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Creativity and Educational issues 1 Todd Lubart Laboratoire Adaptations Travail Individu Université Paris Descartes

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Creativity and Educational issues

1

Todd Lubart

Laboratoire Adaptations Travail Individu

Université Paris Descartes

Creativity: A 21st century competency

2010 IBM international study of CEOs (N=1541)– Creativity is the top ability sought after for top

management 2013 Adobe survey, 4000 grade 1--12 teachers

and parents, (USA, UK, Germany, Australia)85 to 90% of parents, 65 to 87 % of teachers :

« Creativity is essential for the future economy » 2015-2016 OECD – International study on

educating creativity 2016 World Economic Forum - Creativity is one of

the top three capacities for employability.

Creativity is a capacity to produce content

that is both

novel and valuable

within its' context.

4

Introduction

Creativity has been examined for many centuries, but has received increasing attention since 1950.

Central topics :

• the creative person

• the creative process

• the creative environment

La personne créative : potentiel créatif

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Cognition

Conation

Emotion

Environment

Creative potential

Creative production(achievement & talent)

Cognition

Selective encoding, comparison, combination

Divergent thinking

Ingredients and Creative Process

A two mode processEach mode associated with certain

ingredients that facilitate itThe modes and ingredients are

deployed in specific ways for each domain and task

Divergent thinking?

?

? ?

? ?

The Divergent-Exploratory Mode of thinking

A set of internal factors are relevant: – Cognition: Selective encoding, Flexibility,

Knowledge,

– Personality: Perseverance, Openness, Non-conformity

– Motivation: Novelty-seeking

– Emotion: Positive emotion

Convergent thinking

The Convergent-Integrative Mode of thinking

A set of internal factors are relevant: – Cognition: Selective comparison(analogies,

metaphors), selective combination (bisociation, janusian thinking, …), evaluation

– Personality: Perseverance, Non-conformity, risk taking, Ambiguity tolerance,

– Motivation: Need for Achievement, Need for Order

– Emotion: Negative emotion

Measurement of creative potential

EpoC:Evaluation of Creative Potential

Creative Profiler : www.creativeprofiler.com

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EPoC, a new battery to evaluate EPoC, a new battery to evaluate creative potentialcreative potential

• Developed from 2000 – 2010, based on basic Developed from 2000 – 2010, based on basic research on childrenresearch on children’’s development of creative s development of creative thinking.thinking.

• 2011: Artistic-graphic and Literary-Verbal 2011: Artistic-graphic and Literary-Verbal domains normed on a French population. domains normed on a French population.

• 2013-: Versions in English, Arabic, German, 2013-: Versions in English, Arabic, German, Turkish (and others under development : Turkish (and others under development : Slovenia, Poland, Portugual, China).Slovenia, Poland, Portugual, China).

• 2015-: Extension to Social, Math, Science, 2015-: Extension to Social, Math, Science, Music Domains.Music Domains.

• 2015: OECD research use in 10 countries.2015: OECD research use in 10 countries.

How does EPoC work? How does EPoC work?

• Have the child show what they can produce Have the child show what they can produce when they engage the creative process in a when they engage the creative process in a domain-specific, meaningful task.domain-specific, meaningful task.

• Solicit both divergent-exploratory and Solicit both divergent-exploratory and convergent-integrative thinking, the two main convergent-integrative thinking, the two main parts of the creative process.parts of the creative process.

• Solicit children’s creative thinking on two Solicit children’s creative thinking on two separate occasions, with two distinct contents separate occasions, with two distinct contents from the target domain.from the target domain.

Test Administration

Individual 2 sessions of 20 min per domain

assessed, several days apart Each session, DV and CV tasks

Scoring = 10 minutes per domain assessed by

– Fluency + judges ratings

Examples of productions Divergent-exploratory

Examples of productions Convergent - Integrative

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Control DE Exp DE Control CI Exp CI1

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3

4

5

6

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Results - Creativity training study

pre

post

task and condition

EP

oC

sco

re

The Creative Profiler measures

5 measures of cognitive factors

5 measures of conative factors

2 cognitive, 2 personality tasks are contextualized

criterion group is contextualized

www.creativeprofiler.com

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2

4

6

8

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Analogicalthinking

Divergent thinking Risk taking

Ability

level person A

task 1

task 2

The creative process

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Creative process model

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For artists

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More creative artists

Less creative artists

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Process activity C+ C-

Define problems Get documentation Consider constraintsexperiment

Take a break associate evaluate

Creative environment

Pedagogical context (Besançon & Lubart, 2008)

Participants : 256 children (135 boys, 121 girls)

Classes : K – 5th Pedagogy :

Classical Freinet Montessori

Institut Bull - groupe de réflexion IDEE - 14/11/2013

Uses of a box, number of ideas

0

2

4

6

8

10

12

GS CP CE1 CE2 CM1 CM2

Classes

Flu

ency

Montessori

Freinet

Classique

Multi-User Virtual Environments (MUVEs) such as Second Life

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Virtual workspaces (MUVE)

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Virtual workspaces (MUVE)

Task

• Produce new ideas to improve or transform transportation in your town (Paris, Aix)

• Scores : number of ideas, originality of ideas

Inventor avatars Non inventor avatars

Experimental room

Virtual environment Real environment

Production d’idées (gauche) et auto-évaluation de la créativité (droite) en fonction de la condition expérimentale.

Contact :Todd Lubart

Université Paris Descartes

[email protected]

Bibliographie :

Lubart, T. I., Mouchiroud, C., Tordjman, S. & Zenasni, F.(2003). Psychologie de la créativité. Paris: Armand Colin.

Summary of the main points- Creativity: involves multiple psychological

factors, and two processes

- Evaluation: a new measurement technology, EpoC and Creative Profiler

- Creative process can be traced and pedagogy can be developed

-Creative potential can be developed through the environment

Contact :Todd Lubart

[email protected]

Lubart, T., Besançon, M. & Barbot, B. (2011).

Evaluation of Potential for Creativity. Paris: Hogrefe

30/07/16