©john wiley & sons, inc. 2010 sensation & perception

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©John Wiley & Sons, Inc. 2010 Sensation & Perception

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Page 1: ©John Wiley & Sons, Inc. 2010 Sensation & Perception

©John Wiley & Sons, Inc. 2010

Sensation & Perception

Page 2: ©John Wiley & Sons, Inc. 2010 Sensation & Perception

©John Wiley & Sons, Inc. 2010

Lecture Overview

Understanding Sensation

How We See & Hear

Our Other Senses

Understanding Perception

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©John Wiley & Sons, Inc. 2010

Introduction to Sensation & Perception

Sensation: process of detecting, converting, & transmitting raw sensory information from the external & internal environments to the brain

Perception: process of selecting, organizing, & interpreting sensory information into meaningful patterns

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©John Wiley & Sons, Inc. 2010

Sensation Vs. Perception

What is the top, bottom, or back of this cube?

Is this a young woman looking over her right shoulder, or an older woman looking downward?

When viewing these figures, your visual sensory system receives an assortment of light waves = sensation. Interpreting the lines as a cube or an old/young woman = perception.

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©John Wiley & Sons, Inc. 2010

Sensation Vs. Perception

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Processing

Processing: Our five senses (vision, audition, etc.) have special receptors (e.g., eye’s rods & cones), which detect & transmit sensory information

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Processing

Bottom-Up Processing: information processing beginning “at the bottom” with raw sensory data” sent “up” to the brain for higher-level analysis

Top-Down Processing: information processing starting “at the top” with higher-level processes and then working down

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Processing

Four Forms of Processing:

Sensory detection: eyes, ears, other sense organs contain receptor cells that detect & process sensory information

Transduction: converts receptor’s energy into neural impulses that are sent on to the brain

Coding: converting sensory inputs into different sensations

Sensory Reduction: filtering and analyzing incoming sensations before sending neural messages on to the cortex

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Processing (Continued)

Neural impulses from sensory receptors in our eyes, ears, skin, & other sensory organs create neural messages sent to various areas of our brain.

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Thresholds

Psychophysics: studies the link between physical characteristics of stimuli and our sensory experience

Absolute Threshold: smallest amount of a stimulus we can reliably detect

Difference Threshold: minimal difference needed to detect a stimulus change; also called the “just noticeable difference” (JND)

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©John Wiley & Sons, Inc. 2010

Understanding Sensation: Thresholds

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©John Wiley & Sons, Inc. 2010

Subliminal perception may occur, but there is little or no evidence of subliminal persuasion.

Pause & Reflect: Pause & Reflect: Psychology at Psychology at WorkWork

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©John Wiley & Sons, Inc. 2010

Understanding Sensation

Sensory Adaptation: decreased sensitivity due to repeated or constant stimulation

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©John Wiley & Sons, Inc. 2010

Smokers generally fail to notice that their hair & clothing often smell like smoke. This may be because of _____.

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

How We See: Vision

Light is a form of electromagnetic energy that moves in waves.

• Various types of electromagnetic waves form the electromagnetic spectrum.

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©John Wiley & Sons, Inc. 2010

How We See: Light Waves

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©John Wiley & Sons, Inc. 2010

How We See: Light Waves

Wavelength: distance between the crests (or peaks)

Frequency: how often a light or sound wave cycles

Amplitude: height of a light or sound wave

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©John Wiley & Sons, Inc. 2010

How We See: Electromagnetic Spectrum

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©John Wiley & Sons, Inc. 2010

How We See: Electromagnetic Spectrum

The flower on the left is what we normally see. The one on the right, photographed under ultraviolet light, is what we think most animals & insects see.

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©John Wiley & Sons, Inc. 2010

How We See: Anatomy of the Eye

The function of the eye is to capture light waves & focus them on receptors at the back of the eyeball.

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©John Wiley & Sons, Inc. 2010

How We See: Structures of the Retina

Receptors for vision are the rods & cones located in the retina.

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©John Wiley & Sons, Inc. 2010

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©John Wiley & Sons, Inc. 2010

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©John Wiley & Sons, Inc. 2010

Do You Have a Blind Spot?

(Everyone does! Close your right eye & stare at the X with your left eye, & then slowly move your head toward the screen. The worm will disappear!)

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©John Wiley & Sons, Inc. 2010

Enter the correct label on each line, & then compare your answers with Process Diagram 4.1 p. 137.

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Vision research helps explain how the shape of your eyeball creates two common visual problems--nearsightedness & farsightedness.

Pause & Pause & Reflect: Reflect: Psychology at Psychology at WorkWork

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©John Wiley & Sons, Inc. 2010

Color vision is a combination of two theories

1. Trichromatic Theory: color perception results from three types of cones in the retina, each most sensitive to either red, green, or blue

How We See: Theories of Color Vision

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©John Wiley & Sons, Inc. 2010

How We See: Theories of Color Vision (Continued)

2. Opponent-Process Theory: color perception results from three systems of color opposites (blue-yellow, red-green, & black-white)

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©John Wiley & Sons, Inc. 2010

Stare at the dot in the middle of the flag for 60 seconds. Then look at a white surface. You’ll see a regular red, white, & blue U.S. flag, known as a negative afterimage. Can you explain how this is related to the opponent-process theory?

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Click on the photo of the spiral to the right and follow the directions on the website. How does the opponent-process theory help explain the effects of this aptly named “spiral illusion”?

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Are you “color blind”?

People who have red-green color deficiency have trouble perceiving the green colored number in the center of this circle.

How We See:Color-Deficient Vision

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©John Wiley & Sons, Inc. 2010

How We Hear: Audition

Sound results from movement of air molecules in a particular wave pattern.

Sound waves vary in:• wavelength, which determines pitch

(highness or lowness).• amplitude, which determines loudness

(intensity of the sound).

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©John Wiley & Sons, Inc. 2010

How We Hear: Ear Anatomy

Outer Ear (gold color) = pinna, auditory canal, & eardrum

Middle Ear (blue color) = hammer, anvil, & stirrup

Inner Ear (pinkish color) cochlea, semicircular canals, & vestibular sacs Cochlea contains key

receptors for hearing

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©John Wiley & Sons, Inc. 2010

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©John Wiley & Sons, Inc. 2010

How We Hear: Theories of Pitch Perception

Place Theory: pitch perception is linked to the particular spot on the cochlea’s basilar membrane that is most stimulated

Frequency Theory: pitch perception occurs when nerve impulses sent to the brain match the frequency of the sound wave

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©John Wiley & Sons, Inc. 2010

How We Hear: Audition

The loudness of a sound is measured in decibels. Constant noise above 90 decibels can cause permanent nerve damage & irreversible hearing loss.

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©John Wiley & Sons, Inc. 2010

Enter the correct label on each line & then compare your answers with Process Diagram 4.2 p. 142

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Our Other Senses Olfaction:

sense of smell

Receptors for smell are embedded in the nasal membrane (the olfactory epithelium).

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©John Wiley & Sons, Inc. 2010

Enter the correct labels & then compare your answers with Process Diagram 4.3 p. 147.

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Our Other Senses: Gustation (Sense of Taste)

Receptors for taste (or gustation) are taste buds, located in papillae on the surface of the tongue.

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©John Wiley & Sons, Inc. 2010

Our Other Senses: Three Body Senses

Skin senses involve three skin sensations-- touch (or pressure), temperature, & pain.

Receptors for these sensations occur in various concentrations & depths in the skin.

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©John Wiley & Sons, Inc. 2010

Three Body Senses (Continued)

Vestibular sense (or sense of balance) involves the vestibular sacs & semicircular canals located within the inner ear.

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©John Wiley & Sons, Inc. 2010

Three Body Senses (Continued)

Kinesthesia provides our brains with information about posture, orientation, & movement.

Kinesthetic receptors are located in muscles, joints, & tendons.

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©John Wiley & Sons, Inc. 2010

Understanding Perception

Illusion: false or misleading perception that helps scientists study the processes of perception

The horizontal-vertical illusion Which line is longer?

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©John Wiley & Sons, Inc. 2010

The Muller-Lyer Illusion Which vertical line is longer?

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©John Wiley & Sons, Inc. 2010

Understanding Perception

Do you see the cow?

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©John Wiley & Sons, Inc. 2010

Understanding Perception

Now can you see the cow?

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©John Wiley & Sons, Inc. 2010

Understanding Perception

Perception’s three basic processes:

1. Selection

2. Organization

3. Interpretation

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©John Wiley & Sons, Inc. 2010

Understanding Perception: Selection

Selection (choosing where to direct attention) involves: Selective Attention (filtering out

& attending only to important sensory messages)

Feature Detectors (specialized neurons that respond only to certain sensory information)

Habituation (brain’s tendency to ignore environmental factors that remain constant)

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©John Wiley & Sons, Inc. 2010

Kittens reared in an environment having only vertical lines are later unable to detect horizontal lines. Can you explain why?

Pause & Pause & Reflect: Reflect: Critical Critical ThinkingThinking

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©John Wiley & Sons, Inc. 2010

Understanding Perception: Organization

Organization: assembling information into patterns that help us understand the world

We organize sensory information in terms of: Form Constancy Depth

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©John Wiley & Sons, Inc. 2010

Organization (Form)

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©John Wiley & Sons, Inc. 2010

Perception research helps explain these so-called “impossible figures.”

Pause & Reflect: Pause & Reflect: Psychology at Psychology at WorkWork

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©John Wiley & Sons, Inc. 2010

Perceptual Constancy: perceiving the environment as remaining the same even with changes in sensory input

Four best-known constancies: Size Shape Color Brightness

Organization (Constancies)

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©John Wiley & Sons, Inc. 2010

Organization (Size & Shape Constancy) Ames Room Illusion

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©John Wiley & Sons, Inc. 2010

Can you label these examples of size, shape, color, & brightness constancies?

Pause & Reflect: Pause & Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Depth Perception: ability to perceive three dimensional space & accurately judge distance

Organization (Depth Perception)

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©John Wiley & Sons, Inc. 2010

Depth Perception (Continued)

Visual cliff —infants hesitate to crawl over the glass, demonstrating some depth perception

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©John Wiley & Sons, Inc. 2010

Depth perception involves both binocular (two eyes) & monocular (one eye) cues.

Two binocular depth cues:– Retinal Disparity (separation of the eyes causes different images to fall on each retina)

– Convergence (the closer the object the more the eyes converge, or turn inward)

Depth Perception (Continued)

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©John Wiley & Sons, Inc. 2010

Binocular Cues:Retinal disparity (left) & Convergence (right)

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©John Wiley & Sons, Inc. 2010

Can you label these 7 monocular depth cues?

1. Linear perspective 2. Interposition3. Relative size4. Texture gradient5. Aerial perspective6. Light & shadow7. Relative height

Pause & Pause & Reflect: Reflect: AssessmentAssessment

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©John Wiley & Sons, Inc. 2010

Understanding Perception: Interpretation

Interpretation (how the brain explains sensations) involves three major factors:

1. Perceptual Adaptation: brain adapts to changed environments

2. Perceptual Set: readiness to perceive in a particular manner, based on expectations

3. Frame of Reference: based on the context of the situation

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©John Wiley & Sons, Inc. 2010

Do you notice anything wrong with these photos of actress Julia Roberts?

Pause & Reflect: Assessment

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©John Wiley & Sons, Inc. 2010

Now that the photos are inverted, can you explain how this is an example of perceptual set?

Pause & Reflect: Assessment

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©John Wiley & Sons, Inc. 2010

Science & ESP

Extrasensory Perception (ESP): supposed “psychic” abilities that go beyond the known senses (e.g., telepathy or clairvoyance)

• ESP research is criticized for its lack of experimental control & replicability.

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1. How the brain explains sensations is known as _____.

2. Briefly discuss how perceptual adaptation differs from perceptual set.

Pause & Pause & Reflect: Reflect: AssessmentAssessment