homs06 a—analysis1

44
Research-Related TEKS • brainstorm, consult with others, decide upon a topic, and formulate a major research question to address the major research topic.[20A]

Upload: charles-coursey

Post on 15-Jun-2015

1.742 views

Category:

Education


1 download

DESCRIPTION

Literary analysis—how-to, step by step using "Four Skinny Trees" from House On Mango Street by Sandra Cisneros

TRANSCRIPT

Page 1: Homs06 a—analysis1

Research-Related TEKS

• brainstorm, consult with others, decide upon a topic, and formulate a major research question to address the major research topic.[20A]

Page 2: Homs06 a—analysis1

What is Literary Analysis?

Page 3: Homs06 a—analysis1

What is Literary Analysis?It’s moving fromthe shallow endof reading…

Page 4: Homs06 a—analysis1

What is Literary Analysis?It’s moving fromthe shallow endof reading…

…to the Deep end.

Page 5: Homs06 a—analysis1

What is Literary Analysis?

The House On Mango Street“Four Skinny Trees”By Sandra Cisneros

Page 6: Homs06 a—analysis1

“Four Skinny Trees”

Take a few minutes to read the vignette in The House On Mango

Street, Page 74

Page 7: Homs06 a—analysis1

“Four Skinny Trees”

Now let’s analyze: What’s going on here?

What does this vignette mean?

Page 8: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

On your copy, circle the pronouns

in this paragraph

Page 9: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Page 10: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Who are THEY?

Who is ME?

???

Who is Nenny?

Page 11: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

On your copy, underline examples of

personification

Page 12: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Why are these examples of personification?

Who does the personification really refer to?

Page 13: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Now, draw boxes around expressions of

imagery…

Page 14: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things. Can’t you just see

this image in your mind’s eye?

Who else was PLANTED here, but by her parents?

Page 15: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Now, draw boxes around expressions of

theme…

Page 16: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

What theme do these top two lines convey?

What theme does this line in

the middle convey?

Page 17: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

This is an example of what literary device? (It starts with a “P”)

Page 18: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Wow! You’ve analyzed the first paragraph of this vignette and already you’ve found examples of:•Personification•Imagery•Theme•Paradox

Page 19: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

THIS is literary analysis!(Not difficult at all, huh?)

This is exactly the kind of thinking you’ll use to write your research paper.

Page 20: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Let’s do the second paragraph together

now…

Page 21: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Page 22: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

First, who can tell us what diction is?

Page 23: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Let’s look at how diction helps set the

tone of this 2nd paragraph…

Page 24: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Considering Cisneros’ word choice (diction), what is the TONE of this part of the passage?

Page 25: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Now Let’s look at how personification helps set the tone of this

2nd paragraph…

Page 26: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Where are some examples of personification in this paragraph?

Page 27: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

See how Cisneros uses both diction and personification to establish TONE?

Page 28: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here, but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn’t appreciate these things.

Finally, let’s analyze which parts of

paragraph #2 illustrate theme…

Page 29: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

Where is the strength of the trees?

In what way is this secret?

Where is Esperanza’s strength?

In what way is this secret?

Page 30: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.

“secret strength”…“this is how they

keep”…What do you infer the

theme to be?

Page 31: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, eah with their arms around the other. Keep, keep, keep, trees say when I sleep.

Let’s move on to paragraph #3 to

analyze other ways Cisneros conveys

theme…

Page 32: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other. Keep, keep, keep, trees say when I sleep.

Page 33: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being…

If someone “forgets his reason for being”, what is happening in their mind? What does this mean?

Page 34: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other.

If the trees “all droop like tulips in a glass, each with their arms around each other”, are they doing? What does this mean?

Page 35: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other.

Can you spot the simile in that sentence?

Page 36: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other.

Can you spot the simile in that sentence?(Remember: similes are comparisons that always contain the words “like” or “as”.)Here Cisneros uses simile to convey a theme of mutual support, a tone of compassion.

Page 37: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

Let one forget his reason for being, they’d all droop like tulips in a glass, each with their arms around the other. Keep, keep, keep, trees say when I sleep. They teach.

While she sleeps, Esperanza imagines that the trees are urging her to “keep, keep, keep”.What does this mean?What theme does it suggest?

Page 38: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees. When there is nothing left to look at on the street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

Last but not least: let’s analyze Paragraph #4 for tone and theme…

Page 39: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks…

How is Esperanza/Sandra Cisneros feeling here?What does that tell you about the tone?

Page 40: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees.

Why is it that when Esperanza is feeling weak and sad she looks at the trees?What do the trees give her?What does this suggest about theme?

Page 41: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees. When there is nothing left to look at on the street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

Page 42: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees. When there is nothing left to look at on the street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

Why does Esperanza repeat the word “four”here?

Page 43: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees. When there is nothing left to look at on the street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

What does this say about the trees?What does it mean to Esperanza?

Page 44: Homs06 a—analysis1

Four Skinny TreesSandra Cisneros

When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is that I look to the trees. When there is nothing left to look at on the street. Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be.

“…whose only reason is to be and be.”What does this suggest about theme?