house in the landscape: siting your home naturally
DESCRIPTION
Most homes built in the United States over the last fifty years were merely plopped down on a piece of land without any real integration of house and site. The result is a suburban sprawl of homes that are as uninspiring as they are environmentally unsustainable. House in the Landscape offers a viable alternative for landowners who want to build in a more thoughtful manner. Twenty-two houses by some of today's best-known residential architects illustrate nine site types from all over the United States. Each site, the issues it posed, the solutions the architects found, and the resulting house design are discussed and explained in detail, providing a wealth of siting information for the reader.TRANSCRIPT
House in the LandscapeSiting Your Home Naturally
Jeremiah Eck
P r i n c e t o n A rc h i t e c t u r a l P re s s , N e w Yo r k
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THIS HOUSE ON the coast not far from Boston, designed by my office, Eck MacNeely
Architects, is a blend of old and new, and this specific mix or style, if you will, began with
its site design and not from some preconceived notion. The homeowners came to us with
conflicting concerns. An existing house on the site built in the early twentieth century had
no distinctive qualities. It wasn’t sited properly, most of the rooms were dark with bad views,
and the exterior was deteriorating. Stylistically, the old house wasn’t even a good example
F a l m o u t h , M a s s a c h u s e t t s , 2 0 0 5
E c k M a c N e e l y A rc h i t e c t s
Coastal House
of shingle style found throughout the neighborhood. The clients wanted to tear it down and
start over, but the neighborhood association insisted that the fabric of the neighborhood be
preserved. As many of the houses near the site were traditional, the homeowners did not want
to offend their neighbors with a house that was too stylistically separate from the others. They
were determined that the house fit in on the exterior without being too slavish to historical
types, but just as determined that the house take full advantage of the site, no matter what
style that produced.
We decided to tear down the old house, since most of the existing house was unre-
markable, with the exception of a few interior details such as the fireplace mantels and staircase
newels, which the homeowner donated to the local historical society. The most displeasing
feature was the height of the first floor above the existing grade around the house: at a full
five feet it effectively prevented any easy access to the site, especially along the water, except
by way of stairs, or, in other words, ten steps. With the collaboration of landscape architects
Richard Burck Associates, our early design effort focused on a more useful and inspired rela-
tionship to the site.
Within the confines of conservation setbacks from the ocean and neighboring wet-
lands, as well as zoning setbacks from property lines, we positioned the new house on a flat-
ter area of the site. Even within those constraints, the final positioning was more sympathetic
with the site and a clear improvement over the previous house. The move was unusual for a
water site since it meant moving the house closer to the street, but it actually resulted in much
easier access to the outside, since the first floor of the house was now three shallow steps from
grade and a series of low terraces on the water side. The resulting larger lawn area was also a
nice contrast to the natural vegetation of shrubs and trees such as Rosa rugosa and red cedar
C o a s t a l
New England
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that remained within the conservation setback. An existing narrow path was preserved for the
occasional walk to the beach.
As we positioned the house closer to grade, we also configured the house’s rooms
so that they all had good views and good sun during some portion of the day and had direct
access to the exterior on the first floor. The result was a house plan that took on a very free-
flowing character in sharp contrast to the dark, broken up rooms of the original house. And
because the house is only one room deep—one can actually see through it from the street to
the water—it receives good cross ventilation from southwest breezes in the summer and feels
smaller than it really is at 7,800 square feet.
In deference to the owners’ concerns about privacy from the neighbors, this contem-
porary interior design of free-flowing connected rooms was balanced by a more traditional
exterior massing consisting of cedar shingles, minimal trim, steep gables, and low sloped
overhanging roofs that provide shade, protection from a variety of weather conditions com-
mon along the Massachusetts coast, and require little long-term maintenance.
This house is a good example of site responsiveness that also satisfied conflicting
concerns. It gave the owners both a contemporary, open plan that answered their current liv-
ing needs and a more traditional exterior that blends with the neighborhood houses. It did so
by adhering to good siting principles such as using the topography effectively and positioning
rooms for more sun and breezes. The resulting style was a true mix of old and new, pleasing
both to the owners and neighbors.
w Even within the confines of Falmouth
Conservation Commission requirements,
expansive views to the water were possible.
o v e r l e a f A blend of traditional and
contemporary shapes helps the house mix well
with the neighborhood.
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r Large porch overhangs help shield the
outdoor sitting areas and indoor spaces from
afternoon sun.
w Decks separated by low stone walls are
just a few steps down to the wide lawn area
beyond.
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r From afar, the house harmonizes with
land, sea, and sky.
s Site plan and site plan with vegetation
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