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1. Ir& p.d levrxl xctct6nloq od1 Oeptacxl rdv Tpqd\av, p).. W.H. Friedrich'Euripiiles und, Diphilos: Zur Dramaturgie iler Sp|,tforrnen (Zetemata 5), 1\{6vcr1o1953'K.H. Lee, Euripides' Troad'es, AovSlvo 1967'M. Orban, <Les Troyennes: Eu-ripide d un tournant>>, LEC, t2 (1974l., 13-28'A. Poole, <Total Disaster: Euripi-des' The Trojan Women>, Arion, 8.3 (19771,257-287'Th. J. Sienkewicz, <Euripi-des' Troian Wom.en: An Interpretation>, Helios, 6 (1978)' 8f-95' S.A. Barlow,Euripiilesz Trojan Women,'O[96pD1 1981' W. Biehl, Ezrupiiles Troailes, Xat8etr-p€py4 1989'J. Gregory, <The Power of Language in Euripides' Troailes>, Eranos,84 (f989), l-9 l:g11vi?;iles anil the Instruction of the Athenians, Ann Arbor, TheUniversity of Michigan Press 1991, 155-183)'B. Manuwald, <1\[6po6 8] 0wp6v 6o-tl6 Bxnop0ei r6)'etq. Ztt Euripides, Troerinnen 98-97D, RhM, lg2 (1989)' 236-247'F.IVI. Dunn, eBeginning at the End in Duripides' Troian Womcn>, RhM' 136(1993), 22-35 (: Trugeily's EniI. Closure and Innoeation in Euripiilean DratnaN6or 'T6px4-'O[96p81 1996, 1-Ol-ll|l' Z. Ritook, <Zur Troianischen Trilogie desEuripides>, Gyrnnosium, 100 (1993), 109-125' N.T. Croally, Euripid,ean Polemic.The Trojan Women anil, the Function of Trageilg, Kcrlp,npr{ 1994.

2. lIl& tb dp7-cio xelg,evo &xotrou06 tlv dx8oa4 rc0W. Biehl, Euripiiles Troad,es,Teubner, Aertlta 1970.

3. Ir& d 1p{1c4 co6 tteXXlEa of xuxtrtxor5q 1opo66, p)r'. Lee, Troades, 66.4. Ab.tcrv6e, Ilomthl olmoqla, Il, 8.

Aoddml Ql,lclcyic ra (t997) 813-334.

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A0til {v Ept1,g.b,6tou 8Av ,lgto'terar, n\4,ov ztugtix Oeixi1 $ &v0p<iar-vr; Soccotrlpl|tltu Enu)rtyer 5 tolrltiq yr& vd, eixovoypcrgdoer, Spapr,octx&6).ee ciq zctuliq cflq luvalxeiq"S e@i$ zco0 dXer, 0nootei riq ouv6rceleq coUriotr6grou, tilc xareloylv &'rDpr,zfle ftpx|nss.'Arb cilv &pXi 6s rb c3),oq toUdpyou tizcorcc 8iv &I).&o6.er 6riv drp,6o,jar.pa..'H 8r,e8oXr,zl ipg&vr,oz7 odloxrySl, iiotepa, &rcb tilv &.noy.6pr,oq t6v 0e6v, r\q'Ex,*prt6 t6v vuvzlz6vroU <lopoUr>, ti6 Kaood,v8pcc6, cle 'Av8po6r.&;yne xxi ciq 'Etr6v1e, ouv06-touv tbv r,|vqy-x 6).ov T6v zrpooclrrccov p6oco c6v 6zcoicov ltsgrypd,geral i &.-Suocitqc4 gr,olpc eoU f1cqpr.6vou. A]v elvfl,r, guo,.x& rulorio zco'i 6 ozrlvrxb6X6goq ouvrot&, €vocv d,vcr,-luvocrxeio 16po, €vocv 16po norS 8iv 41er, vd. x&vetp,i cbv 7.6po ro0 o{zou. A}v elvai, ErLorlq tuXctio cb 6tr,6 riorririq 8iv oqp[-(ecar, pr,6vov ordv rguytu-b l6yo d),1& zupicoq xqi n&vu &nb 6),2" ociq :rlvd-oer,6 coil yuvar,xeiou acitltatoq yr,& v& repr,yp.*Qer, v"xl. &va-nxga.otiloau riq o1-1-tt:ttw6rcpeq luvxlxeie6 ir"pd,voer,q. l' *ritil ).or,zcbv cilv i8r,ar,rap6c4ca co0dpyou, ocb 6rcoio 6).a dlouv oupr,pei, Eo'cfi.(ew.,. zy-i rb 8u-6 pcc6 BvSlag6pov.Xt61oq p.xq alvat, I tivilveuorl t6v lopeutrx6v xr,vdocc,lv zro'5 xupr,r.ploDvot{v cpaylzl orr2v{' xai &rcoSlSouv pr,} tbv 8lx6 rou6 oupuBotrr,xb aupuxt'\-

1. 'H ""p""4pqcq 69e[,],ecar. orlv A. Serghidou, *La mer et les femmes dansI'imaginaire tragique>, Mitis, 6 (1991), 63-88 (74).

9. Id dv zcapouol,a to6 flooer,Sdrva xul ti$,'A0qv&6 otdv rp6l,oyo riov TBtpddan',pL. xcrt D. Mikalson, Honor thg Goils. Popular Religion in Creek Trageily, TheUniversity of North Carolina Press 1991, 154 x.E.' Croally, Euripiilean Polemic,72 .

3. 'O 16po6 rfl6 Tpo[c,6 alvar rtr6ov 16po6 dv&pvr1cr4e. BI. Croally, Er*ipiileanPolernic, 192 x.3.

4. 'H g,e),6r4 to0 M. Hose Studien zunt Chor beiEuripiiles (Beitrdge zurAlter-tumskunile 20) Xrcuryrip8q 1991, trr'.xerrpdrvecar, xuplo6 o{ 9r).o}.o1xi1 &vdtruc4 z.elo6lptprcr4 t6v 1op'.xdrv ri$'ExdFqE xal t6v Tgrpddan (lSr,attepcr 281'x.E.l. B).. irtcr16,R.E. Harden, Die Frauenrollen bei Euripiiles: Untersuchungen zu <Alkestis>,nMed,eat, <Hekabest, <Erechteus>, <Elekual, <Troades> unil <Iphigeneia in Aulisl(Droma 1), lrourydpS4 1993, xupio4 t5t x.€.,256 x.t.

Xopbs xai rctretouplla oriq Tgqd6$ to0 E0pr,rl8q. S15

poc rb c6).oq f'itq tt$'\q fiq Tpoizs,. 'H tx'r,x).v'c1;yL$1 mvq nxpovola orbv 8pz-prcr,xd 16po p.&q '5zcoXpa<bver, v& SoUpe pr,i zrepr,oo6tapr2 npoooT.i tbv tg6ltonorS 6 ror,rltfie T.plo,pottolai rb ouyxexgr,pr.6vo ce),etoupyrxb ofipr,e yr& v&:repr,ypd,,fer, Svxv z6opo 6rov lyat yr.lai Nxla xor,vcovr,zl &,.1x, Evxv x6opr,o 6-zropr,6v<oq 6rc,ru I nt"goua|x tdrv ca).atoupyl6v eivrr, &nxtgt1 zri d,vdrge).q.

Aiv lpcr*(;';a.r guorx*, v& 0uuioou1.r.e 6'* 6 Xopbq coU Oa&tpou xz.9d>qxoci f p,ouorx:i1 xxi tb tprlo'581 rorS tbv ouvo8e$ouv 8iv alvrr, rctp& p.[pr,1ori7"opoU xai g,ouor,z-iq1. 'Anb d; cttypt\, 6pr,co6, tor) r& rcegr,ao6regx dnbtd. ocor.y_aix zorS dlouv o16o12 g.i ti lopoyocc ALxz, rxl. ti pr.ouor;,-i13 dlouv 1a0eielvcr,r, zo).') 80oro).o vd €gg,qve0ooupr.a toUq olpa.orotroylxor)6 zr58lr.eq zcor)'5toxprizcrovcvt nLoco &ab rbv dpr,pr,etpo tr6yo, rb g.ouorxb tpayoriSl rcoti tdv).ctpeutr,zd Xop6. Aiv 0d irev-rq"loUue ).olrEbv oi &vcitruo1 8e8opr.6v<ov, noriEror, xr, d).).u6q pr,&g 8r,zge'iyouv, olacrx& pr,i tiq xw\oevg, tbv pu0grb xri t&crt11tatu c6oo r6v Xopdlv t6v i;0onor,6v 6oo zai tdlv ple).6v t5v Xoplx6v

1. DB)'. G, Nagy <<Early Greek Yiew'-. of Poets and Poetry>., orb The Cambrid-ge Historg of Literary Critisism, Tol. I. Classical Critisism, &x8. G.A. Kennedy,Kcrlpngrt( 19clt, 5 x.3. xa0J:q u-a,i riq napat'rlpipetq ro! H. Lonsdale, Dance anil Ri-tual PIay in Greek Religion, Bai.trp6pl-AovSivo 1993, 7 z.E.

2. I't& 06pzta ox4voyg*g{zq, p}.. P, Arnott, Greek Scenic Conoentions in theFifth Century B. C., 'O19,1p821 1962' N.C. Hourmouziades, Production and Imagi-nation in Euripiiles, 'A0{va 1965' O. Taplin, Greek Trageily in Action, I\{nSprileu1983 {6D.r;v. pet. B.A. Aoqpop.'ir1, H agTata d,lr1uwrj rpayadla oe oxqutxrj napoaoi-aoq, lr l lytr 1f83)' D,J. Mastronarde, Contact ani l Discontinuity: Sorne Coneenti-ons of Speech and Action on the Greek Tragic Stage, Mrdpx).si; 1979' R. flo01vsp,<<O flor,4rrx6q 7-agaxC'r1paq q6 E).).1vr,xd6 tpalcoSlcrqr>, ctb EX,7qutxfi learpol,oyla,Erarpe[ot, @ed,cpou Kpirls, Kp1:l,xi1 @earprxil Brp].ro0y'1xr1, rdp. R, A0llva 1988, 25-52. B]..tr[o16 d prp).r,oypagfa Yl,& td dtl 1971-1986 d,ab rbv J.R. Green crb Lustrurn, }tL{ 1 9 8 9 ) , 7 - 9 5 .'Ax6p.cr zai o[ ippr,rlveurr,xE6 npoond0ere6 zcor! dXouv .ylver or4pr.(6peve6 oci6 dpXalo-lo1lx}6 paprupleq 8]v g.zropo[v vd por1O{oouv npb6 tlv xate60uvo{ g.aq yrcri 8}v elpr.aorepEparol lv ol olecr,x|6 dursrxovioerq drcoSl8ouv puOo).oyx]q ] Dpcrptacxtq dx8oX66, ElEr-x6repu ytd. tb elxovoypagr,xb ri),txb no'i o1erl,(etar pl tlv tpay<o8[a, pI. L. S6chan, E-tud,es sur la tragidie grecque ilans ses rapprorts aetec la ciramique, Ilcplot 1926(19671'A.D.Trendall , T.B.L. Webster, I l lustrat ions of Greek Drama, AovS[,vo 1971'T.B.L. Webster, lllonuments lllustrating Trageily and Satgr Plag (BICS Slppl.20), Aov8[vo 7976 u-a.9dtq xcrl d; prptrrolpagicr drb rbv T,B.L. Webster, Lustrurn, L5(f970), 4-35.,8).. &nloqq elv np6ogar4 g,e),6t1 to$ J.R. Grcen, Theatre in AncientGreek Society, AovS[vo-N6c 'T6px1 1994.

3. Bi.. 11. Pintacuda, La musica nella trageilia Greca, Celali 1978' M.L.West,Ancient Greelt Music, '0[96981 1992, 350 x.t. B].. xal rl ptp].roypa9[a yrd t& dr41958-1986 t irb dlv A.J. Neubecker, Lustrum, S2 (1990), 101-176 ( lSraltepc 157-155,I 59-r 60 ).

316 'Apri8vq fx4pt(r,ou-Tdtr4

no$ 8).[ocovrc(l 6r]lv 6pfiocpa toU ScovuolrxoU 0edcpoul. l\{ropei otor}q,Barqdyoug,, dpyo rcori 8r,8&1tr1xe cb 406 zc.X., tl Xpovr,& rcor5 zc30:tve 6 Xo-gox).!e' 6'Aplotogd,vl6 v& ci-vtrpetcozci(el tb tpccltxb etSos p.| 6po'.r6 /opeu-trxo')q (or. 1.4L9, i.v' f1 nillE oafieloa roig yoqod; dyn), h &zrc3)'er.cc, 6pco6,r6v zreploootdp<ov ocotlei<ov zcori pr,&6 ivSr,zg6pouv xcc0r,or& tb dSocao6 c6v€peuv6v iSrxieep* 6).r,o011p6.

Ilepr,ogi(owa.q Etor ti pe)'6q ptaq otilv d,vilvauol 'rol p6)'ou coU Xo-poil cir6 ouoretrxoU otouleiou tis tpxyr.xile 8p&or1e, Lna.vapy6,paote orbSpccpr,ccc,xb rorcio ro0 Ey"er, {81 Srupuv0ei 7.d.pr1 odlv eix6vx r6v x'5x},rorv

1op6v tdrv Nriprll8<ov xzl cilv ipgd,vrorl-dve1<ipr7or1 cle 'A0r2v&6 v.xi to0flooer,Scirvcc. X{ o-r.r1vi; Epyerxr. tcirpx |

'Ex&pq, { 8uocuX.rop6v1 prol].rooa

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1. Il& vd, &rogfloupc d o'5ypo1 0d oqpcr.cirvoupr,c 6gc[!6 p.] elocrl<oyrx& rtl ],6tIlopbg 6cav &vcrgep6g,aoee ot& Xoprxd pSpn tle tpalorStaq. It& ci1 oiv0eor; t6v loprx6vxa066 ral y1rd rb 06pa to[ tpa.pxo0 1ogo0, p]'. A. Pickard-Cambridge, The DramaticFestieals of Athens,'O[96p8r1 f 953 (2r1 dxS.dvaOeoprip'6vq &rb to0q J. Gould xai D.M.Lewis, 'O[96p8r1 1968), 75x.t.xui Dithyramb, Trageily and, Comed.y, 'O[96p81 1962(2t 3x8. &va0ecopz1p.6v1 dzcb tbv T.B.L.Webster)'T.B.L.Webster, Dithyramb, Tragedgand, Comed,y, 'O[96p8r1 21962' L.R. Lawer, The Dance of the Ancient Greek The-atre, 7964'A.I\{. Dale, <The Chorus in the Action of Greek Drama>, orb CollectedPapers, Kutprcprc( 1969, 210 x.E.'M. Kaimio, The Chorus of Greek Drama withinthe Light of the Person and Number Useil (Commentationes Humanum Litera-rurn L6, Societas Scientiarum Fennica), 1970' J.W. Fitton, <Greek Dancer>, CQ,23(1973), 254-'14' R.W. Burton, The Chorus in Sophocles' Trageilies, 'O[96p8r1 1980'J. de Romily, <<La tragddie grecque: le chant et I'action>, Corps icrit, 10 (1984),157-165' C.P. Gardiner, The Sophoclean Choru.s: A Study of Character and.Function, Iowa City 1987' J.J. Winkler, cThe Ephebes' Song: Tragoidia and Po-lis> orb Nothing to DoWith Diongsos? Athenian Dratno in i* Social Conteat,tx8. J.J.Winkler xal F.I. Zeit l in, f lplvotov 1990, 20-62'J. Leonhardt, Phallosl iei lunil Dithyrambos. Aristoteles iiber den Ursprung iles griechischen Dramas, Xu't)'-SerBCppl 1991' G. Levy, aMonody, Choral Song, and Athenian Festival Performa-nce>, Maia,45. 2 (1993), 105-124'H.H. Bacon, <The Chorus in Greek Life andDrama>>, Arion,3,1 (f994-95), 6-24' Cl. Calame, cFrom Choral Poetry to TragicStasimon. The Dnactment of Women's Song>, Arion, 3.1 (1994-95), 136-f 54'

2. Ir.d, d rcp6to &rcb td Ep1cr, tbv'A7lfafigo, t& ltyooc& &ttoozc&altana xcr0dr6 xal8va rpipcr rfrq '5rc60eoqg o! rcarruprxb dtc6onaapu pd6 Brrtpdnouv v& 6rco06ooupe 6tl dxavtpr.xil l86a orrlp[101xe ot]1v lotopta ciq tx0e64q to6 lldpq-'Ale[4v8pou xor0c]q xcrlccllv Enrotpogrl rou ocb rsatrdtr, to6 llpdg,ou, 6zrou r5otepcr drb dy6vEe 8rcr8o1fr6 Svcrvt[ovc6v d8e).g6v cou dvalvoploO1xe xel dnoxuracrdlrpe otbv olxo tou. Id td o<o(6ptava&roord.op.ara (&r.42-64 Nauck2), Bl. xcl B. Snell, Euripiiles Alecanilros und anilereStrassburger Papyri rnit Fragmenten gricchicher Dichter (Hermes, Einzelschrit'ten, Heft 5), Bepo).lvo 1937, t-68' T.C.W. Stinton, Euripides and the Jud'gementof Paris (The Society for the Promotion of Hellenic Studies, Suppl. Paper 11), AorrStvo 1965, 64 x.6.' F. Jouan, Euripide et les ligeniles ilet Chonts Cyprienc, ilaplot

Xopb6 xai te)letoup1lir cdq Tgqd64 rc0 EripurtSl. 3t7

rpcc),oy[eg>1, orilv 'Exd,pr1 c6v Tgrpd;6w 6r&p7"er reld..orr,'t ria6or*cr1' X'c]106o11 tfre eriru1,op6v16 Bec[trrooa; nor] &rco86y.r'qxd tbv 0s1xb 1p1op'b y"iv& Er,aqpdoet &v|nzgrl tilv erirul[cc t4g xai v& B{aoqcttriosl ttv atirtplaaiq r6l1e iprg:"vi(ecx," f1 ouwecpr,g,g,6vr2 yep6vrrooor rcorj npoorca"oei v& xc-ravofoeu r&. 6cu oup,peivouv y0por qe . 'Azcb tlv ,ipXi 6s cb 16)'o6 coil dp-1ou g,6ver orct0ep& nd,vco oci oxryil,'ir*pccxotrou0rivca6 tiv xtrlg'axo6g.evr1ouoo<Irpeuorl e6v oupgop6v oB 6,cl Eyer. dtcoit.elwe! d,nb clv a6)'4 coU flpl-&p.ou.

'H 'Ex&p4 d.pyL(er, tbv &zc:c'ry'e),czb 0pivo pr,! d'voczu':cioravq xzi aaqt-yRereq 0pr1vr7tr.xic x,.'trqoar,q (ot. 98 x.E.). Bgloxeter zucop,6vzl ocb d8:cqoq&rcb 6zou ory& oryri &vcolzcbvater T.& v& opr1v{1oer, civ Tpo[z aoil 1d'01xs,cdv &vepe rr,q, r*. zczl8r,& rlq, tbv i8r,o trlq cbv 6v-u'r6. Elvrr, guolxti yvc'rotbi3rr, oi itr,.xS18sloq te,\stic,',rxlLxov't g,td or;p,orvclxl 06o11 otbv &p1aio 6l).1-

1966, 113-142.R. Scotlel , The Troian Tri togg of Euripides (Hgpomnemata 60),lott[1y4 1980, 20 x.t.' D. Kovacs, <<On the Alexanilros of Euripiiles>, HSCP, 88(1984), t7-70. M. Huys, <<Some Reflections on the controversial Identity of therrp6oBuq in Euripides'<<Troian women> (v.92) and in his <<Alexander> (fr.43, col.III. t2)), AC,54 (1985), 240-253. co$ {8tou, <<The Plotting scene in Furipides"4le-tanilros>, ZPE, 62 (1986), 9-36 xal <Euripides, Aletanilros, fr. 48 Nauck (:32Snell:65 Mette), CA,64 (f 995), 787-190 xal The Tale of the Hero who was Ecpo-seil at Birth in Euripiilean Tragedy: A Study of Motifs (Sgmbolae 20/, Aoupalv1995, 125-9, l5l-2,181-2,225-?,284-6,316-9,349-54'J. Diggle, <Notes on Fragmen-ts of Euripides>, CQ, 41 (L9971,98-108 (i8rcrtrcpa 98 x.t.). XXetr,xd p,! cllv d:roxacd-oraort f,qq'Yn60eor1< coi'A),e{du6qo1, pI. R.A. Coles, r{ New Oagrhynchus Papyrus:The Hypothesis of Euripides' Aleaandros, BICS, Suppl. 32, 1974, 6 6noio6 o1ofu'd-(er, 6nr).ezcr,x& xcd 6plop6va rucrzopr,x& d.rcocr&.cp.anu dnb cbv Snell'W. Luppe, <Die Hy-pothesis zu Euripides' Alexandros>, Philologtrs, 120 (19771,12-19' co6 l8tou, <ZurAleaanilros-Hypothesis (P. Oay. 3650)D, ZPE' 63 (1986)' 7-10.

1. XXettxd fr| "tt ou({rnon 1& dv Ev6qtcr ti6 tetpa},o11,c6 tlouv Srapr.opgo0ei 80oEpprlveutrxol d[oveg. 'O G. Murray, eThe Trojan Trilogy of Euripides (415 B.-C.)rorb Milanges Gustaoe Glotz, TIaptor., 7982, t6p. II, 645-656 (:Greek Studies,'Ol'96p81 1948, 121-148lr,xal{Scodel, TheTrojanTri logy, 12x,t. ,6roordpr,[avt lv6-v6tqtc tdrv Epltov, 'Avtt0atcr, 6 G.L. Koniaris, <Alexander, Palamedes, Troades, Si-slphus. A Connected Tetralogy? A Connected Trilogy'/>, HSCP, ?? (1973)' 85-!24, hcey-etg'r1oe v& drco8el,{,er 6tl cd tptc rp6tor Up1a, napd, To156 g,u0ololxor)6 ouolett-op.ot6, 8Iv E1vat Suvacbv vd dnoeel,doorrv <tpl).o1ta> pb rl otevil dwolc to6 8pou.

Elvcn 6pl<og dpale Suvacbv v& g,ll&pe otd t6lr1 cou 5ou a.X. aldrvcr, 1ld' p,d cxor,vilr1rr60ec4>>, 6n<oq &xprp66 ouppatver o! 6prog,€va tplcr to0 Alo16iou, Stav f1 co6orac4 t6vnpayp,4tc,iv>r dx6yu xo.;l oci6 18rc6 dq Tq(pdOeE 8iv &xo),ou0ei cot)q &ptocote),'r,xor)q 6pt-o9,o06; "Orav 81lc8l td x6vtpo to0 3v8rag€povto6 8!v otp6getal o| Evc ouTxexPr-p6vo rrp6oorro, d),).& ol 8r,a8o1lxlq p,opgA6 oi 6noiEe ouvSdovrdt xui 6v6vovtac xd"ca .drcbtb xorv6 rouq zrercpcop6vo; Xlecuxd ptA tl ouftr4o1 y,d clv tv6tr;tor t6rv Eplc,rv zai tbg,{vupr.a c6>v Tptpditov 6 d,vayvc6or46 pnopei 3rto46 v& oup,pou}'eu0ei xctl rl Brp}'rolpcr-gta c4p. l.

318 'Apd&1 f xdpt(rou-Tdtc4

v'.zb zcol,ltr,op6r. 'O rp6zroq 6pcoq rori nccpouold,(ecxr, 6 0pfrvoq 40t66 ofllox4vi1 toU Oed,tpou xei tb n66 Enr,8p& otb xorvb ti',q rxga.oruorlq etval €varg6B),r1poc xcc0a.ucb tpuy,.x6. Xi 8va np6og*co &.plpo t1e, { Foley, pr,ele-tbvraq yzvtx6repa tb.r tpocllxb 0p!vo, Srceo{pr.ctve tb leyovdq 6tr 8!v dlou-pre v& xd,voupre prt &nll piprlol t6v Btrx{Sercov te},ec6v &I}'& g,i 0rorxyllroU ofipr,ztoq ociq Sprg,zcoupylr.Eq &'i&yxaqz. flpoex'teivovfdq t& oupr,zue-pxogtmd. qq 0,i pr.nopo0orp.e v&, ruoUpra 6cr cb Stzgoperr,x6 u"ei ditonp6oa-xfto orllv rcephwaa'r1 ail.v Tprpd\av elva. 6rr, oi Opflvol 6voc),trd,ooovrar, pr,itic lopeutr,xlg xr,v{oelq Srlp,r,oupycbvrocq lva pr,ove8lxb a.io0rltrxb &not6}.e-6ltx. @& l6yap.e p,d,trrotoc 6tr, oi 80o ct,irtq te).acic norS &nb d; g'5orl rou6ouvroto0v te).etougylxd. o1t1p.uta rilq xow6t"qtxe nocipvouv 6'ril 0ext,omi1oxr2vl pr,r,& dtrtror,op6v1 !topgt8.'O pr6vr,pr,oq 0pflvo6 ror5 zupr,apT.ei orl 0aztpr,xil oxrlvil 8Bv gct[vetar vd'd,rrgu06vetoc, p.6vov otoriq vexpo'iq &11.d xzi ocoilq (orvcocvo0q, o| 6oeq 84)':c-8{ pveixe6 dXouv &zcop,aiver, $ocepcr dtb tb x&{r,po ti6 Tpoie6. IIap& rlv&zrouoicc tou6, rilor6oo, o[ vexpol Bpioxovtcrl zsxvcoU. "E1ouv xzcxx'].0oel p&cfv <&rcouoi,a)) rou6 616x),1po cb 06npz. Oi xxruurrrpiq 6Xouv zre0d.val <rtli:,tt; yaga. oceplpr,6vor, d1l p6vov &rcb tic *p&ztouaeq rc).eclq &lI& xzi rircbtbv 0p!vo cdrv luverx6v rou€ (ot.364x.6.). Ot &ragor.n&trr '5nepa"onroci6riq Tpoiaq 0& oxsltrocoUv &zcb ti1 oz6vr1 tfre g<,lcl&q xri to6 xazvoU zsor5prlpd(ouv tlv z16).11 (ot. 1320). "Ooo'grd c& Stcirvul.r:t 0rlpr,*tc 5 Ta)'00proqdvxg&ger, 6rl I IIoIu[6vr1 dXer {8r1 0uorctocei (oc. 264, dpBop r9raxrat'ngonoX.eiu'AycX.ASag)a, Evdr f.} tr,b dviepq np,&4n &gop& 6tbv ,!r,txob 'A-

1. Illlllrd rbv Ercr,xdbero 0pivo, Bl,. M. Alexiou, The Ritual Lament in Greek Tro-dition, Ka.tp.rprr( l9?4' G. Holst-Warhaft, Dangerous Voices' Women's Lamentsin Greek Literature, AovS[vo-N6a 'T6pxr1 1992, 127 x.t. fevrx& 1d td zc&Oog t6v yu-vcr,x6v pL. xai N. Loraux, Les mires en ileuil, Ilaplot 1990, xai Ch. Segal, <<Lamentand Closure in Antigone>>, Sophocles' Tragic Worlil. Dioinity, Nature, Societg,Kclpnprt( Mco.-AovSlvo 1995, 119-137 (l8rcrltepa o1p. 1-6), 3v6 1u] { cXerlxl elxo-voypcgla BI. H.A. Shapiro, <The Iconography of Mourning in Athenian Art>, AJA,95 (1991) , 629-56.

2. H.P. Foley, <The Politics of Tragic Lamentation>, crd Trageily, Comedyanil the Polis, Papers from the Greek Drama Conference Nottinhham, 18-20 July1990, En8. A. Sommerstein, S. Halliwell, J. Henderson, B. Zimmermann, Mndpt1993, 101-143.

3. Ir& tl1 8la,odtreucr4 t6v tetretoupltdrv otlq Tgqddeg, p),. Croally, EuripiileanPolemic, ?0 x.t.' R. Rehm, Mariage to Death. The Conflation of Wediling anil'Xuneral Ritual in Greek Trageilg. flplvorov 1994, 128 x.E,

4. Bl. xal TptpddeE or. 622. Iul cie Srcrgopl6 dvd,peoa otbv p6tro ciq iloluE&Iscrty'ExdBq xocl otlq Tpqd6eg, pi.. G.Petersmaon, <Die Rolle der Polyxena in denTroerinnen des Duripidesr, RhM, 120 (1970), 146-158.

Xopb6 xcrl rc).ecoup1la miq Tgqddeq cot E0prr[81. 319

ow&vaxrxt, rbv p.ovaSr,xb tizc6yovo toO "Excopr rorl 0,i pr,:topoUoa v& Sllc-oga),ioar, { ouv6Xelcc coU o'Cxou c6v flpr,zg,r,86v2. 'H irr,x{8cl:c ca}.eci to6'Aorud,vcxtc d,xotrou0ei €ve rcopiepyo rurcrx6. 'Ev pr,6pel rilv &vfltrapprivel6 Tcc),0uBuo6, 6 &yye).r,rg6poq t6v B10g6v3 zai tv p6per' {

'Exdpt1, { 6rolct

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X6po li[<o dzrb c& x],,xLor,x coU o{xou i t!,. r6}r1e (or. LL43 z.t.). T& ouprpo-),r,xd. oailp.xr,r co6 daou6, 6zcot6 i &oriEcr coO "Exrogz. nof 0& ouvrpog6rler,cb &8rxoXapr,6vo p).noc&pr, rcr,ipvouv Slzgoperlxil 8r,d,oceor1 orl Spap'acr,xi1r).oxd.

Tilv rcl{p4 &vtrorpogil t6v tgtretoupyrx6v o7r1prd,c<,rv d1er, &vctrr1g0ctf 'Erc{Br1 rizb tiv &pXl toU dpyou. "I8r'cc p,A cb zc}'oio cte (cots &ppevi(arpr,orpo),oy<ivraq'd.arxp.&cv7ru yr.& vd, r,ccra)t{fel ocb dupn6paop,z 6tt potpatdrv SuotuTr,ogr.Evcov eivar, v& lope0ouv pr,i d,16peuco tpe1o68l rie rcmpiqttou6 oup,pop{q Gt. L20-l2L):

po6oa 6i ya"srrl toig |oodPor,Edrae xel,aletu d.yoge6rouE.'H Morioe rilq'Ex&$\q,8iv ao-pz"rc6pr'rcel o| SvSoEoc xa-rop0<6g,ccca1, 8'

a<oq ougr,Bocivsr orb dno6 6rcou f1 Enizlqol c6v Mouo6v porlOai rSote v& &no-x:.),ug0oUv dvSo[es ttp&ler.q coO zrccpetr06vrod. 'H

1p{or1 toU &91^11pr,a-tlxoUa0coU te7"vd,6p.t-'coq dnb tbv Eripr,tiSrl g,eyrotozroleicctt' osb zcp6co ordolg,oe,

1. 'H 8o).ogovlc to6 'Aoodvaxra elvw. €'rc tyx).1gtct to).r) nr,b cl8e10}6 drb orrlt8ror) Sr6zrpcr(av ot'A$lvaior, otl M{Io. l0prgcovcr g.t tbv OouxuS[$r1 (E 116, 4) td yuvcrr,-x6rrat8a 8lv 8otrogovf10r1xcrv dll& 8lvav 8oi).ol.

2. B].. xal E. Fanthham, <Andromaches Child in Euripides and Seneca>, otbGreek Trageilg and its Legacy. Essags Presenteil to D.C. Conacher, tx8. M. Cropp,E. Fantham, S.E. Scully, The University of Calgary Press 1986, 267-280.

3. 'O Tct}.00pro6 Etrouce xal tzr).uve rd, :upu$gtara to0 vexpo6 'Aotudvaxtcr xul €oxd-,|{le tbv tdgo, or. ll50 x.E. Tb 'irs6l,orno p6poe stq SnrxdSera6 te),ecig co0 'Accud'vaxta

Eler dvcrre0ei aci,v'ExdBq, cr. 1442 x.E. tr& tbv p6),o co$ Tcr).06prou pI. xal K. Gilma-rtin, <<Talthybius in the Trojan Women>, AJPL, 97 (1970),21'3'222'

4. B).. xal or. 1188-91, 1242-5. Tb 18ro oup.paiver xal odlv aeplntcoc4 tfrq Kao'odvSpaq rror) dredXetcn d Mo6oa 146 vi 0pvdoez u-uxd. (oc.384-85: pq6i po6oci potly6'uon' d.ot6dg fir6 $ptfioet xaxdl. Ol otl1ol 0ecopo0vtcr 6rco?rtoc tircb Qv Barlow. 'Avc[-

0eror, ol, Lee xcd Biehl.5. IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIr& tbv p6lo ti6 Mo0ocr6 otb trco6 pf. M. Detienne,.Les nattres ile siriti ilans

b GrAce archaique, Ilaplol 196J, 9-27'P. Pucci, <The Language of the Muses>,ocb Classical Mythology in Twentieth'Century Thought anil Literature, &x8, A.Aycock, Th. M. Klein, T6€cq 1980, 163-186' F. Frontisi-Ducroux, La citha.re d' A'chille. Essai sur la poirique ile l' Iliade, PopT 1986, 17 x.t.

6. Tb rp6rro crc sr1to €xer 0e<up10ei <b6 3pp6).rgr,o &nb ebv H. Neitzel, Die d,ramati-sche Funetion des Chorlieiler in d.er Tragailien iles Euripiiles, Slatp.'Agtpoipyo 1967.'Avtt0eta, I O. Podari, <La fonction dramatique du premier stasimon des Troyeu-

820 'APr48v1 fxdPr(rou-Tdtrrl

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uErol, t Xptol coU 6-pov ,cawdg p,&q inolpacivEr v& &vagcor40oUpe 1& tb v6r2g,:c a$ti6 rilq En'-x{Selorq riSiqz zor} e1yctr xarvo0prcc &:tb dv &ror}r1 6cl p,6vov 6 0p!vo6 elvrtxccrd,),),4),o6 v& $pr,v{oer cb t6troq g'd6 dvSo(r76 ur6tr1e3-

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nes d' Euripide>, otb Transe et Thed.tre (Actes ile Ia table ronde internationale,Montpellier 3-5 Mars 1988, Cahiers du GITA 4,), Movrcel),d 1988, 131-r41,8[ver ra[-prniEorl ocb 1oprx6, ouvSucr,(ovt4q to t6co p,l t6 nepre16g,a,ro t6v TqEdOan 6oo xcl p!td rln6trorne dpycr ti6 tetpatroylag'

1. 'Ap1t(er, p! Scxoltroenttprcouq xat anvglt(er pl l4ppou6, h6 f1 &tr'r8l elvat lap-

Brxl g,l Snxotroenltpttou€ otb t6trog.2. .H X6l4 6nwfi6ercr' nor) nportg,iral dnb ro')6 6x86teq (Lee, Biehl), d0eteiter

inb t& nepno6repa 1er,p6ype9z nor) 8[vo':v t] yptpi Enwri\ctou.3. latt 0pdvou6 npbg trplv t6v t6trecov, pi.. Alexiou, The Ritual Lament, S3-5'

.o 6po6 xawdg ap.riar.ytorcoreirzr r6co o| ivrlSr,rrro$ pl 116 rzizd6 ei?ixlr$6vE6 iF6pE:6oo xal o16 6rr, n6)epo6 &wrperonl(etar 186 &nb dv 6rflxl 1<ov[c cdrv luvcfix6v. BI.xcrt Croally, Etripiilean Polemic, 245.

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dwilarn l5{r2. Xrlv ripX{ to6 dplou f1 xapapo'co*xr,cp6v4'Ex&B4 riva0upE-rxr, 'cuvr6y,povoc xxl td 1),ux6),or).e ooupa0),rcc xoci liq g).oy6pe6 rcori ouvoSerS-avE cd, zr).oir rtqt} fip0ccv v& ndpouv zrio<o cl 'ywutxx toU MevE).&ou xai v&r&Qouv rlv lpoir (or. 1,45). Oupr.&car tftl.or1q ri6 erirultop6veg Sxeive6 Szro-1i6 rrori ocrlpr(6prev4 orb orincpo toU flprd,pr,t,u doepve cdv Xopb xai ).ct-tpeue co')6 0eoil6 g,i coriq gpulrzoJg pu0p,oJq rdrv zco8i,6v'Enq (6i.Llt-152):

no66g d,pTeyigots ntayatg Qgayiatgeilxdpnotg |ffipy"ov 1eotiE.

'H aloOrltl &vriOeor1 dv&.paox orlv #vOr,pr1 zcr,pouoioc e!6 'Ex&pr16 pr,E rb(upr,oplvo xw1&fu., c6 8',:clupr6vo o6pla, ri6 Oplvrlrlxlq xr,v{oaq, tbv <r&16-peuco 1opbrl:ror5 f tSra Bxtstrei p,i tl ylcbooa toU ocipr.cctoq x*i ocor5q Xa-porlpevouq loporig zcori d.vcy.oclai ocil pv{p,1 trlq 3vr,o10ouv clv cgallxll octo-0lorl'. 'H Srzgop& dv&.pa,ou ccor)6 loporSq coU &rcdltepou xcci &trdt'ca.tsv r,x-pe),06vrcq noil n),&Oovtal otl gxvaoia t6v 0ect6v xccl dlv n),i1p'r1 xatuo-tpogl roU zupupXei ocb 0ezcgr,xb zre8io, (covrocve$el 0aupr,d,or,oc cl 8rnli1rcpxylrurw6r'q'ta. rilq &v0pdrnlvle (orie. Tb 6xipr( a0tb &[lozcoreicar otbdnrxpov oti oxr2vil ri1c, Kaoo&v8pa6. Tlv sico86 t.4q Tspoc(vc(yy6}l,el 6 &va-v*g.pr,3vo6 8ru).6q (oc.298,307 x.t.) zcor5 gctivetar &zcb paxpr,&. Oi ouoXe-tlopr,ol ci,vd,gr.cccr oco$q {$}.lvouq, zcupoor}q, zro'5 xpar&,, d8uz. paw48a, f1 Kao-od,v8pa, orbv &vccpr,g,6vo Sccu).b zcoil et8s |

'Exciprl ocb dver,p6 cr763 x*i ot!gortr& zcor5 xxlel xxi n*ruc1dtyev &t6 zrcrvro6 d;v Tpolcc eZvar, dx8r2],ol oc&pd,rr,cc t6v Oazrdrvl. 'H rrpogdtloocc toU 'Az6).),cova &ir),& xai &x6trou0oqtoU Asov6oou zcxpa1ydtrtret orlv 'Exdpr2 xxl ociq yuvaixeq toil Xopo6 v&r{ ouvo8er5oouv orbv 1apl{},lo Xop6 1126 (at. 325-341,1:

ndl.J.e n66<a o&,>ailtptov' daaye Tgogdv'e&iiv, e6ot.rhq, Bni naqds 6po6paxaqoardracgr61ptg' 6 yopdg Botog'dye o6, QoiBe, afiv.xard. odv Eu \dguatgdadmogou 0oqnil.6t.'Ypfr, dt 'Ypdaat, 'Yprio.

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xopLravu tis OpuyizS p,i c& <ipctc( rc|n)'x,/ tpa'lou8iote arir6v, / not) pr'oildlccle o$(u.1o6 otb xpeppd,cul.

'O <tpz"ylxd,tl eipcovr,xdq Axpuxr{1paq tflq oxr2vfl6 zror) rSzrozpr5fta€ac'Lzsloco &zcb tf 7.crpo0pr,evl l&pQtl ls1q ya4it]'tx6 ce).etfr6 sfvc(u ocb orlg,eio aricbcxg€,ccutog. 'H Kaood,v8poc epayouS&,2, d,vri0eta drb ciq xccotepog'6vaq TtPx-xtuxtq, g.6vr2 qe tbv 'Tpr.6var'0, tbv yapr'i1),r,o $p,vo r4€8, zcpooral'<ivtaq xaitiq rirc6trotnaq tpoccSlttooe6 v& zcd,pouv p,6poq oB a'ltl1v cilv raplepyrl yo.q\-trr,n Szcr,xdserx ta\et$,t, tor} 0d. Ercper'a v& te).etcal &zcb rl 'g.[t|px xxi 'ciq

ouvcp6<puooa6 rlq v0grle . 'H ptxy-r.xi1 czpouoict tie 0e6trr2ntlq z6prld' i 6-nota xgxrcivccrq &vagr,pr,6vouq tor)6 yctg'{}'touq nupooil6 zrpo}'6yet' tlv rri11t'q;, d.rco,p.xxp$ver', zupbq octyp'dv, tb ro',vb coU Oa&cpou &rcb ti6 oupr'gopiqcoD zcxp6woq. )tie tro.1r,)ai6 <ivatrrpnE6 zco$ &xo),ouooov ei6 ocllpr,iq €totu.-6'I€ Tcpoccvi(yy4}).at g.l &1l6).uc1 org{1velr d1 g,olpe to0 'Ay:tpr.6g,vov':r (oc'355-64), t6v

'&Xau6v ocpatt<,:r6v, tilv "1611 t\q'Ex&$r1q, @t. 442-50)ucti 1;o6,o8uoo6.r (or. 432-440). "ooo T,& tilv i8sz, tb pcopi(ar, zco).ri z,{-

1. Mec. fI.E. EravSorviSq, 3).cr9p& zponorlp€vr1.2. 'ApaLiet pB 867-ptou6, oel cuv6Xer,a zcpoltopi ot tdppouq xal ytruxr'irver'ou6 xod t6-

Io6 &xo).o,.;0si 9va o6'rtop'o alofuxb 7-rplxb o1fipa.3. 'O gr.crxaptopbe (ot. 311,312,327, 336) elvar yegr.{},ro6 x*l puxyybq 6po6' B}"

xal trl o16trrct t6v Lee xal Biehl.4. Id, r& zorv& telecoupyu&, ototyeid g,staF'')'ydg,ou xal oavdto''r, BI' R' Seaford,

<The Tragic Wedding>, JHS, lO7 (1987), 106-130.5. I1r& td paxatxd. XuPuxrnlLcrLt(l cie Kcoo&v8pa6 orlv 'ExdBt1, pI' R' Schlesier

<Die Bakhen des Hades. Dionysische Aspekte von Euripides' Hekabe>>, Mtitis, 3(r988), trr-r3'.

Xopb6 xcf tetretouplla otlq Tgqd6r; to0 E0ptn[8r1. Azs

).& 6ru zro).il o6wopr.z. 0d. ouvavr{o.er, otb.r "A81 t& &86},gr,a rzl€ rei rbv za-ritpx r?fle (oc. /r58). 'H ox6tr,pr1 npopo).1 coU <1a.p,{}'tou xopoU> ri6 Kao-od,v8pz6 8iv ztpoog6cet &ril,d €vr dx6pr.r2 lopaucr,zb 6Litt,, tb g.ovabr'xb i[d]'-).ou, zcor5 eivtr, oi'youpo 6cL ts)'eicocl Ezci oxr,v\1, ct\v nxp&otoror2 co$ Eripl-ni81. 'Azrotc).si ur& Ela\mrw"\ poc0p,i8a ti,e qeyuxil6 atoolor1e. 'H nxrd'-Ir1[r2 .roU (\xu-yr.xot-yau{trrou X.rpo0 riq Kxood,vSpe6 oi Enxd8ar.r, 8[ver'ri 8uvccc6c.4rcc oco,)q 0arri6 v&, &vtlxp$oouv 1.1,i ri Sr,opcrtr,:,c6q,ta 'ti.c, rcpo-q\tr.ooxq tb p6trtrov. 'Avrloatcr &rb riv Kaood,v8pal toU Aiol$trou rroriorbv 'Ayaprtpyoaa (a'c. L072 x.6.) tpoqrFeogr 8oa np6xercat vri ouppouvord. rt)rq.iotx r\q 4,xyr,u.i1q zc)'ozi6, 6 rtot1cil6 t6v TpE6'6av p)'6ter to)'r5

ltxxpr.&z. 'E8dr, oi xpr2opoi clq &)J.orccpg,6v1e x6prles zcorS drcsos Or5g,cr rlq

Biz6 roU Aiuvry- (or. 69-71,618-19), &gopouv c6oo oti 1.ro[pa tdrv &vcr,-zcd,).<ov 6oo zei ocil 8r,xi1 rls r6xl rror) elvr{i, &.gg1l>tcx ouv8e8eg,6vz1 pi cd zre-zrpcopr.€vo c6v zr,taxtqc6v.

Aiv siv,tl guor,z& g,6vov tb p6).),ov r\c" Kxaodn8paq zrorS &vatccprcrd'Srci o,c1vfr6 6 norricdq. 'H tepr,ypagll ri,c. ti)y\e tdrv &vcovrip<ov ailg'z)'<i-rcoyr d7rots).ei rb 06pz rilq ftp@T\e 3p,gdvr,o1q cofi <1opc,U;. luvaileq 6),<ovt6v i).uxr,div zco,5 z).ntva 1r,& dlv or'.).epl& zcou riq 6'9r,p6vel eiocpXovtal o!80o fp,r,X6prz &rsb cie zrr.p68ou6. Bpioxovtar {81 oti6 an"tyEq 'ttx xuraxttl-c6v xr.l zcepr,p,6vouv c{v d.vaX<ip1or2 c6v zc}.oi<ov "1t& v& d'xo}.ou0{oouv cbv8p6g,o tiq Soutreirg ord. rx\&'ctt rfiv xataxr4c6v6. T6 06poc tlq Soutreleq

1. fr& cbv p60o tiq Keoo4.v8paq, pI. A. Moreau, <Les ambivalences de Casa-dre> otb Entre homrnes et ilieua. Le conoive, le hiros, le prophite,3x8.A.-F' Lau-rens (Annales Lit. ile l'uniqersiti de Besangon 391,), Ilaplor 1989, 145-167' Id ri1troyorelvrxl dn68oa4 cie popqie r4q odq Tptpdieq pI' nal J. Davreux, La ligenileile la prophetesse Cassanilre (Bibliothi:que ile Ia Faculti de Philosophie et Lettresi le l 'Unioerst i t i i le Li ige,94)' I laptor 1942,3i x '6. ' A. Et69o6, O ptJ1oE rqg Kao'oda\paE otrlv agTala eX.Trlumri ypappatela, A0{va {994, 49 x.t'.

2. Ir& rie Srapop!6 tlq eripr,riSer,a6 Kaoo4vSpa6 ptl clv KcoodvSpa to0 Alol$lo'-r,p)'. J. Davreux, La ldgende ile la prophetesse Cassanilre, 44'p". Aelion, Euripide hi-ritier il' Eshyle, flctplol 1983, c6p.. II, 2Li x.i.' Croally, Euripiiledn Polemic, 228x.E. 'EvSrag6pov napo,.rotd(er xzi 6 zrapall4lropb6 ei6 Kcoodv8paq ltb dlv 'Awr,y6v4,

ragurlp'qon rro'i clv 6ge[,].o')pg ot]v Rehm, Mariage to Death, 43-58.3. )ltbv 'AX,6[audpo, f] Kaoo&v8pa elxe ii81 npoavalyel'Mer 6oa Servd 6np6xerco v&

rpoxcrldoouv oclv Tpo[or oi trpdF.etq to6 II4pr;' Itri tbv p6].o ti6 KaoodvSpa6 ccbv'474-fafiqo, pl. Stinton, Euripiiles anil the Jud'gement of Paris, 64 x.t.

4. Eix6va rco') 6 nolqtN6 tlv d1er, lgqolpr,onordoer, :tod otb npdrco otdoupo tilq'Exd'Fqq, or. 444 x.t. ltd cdv X.ogb otiv 'ExdBq, pl. J' Mossman, Wilil fustice. A Studgof Euripides' Hecuba, 'O[96p81 1995, 68 x.i.

5.'I{ ou(dcr1or1 rcgl 6od.eiaE &nu'ir'&rar. xal otbv'AM[avOpo ldtt. tt1,48, 49,50,51, 57l,3vd> tb 06gta ti,g eiy&etag (d,tr. 52,53) Eacv6p;qetar oto,)6 oc. 6\4'5,744. Te-vm6tepa y& tb 0lpra riq 8outrelaq otbv E0prn[8q, ptr. K.Synodinou, On the Conceptof Slooery in Ewipiiles, 'Icodwrvc 1987.

cLt' 'Apd,8vq fxdpt(ou-Tdct'4

&rcote),ei 0,i ),4ycrg,e ti1 p,6vr,pr2 xei Snrvr).*prpav6pr,ev1 ei>c6vx coU dpyou(u1opbs, or . 185, 217,234, 'Ex&p1 or . 140,191, 490 z.€. , 507, /1 .27L,

L280,L3LL, 'Av8pop.&Xr1 or.6L4-5,660). "Ooo .p& tori6 xl.rextntEq elverxr ocrlroi yvrirprpor otb xor,v6, dgo0 dlouv il84 na-pe).&oer ori orlvl coU 8e'5-repou dpyou, *8 lla),aprj6qr, Srov Exc66 rinb cor5q otp:ctr,otlr,.ori6 &pp-yo66, dXrrol orp;rrl6te6 d,rcorc).oUv tdv <Xop6> rcorl Sldxest*r, Bl0prxct &.-fttvxvrt ot6v llatrepui18r1 ).6y<o ri6 <zcpoSooLxq>> tov?.

Tb nxryviSe rlq &v&g.vr7ol6, i )civld-4 dv&1tecx ocb nzpa),06v tccl tbpr6ltrov zcorS ouvlor& 'rb xr5pro lvdrprol,rc toU dpyou ouveXi(etxl. Md ypdyo-p4 dvt),).2"1,i1 otbv Xp6vo xoti ot& ttp6a,onr. p&s p,etoc96pau otb np6ogz-torcr'rpai06v. 'H &),coo-4 ri,qTgol"xq, i8<op,6v1 &rcb ci1 oxozrr&, cdrv &rutr6v yu-vrrx6v, aivv-r, cd zcepr,eX6pr,evo coU T.oprzoU rror5 &xolou0ai. Xcb :r,pdto cr&,-or,1.r,o, 6 (/opb6> $ocepx ri*6 rl Slegopeaxil 6zcrx{18er,t rirS{, no'} ayo\t&.ou.-p6 Trpolyoul.r.6vcoq, (covtave$el zceg*or&.oatq xei 3x8r1l.<ioer.q pr.&.q &),)'r1e &-v6getr1e izoX{q. @up,&,tcra, ).or,t6v, g.i ci; pod0ett( r6v Mouodrv, 6 <lopbqD

1. Xlatrxd pL'cbv llaX.aprl\a @n,578-590 Nauckz), 69rop6va &noordalturu &.rdro$6 rrpolloripr.evou6 tpa1lxo66, pld napcoSlcr &nb tbv 'Aprotog4,vr; cclq @eopogoguilou-o4, $vd o16trlo oc0v 'Ogtotrl xcr0<'b6 zal o[ g,u0tx!6 8ulyloetq ruo't p6.q, dXouv zcapaSo0eid,rcb sdv (Drl6orporto xal tbv 'Tfvo 9,&6 6811o0v oclv 0r60eoq 6tr cb 06por t{6 tpalcoSt-crq eivar | 8uocpr41z1 to0 Ilz).cgd8r1 pr,} cbv 'O8ucoda. Tb Spdpc tztul[ooetau ocb otpcrc6-zre8o tdrv xatuxalt6*, tdrv 'AXal6v. 'I-I &vagopri ortl 8o),on)'ox[a to0 'O8uoo6a, 6 6zcoi-o6 ot4pl(erar ol Svcr 0Eitrxo'ypdptp.a 1& vd x,crtaSrxdoer o| 96vo tbv 406o Ilcr).crpd84,Stver orbv rorlc}1 tN Suvat6trTrcr vd ou(qqoer tb tp6pllpr,a ci6 zravroSuvavtuq'citq "ypa-g!q, co0 y,6oou arito0 no'5 6[aoga],(er tilv Enlxorv<ovtor otbv E1g,6oto no],rrlxb X6po' fr&rlv tpayr,xl zrapouoia eoi Ilalag,l18tl, p).. F. Stoesll, <Die Palamedestragodien derdrei grossen Tragiker und das Problem der l-Iypotheseis>, I7^S, 76 (1966), 94-70t.1\l[. Szarnach, <rl,e mythe de Palamdde avant la tragddie grecque]). Eos,6 (1974),35-47'ti,c, i8ra6, <Les tragddies d'Eschyle et de Sophocle sur PalamCde>, Eos,62ll974l, 193-204 xai <Le Palamdde d' Euripide>, Eos, 62 11974l.,249-271' Scolel,The Trojan Trilogy, 42 x.€.' Adlion, Euripide hiritier il' Eshgle, r6p.. I, 46 x.E.'D.!'. Sutton, Two Lost Plags of Euripiiles, Nda 'T6px1-@pavxgo$prr1 1987,llt'-155'K.tr{. Mtiller, <Der Palamedesmythos im Philoktetet des Euripides>, .R/rM, t3$(1990) , r93-209.

Itd tbv p00o tou Ilc,)cg,f18q, p).. Jouan, Euripid,e et les ligeniles,339-363' Sco-d.el, The Trojan Trilogy, 43 x.t.' J.A. Clua, <El mito de Palamedes a la Gr0cia an-tiga; aspectes canviants d'un interrogant cultural i historic>, Faoentia, T'2 (1985)69-93' f. Zcolprigou-A0pa, O pti1og tou llaAaprj&1 orqt apyata eAlqtwfi ygappa'teta,ft4wrva 1987' I\t. Detienne, <Une dcriture inventive, la voix d' Orph€e, les jeux dePalam0de> ad L' ioiture d' Orphie, flap[or 1989, l0l-ll5'K. Usener, <Palame-des. Bedeutung und Wandel eines Heldenbildes in der antiken Lileratw>,WJA,20 (1994-95), /19-78.

2. Btr. Scodel , The Trojan Tritogy, 55. "Eva dnicraopu (586 N2, ?ioav lrcui-oot: x6gav, 6g du' ll6aa rdgnerarl elvar, crlo).rxb6 1op[cp.Bo6, €v6 86o crty-o,. dr.b Saxo].o-anlrprtou6 dvr]xouv npogcrvdr6 orbv Opivo rc0 Otaxa 1d tbv &8e196 cou.

Xopb6 xal teletouplta erlq Tpqdleq to0 E0ptrl8r1. 325

116 otrypr.B6 Xap&q norS y,rriproe 6cav 6 Ao69er,oq flrcno6 68r1yd04xe otb vab,r!q fIaII*8a.q u.xi 611 f1 Tpoiz v6puoe 6rr, re).ai,oocrv t& pdoorvri 'Enq, (ar-524). Oi. <e'irurop6ve6n yuvr.ixeq, toil <1opoU> 8iv P,7c6pe6t'v v& 8r'zxpivouvtilv tcrll8a ror! dxpuBs tb Sdrpo tdv 'AXrr6v. Oi lopoi npb6 tr'pi1v 4s"Aptepr.16, led.q tgoo,c&,rr,8c6 tdlv verp6v xoprfoudrv, dSlvcrv tilv &zclq).i;a'io0qo"4 tts 9s93c6t1tcc6 "p& d1 ouv6Xer:c {c (<ofle (or. 542-55):

tni 6i ndutp xai TagQyis2g.oa tni x la|gaE.nagfia'Aipag ffi XattdE Eminu,tDpt5ytti, te pd),ea, nag06vot. 6'ddpr,oa dvd xp&oa nodCovBoda t' Epel,nov edqpov'...'Eyd 6i tdv 6Peo#Pavr&' dpgi p67a0pa, nap06voaAt'6E xdgau (Agrepw\ Epil'n,iPauyoqotor,...

rrlld,vo o' aririq ri6 tr4rpe6 xzi'ci,Xilp,JLl{p0e tb cxotd,St tilqv{xcaql xuld lrpuxil &vcz;XoUoe gloydpoc/ zri t& gpu1r,x& cplrlo08ulc, xxi rd"'rcptrow'lnz18q1t& Xope0ovca6 / tpzlouSoiloccv lxporip'evr tpalo$8r2.. ' 'Epsi6 rtlvrEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEExg1tva r6v pouv6v | r)r,*r, orb vcc6 'c1e r6rx,/ eoU A[oc c]1v r.c6pr1, 7to(v1l^)-

pt(rg.e/ g,l Xopo')q xei tpc"yo'58r2>.T& i8l:cicepr yv<opiop,*ce tou loplxo6r 6nr,pd,l,),.ouv, v& otaooUpe 1t&

),iyo o) 5propu6v:c olpr,eicc zro') dlouv o'r11txolx'11& tlv x1fiw6loq too oupt'-po).r,opoU nor) rizrotrccv0d,vsl orbv lop8 c6v verpdrv xopltordrv. Tb zcp6to zcpo-glrlpa zcor} &vaxr5rcfsr etvrrr xup[<o6 reTvlxb xa.i oaa.cl,(ercl g,] ei1 oL?'lvoTPc(-grxil &vccazp &ocao.r1 Aiv elv,(i, pi$xw rb p,ovrSr,xb zurpd,Sollpoc orbv E6pr-

' ri8r1 6zcou 6 <1op6ql d,vocxcc).ei pr,E r& 16.1rr rou loporlq tori ixtu),looovrdux&nov cttrtroU, d6co &rrb r6v Dpccpztr,xb 16po. Zt\v'Iqry'aen tv A6fi6r' (o'c'1036 z.t.) 6 tor,1cl6 p.i &gopg.l cbv <yd,p,or ro0 'Apll6a nxi t\e 'I9ry6-

ver,u.q, dv,xgepeca.r otor)6 Xoporiq rcor) dluvav oco$6 yip,ou6 ro0 II1l,€a xalrlq O6tr,8a6. Xtie Bd.xyeE (oc. 862 x.6.), 6 (X,opbq> 6vaFerSe,crr e0ru1t-op6veq ocr,yp.lg pcxXrxdrv 1op6v, orbv "Ian'q, (oc. L0741,1lvetar &votgop*

l. Ifp6ner vd or;pr.ettboougte ctb crlg,eio a'it6, 1d v& dno961oug,e el o611uoq peta-[,r] xopewrx6v xrv{oecov xcrl 1oplx6v, (nt p&1 iv8r,crg6ger, I xer,prevr,xl d,norfncool tiq xo-peutui6 xtvqc4g u-al l,az 6 p6),o6 rdrv loprxdrv xai f1 o16c4 touq p.l tb Spag,rtrxb &nor6-l,eopor, Ml d),Ia l6ya 8lv gtdq d.ncrcy.olei tb dv xai xac& r6oov 6 <<1opbq> elvcn {rraq dn6to,5q zrpcotay<ovtot6q, 6rc<o6 ntoterjer 6 'Aplo:ot6L1q (Iloqtwfi 1456 a, xai tdv Toplv 6d&:a 6ei finoAapBdvew r6v 6noxqndtr), I rirl& 31er xcr),crpl cx6oz1 p.) tb 8p49r.d. B).. xcrtO. Taplin, Stagetaft of Aescylus,'OEp6pDt 197?, 69-70,257'52 xo,t Greek Trage'dy in Action

$26 'Apd8v4 lxdpc(rou-Tdc4

otoriq 1opo0q tflq le).{vrl6, toU Oipccvo0 xcci t6v Nr1p1i8cov. Tb t6q, 6p,or66py;rvc5ver, 6 nou4clq otl orrlvi rtov TpEd\au ro.iuq ouyxexpr,pr,6vouq gpu-1rxor56 1opoil6 elvcrs 80oxo).o v& tb &vrr,).1g0o0g.e. @& oug.gcovo0oocpe, 6-o16oo, oi pr& orlvrxi1 ixpoc4).treuor; &v&)'oyq pr,! cb zcagrel6pr,evo toil xer-pr,6vou. 'E(d,).trou, alvar, yevtx& zc).6ov &rco8sxtb 6rr, 6 Xopbq &zcocetre? ouvd-Ocoq &vcczc6oftq.tto oeorleio t6v Xoplxdvl.

Tb Se0cepo oqp,elo oye'ci(era,. p,i tlq xpupr,pr.6veq &vcr,06ooz6 xai tor)qouprpo).r,opo0q zuoU &v*8$ovcar, &nb cor)6 Xapo6ptavouq, Xopor)6 t6v luvetx6vcie Tpoire.'H cpxllr*1 aipcovaie ruorl ipr,tapr,6y.etar, otiv cix6va, t!6 86fu'zqoug,gop&q zcor5 dyrve Sezd; pl lago0ptevou6 Xopor)6 (oc. 529-30, xeyappat'vor 6' dotdaiE | \illnv loTot' ihau)' V.sYtoroTcorei, vopl(oup,e ri1 8$vap,q roUrpcr.yr,xoU lad.p.xtoq. Oi, erituXuop.dvs6 otryp.t6 Fr,r,&q &Mr1q 3to1iq, zcorS d,voc-zz).oUv oi aiXpr,d,).<,lce6 yuvcrize6, &vtr,8cnot6tr).ovtct,t, p,! rilv ltp<itr1 ut6)taq1,txtr,&., g,i td 6oa SeLv& &xo),o0O1orv cl 0gr,ap,psutr.xi1 atooSo tic 8otreei<zuayl}aq. T6 tpa1lx6, 6g,<oq, zcel^1.vi8r' 8iv E{avr},ettal 386.'H dvq:rtxpxo'' t--tl'xl 80vocp4 roil XoplxoU zrpoo).ap,pdvel e0p0capeq 8l:cocd,oe4. 'H zpclrqeix6voc zcori Srlg,uoupyditu.u &ztb tb r,c.alpr,evo elvar, arirl tflq Bv68pc6 t6v 'Ap-

lalcov, rrori 6pr,or,ct 1.ri ttroio (or. 539-540, aadg 6oei I oxdqog xel.awwl,yavv& &rb dv zortrr,& t1g eo')6 &ppr,xrcopr,6vou6'A1ctr,o$6 (a'r.5L9-521'rinnoatvonl,ovl. Aiv elv,i{l p€pccct 8$ov-o}.o yl& rb xor,vb toU Oe&cpou vr} <i.vrl}r2g-Oai dlv rgxyw6r4rx rcU 8<ipou do') eI'rar &glepcopr,6vo otilv Ila).).ri8c, (ot.522-526), a0ci1 cl 0e& rEoU zrzpctSoorccx& B7"0pa6acar d1v Tpoir (cr. 24\.Ilapct).lqtrcc, i1 eir"6va t6v zc).o'lcovz otiv 6toict p.i i8r'a[cepr1 Epr,geol Srcxv€p-

aarm6 Ezrorlt iq (<lopbql ot. 98, 102x.&., l '59-L62,686x.t., Korood,v-8pa oc. 455-467,'Av8popr,&X4 ac. 677-678)s, toU &ruvcp€reu v& &v*Seifcr

l. BI. y.& rrapdSeryya Lloy. Eitpail\eE or.307: dye 6f xal Topdv dtprl.pe4Eog.AiaE o'c. 70L: v6v ydp tpoi p{tret yoge6oau Ol\inouE Tdgawog ot. 896: ti 6et pe 7o'gerJen'; 'Auttyilurl cc. l5l x.€.:1eda 6i uaotq yogoig lnalauTio4 ndwaE tn6l0apev,frip. Bdxyat ot. 153: dvayoqaioapa' Bdxytov, x.d. Ir& tl6 loparoxA6 xr,v{oe4 tdrv pe-).6v r6v loprxdrv, ptr. xcri J.F. Davidson, <The Circle and the Tragic Chorus>, G&-R,33 (1986), 38-46'K.Heikkilii, <<Now I Have in Mind to Dance' The Relerence ofthe Clrorus to their own Dancing on Sophocles Tragedies>, Arctos,25 (1991), 51-68' A. Henriohs, <Why should I Dance? Choral Self-Referentiality in Greek Tra-gedy>, Arion,3. l (1994),56-l l l 'co0 t8rou, <tDancinginAthens, Dancing on Delos:Some Patterns of Choral Projection in Euripides>>, Philologus, 140 (1996), 48-62.

2. lui tbv p6lo t6v n),o[<ov ocl6 TpEd6eq, pI. xori J. Assael, <L' image de lasubmersion de Troie dans les Troyennes d'Euripide>, REA,92 (f990)' 19-28'E. Craik, <Sexual Imagery and Innuendo in Troailes, orb A. Powell, Euripides.Women and Seauality, AovS[,vo-N6c 'T6pxr1 1990, 1.-15.

3. 'A[i(er vd, zcpoo06ooug,e 385 xal tb Se6tepo otd,or'p.o dzrb tlv'EudBrl (ot.629 x.E.), 6nou 6 nor1d6 p,v'4p,oveter t& nloia rco0 Etolg.noe 6 [dpqq'yr'& tb ru([8r rou oc]1Er4pr4.

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t. Ilcrpar/1pz1o1 nor) dv 6ge[trougre ctlv Podari, cIJa fonction dramatique dupremier stasimon>>, 138.

2. tul tbv dyclva 'E).6v16-'Br4p1q, pI. C. W. Amerasinghe, <<The Helen Episo-de in the Trojailes>, Rarnus, 2.2 (1975\,99-106' M. Lloyd, <<The Helen Scene inEuripides, Troades>, cQ, 94, (1984), 303-813' G. Gellie, <Helen in the Trojanwo-m"nr, *6 Srudies in Hinour oI T.B.L. Webster,6x8. J.H. Belts, J.T. Hooker, J.R.Green, Mnploco]. 1986, 174-127. J. de Romilly, <La belle Hdl[ne et l' 6volution dela trag6die grecquer, LEC, 56 (4988)' 129-143,

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Women anil the Ganymeile Oilett, YCS, 25 (1977 )' 291-319'2. Illd, tbv p6).o coo Aic od tpl,to ocdor,pr,o, pI. xcd H. Tunnis, A New Creed':

Funilarnental Religiotts Beliefs in the Athenian Politics and Euripiilean Dratna(Hypornnemata 9l), I\oettyJrl 1988,81 x.€. Ie.4x6repa yr,d, tbv p6}o t6v 0e6v otieT*p26a, p).. E. LefCvre, <Die Funktion der Gotter in Euripides' "Troades">,

ws{ 15 (1989), 59-65.

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"Av rcci oi lapextfrpeq to6 Bpyou 8Ev elvel arp& (ovravoi vazpoi, yu-vdixaq rco') xrvoilvcar, Elco ci,rb r& 6plr ro0 oixou tou6, ol €vccv ldrpo p,era{r)vtx4t6v xxi {rr4pevcov, 3v co6colq d 8rlvorplz1 r6v xr,vdoedrv "ou6 xt\$rcceu616x),z1po rb gdog,* pr&q (ofr6 zrorS dler r),€ov 1a0ei. O[ pvcr?xaq regrypd.-gouv 8la8opx& pI rbv tr6yo, &trtrd, xai g,! ri6 xrv{oer6 toU ocirg,rcoq, rbv0p!vo, tlv 0g.6vccr,o, tbv 14pr,o xei rl ou(ulxl (co{, tbv dpcora, co'}6 0eoil6r!6 r6trr2q xcrl toU ydg,ou. 'H pr6vrpl Oplvqcm{ zcrpouo{,e ri6 'ExdBl6 zoriSrcxdzcrera! rirb {v ip,gdvlo4 riq Kcroo&v8p*s, "ie 'Av8popdp26 xai ri,q,'Etr6vq6, 8r1g,r,oupyei dvcov4 dvr[Oeor1 p] tor]6 1opo0-c t6v luvccx6v or]1vLpyilarpa ruo0 p,ar*g6pouv ro156 0ertA6 o! d)J,ec zurb eirupop€veq &ruoyd,q.

f . Alv 0d oupgrovoioapa, drot6co, 386 p! tt6 06oer,6 to0 Dunn, cBeginning at theEnd in Euripides' TrojanWomen>,6t1 6 noqr)16 06),owor6 v&,8cboer, dpgarrl orb ndOogt6v atlpcr)drtcov ncrl otd p31e0oq silq xaruc'cpogi6 Eler dwlc.tp6rlel, xa'rd, x'*ttow rp6tcot0 t6los pl dv dpXi ro0 tpyou. Elvcr, guor,xd dXrl0eu tb yelovbq 6tr tb Epyo dpXl(er p]r0 t6troq tlq Tpol,cq ncrl telErcbver pl d; 8r,arr[or<oor1 a0to0 ro0 t6],ou6. Nopl,(oug,o, 69,<,16,6tr d napouola ro0 flooerS<irva rorS 8l,vel nepll1ntr.xd otbv np6lolo 6ou np6xercuvd org,-po[v, tpplve6et lex&0upu xal rlv rcp60eor2 to0 rrorry! vd, €orrdoer, tb 3v8rag€pov tou d21lorf 8pda4 t6v yapau.ri'1pav to0 8pdg,aro6 d),).* or& &nore).6op,crta t6v d,v0pcorrl,vovzrpd[ecov,

2. 'H'Av8pop,ltA4 elvw, &.vlxav4 v& nepllpdrler p! ).6yc, d1 Suotullc t46 {ot. 695,dp1oyydg elpt).Id, d; 80vapr,r1 ri6 y)droocr6 odq TgtpdOeE, BL. Gregory, sThe Power ofLanguage in Euripides' Trosil,esl.

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'H rpopo).i1 xei &vd,prvlo1 vLd,s &p'9r,tre16g'ewl6 E$ruxlcr6, zcor) trertoupletoru"r,ppir& 1.r.6or &tb ti1 lopeutrxi xtvrlorl ritb rlv &pXi 6q tb t6tro6 co0dp1ou, payroro'rorai ti6 Euvctt6tlrcq rtq 0ercprxi6 np&1ns'Xuv{10oq oc}18pccp,ttr,xil ft?'*lTt [n&p1er' pt& u6vt'g'1 dvr*oz1 &vd'pooct ot& 9'6]'11 to0 <xo-pour xzi cor!6 il0otolo$q. 'H lEr,otuzrtoc c'ciq TpqddeE Eyxautal otb leyovb66ft 8Bv rir&p1at d,vtr,rcrpd'0eo1 o$ce pet;r[,[ t6v locpax'cripcov co6 8pd'g'orto6o6ce g.erafri e6v ta).euratolv x*l t6v &vcovljp!<ov 'yuvr,rx6v rror5 &zrepcl(ouvtbv <1op6>1. Oi ptopgl6 zro,) brrS€Xr,vtctr, { p['z clv &IIz1 8]v zrgoo06touv xd'-Oe gaar riep& Svct ttti|ttx 1 #1q qx7txil6 aioor1o4c' Oi p6vac tx8l)'eq d'vrr'06-o"16 "Ir*, g,eta.(r5 nap6vto6 xzi rccpa),06vtoq, gva rrrpelobv zcorS elver (co-vravb y.al portl(sr rb g,6],trov. "Av otilv tstreutcrl* poc{,,<o8[e ti,C'IAtd6ae ({l723 x.t.) 6 oplvoq c\i:. 'Ew!$rlc,, ti€'AvSPop&yne, tfle 'Etrevrq zel t6v &-v<irvug,cov luverzdv rflq Tpol,*-c ouvte).ei drote rb x).6oq too "Exropu. v& 8tc(-capr2bai d,opeoro ott frvdprt t6v &vOpcircov, otilv rxp&ocuo'4 toO E$pln[-8r1'oi yuutir.e6 &or,8o[,, o16rots6 8rr71o6vtar,6X, "l proipoc t6v d']Iov &]J'& d8r,x{ touq gr.oipcc,6rcoypapr,g,t(ouv pr,} tbv 8rx6 rouq tpalxb rp6no d1v &rr'p['-0,6rl rtq Tpo{,cc62. uEtou { ts},auco([ct couq gpd,ol $r' L322'40) 1d cbvrigocvgo*b tiq Tgoir6 &rceu0riveto(t ocb xor.vb zror) xpat& ot| pv{t rl foutlv dvSo{1 116}.11.

Alv ouvrot& $rcop.6vorq '5nepporil v& zroUpe 8rr' \ ax6nvprl rpoBortlr6v ouprpo).rx6v lopeucrr6v crll]p&cclv 8iver, otb €pyo xzt tbv lSut[tep6 touyopn*|+**..H d,n6pavrrl gpr1p.ix ro0 torclou 'uvszrr]r,ouporipavrl zrl &tb ri1

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y,.xlq np,iLl}s. MB d),Ir( L6yrr, 6 xop66, &rco8l,8ovta6 6,cr, 8Bv elvcrl Suvatbvv& 8r,8a1tei zcd.vco ociv tpccyr,xl oxrytil, dtoxrd., 156 p'r,pqtr,rl nMov rup&{r1lex&Iuga tpayrrtb yupxwfipx oAv oti6 Xopeutr,z!6 elx6veq &rb ti6 TgEd-6e6 rtpoo06ooupr,e xcci tbv <1op6> &tb sbv 'A76€ar'6Qo to'5 drcr,pti(etar d,nbluvaize6 { 16pou6 fifi,Tpoixq, &}.tr& xcct d,zcb ouvrp6gou6 .cou poux6trou6t, rbv

l. t.0, *lloy|,.b aapuxc\pa too 1opo0 gxer d,vcrgcpoei xcd 6 sienkewicz, cEuri-pides, Troion women. Ilevrx6tepcr 1d d o0v0eo1 too <1opo0> or6v E0prrr[81 xal rlor1rp."ofi tou crl Spcrgr.alxl rl,ox{, B}.. A. G. Phoutrides>, rThe chorus of Euripi-desr, .EtSCPtz, 27 (1916l, 7?-110,

2. Illd d1v tnrptovl to0 EriprrtSl otbv p6lo rfrq Tpol,a,6, pI' xcrt P. E' Easterling,cForm and Performancer, otb The Cambriilge Companion to Greek Trageily, lxE.P.E. Easterling, Korlpr.rcprt( 1997, l5l-777 (L73-771.

3. BL. Jouan, Euripiile et les ligeniles, 119, c4p' l' Scodel, The Trojan Trilo-

ty,26.Ir& to0e 8r.r).or)6 lopor)6 odv EriprrlEl, pI. xod Coles, The Hypotheds of Ewi-

'Apd8v4 fxdpt(lou-Tdttrl

<tXopb> c6v d,1zr,6v orpctrrcor6v &rtb rbv llal,aprjdq rcri cdv <Xopb> tdrv6ccf$r5poov tirb tbv tiocqor,6zcou ocbv {g.ld,1pr,o, fp,rzv0pcizrrvo x6opo eoUoctuptxo0 Spripr,ccro6 ouyXover5ovrar, 6),o6 oi xor,vcovrxlq zrepaSo[6t4r6xri 6nou nxrxgyairuu xd,Oe €vvora rilq rdL?\q, t6ts 6 Smuprlpldvoq oc'icb6 6pl-(ovt*q, zror5 &zc),civesoci, nzi xx),$rcrel 6).:q ri6 zrrul}6 tle &v0pcircrvl6 (o-is, &ruoce),ei 8va 0rupd,oro c$pz1pr.r, ylri clv d,rcocdrccoorl tiS (cot., no'i dlelX,x0ei &tb cb oxr2vrxd zcsDio. K*i &rb crriril civ &zro'lrl, 6 rot4t.h,c, fiq ,-,o-p&.oruorlq, co6 415 z.X. d7cr, zc'),{pcoq 6zrc01er cbv ot61o rou.

piiles' Alecanilros, 19, d4l.t. 1. 'A€t(er Brc[or1g v& tnev0uploougr,e 386 8a Sexan6rte :re-plnou 1p6vu zrplv dnb dv nctgd,ctaol rc6 415 n.X., 6 xcoprxbq norqQq Kpctivog tlertoco6 rrcrgouord,oel, otb dplo tou AtouuoaX.C{av\go6, 3nl cxrlvi6 8rn},or)6 lopor5q &zrore},o6-g,evou6 &rrb Boux6).ouq xal ocr0pouq, B].. xctl, { pelSq y.ag <rl,e Dionysalexandros deCratinos>>, Mit is, 7.2 (1986), 325-332 (332).

!. Isd cb teleurcio dpfo tie <terpaloyle6>,tbv Xtougo, o[ 1v<iroelq g,a6 clval 6].d-1rore6. "EXoupe orl 8ud,0ecl pta6 86o no),r) o6vtop,cr &roord.cpuru rro'5 &v{xouv Xtopiq dp-guuurop{cr1c4 ctb 6gtcbvup.o dpyo to0 E0prnl84 pr.673-674 Nauckz), xdrcora otoryeicr zro'}npoog6pouv td ncrmrpo),oyr,x& 8e8opr,6va (P. Oxy.2455, dn.7, BI. C. Austin, NooaFragmenta Euripidea in Papgrus Reperta, Bepo).[vo 1968, 93)' xa0<b6 xal tb drs6-orco,lltu BxEivo zsoil pil.d,el 1& clv dvcxritru{1 tdrv v6pr,ov xclcd>v 0cdrv dnb tor56 dv0pcinou6(xcl cb 6noio &no8lEetar ette otbv Zioogo to0 Kprrla efte o'a0rbv to0 E,]grrt81). Ir&tb reprcl6prevo to6 te).eutatou droond,opr,crto6. pl. A. Dihle, <<Das Satyrspiel Jisy-phusrr, Hermes, 105 (197?1, 28-42'M. Winiarczyk, <<Nochmals das SatyrspielSisyphos>, WS, 100 (1987), 35-48'H. Yunnis, <<The Debate on Undetected Crimeand Undetected Fragment lrom Euripides'^Sdsgrphzs>>, ZPE, 75 (1988) 39-46' H.Davies, <Sisyphus and the Invention of Religion ('Critias', TrGF, 1 (43) F f9:B25 DK)D, BICS,36 (1989), 16-32. Tb 05pa aitb tF.erdleru,. xai otlv 6rcd dxSooq pe-).6c4 pra6, <'O llougoq { &vaxdlulfu c6v v6pcov xai t6v 0e6v>, flpaxtrxd Adpou Xcrtrav-8p[ou, 'A0f1vcr 1998.

lr& cbv p,00o to0 },o6gou, pI. C. Sourvinou-Inwood, <Crime and PunischementTityos, Tantalos and Sisyphus in Odyssey 11>, BICS,33, (1986), 36-58 (i8la[te-pa 47 x.E.\'E. Pellizer, <<Figures narratives de la mort et I' immortalitd. Sisyphe etautres histoiresD, Miti.s, 4.2 {1989), 269-290.