education thanks “we live in media, as fish live to ...€¦ · education thanks to innovation...

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EDUCATION THANKS TO INNOVATION SIANA MIHOVA, 10843 PROJECT I, 2017/18, 1º YEAR, 1º SEMESTER Burnham wrote that the purpose of “software” wasn’t to bring artist and technology together but rather “to focus our sensibilities on the fastest growing area in this culture: information processing systems and their devices.” Through technology, artists don’t produce art as people knew it tens or thousands of years ago, Burnham defines computers as “instrumental in redefining the entire area of esthetic awareness.” Unlike the general understanding at the time that computers are these complicated machines that bring people confusion, Ted Nelson believed that “Computers are simply a necessary and enjoyable part of life, like food and books. Computers are not everything, they are just an aspect of everything, and not to know this is computer illiteracy, a silly and dangerous ignorance. “We know virtually nothing of human abilities except as they have been pickled and boxed in schools” “In ordinary schooling, the victim cannot orient himself to the current topic except by understanding the official angle of approach and presentation.” Nelson said this 40 years ago and unfortunately, in some extend, it still applies to the current education system. “We live in media, as fish live in water.”(Many people are prisoners of the media, many are manipulators, and many want to use them to communicate artistic visions.) And namely this is the main use of computers, “to help people write, think and show.” Because it’s up to us to design “the systems we are all going to have to live with.” Digital Visions – Computers and Art by Cynthia Goodman 1987 p41. Roy Ascott, Paramater IV, 1967. Polymer-stained wood, 972 x 1148cm. Computer Lib/Dream Machines by Ted Nelson, 1974 Roy Ascott, Paramater IV, 1967. Polymer-stained wood, 972 x 1148cm. November 27, 1968–February 9, 1969 The Museum of Modern Art

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Page 1: EDUCATION THANKS “We live in media, as fish live TO ...€¦ · EDUCATION THANKS TO INNOVATION SIANA MIHOVA, 10843 PROJECT I, 2017/18, 1º YEAR, 1º SEMESTER Burnham wrote that

EDUCATION THANKS TO INNOVATIONSIANA MIHOVA, 10843PROJECT I, 2017/18, 1º YEAR, 1º SEMESTER

Burnham wrote that the purpose of “software” wasn’t to bring artist and

technology together but rather “to focus our sensibilities on the

fastest growing area in this culture: information processing

systems and their devices.” Through technology,

artists don’t produce art as people knew it tens

or thousands of years ago, Burnham defines

computers as “instrumental in redefining the entire

area of esthetic awareness.”

Unlike the general understanding at the time that

computers are these complicated machines that

bring people confusion, Ted Nelson believed

that “Computers are simply a

necessary and enjoyable

part of life, like food and books.

Computers are not everything,

they are just an aspect of

everything, and not to

know this is computer

illiteracy, a silly

and dangerous

ignorance.

“We know virtually nothing of human abilities except

as they have been pickled and boxed in schools” “In ordinary schooling, the victim

cannot orient himself to the current topic except

by understanding the official angle of

approach and presentation.” Nelson

said this 40 years ago and

unfortunately, in some

extend, it still applies

to the current

education

system.

“We live in media, as fish live in water.”(Many people are prisoners of

the media, many are manipulators, and many

want to use them to communicate artistic

visions.) And namely this is the main

use of computers, “to help people

write, think and show.”

Because it’s up to us to

design “the systems

we are all going

to have to live

with.”

Digital Visions – Computers and Art by Cynthia Goodman 1987 p41.

Roy Ascott, Paramater IV, 1967. Polymer-stained wood, 972 x 1148cm.

Computer Lib/Dream Machines by Ted Nelson, 1974

Roy Ascott, Paramater IV, 1967. Polymer-stained wood, 972 x 1148cm.

November 27, 1968–February 9, 1969 The Museum of Modern Art