exam and assignment dates
DESCRIPTION
Exam and Assignment Dates. Midterm 1 Feb 3 rd and 4 th Midterm 2 March 9 th and 10 th Final April 20 th and 21 st Idea journal assignment is due on last day of class. Textbooks. Sensation and Perception Fundamentals of Sensation Cognition – Useful in a few weeks - PowerPoint PPT PresentationTRANSCRIPT
Exam and Assignment Dates
• Midterm 1 Feb 3rd and 4th • Midterm 2 March 9th and 10th
• Final April 20th and 21st
• Idea journal assignment is due on last day of class
Textbooks• Sensation and Perception• Fundamentals of Sensation
• Cognition – Useful in a few weeks
• Course Pack – Will start in a couple weeks.
Useful Now
Hearing• Detection • Loudness • Localization• Scene Analysis • Music• Speech
Detection and Loudness
• Sound level is measured in decibels (dB) - a measure of the amplitude of air pressure fluctuations
Detection and Loudness
• Sound level is measured in decibels (dB) - a measure of the amplitude of air pressure fluctuations
• dB is a log scale - small increases in dB mean large increases in sound energy
Detection and Loudness
• Sound level is measured in decibels (dB) - a measure of the amplitude of air pressure fluctuations
• dB is a log scale - small increases in dB mean large increases in sound energy
• We have a dynamic range that is a factor of 7.5 million!
Detection and Loudness
• minimum sound level necessary to be heard is the detection threshold
Detection and Loudness
• detection threshold depends on frequency of sound:
• very high and very low frequencies must have more energy (higher dB) to be heard
• greatest sensitivity (lowest detection threshold) is between 1000 hz to 5000hz
Detection and Loudness
• Detection can be compromised by a masking sound
• even masking sounds that are not simultaneous with the target can cause masking (forward and backward masking)
Detection and Loudness
• Loudness is the subjective impression of sound level (and not identical to it!)
Detection and Loudness
• For example, tones of different frequencies that are judged to be equally loud have different SPLs (dB)
Detection and Loudness
• Hearing loss due to exposure to high-intensity sounds (greater than 100 dB) is frequency-specific and can last many hours
Detection and Loudness
• Incidence of noise-related hearing loss is increasing dramatically• iPods and other “earbud” music players are thought to be partly
responsible• How loud is an iPod?
– maximum volume is approximate but is somewhere between 100 dB (hearing damage in about 2 hours) to 115 dB (hearing damage in about 15 minutes)
• Consequences: difficulty understanding speech, tinnitus, deafness • Your perception of loudness adapts so it’s hard to tell how loud your
iPod is - LOCK THE VOLUME ON YOUR iPOD!
• recall the lake analogy: task is to – localize the positions of the boats on a lake
using the pattern of ripples at two points on the shore
– Identify the sources of those ripples
– Ignore non-relevant ripples
Auditory Scene Analysis
• All you have is a pair of instruments (basilar membranes) that measure air pressure fluctuations over time
Localization
• There are several clues you could use:
Localization
Localization
Left Ear
Right Ear
CompressionWaves
• There are several clues you could use:
1 arrival time - sound arrives first at ear closest to source
Localization
Localization
Left Ear
Right Ear CompressionWaves
• There are several clues you could use:
1. arrival time
2. phase lag (waves are out of sync) - wave at ear farthest from sound source lags wave at ear nearest to source
Localization
Localization
Left Ear
Right Ear CompressionWaves
• What are some problems or limitations?
Localization
• Low frequency sounds aren’t attenuated by head shadow
Localization
Left Ear
Right Ear CompressionWaves
Sound is the sameSPL at both ears
• High frequency sounds have ambiguous phase lag
Localization
Left Ear
Right Ear
Left Ear
Right Ear
Two locations, same phase information!
• These cues only provide azimuth (left/right) angle, not altitude (up/down) and not distance
Localization
Left Ear
Right Ear Azimuth
Localization
Additional cues:
Localization
Additional cues:
Head Related Transfer Function: Pinnae modify the frequency components differently depending on sound location
Localization
Additional cues:
Room Echoes:For each sound, there are 6 “copies” (in a simple rectanguluar room!). Different arrival times of these copies provide cues to location of sound relative to the acoustic space
Localization
• What would be the “worst case” scenario for localizing a sound?