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  • JakeHartge

    VarsitySingers

    Period6

    CarouselattheLyricOpera

    OnApril24th,IwentdowntowntoChicagotoseeRodgersandHammersteins

    Carousel.Theproductionwashuge,withaspinningCarousel,ahuge20footpier,andmassive

    backdrops.Theshowlastedalittlelongerthan3hours,includingtheintermission.Itstarredall

    NewYork/MetropolitanOperastars,including:LauraOsnes,StevenPasquale,andDenyce

    Graves.

    LauraOsnes,whostarredasJulieJordan,wasoutstanding.Hertonewasvery

    disneyesque,withherfalsettoandherfullvoicesoindistinguishableitmadeherrangesound

    huge.Itcomesasnosurprisethatshesingslikeadisneyprincess,especiallybecauseofherrole

    inCinderellaonBroadway.Hertonewaswarmwhentherewasafasttempoedsong,whileher

    toneswitchedtoextremelyrichanddarkduringherballadafterhercostar,StevenPasquale,

    dies(YoullNeverWalkAlone).Stevensvoicestayedconsistentthewholeshow.Histone

    wasverynonchalant,ashisbodylanguagealsoshowed.Hissoftpalatewasobviouslylifted

    throughouttheshow,becausehehadwarm,openvowelsevenwhenhismouthwasbarelyopen.

    DenyceGraves,havingcamefromtheMetropolitanOpera,isawholedifferentstory.Hervowel

    placementwasfartherbackthanhercostars,andhervowelswerehuge,sobigattimes,the

    wordsshewassingingwereindistinguishable.Eachstarhadvowelplacementandtonethatfit

    thecharacterandmoodtheywere/werein.

  • Thecommitmenttoroleswasextremelywelldone.AfterStevenPasqualescharacter,

    BillyBigelow,stabshimselfanddies,Julie(Laura)isseencryingoverhisbody.SinceIwasin

    thesixthrow,thetearsrollingdownhercheekswerevisible.Besidestheaudibleweeping,the

    tearsonlysoldtheroleandaffectedtheaudiencemore.Nettie(Denyce)triestoconsoleher,and

    whenshereachesBilly,isjustasupset.ShegoesontosingYoullNeverWalkAlone,andit

    isnttearsthatmakesusfeelemotion,itsthewayinwhichshesingsit.Shestandsinthevery

    frontofthestage,andbeltsoutasongwithpleadingeyes.Herbodylanguagemadetheaudience

    leanintoeverywordshesang,aseachdeceptivecadencerippedattheaudienceshearts.Igauge

    aperformancebasedonhowmanytimesIfindmyselfthinkingaboutsomethingotherthanthe

    show,andthatdidnthappenonce,Iwascompletelyhypnotizedbytheamazingperformances.

    Thearticulationoftheleadswasstellar,forthemostpart.Laurausedherdisneyesque

    wayofsingingtomakeeachsyllablecrispandeasilyunderstandable.Fromstarringinsomany

    Broadwayshows,sheknowshowcleanandcrispwordsshouldbe,andcarriedthatknowledgeto

    Chicago.StevenPasqualeswordswerealsoclearlyaudible,thankstotheliftingofhissoft

    palatewhenhismouthwasntopenasfarasitmaybeshouldhavebeen.SinceDenyceGraves

    wasmoreusedtobeingontheOperascenethantheMusicalTheatrescene,wasmuchharderto

    understandtoanuntrainedear.AswevetalkedaboutwithMr.Bramstedt,theconsonantsofthe

    wordsshouldcomeasplitsecondbeforethedownbeat.Toanaivelistener,itsoundslikeshes

    onlysinginghugevowelsandthatcouldcompromisethecomprehensionofthelyric.Overall

    though,herdictionwasclearenoughtocatchthegistofwhatRodgersandHammersteincrafted

    somarvelously.

  • MyuncleistheheadofthepropdivisionattheLyric,andhegavemydateandIatourof

    thewholebuildingbeforetheshow.WewentonthespinningCarouselandwalkedonthe

    20footpier,alongwithseeingtheorchestrapitandcostume,wig,makeup,andpropstorage.

    Alongwithstellarperformancesbyeveryonefromtheleadstotheensembletothe57piece

    orchestrathatwasaccompanyingthem,thiswaybyfarthebestproductionIhaveseentodate.


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