Download - Fayez sharabaty web portfolio
/FAYEZ SHARABATY
PORTFOLIO
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› CONTENTS ‹
a.a.u cocoon library concept bethlehem\palestine
aCadEmIC PROjECTS
housing project ezbet harb\giza\egypt
megacity lab
performative skin
downtown\cairo\egypt
6th october\cairo\egypt
booth design cairo\egypt\
tareq-khatib residence hebron\haska mountain\palestine
wael-abu adas residence hebron\palestine
riwaq
h.r.c hebron rehabilitation committee
ramallah\palestine
old city\hebron\palestine
PROjECTS
CV
COmmERCIaL PROjECTS
imprinted time downtown\cairo\egypt
/cuRRiculum viTAE
personal info
education
name / surnametelephone
e-mailnationality
date of birthgender
professionmarital status
current place of residence
Fayez Sharabaty00971509124050fayezjamil@yahoo.comjordanian29.10.1986malearchitectsingleabu dhabi
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social. cooperation. teamwork. project collaboration
organisational
. working on multiple projects
. interdisciplinary team work
. adapt well to new work contexts
technical
. model making
. freehand drawing.
artistic
. sketching
. photography
. cultural mapping
technical skills &acompetences
digital (windows or mac)c
proficient in:. autocad. sketchup. indesign. photoshop. illustrator.
languages
. arabic
. english
professional
. architecture
. interior design
. industrial design
. design research
. teaching
hobbies
. painting
. photography and cinema
. urban research and theory
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personal skills &ncompetences
P C
S
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qualificationorganisation
location
modern sciences andarts university in cairo - architectural depatment
bachelor of architecture
egypt - cairo
professionaltraining & work
position client
location
private, wael abu adas villa
cdc abdelhalim ibrahim
organisation
location
organisation
location
shehayeb consult
egypt - cairo
egypt - cairo
organisation
location
eng. maher shweiki constructionarchitect---site engineer palestine - hebron
architect-site engineer palestine - hebron
E T
position
position
position
position
organisation
location
a.a.u anastasarchitect
junior architect
architect---assistant researcher
palestine - bethlehem
2014
organisation
organisation
location
location
riwaq centre for architectural conservation
hebron rehabilitation committee / HRC
palestine - ramallah
palestine - hebron
august --- November
december --- april
april --- august
january --- april
position
position
architect-program manager
architect- urban researcher
2013
2010
2012
2009
june --- august
june --- august
june --- august
0.2 /lETTERS oF REcommEndATion
[ wael abu-adas ]20 June 2013 Subject: Fayez Sharabaty Recommenda on To Whom It May Concern: I have worked with Fayez for the last 2.5 months, having hired him to coordinate and supervise comple on of my villa while I am away (as I work in the UAE). I have been very pleased with his performance, and the outcome of the work. Fayez has proved to be very diligent in his work, methodical in his approach and professional in his mannerism. He was tasked with dealing with the electrical and mechanical subcontractors while they interface with the remaining works for the external landscape and pa o/trellis works. The main supervision and coordina on however was with the le installer and his team for the expansive plazas, pathways and fountains. There proved to be rigorous supervision required, and a variety of detailing that had to be developed along the way which Fayez handled adroitly and with sensi ve care. I believe this brief experience has really helped him acclimate with the reali es of the “real world” and how to deal with the contractors, and how to manage them, raise the expecta ons, delegate the work and also how to break the tasks in piece-meals so that they are not overwhelmed with the overall magnitude and/or them giving excuses for not being able to accomplish the desired work. Having dealt with young architects for the last 25 years, I can comfortably vouch for Fayez’s overall capabili es. He is an ardent architect, who takes his profession seriously and obviously has deep passion for design. His a en on to detail and insistence to get it right (especially when dealing with contractors) is pivotal in our profession. His high ability to communicate the design evolu on and document it in graphic form was extremely helpful for me to follow the progress of the work remotely. He showed keen interest in his work and his ability to manage several tradesmen at one
me (even with their mood swings) proved his capacity of working with larger teams and taking a leadership role amongst them. Fayez has a keen sophis cated sense for design and hopefully can arise to be a major player in a few years. I highly recommend Fayez and am sure he will be a valuable addi on to any rm, notwithstanding his high moral and ethical values and character which are something I always look for in an employee. If you need any further informa on please feel free to contact me at the below contact informa on: Email: [email protected] Mobile: +971-50-800-5303 Sincerely,
Wael Abu-Adas Director, Architecture & Engineering Services KEO Interna onal Consultants
[ shehayeb consult ] DINA K. SHEHAYEB, PH.D. E : [email protected]
Architecture – Urban Design – User-based Design & Planning – Participation T / F : +20 2 33466144 3 Batal Mohamed Khairy St, Mohandeseen, Giza 12411 EGYPT www.dkshehayeb.com
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April 22nd, 2014
To whom it may concern I have known Arch. Fayez Jamil through teaching part-‐time at the Modern Sciences and Arts University in Cairo – Department of Architectural Engineering. I taught him several undergraduate courses such as: “Design Methodology”, “Human Aspects in Architecture” and “Housing Planning and Design.” Fayez was an attentive and creative student who was always keen on participating in class discussions bringing into the classroom much of his self-‐directed studies and readings. As his professor, I have had the opportunity to observe his knowledge processing as a student and to evaluate his mental skills which were superior to his colleagues. Part of the assignment in the “Design Methodology” course Fayez took with me was studying the socio-‐spatial patterns of dwelling in a rural community in Upper Egypt; “Nazlet Abdella” village. Fayez was required to present a paper designed to measure the student’s ability to research, to analyze and report the results of the research. Fayez had good insight and analytical skill to discern and externalize hidden patterns.
In the “Housing Planning and Design” Course he also worked on producing research-‐based sustainable solutions to the rehabilitation of housing in a deteriorated village core “Ezbet Harb” in the outskirts of Giza. Fayez demonstrated social responsibility and creativity in reaching culturally appropriate yet contemporary solutions that would accommodate the economic and social dimensions of the rural lifestyle of residents. Fayez also chose to take another elective course; “Mega City Lab,” which I taught in 2010 parallel to the ETH’s Studio Basel’s Contemporary City. Students from Studio Basel came for a two week field study visit to Cairo and worked on 14 different areas of Greater Cairo with students from MSA who targeted understanding different parts of the city through mapping the territorial domains of their various users and stakeholders as an analysis of the socio-‐physical urban morphology. Fayez worked on Cairo’s Downtown area looking at the often-‐conflicting claims on public space and was among the MSA students who travelled to Basel to share their work. During his summer vacation in 2010, Fayez trained in my private office “Shehayeb CONSULT” and assisted in the production of the Final Report on “Resettlement Housing Projects in Greater Cairo” commissioned by GIZ.
In conclusion, I would rate his skills as excellent. He is one of the best students I had; serious, always keen on self-‐development, critical in his processing of knowledge, and creative in design. As a person, he is excellent in communicating his ideas to others. Based upon his performance and my knowledge of his character, I believe Fayez would be a successful candidate in any architectural and urban design firm that nurtures creative and critical thinking and an effective agent of advancement in the professional community he would join.
Dina K. Shehayeb Principal, Shehayeb CONSULT [email protected]
› COmmERCIaL WORK ‹ TaREq KHaTIb RESIdENCE hebron : schematic design : 2014
PLaNSSECTION
1m 5m
ground floor
first floor
1-living 2-foyer3-kitchen
4-office
1 2 3 4 4
5-bed room6-open to below
5 556 3
PLaNS
Located at the outskirts of the city, the project sits on a mountain-side planted with pine trees. This forest setting gives it the feeling of begin a hidden enclave, while the light filtering through the trees makes it an ideal setting for contemplation
Six parallel walls define the Khatib Residence. Incisions into these connect the rooms, reflecting the winding paths that lead through the trees, while a fully open curtain wall facade - an extrovert expression of complete connection with its immediate site - brings the forest’s spectacular views into the heart of the house
a spiral stair leads to the upper floor and a roof terrace. Like the facade, it is sheathed in glass and lets light infiltrate the interior space as if breaking through the tree-tops. The interior modules offer flexibility and connect with the extrenal wooden patio, a third source of light
CONCEPT 3d mOdEL
› COMMERCIAL WORK ‹
CONSTRUCTION
steel
polycarbonate sheets
EXPLOdEd ISOmETRIC
WaEL-abU-adaS RESIdENCE hebron : design & construction : 2013
In this project I was in charge of designing the structure as well as overseeing its construction.
before the project could go on site I had to select and instruct electrical and mechanical subcontractors. On site supervision and coordination work required a full understanding not only of the project’s construction details, but of the systems - plumbing and structural - of elements such as the fountain.
The design itself evolved mainly from a client’s brief, although a certain amount of freedom in selecting materials allowed me to optimise the original concept and introduce the client to new ideas through re-designs.
polycarbonate sheets
FOUNTaIN dETaIL
CONSTRUCTION dETaILS
› COMMERCIAL WORK ‹ aaU aNaSTaS: COCOON LIbRaRy bethlehem : schematic design models : 2014
› COmmERCIaL WORK ‹ bOOTH dESIgN egypt : design 2012
booth design:stock exchange stimulation
› aCadEmIC PROjECTS ‹ ImPRINTEd TImE downtown cairo : art research & exhibition : 2011
'HOW THINgS aPPEaR'
In his account of japan the journalist Ovchinnikov wrote: ›It is considered that time, per se, helps to make known the essence of things. The japanese therefore sec a particular charm in the evidence of old age. They are attracted to the darkened tone of an old tree, the ruggedness of a stone, or even the scruffy look of a picture whose edges have been handled by a great many people. To all these signs of age they give the name, saba, which literally means «rust». Saba, then, is a natural rustiness, the charm of olden days, the stamp of time. [—or patina—a.T.]
Saba, an element of beauty, embodies the link between art & nature
THE ESSENCE OF THINgS
LIgHT aNd dUST
› COMMERCIAL WORK ‹
north
ISOmETRIC SITE PLaN
COmmERCIaL TRENdS PROFILES
4
31
RIWaq CENTRE FOR aRCHITECTURaL CONSERVaTION
2
ramallah : urban research & analysis : 2013
COmmERCIaL TRENdS PROFILES
1 42 3
new commercial stores appear on the back of the building, especially bakeries, due to the low rent which allows people to easly convert old buildings into a back-of-house commercial space. the pedstrian flow here is higher than on the adjacent street, as this alley leads to the islamic center with children's playgrounds and football pitches. in some cases pedestrians prefer a longer walk along the back to avoid the hectic main street, with its cars and other chaos, making the back street a primecommercial location
CONNECTEd TO HOUSINg
CONNECTEd TO PEdESTRIaN NETWORKS
CONNECTEd TO NON-LOCaL USERS
CONNECTEd TO HOUSINg: LOCaL INCOmE gENERaTION
the new housing project offers commercial stores on the first floor which are still not rented. the rental adevertisment signs are written both in english and arabic, indicating the possbility that those apartments are not cheap. the assumpation would be that stores in that block would be services for the people who live in the residntial building, limiting their audience
this building from al-sahal street is fully commercial, with no housing integrated into it at all. the fist floor is made up of shops, and the second and third floor is taken up by services and offices for professionals such as architects, laywers and a doctor
a more integrated example is this realtively new builidng, with the first floor dedicated to ccommercial use, some of which is storgae for stores elsewhere. one example of such a space used to be rented out to the owner of a syrian restaurant at manara, who hired a woman form the neighbourhood to cook there - an example of the area's wider economy impacting that of the block through its mixed-use nature
$+
PROgRam\FaCadE dIagRam
empty housing
housing
commercial
empty commercial
COmmERCIaL\VEgETabLE maRKET
street zoning
PaVEmENT zONINg aNd FURNITURE
graphic zoning
1
sections c-c sections b-b sections a-a
SECTIONS C-C SECTIONS b-b1 SECTIONS b-b2 SECTIONS a-a
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1 1
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dIagRam SHOWINg THE SEqUENCE OF PEdESTRIaN aNd VEHICULaR CLaSH WITH THE INFORmaL FUNCTIONS ON THE STREET INTERSECTION
dIagRam SHOWINg THE SEqUENCE OF PEdESTRIaN aNd VEHICULaR CLaSH WITH THE INFORmaL FUNCTIONS ON THE STREET INTERSECTION
this project in rammal investigates the spatial configraution within the old city of ramallah. the work consisted of evaluting the physical conditions of both the streets and the pavement, along with a socio-economic analysisof the puclic space and impresions ofa visual reading of the city
ON-SITE SEqUENTIaL ObSERVaTION OF NOdE aCTIVITy
› COMMERCIAL WORK ‹
mOdULE 1: aRCHITECTURaL dRaFTINg aNd gRaPHIC aNaLySIS
HRC - HEbRON REHabILITaTION COmmITTEE
The architectural drafting and graphics module consists of ''physical data documenation''. To capture the current architectural state of Hebron's old town, the accuracy and material detail in the drafting and represenation methods used is crucial, since no other documenting exists of these buildings, considered to be of significant cultural and historical value. Of the urban fabric encompassed by this documentation project, some is Ottomanand some older
hebron : preservation & documentation : 2013-4
hrc1
This module kickstarts the Hebron old city preservation project and data from it will be distributed to the civil engineers, archeologists and architecctural historians involved who will add to its graphic analysis in order to asses the value of the buildings as solid artifcats, and come upwith a managment plan for their future
Techniques used include digital photogrammetry, used in conjunction with surveying technology, making the final documentation both accurate andmaterially descriptive
dIagRam OF THE RUINS FOR aRCHEOLOgICaL PERIdOd aNayLSIS
hrc2
mOdULE 2: abaCUS OF HOUSES I was in charge of the conceptual development and practical compilation of an 'abacus' of houses in the project areabeing documented
In the design of the programme for data collection, I included collaboration with local education initiatives, so that the resulting intervention programme could have a broader social impact - making a material intervention into the historic fabric relevant to the unfolding history of thearea and its residents
The interdisciplinary collaboration that made up this phase included some interesting negotiations regarding the format of interviews and of the abacus, as well as agreement as to be best mapping strategies, and the scale at which theseshould be applied
It also involved reporting the progress to a project manager and liasing with the Spanish donor agency funding the project, as well as proposing collaborative projects within the larger framework of the restoration work to local academic institutes. This helped to both promote it locally as well as serving as a sounding-board to evaluate howrealistic our impact-projection was
I also collaborated with a Swedish anthropologist who was in charge of conducting interviews with the local residents. From the discussions with them we aim to develop a user-based methodfor the restoration
my role in the project also included setting up an action plan, schematically coordinating the different tasks and collaborations between the range of disciplines involved in order to weave them into one coherent whole. To set up the academic backbone of the project I collected a literature review, and a file of historical maps, images and documents, aswell as designing a data archiving model
HOUSE COdES aNd gIS REFERENCE HOUSE daTa TEmPLaTE
hrc2
The outcome of the abacus of houses is a book that interweaves the historic, social, economic and political data as well as the current use[s] of the buildings in theproject area
Its aim was to not only to treat buildings as a historic buildings but also to document the current context - a social reading of the site and situation, systematized and archived as a base reference for the duration of therehabilitation project
To do this it brings together analysis by a historian, an archeologist, and an architectural to summarize the typologies relevant to the project. These would later be mapped over the gIS maP, serving as a first base for additional data collectionthroughout the project
The booklet will be published to promote the work of the hebron rehabiliation commitee among the public
PLaNE dIagRam OF HOUSES
time period time period time period
hrc3
mOdULE 3: THE CULTURaL STRaTEgyThe cultural strategy module will be run in collaboration with other research centers - the building sumud project and PPU (Palestine Polytechnic University) students from the architectural department - also taking part in the data collection as part of their on-site training.
The project raises the possibility of social and economic sustainability. This module will be formulted in full after the first phase of the preliminary anaylsis and the accompanying abacus of houses is published
These will become the core of to the course outline for next year's PPU architecture students, who will embark in a process of design-by-research to propose alternative urban futures for the old city of Hebron
full construction documents at 8 months
Gis\mappinG
hoUse typoloGy research
historical research
July august septemberoctober novemberdecemberJanuary
abacus of housesphase 2
abacus of housesphase 3
structural risk and stabilityassessment phase 2
summud+hrc+ppu course
historical research
preliminary drawings
plans+sections phase
topography and land surveysocial map-catographic maps
structural engineering
February march april may June
documenation first phase 1
historical research
relative chornology of 40 houses
elevations of
structural risk and stabilityassessment phase 1
hrc+summud
abacUs oF hoUses
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wo
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delivery dates
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ORgaNIzaTIONaL CHaRT
› aCadEmIC PROjECTS ‹
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EzbET HaRb, gIza, EgyPT giza : research & documentation : 2012
1. SITEthe rural settlement of ezbet harb is in the boulaq al-dakrour district of giza, just east of the railroad tracks that delimit the weathy mohandeseen district of cairo. composed of mud-brick houses along both sides of a canal, it houses around forty household of rural immigrants, maintaining the homogeneity and cohesion of a traditional rural community. ezbet harb is so closely knit that the elderly lady who sells packaged dry food, candy and cigarettes has a book with open credit accounts for almost all members of the community.
2. CaNaLthe al-zomor canal passes through ezbet harb. on one side of the canal there is a road along which vehicles and pedestrians can pass through the area. this road is the most public open space in ezba; from it only one dead-end alley ventures into the internal urban fabric of the settlement. on the other side of the canal, a thin open space runs along the back of the houses like a string of backyards, inaccessible to vehicles or any other means of transportation; it is difficucult for outsiders to access. as shown in figure 2, all access to the houses lies along the outer edges of the settlement. entering those outer alleys is only possible from the two ends of ezba. these entrances always have members of the community present; sitting, playing, or working outdoors; they function like check points that control the access of outsiders. One could enter, but only after answering questions like“what are you doing here?” or “who do you want to see?”
3. zOOmINg IN, zOOmINg OUTdaily shopping needs and primary schools are at walking distance south of the area. otherwise the area is isolated from the east by the railroadtrack, and from the north by agricultural land
the nearby metro station is the closest transpiration hub to ezbet harb and the most commonly used means of transportation to reach anywhere else. children take microbuses if they are in secondary school.
unlike the candy lady, the majority of the working members of the community work outside ezba in construction day jobs.
1 2 3
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as expected anywhere that has great weather most of the year, people in egypt enjoy the outdoors to spend leisure time or do other home activities when the setting allows the desired degree of privacy and security from strangers.
rural settings allow that even more.
the organization of homes creates perfect outdoor spaces; like outdoor living rooms, well protected from passersby and vehicular traffic. many activities may occur in such spaces; laundry hanging, food preparation, children play, or receiving a friend or neighbor for a cup of tea. They offer additional living space for the modest dwellings that flank it.
open spaces in the rural
settlement have different levels of
privacy, or degrees of ‘publicness’.
This analysis is one way of
measuring the degree of publicness
of the open space; 1) by observing
the type of activity that takes place
in it, and 2) by indicating dynamic
elements.
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more
Sayed’s house in Ezbet Harb entered from the outer.alley like all other houses
His house and two others overlook a shared open space which they appropriate astheir own
It offers a vantage point where one can watch thechildren playing afterschool hours
The built up walls of houses, the storage room and the old tree trunk define the space that the children appropriate as a.small play area
Windows act as points of surveillance that increase the safety of such outdoorspaces
The mastaba is a common feature of many houses in rural settlements. It affords a place for all members of the household to sit outdoors in one’s private domain; like the porch and the front yard in other cultures. It offers them the opportunity to interact with neighbours, to watch life, to know what’s going on without having to leave one’s home.
Landscape and built-up elements are utilized to define the enclosure of outdoor spaces adjacent to house. This makes it easier for the residents to adopt these spaces, protect them, clean them and use them to their advantage. In residential environments, the more the residents appropriate their open spaces the safer they are and the less effort, time and money is needed from local authorities to service them.
Sayed’ mastaba outside his house is a pleasantplace to spend the
afternoon sipping tea andtalking to neighbours
gz3
Learning from the morphology of the traditional settlement, the spatial organization of activities in indoor and outdoor spaces and considering the community’s future vision and aspirations to reach volumetric parameters that generate potentiallyappropriate design and planning
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the temporality of the parameter fluxes the city into action\reactional based settings ,although the overall impression is of cairo as chaotic, espacially in downtown. it has its own rhythms, dislocating the researcherfrom theorrizing contexts
out of a grassroots exploration of the street came this project, addressing how urban furniture and physcial settings allow users to flow through this apparent chaos and intiate their own settings in reaction to it -as a sort of territorial claim
› AcAdemic proJects ‹ mEgaCITy Lab downtown cairo : design & analysis : 2011
TImE LaPSE
SHUFFLINg THE maP aNd EXPLORaTION OF THE ENTaNgLEmENT OF CITy COgNITION aNd THE admINSTRaTIVE bORdER
HOW maNy bORdERS CaN bE REPROdUCE THEmESELVES aT VaRIOUS INTERSECTIONS: THE VaCaNCy aNd THE ambIgUITy OF USERS THaT CURRENTLy OPERaTE IN THE aREa aRE THE CRUX OF THE COgNITION OF ITS FUTURE!
› aCadEmIC PROjECTS ‹
1
2 this project, based at cairo's mSa University, aimed to provide a space for international students to to socialize and display their work to foster student cultural life. the builidng consits of 3 floors, the first is public, the second and third are adminstrative officesfor the university's public relations
6th of october city is characterized by a lack of public space. instead, space is compacted, hidden between walls and behind fences. the suburb-like satelite city is defined by its borders. how, then, do we create an architecture of openness within it? one that is compact yet accessible - one that bends the very borders that define the site: I began by treating the skin of the building, this boundary of its mass and reality as apermeable and performative element
the hanging garden
sunbreakers
sheets fabricated by CNC machine: exploring possible porosity patterns through color mapping of the image
bending the sunbreakers to reaval space on the outside
PERFORmaTIVE SKIN 6th october city cairo : design & research : 2012
PLaNT daTa by SEaSON
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horseradis 1m
karrot 1m
birds foot trefoil 25-80 cm
chicory40cm-1m
alfalfa1m
sheeps fescue 20-45cm
white sweet clover 2m
cocks foot 20-120cm
yellow sweet clover 2m
tall oat grass 1m
red clover cm 20-80
hop trefoil cm 10-30
aspargagus m 1-1.5
east
west
OVERLEaF: PLaNS & ELEVaTIONSENVIRONmENTaL CUTaWay aXONOmETRIC
gREEN FaCadE dETaIL, CROSS-SECTIONOVERLEaF: 3d PERSPECTIVE maTERIaL STUdy