conservation reel video workshop (2014)

88
Conservation Reel Video Workshop www.conservationreel.org ANNA CHIARETTA LAVATELLI ASSISTANT DIRECTOR OF DIGITAL MEDIA BALBOA PARK ONLINE COLLABORATIVE [email protected]

Upload: anna-chiaretta-lavatelli

Post on 22-Jun-2015

102 views

Category:

Technology


0 download

DESCRIPTION

Conservation Reel is a project to gather and present video on art conservation and collections care in an online resource intended for museum and conservation professionals, students, and interested members of the general public. The project started in 2011 with support from the Samuel H. Kress Foundation. This presentation was delivered to students in the conservation programs at Buffalo State and New York University.

TRANSCRIPT

Page 1: Conservation Reel Video Workshop (2014)

Conservation Reel Video Workshop www.conservationreel.org

ANNA CHIARETTA LAVATELLI ASSISTANT DIRECTOR OF DIGITAL MEDIA BALBOA PARK ONLINE COLLABORATIVE [email protected]  

Page 2: Conservation Reel Video Workshop (2014)
Page 3: Conservation Reel Video Workshop (2014)

BPOC serves 17 museums and organizations in Balboa Park

Page 4: Conservation Reel Video Workshop (2014)

BPOC serves 17 museums and organizations in Balboa Park

Page 5: Conservation Reel Video Workshop (2014)
Page 6: Conservation Reel Video Workshop (2014)
Page 7: Conservation Reel Video Workshop (2014)

CONSERVATION REEL Introduction

Anna Chiaretta Lavatelli, Project Manager [email protected]

@annachiaretta #ConservationReel

Page 8: Conservation Reel Video Workshop (2014)

Funded by the Samuel H. Kress Foundation

What is Conservation Reel?

Page 9: Conservation Reel Video Workshop (2014)

conservationreel.org

Page 10: Conservation Reel Video Workshop (2014)

Website Features

¨  Many layers of “taxonomy” for videos ¨  SlideShare uploads ¨  Sound file support ¨  PDF/Doc uploads ¨  Associated web links ¨  YouTube embedding to use captioning and

translation features ¨  Create series of videos

Page 11: Conservation Reel Video Workshop (2014)

Why Video?

Movement = Time + Space

Page 12: Conservation Reel Video Workshop (2014)

Why Video?

Movement = Time + Space

Page 13: Conservation Reel Video Workshop (2014)

When does it make sense to use video?

¨  Space ¨  Time ¨  Movement ¨  Interview/Discussion

Page 14: Conservation Reel Video Workshop (2014)

Categories

¨  Documentation ¨  Education ¨  Examination ¨  Preventive conservation ¨  Research ¨  Treatment

Page 15: Conservation Reel Video Workshop (2014)

Types of video

¨  Case Study ¨  Conference lecture documentation ¨  Examination ¨  Documentation ¨  Interview/conversation ¨  Question ¨  Response ¨  Technique/demonstration

Page 16: Conservation Reel Video Workshop (2014)

Creating Conversation

¨  Skype interviews ¨  Google Hangout panel discussions ¨  Capture questions ¨  Respond to other videos

Page 17: Conservation Reel Video Workshop (2014)

Innovation

¨  Video as a lab notebook n Experiment n Document n Show techniques n Share knowledge

¨  There isn’t a wrong way to produce video n Try out ideas n Produce informal content

Page 18: Conservation Reel Video Workshop (2014)

CONSERVATION REEL Creating Video Content

•  Elements of production •  Equipment to use •  Alternative capture methods •  Editing/file management •  Planning a shoot •  Basic film school

Page 19: Conservation Reel Video Workshop (2014)

Elements of Production

¨  Sound ¨  Light ¨  Stability ¨  Camera

Page 20: Conservation Reel Video Workshop (2014)

Sound

¨  Select the appropriate microphone for your project ¨  Always use headphones when recording! ¨  Listen to the space before you start recording ¨  Turn off things that make noise that you aren’t using

n Refridgerators n Computers n Air vents

¨  Move away from noisy things, close doors and windows, and point your microphone away from noisy things

Page 21: Conservation Reel Video Workshop (2014)

Light

¨  More light is always better ¨  Use desklamps & worklamps to light your subject ¨  Accounting for light color temperature

¨  Camera exposure – shutterspeed/iris ¨  Gain should only be used if there is no other option

Page 22: Conservation Reel Video Workshop (2014)

Stability

¨  Use a tripod unless you need to move the camera n Around an object to show it in space n To get closer to the work area you are showing (keep in

mind you may need macro lens) n To give a tour/move through a space

¨  Is your camera moving? n PRACTICE the movements you will make, movement can be

great to show elements of your work, but is challenging.

Page 23: Conservation Reel Video Workshop (2014)

Camera

¨  What makes a good camera? n Mic input n  Lux n Zoom n Resolution n Manual Controls

n  Exposure (F-stop) n  Shutter Speed n  White Balance n  Focus

n Full Auto is OK (first time you will ever hear this)

Page 24: Conservation Reel Video Workshop (2014)

When content is good quality is less important

Page 25: Conservation Reel Video Workshop (2014)

Lo-Fi Video Capture Options

¨  Consumer Handicam ¨  Smartphone Video Camera ¨  Webcam ¨  Screen Capture ¨  Stills w/ voiceover

Page 26: Conservation Reel Video Workshop (2014)

(work light, lavaliere mic, tripod, iPhone 4s)

Tiny Production

Page 27: Conservation Reel Video Workshop (2014)

BASIC ELEMENTS OF VIDEO

SOUND LIGHT STABILITY CAMERA

Page 28: Conservation Reel Video Workshop (2014)

WORK LIGHT

CAMERA

STABILITY

Page 29: Conservation Reel Video Workshop (2014)

SOUND

Page 30: Conservation Reel Video Workshop (2014)

SOUND

MICROPHONE Audio-Technica Omnidirectional Lavalier Microphone ATR-3350 $24

Page 31: Conservation Reel Video Workshop (2014)

STABILITY

TRIPODS Velbon EX-330 ($40) Joby GorillaPod ($30)  

Page 32: Conservation Reel Video Workshop (2014)

CAMERA DSLR

Canon 3Ti ($600) Canon 60D ($800 used)

Panasonic GH3 ($1500)

Page 33: Conservation Reel Video Workshop (2014)

CAMERA CONSUMER

PANASONIC V520 ($250) Also can livestream

CANON 8GB VIXIA HF R40 ($250) Has built in memory

CHECK THAT THESE HAVE MIC INPUTS

Page 34: Conservation Reel Video Workshop (2014)

CAMERA (your phone)

KV Connection iPhone Mic adapter

Page 35: Conservation Reel Video Workshop (2014)

LIGHT

Page 36: Conservation Reel Video Workshop (2014)

SOUND

2 Microphones for interview recording Audio-Technica Omnidirectional Lavalier Microphone ATR-3350 + Headphone Splitter

Page 37: Conservation Reel Video Workshop (2014)

SOUND

ALWAYS USE HEADPHONES!

Page 38: Conservation Reel Video Workshop (2014)

ALTERNATIVE METHODS cameras are everywhere! Why not use them? •  Quicktime Screen Capture •  YouTube Broadcast/Hangout •  YouTube Capture Now •  Google Hangout

Page 39: Conservation Reel Video Workshop (2014)

Screen Capture

¨  Mac n Quicktime Player (free)

n  File > New Screen Recording n  Select Mic source on window that pops up

¨  PC n Camstudio (free)

n  Need to set resolution and select sound in options menu

Page 40: Conservation Reel Video Workshop (2014)

QUICKTIME SCREEN RECORDING

Page 41: Conservation Reel Video Workshop (2014)

YOUTUBE CAPTURE NOW

You Tube + Webcam + YouTube editor

Page 42: Conservation Reel Video Workshop (2014)

YOUTUBE CAPTURE NOW

You Tube + Webcam + YouTube editor

Page 43: Conservation Reel Video Workshop (2014)

YOUTUBE BROADCAST

AKA Hangouts on Air

Page 44: Conservation Reel Video Workshop (2014)

GOOGLE HANGOUT

Page 45: Conservation Reel Video Workshop (2014)

POST-PRODUCTION

•  iMovie

•  YouTube editor •  Premiere Pro

•  In camera editing

Page 46: Conservation Reel Video Workshop (2014)

POST-PRODUCTION POST-PRODUCTION PC : Windows Movie Maker or other Free Software

http://www.techradar.com/news/software/applications/best-free-video-editing-software-9-top-programs-you-should-download-1136264

Page 47: Conservation Reel Video Workshop (2014)

POST-PRODUCTION Free: Audacity sound editing (PC and Mac)

Page 48: Conservation Reel Video Workshop (2014)

POST-PRODUCTION Transcoding !les with Quicktime

ALWAYS USE HEADPHONES!

Page 49: Conservation Reel Video Workshop (2014)

SOUND

Sennheiser Wireless Mic Kit $630" AudioTechnica ATR-3350 Wired Mic $17.17"

Page 50: Conservation Reel Video Workshop (2014)

LIGHT

Impact flood style 3 kit $145

Page 51: Conservation Reel Video Workshop (2014)

STABILITY

Pearstone $70

Page 52: Conservation Reel Video Workshop (2014)

CAMERA

DSLR

Page 53: Conservation Reel Video Workshop (2014)

Challenges of DSLR Video

¨  Lenses ¨  Depth of field ¨  Focus ¨  Exposure ¨  Time limits

Page 54: Conservation Reel Video Workshop (2014)

Modes of Production

¨  Talking Head ¨  Interview ¨  Over the shoulder ¨  Handheld examination ¨  Tour ¨  Conversation

Page 55: Conservation Reel Video Workshop (2014)

Modes of production

Page 56: Conservation Reel Video Workshop (2014)

Stages of production

¨  Pre-Production •  Planning meetings •  Scripting, Storyboarding

¨  Production •  Shooting footage •  gathering supplemental

content ¨  Post-Production

•  Editing the acquired materials into a !nal product.

•  Montage, graphics, color, sound mixing, etc.

Page 57: Conservation Reel Video Workshop (2014)

Planning a Video

¨  AUDIENCE ¤ Who do you want to tell your story to?

¨  GOAL ¤ What do you want to achieve?

¨  CONTENT ¤ What do you want to say?

Page 58: Conservation Reel Video Workshop (2014)

Audience

¨  Think about giving a speech to a crowd… Who is the 1 person you are directing that speech to?

n Ex. 1 : Colleagues established as photographs conservators

n Ex. 2 : Registrars working with traveling exhibitions

Page 59: Conservation Reel Video Workshop (2014)

Goal

¨  What is the core goal of the video? ¤ Capture a technique for using a material or tool ¤ Advocate for the need of better funding of

conservation ¤ Document a case study so that you have a record of

how you dealt with a particular project ¤ Start dialogue with colleagues about a new material/

technology to weigh out pros and cons

Page 60: Conservation Reel Video Workshop (2014)

Content

¨  Preparing ideas for video n Lab Tour: share the layout and tools used in the lab

n  Interview: What is conservation and how does it fit into our culture as a society?

n  Case Study: To document the use of a material/tool to reveal information about an artists work

n  Technique: How an object can safely be displayed without visual distraction

Page 61: Conservation Reel Video Workshop (2014)

Duration

¨  Make several short videos not one long one ¨  Keep it as short as possible ¨  Don't be precious with your content

n Cut out anything that doesn’t help explain what is happening and don’t be redundant

n http://www.cr.nps.gov/museum/publications/conserveogram/cons_toc.html

Page 62: Conservation Reel Video Workshop (2014)

INTERVIEWS

Carefully write your questions to help reach your goal

Page 63: Conservation Reel Video Workshop (2014)

INTERVIEWS

Impact flood style 3 kit $145

5-questions-gregory-smith-phd-otto-n-frenzel-iii-senior-conservation-scientist

Page 64: Conservation Reel Video Workshop (2014)

INTERVIEWS

•  Shoot videos a second time •  Pretend something went wrong if you need to

convince your subject •  Test out questions to see if you are getting the types of

answers you hope to •  Take your time, set up in advance

•  Check light and sound •  If something goes wrong mid interview, don’t be afraid

to stop the interview and start again •  Say: “That was a great thought, but someone

slammed a door in the middle of it. Can you please start again?”

Page 65: Conservation Reel Video Workshop (2014)

BASIC FILM SCHOOL

Composition •  Space •  Line •  Light •  Color & Tone

Page 66: Conservation Reel Video Workshop (2014)

LINE

Page 67: Conservation Reel Video Workshop (2014)

SPACE

Page 68: Conservation Reel Video Workshop (2014)

SPACE

Page 69: Conservation Reel Video Workshop (2014)

SPACE

Page 70: Conservation Reel Video Workshop (2014)

LIGHT

Page 71: Conservation Reel Video Workshop (2014)

LIGHT

Page 72: Conservation Reel Video Workshop (2014)

COLOR & TONE

Page 73: Conservation Reel Video Workshop (2014)
Page 74: Conservation Reel Video Workshop (2014)

COLOR & TONE

Page 75: Conservation Reel Video Workshop (2014)
Page 76: Conservation Reel Video Workshop (2014)

Contact Anna Chiaretta Lavatelli Assistant Director of Digital Media Balboa Park Online Collaborative 2131 Pan American Plaza San Diego, CA 92104 aclavatelli @ bpoc.org @annachiaretta #conservationreel [email protected]

Conversing to Conserve | conservationreel.org

Page 77: Conservation Reel Video Workshop (2014)

Editing Video

¨  In-camera ¨  iMovie ¨  Adobe Premiere ¨  YouTube

Page 78: Conservation Reel Video Workshop (2014)

File Formats

¨  Codecs : Code / Decode n H.264, DNXHD, Apple ProRes, Photo JPG

¨  Format/Container n  .mp4 (MP4 container), .mov (Quicktime container)…

¨  Bitrate ¨  Type dependent on end use and desired size

Page 79: Conservation Reel Video Workshop (2014)

Storage

¨  Archive Format n Photo JPG

¨  Realistic Archive Format n DNXHD, Apple ProRes, AVC-INTRA

¨  Even more realistic Archive format, but lossy n QT H.264 full quality n MP4 H.264

¨  Keeping original footage

Page 80: Conservation Reel Video Workshop (2014)

Formating for web (YouTube)

¨  Codec : H.264 ¨  Container : .mp4 ¨  Bitrate… It’s all about file size: 500 Mb – 1 Gb

n  Lectures (45min +) 1-2 mbps n Short videos 5-15 mbps

n  iMovie/Movie Maker will calculate bitrates for you

Page 81: Conservation Reel Video Workshop (2014)

Exporting

¨  Adobe Premiere Elements: n  http://tv.adobe.com/watch/learn-premiere-elements-8/

exporting-video-files/

¨  Apple iMovie n  http://support.apple.com/kb/ht3130

¨  Adobe Media Encoder n  http://tv.adobe.com/watch/moving-to-adobe-premiere-pro-/

exporting-with-adobe-media-encoder/

¨  QuickTime n  http://www.dummies.com/how-to/content/importing-and-

exporting-files-with-quicktime.html

Page 82: Conservation Reel Video Workshop (2014)

Storage

¨  Hard Drives ¨  Backups ¨  The Cloud ¨  Keep raw footage? ¨  “Archive” formats

(be nice to IT staff)

Page 83: Conservation Reel Video Workshop (2014)

Best Practices

¨  Video community is still working on this… n  We have piles of hard drives

¨  All files should have 2 Locations & 3 copies ¤  Example:

n  Hard drive for active editing n  LaCie-Rugged-Firewire-Portable 1TB

n  Backup drive for keeping current copies of EVERYTHING n  Seagate-Expansion-Desktop-External

n  2nd Backup on drive /or/ Cloud n  Backblaze unlimited backup www.backblaze.com

Page 84: Conservation Reel Video Workshop (2014)

Uploading to CR

¨  Uploading to YouTube ¨  Public vs. Unlisted ¨  Creative Commons ¨  Adding to Conservation Reel website

Page 85: Conservation Reel Video Workshop (2014)

What’s next?

¨  CR Video Contest ¨  Capture your current project as a case study ¨  Practice shooting interviews ¨  Lexicon Project ¨  Set up a Google Hangout panel discussion

Page 86: Conservation Reel Video Workshop (2014)

Resources ¨  Sound

¤  www.Freesound.org ¤  www.RoyaltyFreeMusic.com ¤  Make friends with musicians

¨  Forums ¤  www.CreativeCow.net ¤  Product forums/lessons on Apple and Adobe websites

¨  Learning about Equipment ¤  B&H Photo ¤  Cinema 5D, and similar DSLR video forums

¨  Video Aggregators ¤  www.ArtBabble.com

¨  Other Tools ¤  Transcription: https://castingwords.com/ ¤  File Transcoding: http://www.zamzar.com/

Page 87: Conservation Reel Video Workshop (2014)

Equipment Links

¨  Sound n  iPhone/iPad Adapter with headphone port n  Polsen Lav Mic, Audio-Technica Lav Mic n  Headphone splitter for using 2 Mics

Belkin-Speaker-and-Headphone-Splitter

¨  Tripods n  Joby GorillaPod n  Big Joby GorillaPod n  Learning about Equipment

¨  Retailer n  http://www.bhphotovideo.com/

Page 88: Conservation Reel Video Workshop (2014)

Anna Chiaretta Lavatelli Project Manager of Conservation Reel [email protected] Thank you Susan Chun, Chair of Conservation Reel Advisory Committee Conservation Reel Advisory Committee BPOC Development Team IMA Conservation and Conservation Science Departments Balboa Art Conservation Center Buffalo State Art Conservation Program NYU Art Conservation Program

Conversing to Conserve | conservationreel.org