evaluating trachtenberg’s medieval modernism theory

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Evaluating Trachtenberg’s Medieval Modernism theory

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Page 1: Evaluating Trachtenberg’s Medieval Modernism theory

Evaluating Trachtenberg’s Medieval Modernism theory

Page 2: Evaluating Trachtenberg’s Medieval Modernism theory

Romanesque Cathedral of St.-Lazare, Autun, France, 1120-46 w/ 15th-cen. Gothic additions

Page 3: Evaluating Trachtenberg’s Medieval Modernism theory

Romanesque Cathedral of St.-Lazare, Autun, France, 1120-46

the pilasters: “self-conscious, knowing, modernizing distortions of the very antiquity to which these same buildings are so powerfully attached” (Trachtenberg 2000, 203n11).

Page 4: Evaluating Trachtenberg’s Medieval Modernism theory

Conrad’s Speyer Cathedral, 1030-61Constantine’s Basilica (aula nova) at Trier, 305-312

Page 5: Evaluating Trachtenberg’s Medieval Modernism theory

Henry IV’s Speyer Cathedral, 1080sConrad’s Speyer Cathedral, 1030-61

Page 6: Evaluating Trachtenberg’s Medieval Modernism theory

Romanesque Cluny III in photo montage recon. of crossingrecon. of nave

Cluny III: “scattered, episodic, fragmentary, often superficial modernist gestures” (187).

Page 7: Evaluating Trachtenberg’s Medieval Modernism theory

rib vaults of Chartres Cathedral, 1194-1260groin vaults of Speyer Cathedral, 1080s

Page 8: Evaluating Trachtenberg’s Medieval Modernism theory

Nôtre-Dame, Paris

nave elevation looking west

1150-55

nave elevation looking east

Page 9: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres Cathedral, Chartres, France, 1194-1221

I. Symbolism in High Gothic great churches Labyrinths

12.85 m. diameter maze installed in 1215-21

Page 10: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres Cathedral – maze installed in 1215-21

I. Symbolism Labyrinths

Page 11: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres Cathedral – labyrinth defining difference between west vs. east end of the church

I. Symbolism Labyrinths

Page 12: Evaluating Trachtenberg’s Medieval Modernism theory

Silver coin from Knossos on the island of Crete, Greece, 325 BCE

(No maze found in the palace at Knossos)

Mazes in the Greek world

Floor mosaic of a Roman villa near Cremona, Italy, 1st cen. CE

Mazes in the Roman worldDaedalus – mythical architect,

creator of the labyrinth

I. Symbolism Labyrinths

Page 13: Evaluating Trachtenberg’s Medieval Modernism theory

Early Christian El-Asnam CathedralEl-Asnam, Algeria, 324, floor mosaic

Detail of the labyrinth El-Asnam CathedralAlgeria, ca. 324 CE

Mazes in early Christian churches

I. Symbolism Labyrinths

Page 14: Evaluating Trachtenberg’s Medieval Modernism theory

I. Symbolism Labyrinths

Location of floor labyrinths in medieval churches

Romanesque San Michele in Pavia Italy, 1100-1150

Small scale labyrinths in Italy

Page 15: Evaluating Trachtenberg’s Medieval Modernism theory

Reims Cathedral, Reims, France, c. 1211-1290 – labyrinth now lost

I. Symbolism Labyrinths

Page 16: Evaluating Trachtenberg’s Medieval Modernism theory

Reims Cathedral, Reims, France, c. 1211-1290

I. Symbolism Labyrinths

Memory of the promethean architect / demiurge honored

Page 17: Evaluating Trachtenberg’s Medieval Modernism theory

Amiens Cathedral, Amiens, France, 1220-1269 – labyrinth is a modern reconstruction

Page 18: Evaluating Trachtenberg’s Medieval Modernism theory

I. Symbolism in High Gothic great churches Sculpted portals

Chartres Cathedral – façade (west) Chartres Cathedral – Royal Portal (façade portal) (early Gothic 1145-55)

Ascension Christ in Majesty Virgin portal (incarnation)

Page 19: Evaluating Trachtenberg’s Medieval Modernism theory

I. Symbolism in High Gothic great churches Sculpted portals – Christian belief and intellectual life

Chartres Cathedral – Virgin Portal Chartres Cathedral – Royal Portal (façade portal) (early Gothic 1145-55)

Ascension Christ in Majesty Virgin portal (incarnation)

Encyclopedic in scope – like the compendia written by scholastic philosophers

Page 20: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres Cathedral – south transept portal – three portals dedicated Last Judgment theme(High Gothic 1205-40)

I. Symbolism in High Gothic great churches Sculpted portals – Christian belief and intellectual life

Page 21: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres south transept portal (High Gothic 1205-40)

I. Symbolism in High Gothic great churches Sculpted portals – Christian belief and intellectual life

Human figure used to embody metaphysical ideals

Early Gothic defined, cylindrical, attenuated column figures

“Classical” St. George

Page 22: Evaluating Trachtenberg’s Medieval Modernism theory

Chartres Cathedral – south transept (High Gothic 1205-40)

I. Symbolism in High Gothic great churches Sculpted portals – Christian belief and intellectual life

Page 23: Evaluating Trachtenberg’s Medieval Modernism theory

I. Symbolism in High Gothic great churches Sculpted portals

Chartres Cathedral – façade (west) Chartres Cathedral – Royal Portal (façade portal) (early Gothic 1145-55)

Ascension Christ in Majesty Virgin portal (incarnation)

Page 24: Evaluating Trachtenberg’s Medieval Modernism theory

I. Symbolism in High Gothic great churches Sculpted portals – Christian belief and intellectual life

Chartres Cathedral – Virgin Portal Chartres Cathedral – Royal Portal (façade portal) (early Gothic 1145-55)

Ascension Christ in Majesty Virgin portal (incarnation)

Encyclopedic in scope – like the compendia written by scholastic philosophers