beyond the boob tube cmat 102: prof. cox

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Beyond the Boob Tube CMAT 102: Prof. Cox

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Beyond the Boob Tube CMAT 102: Prof. Cox. Today’s schedule. History of television Watch some clips illustrating TV history Instructions for second 1,500-word essay that’s due April 25 Review the rubric. What shaped TV as we know it. - PowerPoint PPT Presentation

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Page 1: Beyond the Boob Tube CMAT 102: Prof. Cox

Beyond the Boob TubeCMAT 102: Prof. Cox

Page 2: Beyond the Boob Tube CMAT 102: Prof. Cox

Today’s schedule

• History of television

• Watch some clips illustrating TV history

• Instructions for second 1,500-word essay that’s due April 25

• Review the rubric

Page 3: Beyond the Boob Tube CMAT 102: Prof. Cox

What shaped TV as we know it

• Advancements in technology (bigger screens, debut of color, cable TV, VCRs, TiVo, Internet)

• Politics

• Money/advertising

• Viewer’s tastes (Nielsen ratings)

Page 4: Beyond the Boob Tube CMAT 102: Prof. Cox

Beginnings of TV

• Paul Nipkow, a Russian scientist living in Berlin, invents the first workable device generating electrical signals suitable for transmission of a scene people could see in 1884.

• He calls it the Nipkow disk.

Page 5: Beyond the Boob Tube CMAT 102: Prof. Cox

How it worked

Page 6: Beyond the Boob Tube CMAT 102: Prof. Cox

Zworykin vs. Farnsworth

• Vladimir Zworykin, an immigrant who went on to work for RCA, develops the first practical television camera tube, the iconoscope, in 1923.

• Philo Farnsworth, a farmboy out West (yes, born in a log cabin), also worked to develop an electronic television system, making his first public demonstration at 20 in 1927.

Page 7: Beyond the Boob Tube CMAT 102: Prof. Cox

Let’s let TV tell the story

• http://www.youtube.com/watch?v=LGzFz2Nrq6s

Page 8: Beyond the Boob Tube CMAT 102: Prof. Cox

1950s

• Although TV is all but ready to go by 1939, WWII delays its proliferation.

• The 1950s bring 4 developments:• Popularization, as # of sets rockets from 172,000

in 1948 to 42 million in 1958 and # of stations from 108 in 1952 to 559 by end of decade.

• Technical problems were fixed.• Changes life. Theaters and nightclubs struggle.• The content and character of the medium were set.

Page 9: Beyond the Boob Tube CMAT 102: Prof. Cox

Content evolves, solidifies• Carryovers from radio abound, including

variety shows, sit-coms, dramas (cop shows, Westerns), soap operas, quiz shows

• They also use the same sponsorship model as radio, having companies sponsor the whole program. Giving us names like the Philco Television Playhouse, the U.S. Steel Hour, Kraft Television Theater

Page 10: Beyond the Boob Tube CMAT 102: Prof. Cox

“Time brokers”• Except for news and sports, the networks

didn’t produce their own shows

• Instead, they acted like “time brokers,” selling time to sponsors who hired production companies to churn out content

• The Quiz Show scandals changed all that. Realizing that their reputations were at stake, the networks take over.

• http://www.youtube.com/watch?v=nbKgXI_dAco

Page 11: Beyond the Boob Tube CMAT 102: Prof. Cox

Changes

• Two new formats appear: feature films and talk shows

• Broadcast journalism becomes a force, thanks to the likes of Edward R. Murrow and David Brinkley/Chet Huntley

• Domination by the Big Three: NBC, CBS and ABC (in 1986, it expands to four with FOX)

• Yet, the largest network remains ... PBS.

Page 12: Beyond the Boob Tube CMAT 102: Prof. Cox

Biggest visionary of the era?

Page 13: Beyond the Boob Tube CMAT 102: Prof. Cox

“I Love Lucy” innovations

• Before moving her popular radio show “My Favorite Husband” to TV in 1951, Ball had a few demands.

• That her real-life husband co-star (CBS refused, some contend, because Desi Arnaz was Cuban; CBS denies)

• That instead of being shot live, it be filmed and edited before airing. This made reruns possible and lowered production costs, as shows could be produced faster and take advantage of stock footage.

• That it be filmed in Hollywood instead of NYC. Gave TV more movie-style pizzazz. Today, many shows set in NY (“Seinfeld”) are actually shot in L.A.

Page 14: Beyond the Boob Tube CMAT 102: Prof. Cox

TV downs a despot• Joseph McCarthy,

the junior senator from Wisconsin, leads the Red Scare, a congressional witch hunt for Communists and sympathizers in film, television, the Army and other sectors.

Page 15: Beyond the Boob Tube CMAT 102: Prof. Cox

Edward R. Murrow

Page 16: Beyond the Boob Tube CMAT 102: Prof. Cox

The audience matters

• A show’s fate is driven by whether people watch it.

• And we know who watches because of Nielsen ratings.

• Nielsen starts out in 1923 as a product-testing company but soon branches out into market research.

• Radio ratings begin in 1936; TV in 1950.

Page 17: Beyond the Boob Tube CMAT 102: Prof. Cox

How Nielsen ratings work• Nielsen selects 37,000 households

thought to be representative of the entire viewing public. Those viewers record their viewing habits on a “peoplemeter.”

• Also use diaries, but fading.

• It shows who was watching, what they were watching and for how long.

Page 18: Beyond the Boob Tube CMAT 102: Prof. Cox

Nielsen reporting

• Reported as “ratings point/share.” 115.9 million TV households, so 1 share = 1.16 million households

• If a show receives a 8.2/15 rating, it means that on average 8.2 percent of TV-equipped households were tuned in to that show at any given moment, while 15 percent of households watching TV were tuned into that program during this time slot.

• More recently, the company has offered “total audience measurement index,” looking at viewing across all platforms – TV, DVR, Internet, mobile devices

Page 19: Beyond the Boob Tube CMAT 102: Prof. Cox

Top 10 shows (week of 3/12/12)• 10) Bachelor: After the Final Rose(s), 6.7 rating• 9) Missing, 6.8• 8) 60 Minutes, 6.9• 6) NCIS: Los Angeles, 7.3• 6) Criminal Minds, 7.3• 5) CSI, 7.5• 4) NCIS, 8.2• 3) The Voice, 8.4• 2) American Idol Thursday, 9.4• 1) American Idol Wednesday, 10.7 (No. 1 annually since

2005-06 season)

Page 20: Beyond the Boob Tube CMAT 102: Prof. Cox

Nielsen criticisms

• Since the viewers in their sample know they’re being watched, it can lead to response bias, the phenomenon in science in which the act of doing the study skews the results.

• Especially in the diary, which historically under-reports daytime and late-night viewing and over-reports news and popular primetime shows.

Page 21: Beyond the Boob Tube CMAT 102: Prof. Cox

Nielsen criticisms

• The sample of households is far from random (only those who agree to participate are included) and the total sample is only about 2 hundredths of a percent (0.02%) of the total TV household population

• With so many channels, thanks to cable, the sample set is watered down further

• As a result, the difference in audience between one show and another may not be statistically significant but lead to the lower of the two being cancelled.

Page 22: Beyond the Boob Tube CMAT 102: Prof. Cox

Nielsen criticisms

• Just simple human error Screw-ups by the household reporters could throw off a show’s ratings by about 8%, according to an in-house Nielsen study.

• Barran (pps. 212-13) talks about declines in young male and minority viewing. TV execs argue Nielsen is under-representing them in its sample; Nielsen says YMs are moving to other viewing platforms, and Latinos are driving the decrease in minority viewership as they switch to more-ubiquitous Spanish-language TV options.

Page 23: Beyond the Boob Tube CMAT 102: Prof. Cox

Sweeps

• Nielsen traditionally conducted diary survey four times a year: in February, May, July and November.

• This gave rise to “sweeps weeks,” times when network would role out their top programming and affiliates would do their most salacious news stories (“Are teens texting themselves to death? Find out at 6!”) in an effort to boost ratings.

Page 24: Beyond the Boob Tube CMAT 102: Prof. Cox

Cable’s impact on content

Page 25: Beyond the Boob Tube CMAT 102: Prof. Cox

Beginnings of cable

• Appliance salesman John Walson couldn’t get people to buy TV sets in his home turf of Mahanoy City, Pa. Seems the Pocono Mountains blocked the signals from Philly’s three stations.

• So, he ran a wire from a tower a nearby mountain to his store, word spread and he soon had 700+ subscribers to his “community antenna television” system.

Page 26: Beyond the Boob Tube CMAT 102: Prof. Cox

Cable growth

• Offered greater variety of programming; 7-10 channels instead of three or four.

• By 1962, 900 systems were providing cable TV to more than 850,000 homes.

• Today, more than 7,000 cable systems serving 62.6 million homes (54% of all TV households)

Page 27: Beyond the Boob Tube CMAT 102: Prof. Cox

Cable pricing debate

• To bundle or not to bundle?

• For years, cable systems have offered a few flat-rate packages. You buy all the channels in that package regardless if you watch them (Tennis Channel? Really?)

• A push for a la carte pricing, paying by the channel.

Page 28: Beyond the Boob Tube CMAT 102: Prof. Cox

Bundling by the numbers• Would it be cheaper? James Surowiecki says no.

• “[The prices for individual channels would soar, and the providers, who wouldn’t be facing any more competition than before, would tweak prices, perhaps on a customer-by-customer basis, to maintain their revenue. That doesn’t necessarily mean that Bravo would suddenly cost fifteen dollars a month, but there’s little evidence to suggest that à-la-carte packages would be generally cheaper than the current bundles. One recent paper on the subject, in fact, estimated the best-case gain to consumers at thirty-five cents a month. But even if it wasn’t a boon to consumers an à-la-carte system would inject huge uncertainty into the cable business, and many cable networks wouldn’t get enough subscribers to survive. That’s a future that the industry would like to avoid.” http://www.newyorker.com/talk/financial/2010/01/25/100125ta_talk_surowiecki#ixzz1rlqHLhCA