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Graphic Communications Chapter 4

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Page 1: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Graphic Communications Chapter 4

Page 2: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Distinctive designs of visual symbols that are used to compose a printed page. Ie: Magneto, Times New Roman, Baskerville, Garamond, Gothic, Papyrus

Characters are the individual visual symbols in a particular typeface A, F, H, @, 5, 9,

Page 3: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

The art of expressing ideas in printed form through the selection of APPROPRIATE TYPEFACE.

▪ Example: using a modern style typeface for a new electronic device.

Dell Computers

Leading the Way in Technology

Page 4: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

UppercaseLowercaseBody HeightAscenderDescenderBase LineWaist Line

CounterPoint sizeHairlineStemStrokeSerifSet Width

Page 5: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Nicolas Jenson from France Designed the style known as “Roman” in

1469, based on monuments made by Romans nearly 1500 years earlier.

Developed a lower case alphabet based on his “Roman” Uppercase alphabet.

Page 6: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Claude Garamond, 1540▪ Elegant and refined typeface influenced by

Roman Anton Janson, 1675▪ Lightened lines for better printing

William Caslon, 1722▪ Lighter lines, open designs

John Baskerville, 1750▪ Designed solely for printing

Giambattista Bodoni, 1780▪ Greater difference between light and heavy

elements

Page 7: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Roman (Serif) Times New RomanSans serif Myriad ProSquare serif RockwellBlack Letter Old EnglishScript French ScriptNovelty Showcard Gothic Italic Italic (of any

typeface)

Page 8: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Families- bold, italic, bold italicSeries- range of sizes of each typeface in

a familyFont- consists of all the characters

that make up the typeface

Page 9: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Points- vertical height of type Picas- line length and composition

depth Em- height and width of “M”

12-point type: 12 points wide and 12 points high

En- half of an em Units- splitting an em into equal

spaces Set size- width of a character

Page 10: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

Tracking- Tight, normal, loose Justifying type- lines are equal in

lengthKerning- closing space between

certain characters to improve appearance and readability

Page 11: Graphic Communications Chapter 4.  Distinctive designs of visual symbols that are used to compose a printed page.  Ie: Magneto, Times New Roman, Baskerville,

How easy or difficult it is to read printed matter (Readability)

Consider the purpose readability, aesthetics

Factors: Visibility, letter forms, definition, type

size, line length, and leading