history of medieval drama from roman spectacle to miracle, morality and mystery plays

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History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

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Page 1: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

History of Medieval Drama

From Roman Spectacle to Miracle, Morality and Mystery Plays

Page 2: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

Roman Times

Early Church Fathers tried to suppress spectacles of later Roman empire

Christian emperors banned public acting

Cessation of drama in western Europe until 10th century CE

Page 3: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

Dramatic Liturgy and Liturgical Drama

drama revived within the liturgy of 10C Christian Church

“dramatic” elements in the services

from ritual to drama the Easter Quem

quaeritis trope illustrates bible story

Page 4: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

11th and 12th Century Drama Easter, Christmas and Innocents’

Day drama “non-liturgical” dramatizations of

other stories from the Bible, e.g. Temptation of Adam and Eve, Daniel in the Lions’ Den, Raising of Lazarus

significant embellishment of Biblical text

sophisticated creations of learned men; works of wisdom and piety, not designed to educate laity

began to be staged outside the church

Page 5: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

Miracle Plays

Miracle Play = saint’s play popular from 12th century CE dramatization of life, martyrdom

or miracles of a saint emphasis on lurid adventure and miraculous

happenings fantastic stories, highly sensational

free of Biblical constraints that characterized most church drama, but combined tale of adventure with act of worship often performed in church on the saint’s (feast) day

Page 6: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

new genre for theatre in early 14th century dramatization of spiritual crisis in the life of a

representative individual Christian allegorical method of presentation - personified

abstractions representing good and evil [Death shown as a person for ex]

designed to instruct the faithful in correct behavior

a formative influence on Renaissance drama

The Morality Play

Page 7: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

EVERYMAN

Themes: Way to Salvation, Death, Worldly Encumbrances, The   Sacraments, Priesthood, Power of the Church, Grace & Works.

Symbols: Characters (Everyman et. al.), Book of Reckoning, The Journey,  The Scourge, The Hole

Passages: Death Arrives, EM appeals to Goods, Good Deeds is bound, Confession & Penance, Digression on Priests, EM enters the grave.

Structure: Allegory, Morality Play. Context: Sacramental System,

Rise of Merchants,

Page 8: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

Mystery Plays

14C - 16C in northern England (200 years)

drawn from books of the Bible; portrays divine history of the world

very long, up to 16 hours divided into episodes, or pageants staged outdoors in the vernacular (Middle English),

not in Latin whole community was involved

(church/town) notable for scope, scale

Page 9: History of Medieval Drama From Roman Spectacle to Miracle, Morality and Mystery Plays

How were Mystery Plays Staged?

pageant wagons drawn in a procession through the town

individual fixed scaffolds

acting in the round (arena theatre)

methods of production may have varied