YOU MUST analyse all 3 scenes and complete the tasks over the following pages.YOU SHOULD refer to specific examples from all 3 scenes and structure your analysis using full sentences where possible.

Remember! Media Language Evidence is KEY!

Extension - YOU COULD, using theory (Katz, Maslow, Hartley, Todorov) consider what impact these examples have on the audience.

‘Knocked Up’ (2007)

Dir. Judd Apatow“How the scenes..”

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Alison (Katherine Heigl), according to David Gauntlett (2008), is“superior to Ben in terms of looks, prospects and everything else”

1) Analyse WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) establish this ‘superiority’ to the spectator

For example (and this is what you need to focus on for the other tasks)

Non-verbal code of Alisons facial expression – Connotations?

Verbal code – “No work today!” – shot from a High angle looking down on Ben – Connotations?

Extension – Does Ben “live a carefree, hedonistic life” (Claire Mortimer - 2010)

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2) According to Timothy Corrigan (2012), Ben’s character represents the “new man” that exists in society – unambitious, lazy and takes little pride In his appearance.

Analyse WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) establish this “new man” representation:

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Diegetic verbal code of dialogue “That was brutal”

Fill in the gaps – WHAT is this an example of?

Em __ __ __ u __ a __ i __ n

3) Does this confirm Bens status as the “loveable loser” stereotype so often represented in this genre? –

EXPLAIN and support your understanding with Application of EVIDENCE:

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Claire Mortimer (2010) –

‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’

4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?

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1) Ben is represented as “well meaning, but immature” (David Gauntlett - 2008)

WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera –

Shot Types, Angles) establish this “immaturity” OR “well meaning” nature to the audience?

For example:

“You look very pretty” after his rant about whether he and Vince Vaughan would “get along”

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2) “You look very pretty”

Would the audience agree that“Ben is far from the typical rom-com hero in his looks”

(Claire Mortimer - 2010)?

WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera –

Shot Types, Angles) establish this point of view?

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3) ‘The central couple are antagonistic to one another’and

‘The battle of the sexes’ (Claire Mortimer - 2010)

WHERE is this represented in this scene?

YOU MUST support your points of view with Evidence – Verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial

Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles)

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Claire Mortimer (2010) –

‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’

4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?

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1) Alison is faced with the “challenge of dealing with men like this (Ben)” (David Gauntlett - 2008)

Focus on the Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) in the opening of this scene –

HOW do they construct the representation of Ben and the “challenge” he poses to Alison?

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Extension – HOW would you describe Ben’s reaction to the “news”?

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Diegetic verbal code of dialogue 2) “What can I help you with today Mr. and Mrs. Stone?”

The romantic comedy genre places an emphasis on “tears” and

“suffering is often part of the narrative process” (Tamar Jeffers McDonald - 2007)

In relation to the Diegetic verbal code of dialogue provided and the area highlighted, HOW does Alisons reaction conform to this point of view?

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3) The romantic comedy genre places an emphasis on “tears” and

“suffering is often part of the narrative process” (Tamar Jeffers McDonald - 2007)

WHERE else is this represented in this scene?

YOU MUST support your points of view with Evidence – Verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial

Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles)

Claire Mortimer (2010) –

‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’

4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?

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