homofonia monodia

Bles - sed art

thou, O Lord,

teach me thy

sta - tutes.

The as -

sem - bly of

an - - -

gels was a -

mazed to

see thee

num - bered a -

mong the

dead, thou who

hadst de-stroyed the

might of

death, O

Sa - viour,

and who hast

raised up

A - dam with thy -

self, and

who hast

freedallmenfrom

ha - - - -

des.

Bles - sed art

thou, O Lord,

teach me thy

sta - tutes.

Why

do ye

min-gle myrrh with

tears of com -

pas - sion, O ye

wo - men dis -

ci - - - ples?

Evlogitaria, Plagal of Tone 1

The

ra - diant

an - gel

in the grave

ad - dressed the

myrrh - bear-ing

wo - men:

Be - hold the

grave and ex -

ult, for the

Sa - viour

hath a -

ris - en from the

sep - - - ul - - -

cher.

Bles - sed art

thou, O Lord,

teach me thy

sta - tutes.

At ear - ly

morn

the myrrh-bear-ers

has - tened

to thy sep - ul -

cher with lam - en -

ta - - tion;

but an an - gel

came to

them and said:

The time for

sor - row is

end - ed; weep no

more. And

Evlogitaria, Plagal of Tone 1 (page 2)

tell the A -

pos - tles of the

Re- sur-rec -

tion.

Bles - sed art

thou, O Lord,

teach me thy

sta - tutes.

The

myrrh - bear- ing

wo - - - -

men came with

myrrh un - to

thy tomb,

O

Sa - viour,

and they

heard an

an - - -

gel say - -

ing un -

to them:

Why do ye

count the Liv -

ing a - mong the

dead? For,

as God,

he is ris - en

from the

sep - ul -

cher.

Glo-ry to the

Fa - ther and

to the Son and

to the Ho - ly

Spi - rit.


We

wor - ship the

Fa - - - -

ther and

his Son

and the

Ho - ly

Spi - rit,

the

Ho - - - - ly

Tri - ni -

ty,

One in

es - sence,

and we

cry out with the

Se - ra - phim:

Ho - ly, Ho -

ly,

Ho - ly art

thou, O

Lord.

Both

now and e -

ver and un - to

a - ges of

a - ges. A -

men.

By

giv - - -

ing

birth to the

Giv - er

of life,

O

Vir - gin,

thou didst

res - cue

A - dam from

sin


and didst

grant Eve

joy in - stead of

sor - row;

for the God and

Man who was in -

car - nate of

thee gui - ded

back to life

him who had

fal - len there -

from.

Al - le -

lu - i - a,

Al - le - lu - i -

a, Al - le -

lu - - - i - a,

glo - - - ry to

thee, O God.

Al - le -

lu - i - a,

Al - le - lu - i -

a, Al - le -

lu - i -

a, glo -

ry to thee, O

God.


V O

*

no -

bi -

lis -

si - - - -

V b ma

vi -

ri -

di - - - - -

tas,

quae

ra -

di - - -

V b cas

in

so - - - - - - -

le,

et

quae

in

can - - -

di -

V

V da

se -

re -

ni - - - -

ta -

te

lu -

ces

V in

ro -

ta,

quam

nul -

la

ter -

re - - -

na

ex -

cel -

len -

V ti - - - - - - - - - - - - - - - - - - -

V a

com -

pre -

hen -

dit,

tu

cir -

cum -

da -

ta

es

V am -

ple -

xi - - - - - -

bus

di -

vi - - - - - -

V

V no -

rum

my -

ste -

ri -

o - - -

rum.

Tu

ru -

bes

b V

ut

au -

ro -

ra

etar -

des

ut

so -

lis

flam - - - -b b

ma.

Item de virginibusHildegard von Bingen (1098-1179)

O nobilissima viriditas, quae radicas in sole,et quae in candida serenitate luces in rota,quam nulla terrena excellentia comprehendit,tu circumdata es amplexibus divinorum mysteriorum.Tu rubes ut aurora et ardes ut solis flamma.

O most noble Greenness, rooted in the sun,And who shines in bright serenity upon the wheel,Nothing on earth can comprehend you,You are encircled in the arms of divine mysteries.You are radiant as the dawn and burn as the flame of the sun.

Edited by Cheryl Lynn Helm, 2004

SPERGES ME DOMINE Ordinarium Missae In Dominicis ante horam tertiam ( si canta, prima della Messa ambrosiana allaspersione dellacqua - fuori dal tempo Pasquale nel Tempo Pasquale si canta il Vidi aquam ) Ps. 50: Miserere mei Deus

Intonazione consigliata: dalla nota La

v ggh ggbgfffffffgfffffggJh ggbgfffffffgk/gg/gg,gggbgffgh gffgJh gfffgbggh gffffffffgcggc F lbgg/ /ggk/gfffgbg,gffh ggh gffgh gfff gH A-sper-ges me Do-mi-ne, hys-so-po et mun-da-bor la- va-- bis me, et su-per

v gh ggggffffffj]ggfffbggh cggh cgg gfgh ggbgg/gg/gffff/gg/gg/gffffg/gggFgfg/ggf/ggfffffff/ggffffff/ggfffffff/ggffffffffgffffffH ni-vem de- al-ba-bor Ps.50: Mi-se-re-re me -i De-us * se-cun-dum ma-gnam Hv fffff/ffffffff/gfg/gg/gffffff]gg/ggfffffffbgfffgh cgggggh ggbgfffffffgfffffggJh gH mi--se-ri- cor-di-am Tu-am A-sper-ges me ..

Tu, o Signore, mi aspergerai con l issopo, e io saro purificato; mi laverai e io diventero piu bianco della neve.

Abbi pieta di me o Dio, secondo la Tua grande misericordia.

Trascrizione al computer con font meinrad a ( Abbazia di St Meinrad Indiana ) di Giovanni Vianini Milano, SCHOLA GREGORIANA MEDIOLANENSIS, anno 2002 Servizio liturgico: Basilica di S. Marco, Milano Abbazia di Chiaravalle, Milano 02 70.104.245 [email protected] www.cantoambrosiano.com

3

L

==============================& # c

-

-

,

j#J-

Jj

-

#-

- ,

# -

Jj J

j -

jJ-

jJ

jJ jJ

-

jJ- -

jJ

Jj

-

jJ.

==============================? # c _ _

_ jJ J

j

jJ

jJjJ J

j jJjJ

jJ

jJ jJ J_

jl

llll l

llll l

llll l

llll l

llll l

llll l

llll

L

==============================& # Jj

-

Jj

-

. .

-

Jj

,-

jJ-

Jj

-

. .

-

Jj

,-

j#J-

Jj

-

-

# -

.

==============================? # _jJ _

jJ _ . . _

jJ _ _

jJ J_j _ . . _

jJ _

jJ Jj

l

llll l

llll l

llll l

llll l

llll l

llll

L

==============================& # 24 #Jj -

jJ

Jj

jJ -

c #

jJ-

jJ-

Jj

,

jJ

jJ -

jJ -

-

jJ jJ

-

-.

==============================? # 24 jJ J

j jJjJ c

J

j jJ jJ J

j _ _jJ _

jJ _ _

jJ J_j _ _

l

llll l

llll l

llll l

llll l

llll l

llll

L

==============================& # #Jj

-

54 #

-

Jj

-

jJ

-

jJ-

jJ-

jJ

Jj

c - ,

#

jJ

==============================? # jJ 54

Jj Jj

jJ jJ J

j Jj c

_jJl

llll l

llll l

llll l

llll

L

==============================& # 34

-

jJ-

Jj

-

Jj

Jj

-

c

-

. .-

Jj

-

.

==============================? # 34 _ _

jJ _jJ _

jJ J_j c _

___ _ . . _

jJ _ l

llll l

llll l

llll l

llll l

llll

...

L

==============================& # 34 #Jj

-

jJ -

Jj

jJ

jJ -

-

jJ-

Jj

-

Jj

-

Jj c w#w

.

==============================? # 34 Jj J

j jJjJ J

j # jJ

jJ jJ J

j c w l

llll l

llll l

llll l

llll l

llll

L

==============================& # Jj

-

Jj

-

24 ,

c . .

-

Jj

,-

jJ

Jj

-

Jj

,

jJ . . -

jJ

.

==============================? # _

jJ _jJ 24 _

c ._ . _jJ _

jJ _jJ _

jJ J_j . .

jJ _

l

llll l

llll l

llll l

llll l

llll l

llll

L

==============================& # #Jj

-

Jj

Jj

-

jJ

Jj J

j -

jJ -

jJ -

jJ

Jj

c -

Jj

jJ

-

-

jJ-

jJ-

jJ -

Jj

-

jJ

jJ -

==============================? # Jj jJ

jJ Jj jJ J

j jJ Jj J

j Jj c

jJ jJ

_ _

jJ _jJ _

jJ _jJ _

jJ _jJl

llll l

llll l

llll l

llll

L

==============================& # .

-

Jj

jJ-

. . -

jJ- ,

jJ-

Jj

-

. . -

jJ- ,

j#J-

Jj

-

-

# -

Uww.

==============================? # _ _

jJ J_j _ . . _

jJ _ _

jJ J_j _ . . _

jJ , , , 2002.

_ jJ J

j w uww_wl

llll l

llll l

llll l

llll l

llll

Bles - sed is

he that

com - eth in the

name of the

Lord.

God is the

Lord and hath ap -

peared un - to

us.

Blessed is he that cometh, Tone 1

DEACON: With fear of God and faith and love, draw near.

I

G

1, 1z:.

-

- 1

- ,

-

1

- z

- e

-

a

-

-

41

- .

I

G

-

- 1

- ,

-

1

- z

3

-

-e

-Y,

- e

-

I

G

a

-

1

- .

-

- 1

- ,

-

1

-z

3

-

e

I

G

-

-Y

Y,

- e

-

3

1

- -

a

-

4- .

I

G

-

- 1

- ,

-

-1

- z

3

-

-e

#

- Y.

&

V

V

?

b

b

b

b

C

C

C

C

Superius

Contratenor

Tenor

Bassus

En en - trant en

En en - trant en

ung jar - din

ung jar - din

j'ai trou - ve Guil -

j'ai trou - ve Guil -

lot Mar - tin a -

lot Mar - tin a -

&

V

V

?

b

b

b

b

S

C

T

B

5

vec He - lai -

.

j

vec He - lai -

ne qui de -

ne qui de -

man - doit au ma -

man - doit au ma -

tin son pi - co -

tin son pi - co -

tin, son beau

tin, son beau

&

V

V

?

b

b

b

b

S

C

T

B

10

pe - tit pi - co -

pe - tit pi - co -

.

j

tin non pas d'a -

tin non pas d'a -

A

#

w

U

vai - ne

w

U

w

U

vai - ne

w

U

A donc

A donc

Guil - lot luy a

Guil - lot luy a

Copyright 2001 by ARENA (http://arenai.free.fr)

En entrant en ung jardinClaudin de Sermisy (C.1490-1562)Texte de Clment Marot

Trente et une chansons musicales 4 parties (fol.6v) - Attaingnant, 1529

B

bC

B b C

B b C

?

bC

&

V

V

?

b

b

b

b

S

C

T

B

15

dit, a donc

A

dit, a donc

Guil - lot luy a

(*)

Guil - lot luy a

dit Vous au -

dit Vous au -

rez bien ce cre -

rez bien ce cre -

dit, vous au -

A

dit, vous au -

&

V

V

?

b

b

b

b

S

C

T

B

20

rez bien ce cre -

(*)

rez bien ce cre -

dit quand je

dit quand je

se - ray en a -

se - ray en a -

lai - ne mais n'en

lai - ne mais n'en

pre - nes qu'ung pe -

pre - nes qu'ung pe -

A

&

V

V

?

b

b

b

b

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

S

C

T

B

25

tit car par

A

tit car par

trop grant ap - pe -

trop grant ap - pe -

tit

tit

vient

vient

b

sou - vent la

sou - vent la

A

a

#

pan - ce plai -

pan - ce plai -

ne.

N

ne.

- 2 -

Copyright 2001 by ARENA (http://arenai.free.fr)

(*) The editor's mistake or a voluntary dissonance? Most modern editors have modified these two measures.They usually indicate: B, A, G, F for the superius part, and F, F, D, D for the contratenor part (measures 16 & 20).

(*) Erreur de l'diteur ou dissonance volontaire ? La plupart des ditions modernes ont modifi ce passage pour sauver la consonance,en notant Si, La, Sol, Fa au superius et Fa, Fa, R, R au Contratenor (mesures 16 & 20).

homofonia monodia

Documents