black male media stereotypes
TRANSCRIPT
Many of the worst stereotypes, come from slavery.
They were meant to demean and dehumanize Black men and reinforce inferiority in order to justify slavery and its abuses.
The Tom
Uncle Tom’s Cabin, the 1852 anti-slavery novel by Harriet Beecher Stowe, was the second-best selling book of the 19th Century, behind the Bible. It featured the character Uncle Tom, the dutiful, long-suffering, faithful servant.
Uncle Remus
Uncle Remus was the kindly, docile fictional narrator of folk tales for kids. Remember Br’er Rabbit? Here he is in the 1946 Disney film Song of the South.
Bill “Bojangles Robinson
An elegant Tom, Mr. Bojangles with Shirely Temple. Sometimes called the first onscreen interracial couple.
Rewarded for playing a Tom
Driving Miss Daisy, 1989 best picture. Morgan Freeman receives Golden Globe for playing Hoke.
The Newer Tom: The Good Negro
In 1967’s Guess Who’s Coming to Dinner, Sidney Poitier plays Mr. Perfect: a smart, widowed, idealistic physician, who meets his white finance’s parents.
Bill Cosby, America’s Dad
Cliff Huxtable, the lovable pediatrician on The Cosby Show—the perfect husband and father of the 80s.
Barack Obama
The Harvard-educated, bi-racial professor; perfect father and husband: some say, the only black man America could accept as president because he’s so perfect!
The Newest Tom: The Magical Negro
Has special, “magical” powers, to selflessly help the white man. Will Smith as Matt Damon’s caddy in The Legend of Bagger Vance, 2000
Uncle Tom’s revenge
Samuel L. Jackson as Stephen, the head house Negro in charge in Django Unchained, 2013
The Coon
He is the black buffoon, naïve, childish, silly and used for comic relief. Amos and Andy, first voiced on radio by white actors in the 20s, then black actors on TV.
Why “coon?”
• The word may have originated from “baracoon,” the Spanish or Portuguese word for slave pens or barracks slaves were put in before being sold. Maybe from “raccoon,” which have a tendency to steal. Sometimes called “sambo,” after the character “Little Black Sambo.”
The Little Rascals or Our Gang
Buckwheat, Farina and Stymie, the lovable pickaninniesof the 20s and 30s.
Stepin Fetchit
Lazy, slow-witted, trifling, on-screen, but a rich, playboy baddie off. First black actor to become a millionaire during 20s, 30s.
Rewarded for “cooning”
Cuba Gooding Jr. won the best supporting actor Academy Award in 1996 for Jerry Maguire – “show me the money!!!!”
The Buck
Brutal, violent, dangerous, barbaric, hypersexual, the buck reinforced the idea that like animals, black men could work the fields all day, be forced to reproduce and be whipped, punished and controlled. This is Ken Norton in Mandingo, 1975.
The slur black buck, and its distorted
image, were used during
Reconstruction to frighten whites and
suppress black rights – like voting.
The first on-screen Buck: Birth of a Nation, 1915
This white actor in blackface, plays Gus, a vicious former slave who attempts to rape a white woman. Rather than submit, she kills herself.
The Buck Is Back: 70s Blaxpoitation
Dressed in leather, not intimidated by whites, Shaft (1971) is a bad mother…and a sign of the more radical times.
Stereotypes of black males lead to:
• General antagonism toward black males;• Exaggerated views of, expectations of, and tolerance
for race-based socio-economic disparities;• Exaggerated views related to criminality and violence;• Lack of identification with or empathy for black males;• Reduced attention to structural and other big-picture
factors;• Public support for punitive approaches to problems• Worse-- lowered expectations and the perception of
limited options for black men themselves