T.WOLF CONCEPTSDESIGN PORTFOLIO

BRANDING

TIMMY BOURKEt . w o l f c o n c e p t s

A U S T R A L I A

H A R R I S S O N

The growth marks and scars which occured dur ing the animals l i fet ime dist inguish leather f rom i ts imitat ions. Leather is soft and supple with a luxury feel whi le the r ich colours help resist soi l ing. Leather grows old graceful ly and mel lows with age.

This �ne art ic le was handcrafted in our workshops from �rst grade leathers. Leather l in ing, gual i ty �tt ings and r ivetted st i tching stress points ensure a last ing investment. An occasional c leaning wi l l add luster to the �nish. Al l designs are exclusive to Harr isson Austral ia. Leather is a natural product. Leather has a dist inct ive smel l

Thank youfor your purchase from

Harr isson Austral ia.I t ’s our pleasure to enclose

your new art ic le.

Hand crafted in Austral ia with pr ide,from a select ion

of the �nest mter ia ls.

h a r r i s o n a u s t r a l i a . c o m . a u A U S T R A L I A

H A R R I S S O N

Matt Boxer0418 316 332matt@bhitafe.edu.au

CrispyPearP

music publishing

CrispyPears

P music production

Natalia Adamson0423 680 880n_adamson_1992@hotmail.com

180mm

135mm

15mm63mm

20mm 20mm

63mm

63mm

15mm

15mm

15mm

20mm

20mm

35mm

35mm

t h a n d oE P F u n d r a i s e rw i t h P A S S E R I N E a n d U p U p A w a y

d o o r s o p e n 7 : 0 0 P Mh t t p : / / w w w . f a c e b o o k . c o m / t h a n d o m u s i c

Free CDon

Entry

T h u r s d a y 1 9 J u n eT h e T o f f i n T o w nL e v e l 2 , C u r t a i n H o u s e2 5 2 S w a n s t o n S th t t p : / / t h e t o f � n t o w n . c o m /

thando

inferno

LAYOUT

Instrument:

Family Name: Given Name:Family Name: Gender: M FDate of Birth: / /Country of Citizenship Country of Birth:Home Telephone: ( ) Mobile Telephone: ( )Current Address: State:Email: Occupation:

Education (current): Position or Year in School:

School of Organisation: Teacher:

Name: Location:Position: Date(s):

Name: Location:Position: Date(s):

:

Yes No Yes No

Office use onlyDate received / / Payment received Yes No

Details entered Yes No

Orchestra Application 2010-08-31AISOI Organizing Committee

Conservatorium of Music, Private Bag 63

Hobart Tasmania 7001AUSTRALIA

Phone + 61 3 6226 7314Facsimile + 61 3 6226 7333

Email aisoi.music@utas.edu.auwwww.utas.edu.au/aisoi

Performing organizations with which you are/have been affiliated:

Other music festivals/additional advanced training (masterclasses, etc):

Please state city in which you would like to auditionAccommodation cost for AISOI is A$650 including bed, breakfast and packed lunch.I would like to receive scholarship informationI have included A$55 application fee

Return this form to: AISOI Organizing CommitteePrivate Bag 63Hobart Tasmania 7001AUSTRALIA

THEMAHLEREXPERIENCE

SATURDAY 27 NOVEMBER - SATURDAY 11 DECEMBER 2010

The Australian International Summer Orchestra Institute provides exciting training to aspiring pre-professional orchestral musicians.Through working with acclaimed conductors,soloists and instrumental tutors, the AISOI provides superb training and concert experience to young musicians. For two intensive weeks, young musicians from around Australia and overseas participate in a tremendous program of rehearsals, masterclasses, orchestral sectionals and performances with international guest conductors, soloists and leading Australian tutors drawn from the major symphony orchestras of

And so has ours. Gustav Mahler, whose compositions were broadly ridiculed by the establishment at the time, patiently and confidently responded to such charges with often quoted retort: “my time will come!” Indeed, we have seen over the past 50 years an intensifying reverence for this master composer. Today, it is fair to claim that he ranks as one of the most profound symphonists of all time whose influence ranks as high as Beethoven, Haydn and Brahms. Our time has come, too. Many would have called it an impossible quest to have a high quality orchestral institute based at a university an undertaken from Tasmania. We have found a success attributed to the visionary leadership of the University of Tasmania coupled with the unique attractiveness of Tasmania. So Mahlers time has come and the time for AISOI to bring this mighty voice Tasmania has also. In 2010 AISOI will mount the massive Symphony No. 6, ‘The Tragic ‘. This work calls for an orchestra of quintuple woodwinds, eight horns, quadruple brass, a massive percussion and string section and the famous hammer, the pounding, wooden strokes of which intone the ‘hammer blows of fate’ In the work’s final movement. We have also chosen another major masterpiece by a symphonic genius of the twentieth century - the superb Shostakovich Eighth Symphony. Add to this works by Knehans, Part, Elgar, Britten and Strauss and it adds up to an exhilarating two weeks in Hobart His time has come and our time has come.

HIS TIME HIS TIME HAS COME

Passion in sound.Power in performance...ELITE ORCHESTRAL TRAINING

Audition Dates 28 JUNE - 9 July

See page 10PROGRAMME

World Dreaming Douglas Knehans - Glow - Concerto for violin, clarinet and orchestra (World Premiere) Soloists: Walter Verdehr (violin)Dmitri Shostakovich - Symphony No. 8

String SongEdward Elgar - Serenade for stringsRichard Strauss - Metamorphosen for 23 solo stringsBenjamin Britten - Simple Symphony

Reliquaries of Love Arvo Part - Cantus in Memory of Benjamin BrittenGustav Mahler - Symphony No. 6 ‘The Tragic’

CONCERT ONE

CONCERT TWO

CONCERT THREE

THEVERDEHRS

Violinist Walter Verdehr and his wife, clarinettist Elsa Ludewig-Verdehr, are the two founding members of the acclaimed Verdehr Trio. With the assistance of Michigan State University, where they are faculty members, they have commissioned over 100 new works for clarinet, violin and piano trio. Composers who have written for them include Alan Hovhaness, Karel Husa, John McCabe, Giancarlo Menotti, Thea Musgrave, Ned Rorem and Gunther Schuller, Richard Mills, Peter Sculthorpe and Douglas Knehans. The Verdehr Trio has undertaken many world tours, appearing not only as a chamber ensemble but as soloists in several triple concertos written for them. AISOI 2008 will see the premier of a double concerto they have commissioned just for violin and clarinet from AISOI Artistic Director Douglas Knehans.

Janet Webb - Principal Flute Sydney Symphony Orchestra

David Nuttall - Principal OboeTasmanian Symphony Orchestra

Frank Celata - Principal ClarinetSydney Symphony Orchestra

Nicole Tait - Principal BassoonQueensland Orchestra

Wendy Page - Principal HornTasmanian Symphony Orchestra

Daniel Mendelow - Principal TrumpetSydney Symphony Orchestra

TUTORSWoodwind

Strings

Michael Bertoncello - Principal TromboneMelbourne Symphony Orchestra

Brendon Lukin - Principal TubaRAAF Central Band

Gary Wain - Principal Percussion Tasmanian Symphony Orchestra

Matthew Goddard - Principal TimpaniTasmanian Symphony Orchestra

Sebastien Lipman - Former solo harp, Berlin Philharmonic, Oslo Philharmonic and Norwegain Radio Orchestra

Edwin Paling - Associate Professor of Violin and Head of StringsUTAS Conservatorium former concertmaster, Royal Scottish National Orchestra

Jun Yi Ma - Associate Professor of Violin, UTAS Conservatorium former concertmaster Tasmanian Symphony Orchestra

Rosalin Lazaroff - Principal Second Violin, Royal Scottish National OrchestraWong Ka - Violin

Josephine St Leon - Former principle Viola, English National Ballet Orchestra

Christian Wojtowicz - Lecturer in Cello, UTAS Conservatorium

249mm total.

3mm

3mm

124mm 125mm

Back Cover. This way up. Front cover. This way up.

125mm

17mm

17mm

159mm

total.

This file can be used as a template in Illustrator.

When submitting art using this file as a template, please delete the layer named:“Delete this layer” and only leave the “Artwork layer” and “Trim & Fold Marks” layers.

If using this template in other art programs, please ensure that your finalart has only your art and the Trim & Fold marks, delete all other visible objects and text.

Note: Text on the spine should read in the direction of “Spine” on the template.

Cardboard Wallet - Side Opening.This specification is to scale and may be used as a template.

C

M

Y

CM

MY

CY

CMY

K

Card_Wallet_Side[1]Thando.pdf 1 31/05/13 2:31 PM

Down

Written By Thando SikwilaProduced by Thando Sikwila

Co Produced by Henry Robinson

Drums: Jeremy Schiftan and Henry James

Keys/Keys/Synths: Michæl CooperBass: Reece Marr

Guitar: Henry JamesVocals: Thando Sikwila

Backing Vocals: Mœ Tuinauvai and Kiran Mays

Mixed and recorded by Louie MichælMasMastered by Simon Russel

thando

inferno

Inferno

written and produced by Henry JamesLyrics by Thando Sikwila

Drums- Ryan Haustorfer Bass- Reece Marr

Guitar- Henry JamesPiano & Piano & Vox - Thando Sikwila Backing Vox - Liona Tatafu

Recorded at Salt Studios, Melbourne Australia, Recording Engineer: Ziv Gorgievski,

Mix Engineer: Ziv Gorgievski / Alex Quayle, Mastered at Jack the Bear’s Deluxe Mastering, Mastered by Tony “Jack The Bear” Mantz

1. Inferno2. Down

PHOTOGRAPHY

ILLUSTRATION

WEB DEVELOPMENT

www.twolfconcepts.com

www.brandbakery.com.au

www.weshyne.com.au