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20/05/2015 10:13 Das Spiel: Are You Part of The Game? – Ovalhouse, London | The Public Reviews Page 1 of 3 http://www.thepublicreviews.com/das-spiel-are-you-part-of-the-game-ovalhouse-london/ Home / Drama / Das Spiel: Are You Part of The Game? – Ovalhouse, London Das Spiel: Are You Part of The Game? – Ovalhouse, London " Posted by: TPR London # in Drama, London $ 7 days ago % 0 Audience Reviews Deviser and performer: Philipp Oberlohr Director: James Blakey Reviewer: Andy Moseley Are You Part of The Game? It sound like the opening of a weekend quiz show on ITV or Channel 4, inviting participants to look under their seats and see if they’ve been chosen to go head to head with Philip Schofield in the quest for prizes via dubious means. As the invite to a show billed as ‘a mindreading experience, blurring the lines between performance and reality’, it carries with it more sinister connotations, but don’t let any apprehension about potential engagement with the dark arts put you off. Equally don’t be put off by fears of this being little more than a magic show. Das Spiel is an incredibly well crafted show that owes more to theatre and dramatic traditions than to end-of-the-pier illusionists. Deviser and performer Philipp Oberlohr is either a magician, a mind reader, a very elaborate trickster or a combination of the three. It really doesn’t matter as the audience is left trying to work out how clocks change times, how scribbled drawings are described without being seen, and how a host of other things happen that suggest Oberlohr knows exactly what his audience are thinking. As the strapline suggests, this is a show with audience participation. After an opening card trick that makes no pretence of being much more than random chance, one person is invited to the stage as a person we can trust, and, through a series of different selection methods, further participants are invited to be part of The Game itself. The dialogue and staging is key to the show’s success. It works as performance art, punctuated with, and defined by, illusion, rather than being a collection of tricks with the loosest of narrative threads linking them together. In this respect, Oberlohr is undoubtedly aided by a creative team, including dramaturg Eve Leigh and producer Cristina Catalina, who do not come from inside the magic circle, and understand how to blend dramatic tension with, sometimes self deprecating, humour. It draws you in so that it is not just the illusions or magic you are waiting for, even though these are, of course, the main focus of the show. to search typ CATEGORIES Categories Select Catego ARCHIVES Archives Select Month RECENT POSTS Mermaid – Oxford Playhouse Cougar The Musical – The Belgrade Theatre, Coventry The King’s Speech – King’s Theatre, Edinburgh Beautiful Thing – Royal and Derngate, Northampton The Enduring Appeal of J.B. Priestley’s An Inspector Calls – City Hall, Bradford Judy – The Songbook of Judy Garland – Alhambra, Bradford HOME REVIEWS FESTIVALS NEWS FEATURES COMPETITIONS NEWSLETTER ABOUT CONTACT THEATRE TICKETS ON SALE NOW: Tickets for BEND IT LIKE BECKHAM - THE MUSICAL in London from £15 Buy Now Buy Now

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20/05/2015 10:13Das Spiel: Are You Part of The Game? – Ovalhouse, London | The Public Reviews

Page 1 of 3http://www.thepublicreviews.com/das-spiel-are-you-part-of-the-game-ovalhouse-london/

⌂ Home / Drama / Das Spiel: Are You Part of The Game? – Ovalhouse, London

Das Spiel: Are You Part of The Game? – Ovalhouse,London" Posted by: TPR London # in Drama, London $ 7 days ago % 0 Audience Reviews

Deviser and performer: Philipp Oberlohr

Director: James Blakey

Reviewer: Andy Moseley

Are You Part of The Game? It sound like the opening of a weekend quiz show on ITV or Channel 4, invitingparticipants to look under their seats and see if they’ve been chosen to go head to head with PhilipSchofield in the quest for prizes via dubious means. As the invite to a show billed as ‘a mindreadingexperience, blurring the lines between performance and reality’, it carries with it more sinister connotations,but don’t let any apprehension about potential engagement with the dark arts put you off. Equally don’t beput off by fears of this being little more than a magic show. Das Spiel is an incredibly well crafted showthat owes more to theatre and dramatic traditions than to end-of-the-pier illusionists.

Deviser and performer Philipp Oberlohr is either a magician, a mind reader, a very elaborate trickster or acombination of the three. It really doesn’t matter as the audience is left trying to work out how clockschange times, how scribbled drawings are described without being seen, and how a host of other thingshappen that suggest Oberlohr knows exactly what his audience are thinking.

As the strapline suggests, this is a show with audience participation. After an opening card trick that makesno pretence of being much more than random chance, one person is invited to the stage as a person wecan trust, and, through a series of different selection methods, further participants are invited to be part ofThe Game itself. The dialogue and staging is key to the show’s success. It works as performance art,punctuated with, and defined by, illusion, rather than being a collection of tricks with the loosest ofnarrative threads linking them together. In this respect, Oberlohr is undoubtedly aided by a creative team,including dramaturg Eve Leigh and producer Cristina Catalina, who do not come from inside the magiccircle, and understand how to blend dramatic tension with, sometimes self deprecating, humour. It drawsyou in so that it is not just the illusions or magic you are waiting for, even though these are, of course, themain focus of the show.

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CATEGORIES

CategoriesSelect Category

ARCHIVES

ArchivesSelect Month

RECENT POSTS

Mermaid – Oxford Playhouse

Cougar The Musical – The Belgrade Theatre,Coventry

The King’s Speech – King’s Theatre, Edinburgh

Beautiful Thing – Royal and Derngate,Northampton

The Enduring Appeal of J.B. Priestley’s AnInspector Calls – City Hall, Bradford

Judy – The Songbook of Judy Garland –Alhambra, Bradford

HOME REVIEWS FESTIVALS NEWS FEATURES COMPETITIONS NEWSLETTER ABOUT CONTACT THEATRE TICKETS

ON SALE NOW: Tickets for BEND IT LIKE BECKHAM - THE MUSICAL in London from £15 Buy NowBuy Now

20/05/2015 10:13Das Spiel: Are You Part of The Game? – Ovalhouse, London | The Public Reviews

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Mermaid – Oxford Playhouse$ 3 hours ago

Cougar The Musical – TheBelgrade Theatre, Coventry$ 3 hours ago

The King’s Speech – King’sTheatre, Edinburgh$ 15 hours ago

It would be remiss to mention how Oberlohr chooses his participants, or indeed what The Game actually is,for fear of spoiling the illusion and leaving future audiences aware of what will happen and trying to secondguess him. So, suffice to say that, while there may be card tricks, there are no rabbits coming out of hats,coins coming out of ears, or Debbie McGee’s sawn in half by Paul Daniels. It’s mind games, psychologicaltricks and eerily accurate predictions. You guess there is sleight of hand and speculate as to whattechnological support might be enlisted to pull it off, but crucially you only do this after the show. Das Spielis interactive theatre, and uplifting, for all of its one hour, or however long your watch may claim it’s been,if you’re the one chosen for one of the opening illusions. A great alternative to pretty much everything elseyou’re likely to find in fringe theatre most evenings.

Runs until 16 May 2015

Review Overview

EngrossingUser Rating: No Ratings Yet !

Tagged with: ANDRES VELASQUEZANDRES VELASQUEZ CRISTINA CATALINACRISTINA CATALINA DAS SPIELDAS SPIEL EVE LEIGHEVE LEIGH JAMES BLAKEYJAMES BLAKEY

OVALHOUSE THEATREOVALHOUSE THEATRE PHILIPP OBERLOHRPHILIPP OBERLOHR

ABOUT TPR LONDON

TPR London is under the editorship of Glen Pearce. The Public Reviews was set up in 2007. We aim toreview all professional types of theatre, whether that be Commercial, Repertory or Fringe as well asComedy, Music, Gigs etc.

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20/05/2015 10:13Das Spiel: Are You Part of The Game? – Ovalhouse, London | The Public Reviews

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