chenchaochi portfolio jun.2012

陳

兆

琦　

簡

歷

0928 951187

[email protected]

朱墨形象設計廣告有限公司

設計師

崑山科技大學

視覺傳達設計

台南應用科技大學

視覺傳達設計

3D 動畫師Studio2

2002~2007

2009~2011

2007~2009

2011~2012

陳

兆

琦　

作

品

集

九十一

九十八

Student

8

Photography Photoshop

街拍文字海報　

壹　

貳　

参

KunShan University of Technology (2007)

9

Words_1

10

Words_2

11

Words_3

12

Maya Photoshop

下雨的房間

Graduation Project (2009)

海報設計

導演

13

Rainy House

14

Director

15

Maya

16

I l lustrator Photoshop

號鋪行

Graduation Project (2007)

展場

名片

書籍設計

G

O

O 設計

L

17

Signature Trade Shop

18

台南老工藝

19

採訪、紀錄、設計

20

平面設計

小作業

I l lustrator Photoshop

Tainan University of Technology (2002~2007)KunShan University of Technology (2007~2009)

21KunShan University of Technology (2007)

自我介紹

22

電影經典名句　

壹

Tainan University of Technology (2003)

23

電影經典名句　

貳

Tainan University of Technology (2003)

24

手繪

速寫精描

Tainan University of Technology (2002~2007)KunShan University of Technology (2007~2009)

25Tainan University of Technology (2005)

色鉛筆精描水彩

26 Tainan University of Technology (2003)

水彩

精描

27KunShan University of Technology (2008)

炭精筆速寫

28 Tainan University of Technology (2007)

毛筆

速寫

毛筆

速寫

炭精筆速寫

29

互動多媒體

DIRECTOR

KunShan University of Technology (2007~2009)

30

互動多媒體設計


31

數位作品集


32

數位攝影

KunShan University of Technology (2007~2009)

Photography Photoshop

33

Image_02

Image_01

34

Image_03

Image_04

35

Image_05

Image_06

36

Image_07

37

九十八

一百

Studio2

38

動畫師

3D

Studio2 (2009~2011)

Maya Photoshop

3D3D

39

角色模型

40

周大觀

41

角色模型

42

周大觀

43

角色模型

44

黑頭轎車

45

阿帕契

47

場景模型

48

小貓巴克里

49

場景合成

50

漁船

道具模型

51

動畫

平面

52

一百

一零一

RB

53

包裝設計網站設計

台灣知微

redblackdesigns (2011~2012)

54

網站設計

55

http://micronalab.com

56

金絲蜜飲

57

包裝設計

59

海報設計

T C O


60

民樂雙城記

61

浮生若夢

62

圖案設計

台北市觀傳局


環保購物袋

65

一百

一零一

Cases

66

Brandish With Urban Colors In Kinmen (2011)

Heish,Lan-Fan

67

封面設計

Heish,Lan-Fan

68

005 006

PREFACE

。Color。Humanities。Art。Island

Lee,Wo-Shih

From the Magistrate of Kinmen County

Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture.

According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow.

The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.

COLOR SPECTRUM OF URBAN KINMEN

Brandish With Urban Colors In Kinmen (2011)

69

005 006

PREFACE

。Color。Humanities。Art。Island

Lee,Wo-Shih

From the Magistrate of Kinmen County

Temples, houses of inheritance, residences, historical landmarks, and monumental gateways enrich the island of Kinmen with architectures expressing styles of forms and spaces. These ancient treasures speak the concepts of Five-elements,Five-directions, and Five-colors from the philosophy of Han Dynasty. With such vivid heritage, Kinmen not only is embedded with cultural cultivations but also open to diverse mores. Although she has suffered from warfare through out history, Kinmen nonetheless stands still to the confrontations of military threats with respectful courage and dignity. The conflicts didn’t shadow her beauty. In the contrary, she shines even more with splendid colors and unique characteristics of traditional Chinese people’s legacy. Yet, this culturally enriched land cultivates her people with the quality of conventional Chinese ethnicity of honoring the wisdom of simplicity, honesty, and literature. With mild disposition along with resolute spirits, the people of Kinmen help irrigate this land further to a whole new paradise of culture.

According to historical documentations, Kinmen was the birthplace of many extinguished intellectuals, government officials, and persons of virtue. These outstanding achievements were reflected in the vivid styles of local architectures, such as the designs and decorations on doors, arches, altars, windows, columns and so on. These brilliant elements are turned to symbols that indicate luck, prosperity, wellbeing, and success that their ancestors had accomplished. The calligraphy carved on the tablet hung in the front of the ancestral shrine was delicately composed with specific meanings, decorations, and forms. In terms of color applications, the blue Chinese characters on golden tablet, or golden characters on black one represents the imperial honors on academic achievements. According to the concept of Five-elements, the color of blue indicates wood, meaning east, spring, brightness, and sky. In addition, the color of gold represents firmness. There are also tablets with golden characters on green background specifies the great attainments of the ancestors that have become the lasting honors that the families hold and follow.

The conventional appearances of the Goddess of Ma-Zhu wearing in yellow and the God of Guan-Gon in green are all derived from the daily customs, concepts of things and the points of view on nature, lives, and religions. In addition, the lion statue in red scarf often seen in the island has developed new meanings in the twenty-first century. The exhibitor, Ms. Hsieh, Lan-fen, has created her poster design works by first studying the new meanings of colors seen and applied in the daily lives in modern Kinmen. Through the process of transforming these visual representations of Kinmen into graphic design elements, Ms. Hsieh has brought us a wonderful collection of art works celebrating the fabulous colors of the spanking island.

COLOR SPECTRUM OF URBAN KINMEN

序　

設計

70

005 006

APPENDIX

006

Preface

007

Foreword

008

Prologue

011

Chapter OneIntroduction

013

Chapter TwoKinmen city and cultural overview of the visual environment

1

014Geographical Environment

2

014

Causes And Characteristics Of Human

3

014

Historical Background And Evolution

4

014

Current Situation And Future

007

Chapter ThreeKinmen city and cultural overview of the visual environment

1

014Theoretical Study

2

014

The Nature And Performance Of The Color

3

014

The Traditional Color Of Colored

4

014

Characterization And Significance Of Color In Kinmen

5

014

Urban Aesthetics And Cultural Features

007


1


2

014


3

014


4

014


5

014


006

Preface

007

Foreword

008

Prologue

011


013


1


2

014


3

014


4

014


007


1


2

014


3

014


4

014


5

014


007


1


2

014


3

014


4

014


5

014


Beandish With Urban Colors In Kinmen (2011)

71

005 006

APPENDIX

006

Preface

007

Foreword

008

Prologue

011


013


1


2

014


3

014


4

014


007


1


2

014


3

014


4

014


5

014


007


1


2

014


3

014


4

014


5

014


006

Preface

007

Foreword

008

Prologue

011


013


1


2

014


3

014


4

014


007


1


2

014


3

014


4

014


5

014


007


1


2

014


3

014


4

014


5

014


目錄設計

72

P h o t o g r a p h i c E x h i b i t i o n o f 2 0 1 1 FJ U Kolkata Service-Learning Poster (2011)

無限度攝影展

海報設計

74

KAJAK LOGO

75

初稿提案

76

http://www.fl ickr.com/photos/chenchaochi/

77

http://www.fl ickr.com/photos/chenchaochi/

(

未

完

待

續

‧‧

‧)

0928 951187

[email protected]

chenchaochi portfolio jun.2012

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