fair use in the traditional classroom and online settings frank lancaster ut office of the general...
TRANSCRIPT
1
Fair Use in the Traditional Classroom and Online
SettingsFrank Lancaster
UT Office of the General CounselPresented at The University of Tennessee Martin
March 12, 2015
2
Introduction
3
What is a Copyright?
• A copyright is the legal right to control original expression – to exclude others from making copies (it is literally the “right” to make “copies”).
• A copyright owner has the exclusive rights (subject to specific exceptions) to:o Reproduction (Making Copies)o Performance and Displayo Distribution (Publication)o Creation of Derivative works (Adaptation)
Example – turning a book into a movie
4
Constitutional Basis of Copyright Law
Article I, Section 8, Clause 8: “The Congress shall have Power … To promote the Progress of Science and useful Arts, by securing for limited Times to Authors … the exclusive Right to their … Writings.”
5
Copyright Policy
• Purpose of copyright law: Benefit the public• Method of achieving the purpose of copyright
law: Incentivize creators to create by giving them a period of exclusive right to profit from their creations
• Copyright law is an ever-changing compromise/optimization between these competing interests
6
Copyright Protection
7
What Does Copyright Law Protect?
• Copyright protects expression – not facts or ideas
• What is protected is how you say it, not the substance of what you say
• (Ideas can be protected by patent law if novel, useful, and non-obvious)
8
Protectability Requires Originality
• Key to Protection: Originality
• Lenient standard Independent Creation = Non-Copied A Modicum of Creativity – “[T]he requisite level of
creativity is extremely low.” Feist Publications, Inc. v. Rural Telephone Service Co., 499 U.S. 340, 345 (1991).
9
When Does Copyright Protection Start?
• A protectable expression is protected from the instant it is fixed in a tangible medium of expression
= Recorded in some concrete wayFor words – usually typed or written down
• Registration with Copyright Office and Notice (© – the “C in a Circle”) are not required for protection
10
Use of Copyrighted Materials
11
In General – Be Careful of Copying
• Always think before you copy something• Just because you can – that does not mean
you may• Things on the Internet are not in the Public
Domain just because they’re on the Internet.
12
Digital Millennium Copyright Act
• 1998 Digital Millennium Copyright Act (“DMCA”)
• Do not strip off copyright ownership information!
• Called “Copyright Management Information” or “CMI”
• DMCA makes it illegal to circumvent or tamper with technological protection measures
13
Some Internet Pointers
• Use clearly public domain images and contento Note – Things published in the United States before
1923 are in the public domain
• Seek permission when in doubt
• Link instead of copying
• Be careful about Site Terms and Conditions
14
Four Ways To Use Copyrighted Materials Safely/Lawfully
• Permission – 100% protection• Section 110(1) – Very strong protection for
face-to-face teaching• Section 110(2) (TEACH Act) – Fairly strong
protection for online teaching• Section 107 Fair Use – Fuzzy protection based
on case-by-case analysis
15
Getting Permission
• Permitted use is always lawful• Better to get it in writing – but not legally
necessary• Most sources have an indication of whom to
asko Copyright Clearance Center (
http://www.copyright.com/)
16
Library Materials – A Special Case of Permission
• Check with the UT Martin Library about materials that are licensed for classroom reproduction/posting
17
Getting Permission – Sample Forms
• Columbia Forms: http://copyright.columbia.edu/copyright/permissions/requesting-permission/model-forms/
• Texas Form: http://copyright.lib.utexas.edu/permmm.html
• Michigan Form: http://guides.lib.umich.edu/content.php?pid=289569&sid=2380205
• Duke Form: http://blogs.library.duke.edu/scholcomm/frequently-asked-questions/toolkit/
18
Special Rule for Face-To-Face Teaching
• Copyright Act Section 110(1) protects “performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction …”
19
Special Rule for On-Line Education
• TEACH Act – Copyright Act Section 110(2) – protects performance/display if:o Directly related and of material assistance to the
teachingo Under the actual supervision of an instructoro Recipients limited to enrolled studentso Use technical measures to protect against
unauthorized retention/retransmissiono University has policies/training regarding copyrighto Copyright notice to students
20
Fair Use
• A copyright owner’s rights are trumped by fair use of copyrighted material
• Need botho Proper Context/Purposeo Pass Fair Use Four-Factor Balancing Test
21
Fair Use – The Statute “Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproductions in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include –
(1) The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.”
22
Fair Use – Contexts
• Examples of Fair Use Contexts/Purposeso Criticismo Commento News Reportingo Teaching (including multiple copies for classroom
use)o Scholarshipo Research
23
Fair Use Four Factor Test
• Fair Use Balancing Test – Look at:o The purpose and character of the use, including
whether such use is of a commercial nature or is for nonprofit educational purposes
o The nature of the copyrighted worko The amount and substantiality of the portion used in
relation to the copyrighted work as a wholeo The effect of the use upon the potential market for or
value of the copyrighted work• Georgia State Case => No One Factor Trumps
24
Fair Use – Factor 1
• The Purpose and Character of the UseFavors Fair Use Weighs Against Fair Use
Educational
Non-Profit Commercial
Transformative (e.g., for comment, critique, or parody)
Simple Reproduction
25
2 Live Crew’s “Pretty Woman”
• 1964 Roy Orbison Song “Pretty Woman”• 1989 2 Live Crew Rap Version of “Pretty
Woman”o Uses same melody as original Roy Orbison songo Uses some of same lyricso Other, new, lyrics satirize and parody original song
oWas this a fair use?
26
Answer
• YesCampbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994).
• Strong protection for parody
• Recognition that you can’t do parody without some copying: “Parody needs to mimic an original to make its point, and so has some claim to use the creation of its victim’s … imagination.”
27
Gone with the Wind
• 1936 – Margaret Mitchell published Gone with the Wind
• 2001 – Alice Randall published The Wind Done Goneo The same story told from the viewpoint of a slave living
on Scarlett O’Hara’s plantationo Uses the characters, plot, major scenes – and verbatim
copies of some of the dialogue – from Gone with the Wind to criticize the novel’s depiction of slavery and the American South
o Was this a fair use?
28
Answer
• YesSuntrust Bank v. Houghton Mifflin Co., 268 F.3d 1257 (11th Cir. 2001).
• A “parody” does not have to be humorous – the key element is borrowing from another work in order to to comment/critique
29
Fair Use – Factor 2
• The Nature of the Copyrighted Work
Favors Fair Use Weighs Against Fair Use
Factual/Practical Works Highly Creative Works
Published Work Unpublished Work
30
Fair Use – Factor 3
• The Amount and Substantiality Used
Favors Fair Use Weighs Against Fair Use
Quantitative Copy a small amount Copy a large amount
Qualitative Copy heart of work
31
President Ford’s Memoirs
• The Nation Magazine printed a portion of Gerald Ford’s MemoirsoMagazine used about 300 words of copyrighted
material – out of a 450 page book.o The part quoted was about Ford’s decision to
pardon Nixon
oWas this a fair use?
32
Answer
• No – not a fair useHarper & Row, Publishers v. Nation Enterprises, 471 U.S. 539 (1985).
• The magazine took “the heart of the work”
• Qualitative importance (and commercial use) trumped quantitative minimalness
33
Fair Use – Factor 4
• The Effect on the Market/Value of the Work
• Giving the students a copy so they don’t have to buy it – sure to flunk the fair use test.
Favors Fair Use Weighs Against Fair Use
Little or no impact on current or potential market
Affects copyright owner’s ability to sell product
Affects copyright owner’s ability to adapt work
34
Fair Use and Permissions
• It never hurts to ask for permission – does not count against you on fair use analysiso Supreme Court => “[B]eing denied permission to
use a work does not weigh against a finding of fair use.” Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 585 n. 18 (1993).
35
Documenting/Record-Keeping
• Keep a File of Permissions• Keep a File of Fair Use Analyses
o Columbia Fair Use Checklist: http://copyright.columbia.edu/copyright/files/2009/10/fairusechecklist.pdf
36
Providing Copies – Uploading PDFs to
Blackboard
37
Providing Copies to Students
• Fiscal Policy FI0155
• United States Copyright Office Circular 21 – “Reproduction of Copyrighted Works by Educators and Librarians”o http://www.copyright.gov/circs/circ21.pdf
• Guidelines for Classroom Reproduction provide very little protection for copying – require “spontaneity”
38
The Coursepack Case
• A commercial copyshop prepared coursepacks of readings that were sold to students at the University of Michigan
• Included excerpts of books that were 5% to 30% of the original books.
oWas this a fair use?
39
Answer
• NoPrinceton University Press v. Michigan Document Services, Inc., 99 F.3d 1381 (6th Cir. 1996).
• Commercial use and harm to market for original books => not a fair useo Note – the vote was 8-5
• Any time someone is copying so that someone else does not have to buy the original – that’s a red flag, it’s not likely to be a fair use.
40
The E-Reserves Case
• Cambridge University Press v. Patton, 769 F.3d 1232 (11th Cir. 2014) (the “Georgia State Case”).o Georgia State made materials available to
students on line, instead of hard copies on reserve in library
oWas this a fair use?
41
Answer
• Sort of
• Of 75 claimed infringements, the trial court ruled in favor Georgia State on 70o On the 5 violations, a limited injunction issued: “Follow Your
New Policy”• District Court used a 10% or 1-Chapter Rule
o Court of appeals rejected quantitative safe harbor• Georgia State likely to win most/all on remand.• BUT … Georgia State has spent more than $3 Million
defending the case.
42
Uploading to Blackboard
• Don’t upload materials to Blackboard for your students to use unless:– You have permission– You have performed (and saved) a written fair-use
analysis fairly justifying doing so.• Never upload materials to Blackboard for your
students to use in lieu of having them purchase the materials
43
Some Resources
44
Some Copyright Resources
• Website for U.S. Copyright Officeo http://www.copyright.gov/ o Copyright Circulars –
http://www.copyright.gov/circs/
• UT Office of the General Counsel Website – http://bot.tennessee.edu/counsel-copyright.html o Has Links to Columbia, Stanford, Texas
45
Questions/Comments?