gender and pop culture in japan

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Gender and Pop Culture in Japan

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Gender and Pop Culture in Japan. Gender and TV in Japan. “ D o r a m a ”. Mass Popularity Seasonal, 9-12 episodes Important Medium. “ Trendy Dramas ”. Real life, hard issues Elements of sit-com, romance, soap opera Evening, winter Big Stars Bubble Economy. GENDER ON TV: TRADITIONAL!. - PowerPoint PPT Presentation

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Page 1: Gender and Pop Culture in Japan

Gender and Pop Culture in Japan

Page 2: Gender and Pop Culture in Japan

Gender and TV in Japan

Page 3: Gender and Pop Culture in Japan

“D o r a m a”

•Mass Popularity•Seasonal, 9-12 episodes•Important Medium

Page 4: Gender and Pop Culture in Japan

“Trendy Dramas”

• Real life, hard issues• Elements of sit-com, romance, soap

opera• Evening, winter• Big Stars• Bubble Economy

Page 5: Gender and Pop Culture in Japan

GENDER ON TV:TRADITIONAL!• Normative

heterosexuality• Formula:

attractive heterosexual lead with love interests

• Varying levels of progressiveness, usually pretty traditional

Page 6: Gender and Pop Culture in Japan

Depiction of Gender: Traditional

• “CA to oyobi!” • Arisa Mizuki plays Sae• Traditional Female character

playing typical feminine role

Page 7: Gender and Pop Culture in Japan

DEPICTION OF GENDER:

LESS TRADITIONAL?

• “ATTENTION PLEASE”

• Stars Aya Ueto as Yoko

• Ostensibly progressive

BEFORE AFTER

Page 8: Gender and Pop Culture in Japan

BEFORE

Page 9: Gender and Pop Culture in Japan

AFTER

Page 10: Gender and Pop Culture in Japan

DEPICTION OF GENDER: NON-TRADITIONAL

• “You can stay if you become my pet.”

• To her surprise, he agrees. She names him Momo.

Page 11: Gender and Pop Culture in Japan

Takarazuka

Page 12: Gender and Pop Culture in Japan

rose of versailles (star and cosmos troupe together):http://youtube.com/watch?v=CkV5ZCxQIsk

Page 13: Gender and Pop Culture in Japan

Gender and Contemporary Art in Japan

Page 14: Gender and Pop Culture in Japan

Makoto Aida, The Giant member Fuji versus King Gidra, 1993.

Page 15: Gender and Pop Culture in Japan

Minako Nishiyama, The Pinkù House, 1991.

Minako Nishiyama, Moshi Moshi Pink, 1995.

Page 16: Gender and Pop Culture in Japan

Yoshiko Shimada, Shooting Lesson #11, 1992.

Page 17: Gender and Pop Culture in Japan

Yoshiko Shimada and BuBu, Heal and Repair, 1998.

Page 18: Gender and Pop Culture in Japan

Yasumasa Morimura,To My Little Sister: Cindy Sherman, 1998.