE BAUHAUS KITCHEN

Virginia PostrelVirginia Postrel, an award-winning commentator, speaks and writes about culture, social trends, and economics. She offers business-oriented insights into fashion, design, architecture, innovation and intellectual property, politics and social policy. Her recent work focuses on aesthetics and how fundamental they are to our personal, social and economic lives. In her book, The Substance of Style, she explores how the look and feel of things has become the new – and required ingredient in creating economic value and how to turn the trend toward aesthetics to gain a competitive advantage.

In her book, The Substance of Style, Virginia Postrel argues that in contemporary society determine how we live our lives. Everything available in today’s world demands aesthetic attention. She postulates that aesthetics are an essential part of society everywhere: in fashion, real estate, politics, design and economics.Source: The Leigh Bureau Website.

OFT

HE SUBSTANCE

Time 7pmDate October 14, 2009

Location Olin 1

AESTHETICS, FORM & FUNCTION

The Substance of Style Lecture Series Graphic Design 3

Fall 2009

Robert Indiana Book Graphic Design 2

Fall 2008

BENEATHNOTICEBENEATHNOTICE BE

NEATHNOTICEBENEATHNOTICE

A gnat alighted on a bull’s horn. After it had stayed there a long time and felt like moving on it asked the bull if he would like it to go now. “I

didn’t notice when you came,” replied the bull, “and I shall not notice if you go.”A gnat alighted on a bull’s horn. After it had stayed there

a long time and felt like moving on it asked the bull if he would like it to go now. “I didn’t notice when you came,” replied the bull, “and I shall not notice if you go.”A gnat alighted on a

bull’s horn. After it had stayed there a long time and felt like moving on it asked the bull if he would like it to go now. “I didn’t notice when you came,” replied the bull, “and I shall not notice if you go.”A gnat alighted on a bull’s horn. After it had stayed there a long time

and felt like moving on it asked the bull if he would like it to go now. “I didn’t notice when you came,” replied the bull, “and I shall not

notice if you go.”

......

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.

Detail: Aesop’s Fables Typography 1

Fall 2007

THE WAGES OF MALICETHE WAGES OF MALICETHE WAGES OF MALICE

THE WAGES OF MALICETHE WAGES OF MALICETHE WAGES OF MALICE

THE WAGES OF MALICETHE WAGES OF MALICE

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cause they regarded it

as their own property. So they went to Zeus and

prayed him to grant them the power of

stinging to death any-one who approached their combs. Zeus was so angry with them for their ill-nature, that he

condemned them not only to lose their stings when ever they used them on anyone,

but to forfeit their lives as well. The bees grudged their honey to men because they regarded it as

their own property. So they went to Zeus and prayed him to grant them

the power of stinging to death anyone who approached their combs. Zeus was so angry with them for their ill-nature,

that he condemned them not only to lose their stings when ever they used them on

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Aesop’s Fables Typography 1

Fall 2007

thefables ofaesop

aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aris-tophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and mis-shapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave be-longing to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly at-tributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly attributed to his in-vention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fa-bles himself, nor indeed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xeno-pon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor in-deed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many references to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are correctly attributed to his invention. aesop probably lived in the middle of the sixth cen-tury b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of samos called iadmon. legend says that he was ugly and misshapen. there are many refer-ences to aesop found in the athenian writers: aristophanes, xenopon, plato, aristotle, and others. it is not known whether he wrote down his fables himself, nor indeed how many of them are cor-rectly attributed to his invention. aesop probably lived in the middle of the sixth century b.c. a statement in herodotus gives grounds for thinking that he was a slave belonging to a citizen of

SUBSTANCE SHADOW

and

A dog was crossing over a river with a piece of meat in her mouth. Seeing her own reflection in the water she thought it was another dog with a bigger piece of meat. So she dropped her own piece and made a spring to snatch the piece that the other dog had. The result was that she had neither. She could not get the other piece because it did not exist, and her own was swept down by the current.

A dog was crossing over a river with a piece of meat

in her mouth. Seeing her own

reflection in the water she thought it was another dog

with a bigger piece of

meat. So she dropped her own piece and made a

spring to snatch the piece that

the other dog had. The result was that she had neither.

She could not get the other piece because it did not

exist, and her own was swept down by the current.

This tale shows what happens to people who always want more than they have. MEATMEAT

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Ex Libris Design Typography 1

Fall 2007

Central Park Zoo Tickets Summer Sketchbook

Summer 2008

INSIDE THE

NEW SEASON TUESDAYS @ 10PM

The Whitest Kids U’ Know IFC Fall 2009

Jessica’s Footwear Graphic Design 1 Fall 2007

Illustration

South Street Seaport Summer Sketchbook Summer 2008

topsheet base

Snowboard Designs Summer Sketchbook

Summer 2008

base

topsheet topsheetbase base

topsheet

Interactive

Website Redesign Graphic Design 3 Fall 2009

Music and Motion DetailMotion GraphicsFall 2009

Spring (Vivaldi’s Four Seasons)Motion GraphicsFall 2009