Download - chenchaochi portfolio JUN.2012
朱墨形象設計廣告有限公司
設計師
崑山科技大學
視覺傳達設計
台南應用科技大學
視覺傳達設計
3D 動畫師Studio2
2002~2007
2009~2011
2007~2009
2011~2012
陳
兆
琦
作
品
集
九十一
九十八
Student
8
Photography Photoshop
街拍文字海報
壹
貳
参
KunShan University of Technology (2007)
9
Words_1
10
Words_2
11
Words_3
12
Maya Photoshop
下雨的房間
Graduation Project (2009)
海報設計
導演
13
Rainy House
14
Director
15
Maya
16
I l lustrator Photoshop
號鋪行
Graduation Project (2007)
展場
名片
書籍設計
G
O
O 設計
L
17
Signature Trade Shop
18
台南老工藝
19
採訪、紀錄、設計
20
平面設計
小作業
I l lustrator Photoshop
Tainan University of Technology (2002~2007)KunShan University of Technology (2007~2009)
21KunShan University of Technology (2007)
自我介紹
22
電影經典名句
壹
Tainan University of Technology (2003)
23
電影經典名句
貳
Tainan University of Technology (2003)
24
手繪
速寫 精描
Tainan University of Technology (2002~2007)KunShan University of Technology (2007~2009)
25Tainan University of Technology (2005)
色鉛筆精描 水彩
26 Tainan University of Technology (2003)
水彩
精描
27KunShan University of Technology (2008)
炭精筆速寫
28 Tainan University of Technology (2007)
毛筆
速寫
毛筆
速寫
炭精筆速寫
29
互動多媒體
DIRECTOR
KunShan University of Technology (2007~2009)
30
互動多媒體設計
KunShan University of Technology (2008)
31
數位作品集
KunShan University of Technology (2008)
32
數位攝影
KunShan University of Technology (2007~2009)
Photography Photoshop
33
Image_02
Image_01
34
Image_03
Image_04
35
Image_05
Image_06
36
Image_07
37
九十八
一百
Studio2
38
動畫師
3D
Studio2 (2009~2011)
Maya Photoshop
3D3D
39
角色模型
40
周大觀
41
角色模型
42
周大觀
43
角色模型
44
黑頭轎車
45
阿帕契
46
47
場景模型
48
小貓巴克里
49
場景合成
50
漁船
道具模型
51
動畫
平面
52
一百
一零一
RB
53
包裝設計網站設計
台灣知微
redblackdesigns (2011~2012)
54
網站設計
55
http://micronalab.com
56
金絲蜜飲
57
包裝設計
58
59
海報設計
T C O
redblackdesigns (2011~2012)
60
民樂雙城記
61
浮生若夢
62
圖案設計
台北市觀傳局
redblackdesigns (2011~2012)
環保購物袋
63
64
65
一百
一零一
Cases
66
Brandish With Urban Colors In Kinmen (2011)
Heish,Lan-Fan
67
封面設計
Heish,Lan-Fan
68
005 006
PREFACE
。Color。Humanities。Art。Island
Lee,Wo-Shih
From the Magistrate of Kinmen County
Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture.
According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow.
The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.
COLOR SPECTRUM OF URBAN KINMEN
Brandish With Urban Colors In Kinmen (2011)
69
005 006
PREFACE
。Color。Humanities。Art。Island
Lee,Wo-Shih
From the Magistrate of Kinmen County
Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture.
According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow.
The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.
COLOR SPECTRUM OF URBAN KINMEN
序
設計
70
005 006
APPENDIX
006
Preface
007
Foreword
008
Prologue
011
Chapter OneIntroduction
013
Chapter TwoKinmen city and cultural overview of the visual environment
1
014Geographical Environment
2
014
Causes And Characteristics Of Human
3
014
Historical Background And Evolution
4
014
Current Situation And Future
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
006
Preface
007
Foreword
008
Prologue
011
Chapter OneIntroduction
013
Chapter TwoKinmen city and cultural overview of the visual environment
1
014Geographical Environment
2
014
Causes And Characteristics Of Human
3
014
Historical Background And Evolution
4
014
Current Situation And Future
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
Beandish With Urban Colors In Kinmen (2011)
71
005 006
APPENDIX
006
Preface
007
Foreword
008
Prologue
011
Chapter OneIntroduction
013
Chapter TwoKinmen city and cultural overview of the visual environment
1
014Geographical Environment
2
014
Causes And Characteristics Of Human
3
014
Historical Background And Evolution
4
014
Current Situation And Future
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
006
Preface
007
Foreword
008
Prologue
011
Chapter OneIntroduction
013
Chapter TwoKinmen city and cultural overview of the visual environment
1
014Geographical Environment
2
014
Causes And Characteristics Of Human
3
014
Historical Background And Evolution
4
014
Current Situation And Future
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
007
Chapter ThreeKinmen city and cultural overview of the visual environment
1
014Theoretical Study
2
014
The Nature And Performance Of The Color
3
014
The Traditional Color Of Colored
4
014
Characterization And Significance Of Color In Kinmen
5
014
Urban Aesthetics And Cultural Features
目錄設計
72
P h o t o g r a p h i c E x h i b i t i o n o f 2 0 1 1 FJ U Kolkata Service-Learning Poster (2011)
無限度攝影展
海報設計
73
74
KAJAK LOGO
75
初稿提案
76
http://www.fl ickr.com/photos/chenchaochi/
77
http://www.fl ickr.com/photos/chenchaochi/