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    Three Basic Book Repair Procedures - 1 | Back

    By Carole Dyal and Pete Merrill-Oldham

    Introduction

    Hinge Tightening I

    Hinge Tightening II

    Tipping-In Loose Pages

    Conclusions - References

    n libraries large and small, minor repair is a critical component in overall efforts to care for collections of books and journals. Bound volumes mend

    s soon as they show signs of damage may never require more complex repair or binding. A book with tightened hinges is sometimes more sturdy af

    reatment than it was at the time of purchase.

    Following are instructions for carrying out three basic cost-effective procedures for repairing hard-cover volumes. They were prepared to accompany

    day demonstrations presented at the 1998 Annual Meeting of the American Library Association in Washington, DC. The Library of Congress genero

    ffered space in the LC exhibit booth in support of this pilot project. It focuses on early intervention as a means of delaying or eliminating the need f

    more time consuming and expensive treatment.

    This project was made possible through generous support from Acme Bookbinding (Charlestown, MA), Bridgeport National Bindery (Agawam, MA

    Conservation Resources International (Springfield, VA), Gaylord Bros. (Syracuse, NY), Information Conservation Incorporated and the Etherington

    Conservation Center (Brown Summit, NC), the Library Binding Institute (Edina, MN), Library Binding Service (Des Moines, IA), Ocker & Trapp

    Library Bindery (Emerson, NJ), SOLINET (Atlanta, GA), and University Products (Holyoke, MA).

    Hinge Tightening I

    nspect the hinge of the volume at the head and tail to see if the text block has become loose in its case. If the endpapers are pulling away from the in

    f the case but are still securely attached to the text block, Hinge Tightening I may be an appropriate treatment. If neglected, a text block that hasecome loose in its case is likely to sustain additional damage each time it is used until the binding fails altogether.

    http://www.philobiblon.com/tutorials.htmhttp://www.philobiblon.com/tutorials.htmhttp://www.philobiblon.com/mailto:verheyen%20AT%20dreamscape%20DOT%20comhttp://palimpsest.stanford.edu/byform/mailing-lists/bookarts
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    Materials required

    Assemble the following: polyvinyl acetate adhesive (PVA) in a tall thin container, knitting needles or plastic rods of various thickness, waxed paper,

    bone folder. A book press and metal-edged boards (or appropriate substitutes) will also be needed.

    Step 1: Applying adhesive in the hinge

    Stand the book on its tail. With one hand, prop open the loose hinge as wide as possible. Dip the knitting needle into the adhesive, scraping excess

    dhesive off as you draw the needle out of the container. Push the needle into the hinge as far as it will go, using a twirling motion. Apply the adhesi

    horoughly to the exposed area. Turn the book on its head and perform the same procedure if needed at this end as well.

    Step 2: Preparing for pressing

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    Lay the book flat and align the text block squarely in its case. Open the cover part way, and using the long edge of the bone folder, gently press the fo

    f the endpaper into the hinge. Insert a sheet of waxed paper as far as possible back into the hinge. This will prevent excess adhesive from sticking to

    ndpaper and assure proper opening of the book after drying.

    Step 3: Setting the hinge

    Check to make sure that the text block is still square in its case. Then run the long edge of a bone folder down the length of the outer hinge of the cas

    pplying even pressure.

    Step 4: Pressing the book using plain boards

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    Press the book for several hours or over night, making sure that even pressure is applied in the joints. This can be accomplished using thin, rigid boar

    Masonite, for example), appropriately sized knitting needles, and about 10 lbs. of weight. Select two needles that fit in the joints and are slightly thic

    han the covers. Align the needles, sandwich the book between the boards, and apply weight.

    Step 4: Pressing the book using metal edged boards

    Metal-edged boards eliminate the need for knitting needles because one edge of each board is fitted with a metal strip that overhangs the board

    pproximately 1/8" on each side. The resulting flange fits into the joint of a book and, under weight, exerts even pressure along it.

    Step 4: Pressing the book in a book press

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    The easiest and most efficient means of pressing is to use a book press and metal edged boards. This traditional equipment facilitates careful control

    ressure.

    CONTENTS | NEXT

    This publication is not copyrighted. Please photocopy and distribute as you wish. Printed copies are available for the cost of handling and mailing: si

    opy: $2.50; additional copies: $1.50 each. Please make checks payable to "Book Repair," Acme Bookbinding.". (Mailing address: "Book Repair"; c

    Acme Bookbinding; P.O. Box 699; Charlestown, MA 02129-0004).

    Rare Book School, Charlottesville, VA

    Home | Book Arts Links | Book Arts Gallery | Reference Materials | About

    The Book Arts Web 1

    Contact the Book Arts

    PURL: http://purl.oclc.org/NET/bookart

    Last Modified: Monday, 06-Jan-2003 19:22:45

    URL: http://www.philobiblon.com /bkrepair/BookRepair

    http://www.virginia.edu/oldbooks/2006/schedule/http://www.philobiblon.com/http://www.philobiblon.com/links.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/about.htmmailto:[email protected]://purl.oclc.org/NET/bookartswebhttp://purl.oclc.org/NET/bookartswebmailto:[email protected]://www.philobiblon.com/about.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/links.htmhttp://www.philobiblon.com/http://palimpsest.stanford.edu/byorg/gbw/gallery/100anniversary/http://www.philobiblon.com/bonefolderhttp://www.virginia.edu/oldbooks/2006/schedule/http://www.virginia.edu/oldbooks/2006/schedule/
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    Three Basic Book Repair Procedures - Hinge Tightening II | Back

    Carole Dyal and Pete Merrill-Oldham

    Open the cover. If the endpaper (or the endpapers and the title page) are pulling away from the inside of the case and the spine lining is visible andntact, Hinge Tightening II may be an appropriate treatment. If neglected, a text block in this condition is likely to require major repair or rebinding i

    he very near future.

    Materials required

    http://www.philobiblon.com/BookRepair.htmlhttp://www.philobiblon.com/BookRepair.htmlhttp://www.philobiblon.com/mailto:verheyen%20AT%20dreamscape%20DOT%20comhttp://palimpsest.stanford.edu/byform/mailing-lists/bookarts
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    Assemble the following: polyvinyl acetate adhesive (PVA) in a low container, a glue brush, waxed paper, wide strips of scrap paper, and a bone fold

    A book press and metal edged boards (or appropriate substitutes) will also be needed.

    Step 1: Applying adhesive to spine lining and hinge

    Open the book to the place where the text block and endpaper have separated. Lay a piece of scrap paper along the text block about 1/8 inch from the

    xposed hinge area. Carefully brush PVA on the exposed spine lining and on the underside of the fold of the endpaper.

    Step 2: Aligning the endpaper and the text block

    With the book still open, carefully align the endpaper and the text block to ensure that the fold of the endsheet exactly meets the shoulder of the text

    lock. This will help to assure proper opening of the book after drying.

    Step 3: Setting the endpaper alignment

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    Using the long edge of the bone folder, gently press the fold of the endpaper into the hinge.

    Step 4: Preparing for pressing

    nsert a sheet of wax paper as far back as possible into the hinge. This will prevent excess adhesive from sticking to the endpaper and also help to ass

    roper opening of the book after drying.

    Step 5: Setting the hinge

    Check to make sure that the text block is still square in its case. Then run the long edge of a bone folder down the length of the outer hinge of the cas

    pplying even pressure.

    Step 6: Pressing the volume

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    Press the book for several hours or over night, making sure that even pressure is applied in the joints. Use one of the pressing methods discussed

    reviously.

    CONTENTS | NEXT

    Rare Book School, Charlottesville, VA

    Home | Book Arts Links | Book Arts Gallery | Reference Materials | About

    The Book Arts Web 1Contact the Book Arts

    PURL: http://purl.oclc.org/NET/bookart

    Last Modified: Monday, 06-Jan-2003 19:22:45

    URL: http://www.philobiblon.com /bkrepair/BookRepair2

    http://www.virginia.edu/oldbooks/2006/schedule/http://www.philobiblon.com/http://www.philobiblon.com/links.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/about.htmmailto:[email protected]://purl.oclc.org/NET/bookartswebhttp://purl.oclc.org/NET/bookartswebmailto:[email protected]://www.philobiblon.com/about.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/links.htmhttp://www.philobiblon.com/http://palimpsest.stanford.edu/byorg/gbw/gallery/100anniversary/http://www.philobiblon.com/bonefolderhttp://www.virginia.edu/oldbooks/2006/schedule/http://www.virginia.edu/oldbooks/2006/schedule/
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    Three Basic Book Repair Procedures - Tipping-In Loose Pages | Back

    Carole Dyal and Pete Merrill-Oldham

    Tipping-in is a method for incorporating loose pages -- a detached leaf, replacement page, errata sheet, or other insert -- into a bound volume.

    Materials required

    Assemble the following: polyvinyl acetate adhesive (PVA) in a low container, wide strips of scrap paper, waxed paper, a bone folder, a glue brush, a

    http://www.philobiblon.com/tutorials.htmhttp://www.philobiblon.com/tutorials.htmhttp://www.philobiblon.com/mailto:verheyen%20AT%20dreamscape%20DOT%20comhttp://palimpsest.stanford.edu/byform/mailing-lists/bookarts
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    ressing board or glass plate, and a weight.

    Step 1: Trimming the page and applying adhesive

    f the page to be tipped in is larger than the pages of the volume, carefully trim the page to size using a paper cutter. (For replacement pages, try to

    reserve original margin widths.) Sandwich the page, reverse side up, between two pieces of scrap paper, leaving 1/8-inch visible along the binding

    f the page. The top strip of scrap paper will protect the area that should not be glued. Apply a thin, even layer of PVA to the exposed 1/8-inch edge

    he sheet.

    Step 2: Positioning the page

    Carefully position the insert in place, setting it as far into the gutter as possible while ensuring that the edges are even with the rest of the text block.

    Step 3: Securing the page

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    With the tipped-in sheet squarely in place, and starting in the middle of the page and working out to the top and bottom, slide the tip of a bone folder

    long the front (unglued) side of the sheet to press it tight.

    Step 4: Protecting the text block

    Place a sheet of waxed paper into the gutter between the insert and the page before it to protect the text block from excess adhesive.

    Step 5: Pressing the volume

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    Close the book. Place a pressing board or glass plate along the spine edge and set a weight on top. Let stand for several hours.

    Conclusions - References

    f intervention is prompt, the life of a book can often be extended at very low cost. Unfortunately, damage may progress beyond the point where thes

    asic techniques can be effective. More extensive treatment or commercial library binding may then be warranted. On the following pages are

    bbreviated lists of sources for conservation information and training.

    Further Reading

    Collection Conservation Treatment: A Resource Manual for Program Development and Conservation Technician Training. Maralyn

    Jones, compiler. Berkeley: Conservation Department, The Library, University of California, 1993.

    Greenfield, Jane. Books: Their Care and Repair. New York: H.W. Wilson Co., 1983.

    Greenfield, Jane. The Care of Fine Books. New York: N. Lyons Books, 1988.

    Kyle, Hedi. Library materials preservation manual. Bronxville, NY: Nicholas T. Smith, 1983.

    Lavender, Kenneth and Scott Stockton. Book Repair: A How-To-Do-It: A Manual for Librarians. How-To-Do-It Manuals for School

    and Public Librarians, Number 4. New York: Neal Schuman Publishers, Inc., 1992.

    Morrow, Carolyn Clark, and Carole Dyal. Conservation Treatment Procedures: A Manual of Step-by-Step Procedures For the

    Maintenance and Repair of Library Materials, second edition. Littleton, CO: Libraries Unlimited, 1986. [Out of print.]

    Ritzenthaler, Mary Lynn. Preserving Archives and Manuscripts. Chicago: Society of American Archivists, 1993.

    Preservation of Library and Archival Materials: A Manual. Sherelyn Ogden, ed. Andover, MA: Northeast Document Conservation

    Center, 1996.

    Schrock, Nancy Carlson. An Introduction To Book Repair. Gaylord Preservation Pathfinder No. 4. Syracuse, NY: Gaylord, 1995.

    [Available free and online from Gaylord Bros. http://www.gaylord.com/archival .]

    Preservation Information On Line

    Conservation OnLine [CoOL]: http://palimpsest.stanford.edu/

    Georgia Department. of Archives and History: http://www.sos.state.ga.us/archives/preservation.htm

    http://www.nedcc.org/plam3/manhome.htmhttp://www.gaylord.com/archivalhttp://palimpsest.stanford.edu/http://www.sos.state.ga.us/archives/preservation.htmhttp://www.sos.state.ga.us/archives/preservation.htmhttp://palimpsest.stanford.edu/http://www.gaylord.com/archivalhttp://www.nedcc.org/plam3/manhome.htm
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    Library of Congress, Preservation Directorate: http://lcweb.loc.gov/preserv/preserve.html

    National Archives and Records Administration: http://www.nara.gov/nara/preserva/

    Northeast Document Conservation Center: http://www.nedcc.org/

    Regional Alliance for Preservation: http://rap.solinet.net/

    SOLINET: http://www.solinet.net/presvtn/preshome.htm

    Sources of training

    SOLINET NELINET

    1438 W. Peachtree St., NW, Ste. 200

    Atlanta, GA 30309-2955

    404-892-0943

    http://www.solinet.net

    2 Newton Executive Park, Suite 200

    Newton, MA 02162

    617-969-0400 Fax: 617-332-9634

    http://www.nelinet.net

    AMIGOS

    12200 Park Central Drive, Suite 500

    Dallas, Texas 75251

    800-843-8482 Fax: 972-991-6061http://www.amigos.org

    To learn more about book repair workshops in your area contact your local

    bibliographic utility; state library, archives, or historical society; local chapter of the

    Guild of Book Workers; or regional conservation center.

    Locate Professional Conservators Locate Certified Library Binders

    American Institute for Conservation

    of Historic and Artistic Works

    1717 K Street NW Ste 301 Washington,DC 20006

    202-452-9545 fax: 202-452-9328

    [email protected]

    Library Binding Institute

    7401 Metro Blvd. Suite 325

    Edina, MN 55439

    612-835-4707 fax: 612-835-4780

    [email protected]

    We are most grateful to the following people whose contributions to this effort have been invaluable:

    q Julie Arnott, Sharla Richards and Christine S. Wiseman, SOLINET

    q Annie Armour, Dupont Library, University of the South

    q Whitney Baker, Diane Nester Kresh, Jo Anne Martinez, and Roberta Stevens, Library of Congress

    q Harry Campbell, ICI/Etherington Conservation Center

    q Steve Chapman and Jan Merrill-Oldham, Harvard University Library Preservation Centerq Jeanne Drewes, Martha Jackson, and Lena Warren, Johns Hopkins University Libraries

    q John Dunphy, University Products, Inc.

    q Susan E. Lunas, conservator in private practice

    q Rob Mauritz, Library Binding Service

    q Mary Russell McMillen, Gutman Library, Harvard University

    q Peter Verheyen, Syracuse University Library

    q Jody McNichol

    q Will Meredith, Law School Library, Harvard University

    q Karen Motylewski, Conservation and Preservation Studies, GSLIS, University of Texas

    q

    Sally Moyer, Library Binding Instituteq J C Noyes, Bridgeport National Bindery

    http://lcweb.loc.gov/preserv/preserve.htmlhttp://www.nara.gov/nara/preserva/http://www.nedcc.org/http://rap.solinet.net/http://www.solinet.net/presvtn/preshome.htmhttp://www.solinet.net/http://www.nelinet.net/http://www.amigos.org/http://palimpsest.stanford.edu/byorg/gbwhttp://aic.stanford.edu/http://aic.stanford.edu/mailto:[email protected]:[email protected]:[email protected]:[email protected]://aic.stanford.edu/http://aic.stanford.edu/http://palimpsest.stanford.edu/byorg/gbwhttp://www.amigos.org/http://www.nelinet.net/http://www.solinet.net/http://www.solinet.net/presvtn/preshome.htmhttp://rap.solinet.net/http://www.nedcc.org/http://www.nara.gov/nara/preserva/http://lcweb.loc.gov/preserv/preserve.html
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    q Ralph F. Ocker and Millie Suter, Ocker & Trapp Library Bindery

    q Patricia E. Palmer, Virginia Commonwealth University Library

    q Paul Parisi, Acme Bookbinding

    q Rebecca Ryder, University of Kentucky Libraries

    q Abby Shaw, Conservation Resources International

    q Shannon Zachary, University of Michigan Libraries.

    q Carole Dyal is the Library Conservator for the University of Connecticut Libraries, Storrs, Connecticut

    q Pete Merrill-Oldham is Director of Marketing and Sales forAcme Bookbinding, Charlestown, Massachusett

    CONTENTS

    Rare Book School, Charlottesville, VA

    Home | Book Arts Links | Book Arts Gallery | Reference Materials | About

    The Book Arts Web 1

    Contact the Book Arts

    PURL: http://purl.oclc.org/NET/bookart

    Last Modified: Monday, 06-Jan-2003 19:22:46

    URL: http://www.philobiblon.com /bkrepair/BookRepair3

    mailto:[email protected]://www.acmebook.com/http://www.virginia.edu/oldbooks/2006/schedule/http://www.philobiblon.com/http://www.philobiblon.com/links.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/about.htmmailto:[email protected]://purl.oclc.org/NET/bookartswebhttp://purl.oclc.org/NET/bookartswebmailto:[email protected]://www.philobiblon.com/about.htmhttp://www.philobiblon.com/reference.htmhttp://www.philobiblon.com/gallery.htmhttp://www.philobiblon.com/links.htmhttp://www.philobiblon.com/http://palimpsest.stanford.edu/byorg/gbw/gallery/100anniversary/http://www.philobiblon.com/bonefolderhttp://www.virginia.edu/oldbooks/2006/schedule/http://www.virginia.edu/oldbooks/2006/schedule/http://www.acmebook.com/mailto:[email protected]