West Kowloon Cultural District AuthorityHong Kong Palace Museum
Public Consultation and Exhibition Details (Large Print)
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Table of Content
The Hong Kong Palace Museum 5 The Palace Museum 9 The Palace Museum and Hong Kong 12 Hong Kong Palace Museum 19 Proposed WKCD Development Plan 22 Enhancing Public Space Network 23 Site Plan 24 Relationship Between Square, Park and the Waterfront 25 View from Square 27
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Exploratory Ideas 28 Spatial Concept 30 Formal Exploration 32 Spatial Design Concept 33 Section 36 Floor Plans and Rendering Pictures 39 Upper Ground Floor 39 Second Floor 43 Fourth Floor 46 Lower Ground Floor 50
Waterfront Vitality and Connectivity 55
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Development Design Parameters 56 Cultural Projects by Rocco Design Architects 59 Key Functions of Hong Kong Palace Museum 68 West Kowloon Cultural District 69 Xiqu Centre 71 Art Park 72 Freespace 73 M+ 74 Lyric Theatre Complex 75 Artist Square 76
Your Comments and Suggestions 77
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The Hong Kong Palace Museum
A unique museum that will add to the cultural vibrancy of the West Kowloon Cultural District and enhance Hong Kong’s status as a cultural metropolis and Asia’s world city.
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The building of a new world class museum that is dedicated to the display and interpretation of artefacts from the renowned Palace Museum is a significant addition to the cultural fabric of the West Kowloon Cultural District (WKCD).
Located on the harbourfront next to the Art Park at the western end of the District, the Hong Kong Palace Museum will join the M+ museum of visual culture, the Freespace, the Lyric Theatre Complex and the Xiqu Centre to provide local and international visitors to the District a diverse range of cultural facilities and experience.
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The development of a Hong Kong Palace Museum is the result of a unique collaborative arrangement between the West Kowloon Cultural District Authority and the Palace Museum under which the latter’s exquisite collection can be loaned to the Museum on a long-term basis. The Hong Kong Palace Museum is not a branch museum of the Palace Museum, and will be operated and managed by the West Kowloon Cultural District Authority with its own professional staff and as an arts and cultural facility of the District.
This project has been made possible thanks to a generous donation of $3.5 billion by the Hong Kong Jockey Club
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Charities Trust which will be used to fund the costs of design and construction of the Hong Kong Palace Museum.
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T
he Palace Museum
One of the world’s greatest museum collections
Situated in the very heart of Beijing, the Palace Museum is a UNESCO World Heritage Site renowned for its vast holding of over 1.8 million artefacts including paintings, ceramics, calligraphy, and antiquities belonging to the imperial collections. The Palace Museum houses many nationally protected
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valuable cultural objects, but due to its huge scale only a small fraction (around 0.6%) of this extraordinary collection is able to be displayed to the public at any given time.
In the Mainland, museum collections are classified into rare and general cultural artefacts. The rare cultural artefacts are further classified into three grades. Among the 4.01 million rare cultural artefacts held in all museums (around 4,100) in the Mainland today, about 42% (about 1.68 million) belong to the Palace Museum’s collection. The collection includes over 367,000 ceramics, over 180,000 textile pieces, 53,000 paintings, 75,000 calligraphy works, 19,000 lacquer items and over 23,000 jade
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objects. In 2016 the Palace Museum attracted a record 16 million visitors.
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The Palace Museum and Hong Kong A History of cultural collaboration
In 2007, in celebration of the 10th Anniversary of the Hong Kong Special Administrative Region, the Leisure and Cultural Services Department (LCSD) co-organised with the Palace Museum a two-part exhibition featuring 32 masterpieces of Chinese painting and calligraphy from the Palace Museum. This exhibition attracted an overwhelming 152,000 visitors despite the short duration and space constraints of the Hong Kong Museum of Art.
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In 2012, LCSD signed a collaborative agreement with the Palace Museum under which annual exhibitions are co-organised to display the rich diversity of the Palace Museum’s collection. Since then, four exhibitions have been organised and each explored a theme within the collection. These exhibitions have been extremely popular with the public attracting a total of some 430,000 visitors.
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June to August 2007 Hong Kong Museum of Art The Pride of China: Masterpieces of Chinese Painting and Calligraphy of the Jin, Tang, Song and Yuan Dynasties from the Palace Museum
A two-part exhibition featuring 32 masterpieces of Chinese painting and calligraphy from the Palace Museum
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June to October 2012 Hong Kong Museum of Art A Lofty Retreat from the Red Dust: The Secret Garden of Emperor Qianlong
93 masterpieces from the Palace Museum, including items of painting and calligraphy, furniture, mural paintings, architectural elements and religious art presented in a gallery designed to reconstruct the sense of intimacy and allure of the Qianlong Garden, with the assistance of multimedia installations.
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July to October 2013 Hong Kong Museum of History The Splendours of Royal Costume: Qing Court Attire
An exhibition of more than 130 textile pieces including official costumes, festive costumes, travel costumes, military costumes and leisure costumes and featuring costumes worn by Emperor Kangxi, Emperor Yongzheng, Emperor Qianlong, Emperor Tongzhi, Emperor Guangxu, and Puyi, the last emperor of the Qing dynasty.
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June to September 2015 Hong Kong Science Museum Western Scientific Instruments of the Qing Court
Exhibits from the Western science and technology collection of the Palace Museum covering eight main themes: paintings, astronomy, mathematics, measurement, medicine, weapons, articles for daily use, and clocks and watches.
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November 2016 to February 2017 Hong Kong Heritage Museum Ceremony and Celebration - The Grand Weddings of the Qing Emperors
A selection of portraits, documents, costumes, personal ornaments, dowry objects, wedding ritual objects and court musical instruments drawn from the Palace Museum’s collection that showcase the rituals and procedures of the grand weddings of the emperors.
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Hong Kong Palace Museum
Architecture is the embodiment of culture
Hong Kong is a highly modernised city rooted in Chinese heritage. The Hong Kong Palace Museum shall be a contemporary expression of:
• Traditional Chinese visual culture• Traditional Chinese spatial culture• Contemporary Hong Kong urban culture
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Our design capitalizes on the
interaction between the museum building and its surrounding environs, and to bring about further enhancement of the public domain at the same time.
excellent site settings to foster
Palace Museum Hong Kong
Xiqu Centre
Bridging Hong Kong, Chinese and international cultures. Synergizing traditional and contemporary arts.
M+
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Interpretation of contemporary Hong Kong urban culture:
• Appropriate building density• Compact urban fabric• Optimise vertical space• Dynamic flow of public domain• Interactions between architectures and its surrounding
spaces
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Proposed WKCD Development Plan
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Enhancing Public Space Network
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Site Plan
Site Plan Existing Footbridge
Exhibition Centre
Western Harbour Crossing
Views to Lantau Island
Views to Hong Kong Island Skyline
Amphitheatre
Art Park
Square
Hong Kong Palace Museum
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Relationship Between Square, Park and the Waterfront
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View from Square
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Exploratory Ideas Form
Museum architecture in particular is a reflection of our contemporary culture. At the same time, through unique and bespoke spatial and formal propositions, it should pay homage to the identity of the exhibits and provide an interactive environment for their appreciation by the public.
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Space, Materials, Views, Lighting
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Spatial Concept
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Traditional Spatial Phenomena:
• Poetry in Layering • Fluidity in Sequence
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Formal Exploration Traditional Visual Attributes:
• Majesty in Poise • Serenity in Balance • Uniqueness of Colours and
Textures • Subtlety in Glamour
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Spatial Design Concept Horizontal Spatial Sequence of Courtyards
Courtyard A Courtyard B Courtyard C Courtyard D
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Vertical Spatial Sequence of Atria
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Lantau Island
Hong Kong Island Skyline
Main Entrance Square
Lower Level Atrium UG/F & 1/F
Mid Level Atrium 2/F & 3/F
Upper Level Atrium 4/F & 5/F
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Section
Waterfront Promenade
Restaurant
Exhibition Gallery
Deck Atrium
Atrium
Main Entrance Lobby
Lecture Theatre Reception Lobby
Square
Visitor Drop-off
Outdoor Garden
Exhibition Gallery
Exhibition Gallery
Exhibition Gallery
Exhibition Gallery
Exhibition Gallery
Section
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Floor Plans and Rendering Pictures Upper Ground Floor
UG/F Plan
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Main Entrance
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Main Entrance Lobby
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Activity Room
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Second Floor
2/F Plan
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2/F Atrium
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2/F Atrium – View of Hong Kong Island
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Exhibition Gallery – View of Hong Kong Island
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Exhibition Gallery
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Fourth Floor 4/F Plan
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4/F Atrium – View of Lantau Island
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4/F Atrium – Sky Garden
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Lower Ground Floor LG/F Plan
Reception Lobby
Lecture Theatre
Activity Room
Restaurant
Temporary Storage
BOH
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Lecture Theatre
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Waterfront Outdoor Performance Stage North of the Museum
Outdoor Performance Stage to be constructed under the EC Contract
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View from Waterfront Promenade
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Exhibition Centre Site
Temporary Carpark for HKPM
Outdoor Performance Stage (to be constructed under the
EC Contract)
Grand Stair Leading to Museum Deck
Indoor and Outdoor F&B
Cultural Events
Promenade
Lecture Theatre
Educational
Waterfront Vitality and Connectivity
Indoor and Outdoor F&B
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Development Design Parameters Programme NOFA
Exhibition
Permanent Galleries 5600
Thematic Galleries 2000
Summary 7600
Education Facilities
Lecture Theatre 500
Activity Rooms 750
Summary 1250
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Programme NOFA
Public Space
Entrance Lobby 980
Bookshop 360
Restaurant 1000
RDE 250
Summary 2590
Office Summary 1000
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Programme NOFA
Museum BoH
General Storage 1000
Temporary Storage 200
Acclimatization Room 100
Exhibition Preparation Room 300
Workshops 300
Plant Rooms and Other Facilities 3000
Summary 4900
Total 17340
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Cultural Projects by Rocco Design Architects
Guangdong Museum Guangzhou, PRC
Conceived as an Objet d’art ina monumental scale, Guangdong Museum is an allegory to the impeccably and intricately sculpted antique Chinese artifact of a lacquer box, which collects and reflects treasures of the times. The spatial arrangement of
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the museum takes its conceptual reference from the carvings of the legendary Chinese ivory concentric balls. Each carving slices through the museum box and reveals different layers and varying degrees of transparency and dialogue between the interior halls in an intricate and explorative way. The Museum is an identifiable cultural icon and gives visitors a memorable experience on Chinese traditional wisdoms as well as appreciation of the city’s cultural identity.
2004 Winner, International Invited Competition
2009 HKIA Medal of the Year
2010 International Design Awards – Silver Award
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2013 Silver Prize, the China Weihai International Architectural Design Award Competition
2013 Chicago Athenaeum’s International Architecture Award
2014 ICONIC Awards, German Design Council
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Yunnan Provincial Museum
Kunming, PRC
Yunnan is China’s ‘colourful’ province, home to more than half of the nation’s ethnic minorities. The diverse cultures are unified by its unique landscape and accentuated by the richness of people, customs and relics. The generative concept of this museum is derived from the potent imagery of Yunnan’s famed local ‘stone forests’. It is the geography
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of raw beauty and, combined with the idea of stacked boxed holding diverse and fragile historical treasures, gives the architecture its defining metaphor as an assembled container of multi-cultural artifices.
2008 Winner, International Invited Competition
2014 HKIA Medal of the Year outside Hong Kong
2016 Chicago Athenaeum’s International Architectural Award
2016 Special Mention Award, Architizer A+Awards
2016 Winner, ICONIC Awards 2016, German Design Council
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L'Opéra Bastille
Paris, France
The 1983 international competition was to commemorate the 200th anniversary of the French Revolution. Inserted into a city fabric of immense histories and interests, the concept of the proposal is founded on three levels: it is at the same time an urban
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intervention, a monument and an organic filter for the city. The proposed design complements with the existing context in terms of building scale and material selection to revitalise the neglected streets. The subversive spirit of the revolution is echoed in the contemporary architectural proposition that blurs the inside and outside of the building to embrace different audience.
1983 1st Prize Award, International Competition
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Festival of Vision HK in Berlin – Bamboo Pavilion
Berlin, Germany
To the Chinese, bamboo is always associated with nobler human qualities such as resilience, honesty and humility. The practical and adaptability of bamboo scaffolding not only furnishes buildings, but are also used in constructing temporary theatres where troupes provide entertainment to communities. The bamboo framework highlights the
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bespoke craft of jointing, yet the triangular form of the Pavilion is contemporary and highly engineered – none of the members are horizontal or vertical as in traditional bamboo structures. The bamboo simultaneously fulfills the functions of exterior enclosure and structural support, its gossamer translucency is a result of the lattice-like, rhythmic placement of the linear bamboo members.
2001 HKIA Merit Award
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Key Functions of Hong Kong Palace Museum
• Exhibition Galleries • Lecture Theatre • Educational Activity Rooms • Workshops • Storage • Souvenir Shop • Restaurants • Office
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West Kowloon Cultural District A diverse cultural district
The West Kowloon Cultural District offers a variety of cultural venues that will cater for all interests and tastes. When the Hong Kong Palace Museum opens tentatively in 2022, it will join a number of existing facilities.
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Xiqu Centre – dedicated to the xiqu artform, the Xiqu Centre features a 1,050-seat main theatre and a 200-seat tea house theatre, as well as a large public atrium with shops and restaurants, and will act as the gateway to the eastern end of the District.
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Art Park – the green heart of the cultural district providing not only public space for enjoyment and relaxation but also a vibrant venue for open-air performances of music, dance, theatre, art exhibitions and other events.
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Freespace – located in the Art Park is the Freespace, a place where the public can explore new artistic experiences in a black box theatre that can accommodate 450 seated or 900 standing people. There is also a café / bar where small scale performances will take place.
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M+ – Hong Kong’s museum of visual culture, encompassing 20th and 21st century visual art, design and architecture, and moving image. It will be one of the largest museums of modern and contemporary visual culture in the world.
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Lyric Theatre Complex – A centre for excellence showcasing the best of Hong Kong and international dance and theatre. The Lyric Theatre Complex will comprise a 1,450, 600 and 270 seat performance spaces as well as extensive rehearsal spaces and a resident companies centre.
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Artist Square – a large public square that will provide a gateway to the District from the neighbouring area, and a location for events, markets and performances.
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Your Comments and Suggestions
The signing of the Memorandum of Understanding between the West Kowloon Cultural District Authority and the Palace Museum on 23 December 2016 signifies the first steps as well as a commitment from both sides to take forward the Hong Kong Palace Museum project in WKCD. There is still a lot to be
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done: the Design Consultant will have to refine his design ideas and come up with a design for the Museum. Going forward, we will need to work out the internal design of the exhibition galleries, map out the themes and programmes for the long term and thematic exhibitions and plan learning and interpretation activities to be held in the Museum.
We welcome your comments and suggestions on what you would like to see, covering both hardware and software, in the Hong Kong Palace Museum.
You can fill in a form or submit a comment or suggestion at the WKCD website www.westkowloon.hk
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