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sirotinj e, Zagreb, 1950; Isti, Marin Dri Vidra, Beograd, 1958; 1508 - 1958, ,

, 1958; ., , , 1964; L . Kouta, Pravi i obrnuti svij et u Dri ievu

Dundu Maroj u, Mogunosti , Sp\it,l 96%,XV, 11, str. 1356-1376; 12, str. 1479

-1492; Zbornik radova o

Mrinu Driu, Zagreb, 1969.2 . ., , Jlemonuc , 1963, . 4, . 349

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380; F. velec, Komiki teatar Marina Dria, Zagreb, 1968; M. , Mapoj e -

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. 517-532; F.ale, Dj ela, Marin Dri, Zagreb, 1979; 3. , Mapoj e ,

, 1982.

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82

B rank o L et i

M ARIN DR I ON REALITY AND RF.AL IN THE COM EDIES OF THE RENA ISSANCE

(Summary)

Dri's comedies both explicitly and implicitly indicatc his thcoretical and artistic attitude tovvard

reali ty. Hc respccted the opinions of the contemporary Italian theoreticians and comediographcrs that

thc authors on the scene should represent modern towns, domcstic humours and customs. but, in

addition to this, he emphasized the need for the artistic reprcscntation of real ity, becausc art, as

negromanzia, gave some more universal representation of it. Hc espccially applicd this dcmand in the

concept of the eomic characters who, in the previous comical forms, werc markcd by a ccrtain comical

featurc: the author, as a negromante, should bring them to li fe in order to makc thcm "walk

" and

"talk

",

as i f they were al ive. Only then, they would be "funny in a proper way

".