ft800 audio primer - ftdi chip home page ft800...to convert the pwm output to the programming...

Use of FTDI devices in life support and/or safety applications is entirely at the user’s risk, and the user agrees to defend, indemnify and hold FTDI harmless from any and all damages, claims, suits

or expense resulting from such use.

Future Technology Devices International Limited (FTDI) Unit 1, 2 Seaward Place, Glasgow G41 1HH, United Kingdom Tel.: +44 (0) 141 429 2777 Fax: + 44 (0) 141 429 2758

Web Site: http://ftdichip.com Copyright © 2011 Future Technology Devices International Limited

Application Note

AN_252

FT800 Audio Primer

Version 1.0

Issue Date: 2013-08-06

The FT800 provides an inexpensive solution for adding rich graphics, touch and audio to an embedded system. This application note focuses on the FT800 audio controller, related circuitry and programming techniques.

http://ftdichip.com/

Application Note

AN_252 FT800 Audio Primer Version 1.0

Document Reference No.: FT_000875 Clearance No.: FTDI# 344

1

Copyright © 2013 Future Technology Devices International Limited

Table of Contents

1 Introduction .................................................................................................................................... 2

2 Audio Engine ................................................................................................................................... 3

2.1 Sound Synthesizer ................................................................................................................... 3

2.2 Audio Files ............................................................................................................................... 5

2.2.1 Conversion Utility ............................................................................................................ 6

3 Hardware ........................................................................................................................................ 7

3.1 Power Supply .......................................................................................................................... 7

3.2 Buffer ...................................................................................................................................... 7

3.3 3-stage Low-Pass Filter ........................................................................................................... 8

3.4 Audio amplifier ........................................................................................................................ 8

3.5 Complete Circuit ..................................................................................................................... 9

3.6 Layout considerations ............................................................................................................. 9

4 Programming ................................................................................................................................ 10

4.1 Initial Settings ........................................................................................................................ 10

4.2 Play Synthesized Effects ........................................................................................................ 10

4.3 Load an Audio File into RAM_G ............................................................................................ 10

4.4 Play an Audio File .................................................................................................................. 11

5 Conclusion ..................................................................................................................................... 12

6 Contact Information ...................................................................................................................... 13

Appendix A – References ...................................................................................................................... 14

Document References ....................................................................................................................... 14

External References .......................................................................................................................... 14

Acronyms and Abbreviations ............................................................................................................ 14

Appendix B – List of Tables & Figures ................................................................................................... 15

List of Tables ..................................................................................................................................... 15

List of Figures .................................................................................................................................... 15

Appendix C – Revision History .............................................................................................................. 16

Application Note



2


1 Introduction

What is EVE?

EVE, or the FTDI Embedded Video Engine, is a family of ICs designed to control TFT, resistive touch displays. The first device in this family is the FT800 which in addition to controlling the display also includes embedded support for touch control and audio output.

This document focuses on the audio features available through the FT800, from the audio circuitry

to convert the PWM output to the programming techniques for enabling and using the audio controller.

Application Note



3


2 Audio Engine

Various audio effects and files can be played by the FT800. The output is provided as a PWM signal on a single pin, AUDIO_L. There are two audio sources, the Sound Synthesizer and the Audio Playback.

2.1 Sound Synthesizer

Sound effects are pre-loaded in a ROM wave library and do not require the use of any of the FT800 RAM space. Most audible user feedback can be provided through these effects, such as a click when an on-screen button is pressed, DTMF tones for telecom or an alarm panel warning. Most effects will play once and then stop. Others will play continuously. The full list of tones and features are shown below:

Value Effect Continuous Pitch adjust

Value Effect Continuous Pitch adjust

00h Silence Y N 32h DTMF 2 Y N

01h square wave Y Y 33h DTMF 3 Y N

02h sine wave Y Y 34h DTMF 4 Y N

03h sawtooth wave Y Y 35h DTMF 5 Y N

04h triangle wave Y Y 36h DTMF 6 Y N

05h Beeping Y Y 37h DTMF 7 Y N

06h Alarm Y Y 38h DTMF 8 Y N

07h Warble Y Y 39h DTMF 9 Y N

08h Carousel Y Y 40h harp N Y

10h 1 short pip N Y 41h xylophone N Y

11h 2 short pips N Y 42h tuba N Y

12h 3 short pips N Y 43h glockenspiel N Y

13h 4 short pips N Y 44h organ N Y

14h 5 short pips N Y 45h trumpet N Y

15h 6 short pips N Y 46h piano N Y

16h 7 short pips N Y 47h chimes N Y

17h 8 short pips N Y 48h music box N Y

18h 9 short pips N Y 49h bell N Y

19h 10 short pips N Y 50h click N N

1Ah 11 short pips N Y 51h switch N N

1Bh 12 short pips N Y 52h cowbell N N

1Ch 13 short pips N Y 53h notch N N

1Dh 14 short pips N Y 54h hihat N N

1Eh 15 short pips N Y 55h kickdrum N N

1Fh 16 short pips N Y 56h pop N N

23h DTMF # Y N 57h clack N N

2Ch DTMF * Y N 58h chack N N

30h DTMF 0 Y N 60h mute N N

31h DTMF 1 Y N 61h unmute N N

Table 2.1 FT800 Synthesized Sound Effects

Application Note



4


Many of the effects allow pitch control (MIDI note), so various tones can be generated. Standard MIDI note assignments are used:

MIDI note ANSI note Freq (Hz) MIDI note ANSI note Freq (Hz)

21 A0 27.5 65 F4 349.2

22 A#0 29.1 66 F#4 370.0

23 B0 30.9 67 G4 392.0

24 C1 32.7 68 G#4 415.3

25 C#1 34.6 69 A4 440.0

26 D1 36.7 70 A#4 466.2

27 D#1 38.9 71 B4 493.9

28 E1 41.2 72 C5 523.3

29 F1 43.7 73 C#5 554.4

30 F#1 46.2 74 D5 587.3

31 G1 49.0 75 D#5 622.3

32 G#1 51.9 76 E5 659.3

33 A1 55.0 77 F5 698.5

34 A#1 58.3 78 F#5 740.0

35 B1 61.7 79 G5 784.0

36 C2 65.4 80 G#5 830.6

37 C#2 69.3 81 A5 880.0

38 D2 73.4 82 A#5 932.3

39 D#2 77.8 83 B5 987.8

40 E2 82.4 84 C6 1046.5

41 F2 87.3 85 C#6 1108.7

42 F#2 92.5 86 D6 1174.7

43 G2 98.0 87 D#6 1244.5

44 G#2 103.8 88 E6 1318.5

45 A2 110.0 89 F6 1396.9

46 A#2 116.5 90 F#6 1480.0

47 B2 123.5 91 G6 1568.0

48 C3 130.8 92 G#6 1661.2

49 C#3 138.6 93 A6 1760.0

50 D3 146.8 94 A#6 1864.7

51 D#3 155.6 95 B6 1975.5

52 E3 164.8 96 C7 2093.0

53 F3 174.6 97 C#7 2217.5

54 F#3 185.0 98 D7 2349.3

55 G3 196.0 99 D#7 2489.0

56 G#3 207.7 100 E7 2637.0

57 A3 220.0 101 F7 2793.8

58 A#3 233.1 102 F#7 2960.0

59 B3 246.9 103 G7 3136.0

60 C4 261.6 104 G#7 3322.4

61 C#4 277.2 105 A7 3520.0

62 D4 293.7 106 A#7 3729.3

63 D#4 311.1 107 B7 3951.1

64 E4 329.6 108 C8 4186.0

Table 2.2 MIDI Note/Pitch Values

Application Note



5


Sound synthesis is controlled by the following registers:

REG_SOUNDo Bits 31-16 = Don’t careo Bits 15-8 = MIDI note (pitch)o Bits 7-0 Effect

REG_PLAYo Bits 31-1 = Don’t careo Bit0 = Start Play / Play Status

Write = 1 to start playing the selection in REG_SOUND Read = 1 indicates the effect is currently playing Read = 0 indicates the effect has completed

REG_VOL_SOUNDo Bits 31-8 = don’t careo Bits 7-0 = output volume

Reads and writes to FT800 memory space are handled through the “little endian” format, where

the first byte will be the least significant. For example, consider a piano effect (0x46) playing A4 (0x45). The data on the SPI or I2C interface would consist of a Host Memory Write sequence with the following data, on order:

0x90 = Host Memory Write transfer (0x80) plus first byte of register address (0x10) 0x24 = second byte of register address 0x84 = third byte of register address 0x46 = piano effect 0x45 = note/pitch = A4 (440Hz) 0x00 = don’t care, optional 0x00 = don’t care, optional

Note that the last two bytes do not have to be written, so a 16-bit Host Memory Write can actually satisfy the values needed in the register. Further explanation of the Host Memory Write, Host Memory Read and Host Memory Command data transfers are found in AN_240 FT800 From the Ground Up.

2.2 Audio Files

There may be applications where something more than simple tone synthesis is necessary. For example a voice prompt or other announcement may be necessary to give the user specific instructions. The FT800 supports playback of files in the following single-channel (mono) formats:

8-bits signed PCM – uncompressed raw audio 8-bits µLAW – non-linear compressed audio

4-bits IMA-ADPCM – further compressed µLAW where each byte contains two 4-bitsamples

The FT800 has 256Kbytes of object ram (RAM_G) to hold video objects (images and fonts) and audio objects (recorded sounds). The space must be managed by the host MCU so that information is not overwritten until after it is no longer required.

Audio files are loaded through the Host Memory Write transaction to available space and are

required to be 8-byte aligned (64-bit).

Once an audio file is loaded into the RAM_G memory, playback is controlled by the following registers:

REG_PLAYBACK_STARTo Bits 31-20 = don’t careo Bits 19-0 = 20-bit starting address of the file within RAM_G

REG_PLAYBACK_LENGTH

o Bits 31-20 = don’t careo Bits 19-0 = 20-bit length of the file within RAM_G

REG_PLAYBACK_FREQo Bits 31-16 = don’t careo Bits 15-0 = 16-bit Playback sampling rate frequency, in Hz

http://www.ftdichip.com/Support/Documents/AppNotes/AN_240_FT800_From_The_Ground_Up.pdf

http://www.ftdichip.com/Support/Documents/AppNotes/AN_240_FT800_From_The_Groung_Up.pdf



Application Note



6


REG_PLAYBACK_FORMATo Bits 31-2 = don’t careo Bits 1-0 = 2-bit Playback format

0 = Linear, or uncompressed PCM 1 = µLaw

2 = ADPCM 3 = undefined

REG_PLAYBACK_LOOPo Bits 31-1 = don’t careo Bit 0 = 1-bit Playback style

0 = play once

1 = play continuous REG_PLAYBACK_PLAY

o Bits 31-1 = don’t careo Bit 0 = Start Play / Play Status

Write = 0 or 1 to start playing the selection in REG_SOUND Read = 1 indicates the file is currently playing

Read = 0 indicates the file has completed

REG_PLAYBACK_READPTRo Bits 31-20 = don’t careo Bits 19-0 = 20-bit pointer of the current playback location

REG_VOL_PBo Bits 31-8 = don’t careo Bits 7-0 = output volume

2.2.1 Conversion Utility

FTDI provide an audio file conversion utility called “AUD_CVT” to take a common file format and create the three types of files supported by the FT800. A link to this utility is provided in the “Appendix A – References” section of this document.

The source file is assumed to be a raw (uncompressed) 16bit PCM, mono WAV file. Such a file can be created through a commonly available audio editing program, such as Audacity. Once the source file is available, simply run the utility at a command prompt:

aud_cvt -i inputfilename -f format

where “format” = 0 for 8-bit signed PCM = 1 for 8-bit µLaw = 2 for 4-bit IMA ADPCM

A folder with the resulting files will be created. These files can then be used to load into the RAM_G memory area of the FT800.

The audio conversion utility will output a raw and a compressed file for each selected format. It

may be helpful at the host MCU to store the compressed files, and then expand them into the RAM_G buffer when needed. See Section 4 for details.

http://audacity.sourceforge.net/

Application Note



7


3 Hardware

The audio output provided by the FT800 consists of a single-channel PWM signal, AUDIO_L. This signal needs to be converted to analog so that it may be heard through a speaker. The conversion consists of several stages.

In addition to AUDIO_L, the FT800 interrupt output can be utilized. An interrupt can be generated whenever an effect or file has completed playing. This is useful to queue the host MCU to perform another FT800 task. Interrupt circuitry is not shown here.

3.1 Power Supply

In general, digital video signals tend to produce a bit of noise on the power and ground rails, especially when many signals are transitioning simultaneously. Setting the FT800 “CSPREAD”

feature will offset some of the transitions on the video output, but noise will still be present.

The first defense against high frequency noise on the audio signals is a clean power supply. Ferrites and capacitors between power and ground will help reduce the noise so that the output of any buffers or amplifiers using the power supply will not have the noise superimposed on the audio. The circuit below is one example of an audio power supply filter:

Figure 3.1 Audio Power Supply Filter

3.2 Buffer

With the power supply cleaned up, next in line is a logic-level buffer to provide enough drive current for the subsequent stage. Note that the buffer is powered by the audio power supply:

Figure 3.2 Audio PWM Buffer

C22

0.1uF

AUD_3V3

C23

1 0 n F

C21

1 0 0 u F

A G N D

Max peak current ~400mA for 8-ohm speaker

G N D

FB1

600R/1A

FB2

600R/1A

3V3

AUDIO_L

1

2 4

35

O E

U 5

SN74LVC1G125DBVR

AUD_3V3

A G N D

C17

0.1uF

AUD_3V3

A G N D

R 8 3 3 RAUDIO_L

Application Note



8


3.3 3-stage Low-Pass Filter

The output of the buffer is then fed into a 3-stage low-pass filter. This provides 60dB / octave attenuation of frequencies above the cut-off frequency. This steep filter further aids in digital noise suppression. In this example, the cut-off frequency is approximately 34kHz:

Figure 3.3 Audio Low-Pass Filter (3rd Order)

Since the AUDIO_L output is referenced to the 3.3V VCC power supply, the audio signal is centered on ~1.65V at the R11/C15 junction.

3.4 Audio amplifier

The final stage in the audio circuit is an amplifier. C16 blocks any DC offset before the input. This amplifier will directly drive a speaker. Component values are derived from the amplifier datasheet.

Figure 3.4 Audio Amplifier

R 9

1 kC13

4.7nF

R10

1 kC14

4.7nF

R11

1 kC15

4.7nF

A G N D A G N D A G N D

SHDN1

BYPASS2

IN+3

IN-4

V O + 5

V D D 6

G N D 7

V O - 8

G N D 9

U 6

TPA6205A1

C20

1 u F

R14

10k/1%

R12

10k/1%

R15 20k/1%

R13 20k/1%

C18

0.47uF

C19

0.22uF

A G N D

R17

4 7 k

A G N D A G N D

AUD_3V3

A G N D

S P -

S P +

R16 3 3 R

J 4

J 3

A G N D

S P 1

1W/8Ohm

AUDIO_SHDN#

C16

0.47uF

From filter

Application Note



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3.5 Complete Circuit

The complete audio circuit shows all of the components together:

Figure 3.5 FT800 Audio Circuit

3.6 Layout considerations

Careful layout techniques are required:

The audio circuit should be physically separated as far from the LCD signals as possible. Separate audio power and ground planes from the system power and ground. Use a single connection point between audio power and system power; likewise, use a

single connection point between audio ground and system ground. In this example, theconnection points are ferrite beads.

SHDN1

BYPASS2

IN+3

IN-4

V O +5

V D D6

G N D7

V O -8

G N D9

U 6

TPA6205A1

C20

1 u F

R14

10k/1%

R12

10k/1%

R15 20k/1%

R13 20k/1%

C18

0.47uF

C19

0.22uF

A G N D

R17

4 7 k

R 9

1 kC13

4.7nF

R10

1 kC14

4.7nF

R11

1 kC15

4.7nF

A G N D

A G N D A G N D

AUD_3V3

AUDIO_L

A G N D

S P -

S P +

1

2 4

35

O E

U 5

SN74LVC1G125DBVR

AUD_3V3

A G N D

R16 3 3 R

C17

0.1uF

AUD_3V3

A G N D

R 8 3 3 R

J 4

J 3

A G N D

S P 1

1W/8Ohm

AUDIO_L

AUDIO_SHDN#

C22

0.1uF

AUD_3V3

C23

1 0 n F

C21

1 0 0 u F

A G N D

Max peak current ~400mA for 8-ohm speaker

G N D

FB1

600R/1A

FB2

600R/1A

3V3

A G N D A G N D

C16

0.47uF

From filter

Application Note



10


4 Programming

The audio features of the FT800 are accessed through the same Display List, along with the video and touch panel features. For example, every second a clock widget with a second hand could be drawn followed by a “tick” sound. Both the widget and sound reside in the same Display List. New Display Lists would then be sent to the FT800 every second, each containing both the widget with the new second hand position and another audio “tick”.

For the examples below, “wr32(address, value)” indicates the MCU would write the value

(VOLUME, frequency, etc.) to the address within the display list (RAM_DL + n) or register (e.g. REG_VOL_SOUND). This notation is used throughout other FT800 documents.

4.1 Initial Settings

As part of the FT800 initialization, set the volume to zero to eliminate any pops or clicks while all

the initial settings are being sent:

wr8(REG_VOL_SOUND, 0); // Set Synthesizer volume to zero wr8(REG_VOL_PB, 0); // Set Audio File Playback volume to zero wr16(REG_SOUND, 0x0062); // Play “mute” sound (optional)

4.2 Play Synthesized Effects

Only a few Display List elements are required in order to play a synthesized effect.

To play an effect:

1. wr8(REG_VOL_SOUND, VOLUME); // set the volume 2. wr16(REG_SOUND, (MIDI_NOTE << 8 + EFFECT)); // set the effect and pitch

3. wr8(REG_PLAY, 1); // start playing 4. rd8(REG_PLAY); // check whether done

An interrupt can also be generated for the host MCU when play has completed.

To stop playing a continuous effect:

1. wr16(REG_SOUND, 0); // set effect to “silence” 2. wr8(REG_PLAY, 1); // start playing silence 3. rd8(REG_PLAY); // check whether done

4.3 Load an Audio File into RAM_G

Audio and video data are treated equally in the RAM_G element memory. The command processor is sent the starting address and data to store, and then the MCU obtains the last used end pointer

so another element may be copied in.

There are two methods of loading an audio file into the RAM_G element memory:

Uncompressed Data

Data from the raw audio file is written directly to RAM_G. The MCU, knowing the data_length, knows where to put the next element.

1. wr32(cmdBufferWr + n, 0xffffff1a); // CMD_MEMWRITE 2. wr32(cmdBufferWr + n + 4, RAM_G + offset); // An 8-byte aligned location in

// RAM_G. If this is the first // element, then offset = 0

3. wr32(cmdBufferWr + n + 8, data_length); // length of audio data // (8-byte aligned / zero-pad)

4. wr8(cmdBufferWr + n + 12, Byte 0); // First byte of audio data 5. wr8(cmdBufferWr + n + 13, Byte 1); // Second byte of audio data 6. wr8(cmdBufferWr + n + …, <Bytes 2 through data_length>

// … the rest of the data

Application Note



11


7. MCU sets new RAM_G starting offset = offset + data_length for memory management

Compressed Data

Data from the compressed audio file is written to RAM_G through the INFLATE command. This decompresses “ZLIB” compressed data into RAM_G. Once the uncompressed data is written, the

new end-pointer is obtained for the MCU to keep track of the RAM_G elements.

1. wr32(cmdBufferWr + n, 0xffffff22); // CMD_INFLATE 2. wr32(cmdBufferWr + n + 4, RAM_G + offset); // An 8-byte aligned location in

// RAM_G. If this is the first // element, then offset = 0

3. wr8(cmdBufferWr + n + 12, Byte 0); // First byte of compressed

// audio data 4. wr8(cmdBufferWr + n + 13, Byte 1); // Second byte of compressed

// audio data

5. wr8(cmdBufferWr + n + …, <remainder of data> // … the rest of the compressed // audio data

6. wr32(cmdBufferWr + n + <zlib_size>, 0xffffff22 // CMD_GETPTR

7. rd32(new RAM_G offset) // Assume utility already // padded data

8. MCU stores the new offset for RAM_G memory management

Note that if the audio conversion utility is used, both RAW and ZLIB files are created. When writing MCU firmware, the RAW file size can also be used as the end point of the uncompressed data.

4.4 Play an Audio File

Now that audio data is stored in RAM_G, it can be played through the FT800:

1. wr32(REG_PLAYBACK_START, RAM_G + offset); // RAM_G element memory // offset is managed by host MCU

2. wr32(REG_PLAYBACK_LENGTH, length); // file length, in bytes 3. wr16(REG_PLAYBACK_FREQ, frequency); // playback sampling frequency 4. wr8(REG_PLAYBACK_FORMAT, format); // file format 5. wr8(REG_VOL_PB, volume); // playback volume 6. wr8(REG_PLAYBACK_LOOP, play_once); // play once or forever? 7. wr8(REG_PLAYBACK_PLAY, 1); // write a “1” to start playback 8. rd8(REG_PLAYBACK_PLAY) // playback complete (optional)

9. rd32(REG_PLAYBACK_READPTR) // how far along and how loud? // (optional)

Application Note



12


5 Conclusion

The FT800 provides an easy way to incorporate audio along with graphics displays and touch feedback into products that could not otherwise afford this capability. A common programming interface provides developers with a single method to manipulate the FT800 regardless of the data types.

With only the FT800 between the MCU and the LCD display, a vivid graphics experience with touch and audio is now possible.

Application Note



13


6 Contact Information

Head Office – Glasgow, UK

Future Technology Devices International Limited Unit 1, 2 Seaward Place, Centurion Business Park Glasgow G41 1HH United Kingdom Tel: +44 (0) 141 429 2777 Fax: +44 (0) 141 429 2758

E-mail (Sales) [email protected] E-mail (Support) [email protected] E-mail (General Enquiries) [email protected]

Branch Office – Taipei, Taiwan

Future Technology Devices International Limited (Taiwan) 2F, No. 516, Sec. 1, NeiHu Road

Taipei 114 Taiwan , R.O.C. Tel: +886 (0) 2 8791 3570 Fax: +886 (0) 2 8791 3576


Branch Office – Tigard, Oregon, USA

Future Technology Devices International Limited (USA) 7130 SW Fir Loop Tigard, OR 97223-8160 USA Tel: +1 (503) 547 0988 Fax: +1 (503) 547 0987

E-Mail (Sales) [email protected] E-Mail (Support) [email protected] E-Mail (General Enquiries) [email protected]

Branch Office – Shanghai, China

Future Technology Devices International Limited (China) Room 1103, No. 666 West Huaihai Road,

Shanghai, 200052 China Tel: +86 21 62351596 Fax: +86 21 62351595


Web Site

http://ftdichip.com

System and equipment manufacturers and designers are responsible to ensure that their systems, and any Future Technology

Devices International Ltd (FTDI) devices incorporated in their systems, meet all applicable safety, regulatory and system-level

performance requirements. All application-related information in this document (including application descriptions, suggested

FTDI devices and other materials) is provided for reference only. While FTDI has taken care to assure it is accurate, this

information is subject to customer confirmation, and FTDI disclaims all liability for system designs and for any applications assistance provided by FTDI. Use of FTDI devices in life support and/or safety applications is entirely at the user’s risk, and the

user agrees to defend, indemnify and hold harmless FTDI from any and all damages, claims, suits or expense resulting from

such use. This document is subject to change without notice. No freedom to use patents or other intellectual property rights is

implied by the publication of this document. Neither the whole nor any part of the information contained in, or the product

described in this document, may be adapted or reproduced in any material or electronic form without the prior written consent

of the copyright holder. Future Technology Devices International Ltd, Unit 1, 2 Seaward Place, Centurion Business Park,

Glasgow G41 1HH, United Kingdom. Scotland Registered Company Number: SC136640

mailto:[email protected]












http://ftdichip.com/

Application Note



14


Appendix A – References

Document References

DS_FT800 FT800 Datasheet

PG_FT800 FT800 Programmer Guide

AN_240 FT800 From the Ground Up

External References

Audacity Open Source audio recording and editing software

Acronyms and Abbreviations

Terms Description

IMA-ADPCM Further compressed µLaw data containing two 4-bit samples per byte

MCU Microcontroller (unit)

PCM Pulse Coded Modulation

PWM Pulse Width Modulation

RAW Uncompressed data

µLaw mu-law Companding Algorithm

ZLIB Lossless compressed data algorithm

http://www.ftdichip.com/Support/Documents/DataSheets/ICs/DS_FT800.pdf

http://www.ftdichip.com/Support/Documents/ProgramGuides/FT800_Programmer_Guide.pdf

http://www.ftdichip.com/Support/Documents/AppNotes/AN_240_FT800_From_The_Ground_Up.pdf

http://audacity.sourceforge.net/

Application Note



15


Appendix B – List of Tables & Figures

List of Tables

Table 2.1 FT800 Synthesized Sound Effects ............................................................................ 3

List of Figures

Figure 3.1 Audio Power Supply Filter ..................................................................................... 7

Figure 3.2 Audio PWM Buffer ................................................................................................ 7

Figure 3.3 Audio Low-Pass Filter (3rd Order) .......................................................................... 8

Figure 3.4 Audio Amplifier .................................................................................................... 8

Figure 3.5 FT800 Audio Circuit .............................................................................................. 9

Application Note



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Appendix C – Revision History

Document Title: AN_252 FT800 Audio Primer

Document Reference No.: FT_000875

Clearance No.: FTDI# 344

Product Page: http://www.ftdichip.com/FTProducts.htm

Document Feedback: Send Feedback

Revision Changes Date

1.0 Initial Release 2013-08-06

http://www.ftdichip.com/FTProducts.htm

mailto:[email protected]?subject=Document%20Feedback:%20AN_252%20Version%201.0

Application Note



17


Revision History

Revision history (internal use only, please clearly state all changes here before saving the file)

Revision Date

YYYY-MM-DD Changes Editor

Draft 2013-07-23 Initial Outline Bob Recny

Draft 2013-08-01 Copy ready for review – Section 3 images need re-drawn

Bob Recny

Draft 2013-08-02 Reviewed. Minor edits. G Lunn

Draft 2013-08-02

Added external link to Audacity in References

Added Table 2 caption

Replaced section 3 images

Bob Recny

1.0 2013-08-06 Approved LCE/DS G Lunn