construction and transformation of alterity in tokugawa kokugaku discourse

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 MA Japanese Studies MA Thesis Proposal Supervisor: Kiri Paramore Daniele Caramanna S0980943 Thesis Proposal Question: Are there examples of alterity in Tokugawa Kokugaku discourse? How were alterities created and eventual ly tra nsf ormed? How can these alterities be interpreted? Hypothesis: The rise of Kokugaku movement in Tokugawa era cultural field marks the beginning of research on the “true essence” of Japan. This research can be described as starting with the process of creation of the cultural identity, eventually concluded by the shaping of an imagined community and the modern nation-state. According to Susan Burns 1 this is can be described as the transition from early modern culturalism to modern nationalism. Moreover, I will like to add that a formative aspect of this process is the use of one or many counter mode ls. In deed they repr es ents the sub- pr ocess of the identification (osten siviza tion) and definition (delimit ation ) of the “Other”, that is to say the alterity . The recognition of the “Other” from the prospective of globalized interaction is a fundamental moment, in the process of modern national self formation 2 . Furthermore a study on the “how” of this Alterity formation process in the early modern stage can concretely exemplify its manifold connections with the duality inner/outer embedded in the construction of a community identity. Thus scrutinize this process, particularly focussing on a relatively early premodern example, will give more clues on the modern attitude and its outline. Many scholars have maintained that Kokugaku discourse has signified a pregnant momentum in the formation of th e identity of mo dern Japanese na ti on st ate. wh ile this is still controversial, no one would deny Kokugaku ins tr umental role in Japanese pr oto- nationalism. 1 The conc ept of cultura lism is Duara 's adapta tion of Levens on's usa ge of the term. See Duara , Prasenj it, “Historicizing National Identity or Who Imagines What and When” in Becoming National: A Reader , ed. Geoff Eley and Ronald Grigor Suny, 1996, esp. 153-157 2 Ibid., 1 63

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Page 1: Construction and Transformation of Alterity in Tokugawa Kokugaku Discourse

5/12/2018 Construction and Transformation of Alterity in Tokugawa Kokugaku Discourse - slidepdf.com

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MA Japanese Studies

MA Thesis Proposal

Supervisor: Kiri Paramore

Daniele Caramanna

S0980943

Thesis Proposal

Question: Are there examples of alterity  in Tokugawa Kokugaku discourse? How were

alterities created and eventually transformed? How can these alterities beinterpreted?

Hypothesis:

The rise of Kokugaku movement in Tokugawa era cultural field marks the beginning

of research on the “true essence” of Japan. This research can be described as starting

with the process of creation of the cultural identity, eventually concluded by the shaping of 

an imagined community and the modern nation-state. According to Susan Burns1 this is

can be described as the transition from early modern culturalism to modern nationalism.

Moreover, I will like to add that a formative aspect of this process is the use of one or many

counter models. Indeed they represents the sub-process of the identification

(ostensivization) and definition (delimitation) of the “Other”, that is to say the alterity . The

recognition of the “Other” from the prospective of globalized interaction is a fundamental

moment, in the process of modern national self formation2. Furthermore a study on the

“how” of this Alterity formation process in the early modern stage can concretely exemplify

its manifold connections with the duality inner/outer embedded in the construction of a

community identity. Thus scrutinize this process, particularly focussing on a relatively early

premodern example, will give more clues on the modern attitude and its outline. Many

scholars have maintained that Kokugaku discourse has signified a pregnant momentum in

the formation of the identity of modern Japanese nation state. while this is still

controversial, no one would deny Kokugaku instrumental role in Japanese proto-

nationalism.

1 The concept of culturalism is Duara's adaptation of Levenson's usage of the term. See Duara, Prasenjit,

“Historicizing National Identity or Who Imagines What and When” in Becoming National: A Reader , ed. Geoff Eley

and Ronald Grigor Suny, 1996, esp. 153-157

2 Ibid., 163

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The hypothesis is that Kokugaku movement, partook in and influenced the

construction of this alleged  Alterity  by means of discourse  reification. Along these lines,

this process had various slants while maintaining the very same inner/outer (内 /外 )

paradigm. The primal stage of this paradigm has been the inversion of the dominant field

discourse articulation: China as the inner, Japan as the outer. The terms of this paradigm

were civilization/barbarism ergo the inner equated to civilization and the outer to

barbarism. Therefore the paradigm terms unfolded throughout the substantial cultural field,

consequently addressing manyfold issues related to culturalism: linguistic, literary, social,

religious, political, and ethnological albeit not in a strict progressive order.

Methodology:

Assemble Japanese and Western language secondary literature on the Kokugaku

movement and its discourse. In order to disclose the conceived Alterity reified in the

discourses of Motoori Norinaga and Hirata Atsutane, I will take in exam selected

secondary literature studies both from from Japanese and Western scholarships.

Therefore, taking this Alterity filter as a working tool, I will try to trace back to the primal

sources the more significant passages out of those Kokugakusha's oeuvre, to define their 

positions and give concrete evidences to my hypothesis. Then Compare Kokugaku

conceived alterity vis-à-vis their contextualized intellectual milieu’ field of discussion

competitive ones. For instance the many Buddhist, Shinto and Neo-confucian intellectuals

and scholars. I will analyze each author's contemporary debates, rebuttals, reception and

legacy. Hence organize thematically these insights with the sequent topic order: linguistic,

literary, social, political, religious, and ethnological

alterities. Eventually consider contemporary government official acts; foreigner residents in

Japan as well as non residents' perception of the Japanese attitude and cultural practices,

by means of a scrutiny of diaries, accounts, historical works, popular culture reception and

influenced perspective.

Significance:

Disclosing the conceived alterities in Kokugaku discourse will give clues on the

early modern perception of the boundaries of the community and how this boundaries

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were transformed in their later instances. This has a profound significance for such

modern themes related to minority, gender, security, religion and ethnicity.

(Preliminary) Literature List:

Secondary western language sources:

Ansart, Olivier, “Etudes Anciennes et Etudes Nationales dans le Japon du XVIIIeme siecle:

la Nature, l'Artifice et le Mal chez Ogyu Sorai et Motoori Norinaga”, Ebisu 4 (1994), pp. 7-

32

Bellah, Robert, Tokugawa Religion, Free Press, 1985

Benedict, Ruth, The Chrysanthemum and the sword , Charles E. Tuttle Company, 1954

Bito, Masahide, “Religion and society in the Edo Period, as revealed in the thought of 

Motoori Norinaga”, Modern Asian Studies 18 (1984), pp. 581-92

Breen, John, 'Accommodating the alien: Okuni Takamasa and the religon of the Lord of 

Heaven' in P. F. Kornicki & I. J. McMullen, eds., Religion in Japan: arrows to heaven and 

earth, Cambridge University Press, 1996

Breen, John, ‘Nativism Restored’,Monumenta Nipponica, 55:3 (2000), pp. 429-440

Breen, John, “Shinto and Buddhism in late Edo Japan: the case of Okuni Takamasa and

his school”, Current issues in the social sciences and humanities: Hosei University 

occasional papers 14, (1997).

Breen, John, Teeuwen, Mark, Shinto in history: ways of the kami, University of HawaiiPress, 2000

Burns, Susan, Before the nation: Kokugaku and the Imaging of Community in early 

Modern Japan, Duke University Press, 2003

Chang, Richard T., From prejudice to tolerance: a study of the Japanese image of the

West 1826-1864, Monumenta Nipponica monograph, Sophia University, 1970

Collins, Richard, The sociology of philosophies: a global theory of intellectual 

change, Belknap Harvard, 1998

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Craig, Albert M., Bernstein, G. Lee, Gordon, Andrew, Nakai, K. Wildman, Public spheres,

 private lives in modern Japan, 1600-1950: essays in honor of Albert M. Craig, Harvard

University Asia Center, 2005

Devine, Richard, “Hirata Atsutane and Christian sources”, Monumenta Nipponica 36

(1981), pp. 37-5

Dore, Ronald P., Education in Tokugawa Japan, Berkley:University of California Press,

1965

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Studies 11:2 (1985) pp. 289-321

Fessler, Susanna, “The nature of the Kami: Ueda Akinari and Tandai Shoshin Roku” ,

Monumenta Nipponica 51 (1996), pp. 1-16

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University of Hawai’i Press, 2008

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Anesaki Hiroshi. Hirata Atsutane ga toku Inou mononokeru . Kadokawa Shoten, 2003

Endō Jun. “Hirata Atsutane no takairon saikō - Tama no misahira o chūshin ni.”, Shūkyō

kenkyū : 305 (1995)

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Primarys sources:

Works of Motoori Norinaga and Hirata Atsutane will be chosen and added during the

development of the research.

Translation in Western Language:

Brownlee, John S., “The jewelled comb box: Motoori Norinaga's Tamakushige,”

Monumenta Nipponica 43 (1988), pp. 35-61.

Nishimura, Sey, trans., “First Steps in the Mountain: Motoori Norinaga's Uiyamabumi ,”

Monumenta Nipponica 42:4 (1987), pp. 449-493.

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Monumenta Nipponica 46:1 (1991), pp. 21-42.

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Series, 1997

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Bourdieu, Pierre, The rules of art , Stanford University Press, 1996

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