autumn art auction 2000
DESCRIPTION
2000 Autumn Art Auction CatalogTRANSCRIPT
A u t u m n A r t A u c t i o n
N o rt h D a k o ta M u s e u m o f A rt
North Dakota Museum of Art
A U T U M N A r t A u c t i o n
Friday, October 27, 2000Light Buffet, 6:30 - 8 pm
Auction begins at 8 pm
With Additional funding from
Congress, Inc.
Summit Brewing Company
McKinnon Co, Inc.
Judd and Lisa Sondreal, Owners
George and Ellen McKinnon, Founders
Ryan Bros. Inc.
Autumn Art Auction Advertising Sponsors
who appear in the last section of the catalog
The Autumn Art Auction isUnderwritten by Dayton’s
Wine:
Beer:
Supporters:
Music for the Auction
Jazz ON TAPKris Eylands, guitar
Bob Cary, bass
Mike Blake, vibraphone
Auction Preview
Monday, October 23, until auction time
in the Museum galleries
Monday - Friday, 9 to 5 pm
Informal Gallery Talk
by Museum Director, Laurel Reuter
Wednesday, October 25 at 6 pm
Learn about individual works in the Auction
Somehow, through both “the best of times and the
worst of times,” the North Dakota Museum of Art has
survived and flourished — but not without the
dedication of the Museum’s Volunteer Corps, among
whom Carmen Toman figures prominently. Our major
underwriter, Dayton’s, has a well-deserved reputation
for supporting the arts in their communities. Dayton’s
remains one of the Museum’s most important allies.
Also, I would like to draw your attention to the
advertising section of this catalog. In addition to
Dayton’s, these businesses have contributed between
$100 and $1,000 in advertising sponsorships. You will
notice that almost all are locally owned or managed.
Many are small establishments with limited advertising
budgets. They need our support in return.
Some, while they may write checks to the Museum,
also serve in more private ways. For example, did you
know that the Museum, as a not-for-profit, receives free
banking from Community National Bank? Think of the
value of that gift over the course of twenty-five years.
Or, that Tom Ziden, Field Manager for Crystal Sugar, is
the Museum’s volunteer carpenter. For years Wall Drug
has sent us an annual gift of $500 dollars; so we
decided to make that gift public in this catalog. This
past year we needed to replace carpeting so searched
our records for a supporter in the carpet business. CC
Plus of East Grand Forks got the job. So, not only do we
ask you to read the ads, but patronize these wonderful
people on the Museum’s behalf. I am deeply grateful to
all of you, and to Museum staff members Marsy
Schroeder and Madelyn Camrud, for this wonderful
event and your on-going support. — Laurel Reuter
From the Museum Director
Up until his retirement eight years ago, Chuck Bundlie
was a familiar voice and television image in the Red
River Valley. He started his broadcasting career while a
student at Grand Forks Central High School. He
attended the University of North Dakota, before joining
the U.S. Air Force, returning home in 1955. Except for
the two years he and his wife Margaret lived in
Winnipeg, Grand Forks was to remain his home.
Bundlie was instrumental in establishing a TV station at
Pembina, North Dakota. About that time KNOX TV was
getting ready to go on the air and Bundlie was appointed
its News Director where he anchored the first local live
newscasts in the northern Valley. In the late 1960s
Chuck founded the WDAZ TV news department. He
worked at WDAZ for twenty-five years before retiring.
He is remembered for his morning newscast with his
dog, Ozzie, a sad-eyed basset hound. Ozzie became a
star in his own right. Though admittedly not an art
connoisseur, Chuck says he “knows what he likes when
he sees it.” Chuck has M. C’d many benefits and events
in the area, though this is his first time as an art
auctioneer.
Chuck Bundlie, Auctioneer
It is an honor to chair the North Dakota Museum of Art Autumn Art
Auction. THANK YOU to all the committee members and the
Museum staff for their enthusiasm and energy in making this year's
auction a success. Through their efforts, everyone can enjoy this
wonderful evening while bidding on their favorite art works.
—Carmen Toman, Chair
Rules of AuctionAutumn Art Auction
Committee
Dawn Marie Anderson
SueEllen Bateman
Madelyn Camrud, Staff
Yvonne Cronquist
Phyllis Espegard
Louise Eberwein
Lee Geer
Julie Hall
Lonnie Laffen
Karna Loyland
Kitty Maidenberg
Michelle Mongeon
Jerry O'Connor
Patti Palay
Misty and Gerad Paul
Marsy Schroeder, Staff
Carmen Toman, Chair
Reg Urness
Carmen Toman
has been involved with the North Dakota Museum of
Art over the years, having served as Co-chair for the
Individual Membership Drive and Chair of the
Corporate Membership Drive. She is an active
volunteer in the Grand Forks community. Toman is a
Financial Advisor with Bremer Bank of Grand Forks.
She and her husband Don are the parents of two
college-age children.
q Each guest will receive a bidding card as part of
registration with the price of a ticket. Upon
receiving the bidding card, each guest will be asked
to sign a statement vowing to abide by the
Rules of the Auction listed in this catalog.
q Absentee bidders will either leave their top bid on
an Absentee Bid Form with Museum personnel
or bid by phone the night of the auction. Absentee
bidders, by filling out the form, agree to abide by
the Rules of the Auction.
q Each bidder will use his or her own bidding number
during the auction.
q All sales are final.
q In the event of a dispute between bidders, the
auctioneer shall either determine the successful
bidder or re-auction the item in dispute.
q After the sale or at the conclusion of the evening,
all purchasers must pay for the items at the cashier’s
desk and claim them with their receipts as directed.
Absentee bidders will be charged the evening of the
auction or an invoice will be sent on the next
business day after the event.
q Many works of art in the auction have minimum
bids placed on them by the artist. This confidential
minimum or "reserve" is a price agreed upon
between the artist and the North Dakota Museum of
Art below which a work of art will not be sold.
Will AgarLot #2
Bud GillesLot #1
Gilles cont.
interested in clay in 1980. His pieces, hand-built and raku-
fired, with images drawn in wet clay show his total ease with
line. Rich color results from the raku process and a wide
variety of layered glaze applications. Gilles makes ceramics in
his basement studio in Winnipeg. He recently bought another
house which he is making into a glass-blowing studio. Bud
enjoys teaching sculpture and tile murals in the schools; he
conducts many workshops for both children and adults. Gilles'
work is shown and sold in a New York gallery and in galleries
and museums around Canada. Gilles says, "It's one thing to
make it into the world's most famous galleries, but making it
into someone's living room is even better."
WILL AGARMinneapolis, Minnesota
Volks in Garage after The Storm, Mapleton, MN, photograph
10 X 8 inches, 1984
Range: $500-600
Will Agar received his early training from his photographer
father who studied with both Minor White and Ansel Adams.
When very young, Agar lived in the Canary Islands; there he
acquired a sensibility toward nature. Agar's photographs today
reflect what he has seen and felt while growing up in
Minnesota. More recently, Agar's frequent trips to his wife's
family in southern Minnesota led to a large body of work about
rural life. Agar uses a tripod and a 4 X 5 large format camera
which requires a black cloth over his head. Making a picture is
a ten-minute set-up, and the view through the ground glass of
the camera is upside down. Agar terms this "a delightfully slow
and thoughtful process." Agar exhibits his work in numerous
shows and competitions in Minnesota, Wisconsin, Iowa, and,
most frequently, in Minneapolis area galleries. In 1997, he had
a one-person showing of photographs in Coruna, Spain.
BUD GILLESWinnipeg, Manitoba, Canada
Treeman, ceramic/raku
18 x 6 ½ X 3 inches, 2000
Range: $400-450
Bud Gilles was educated in the School of Fine Arts at the
University of Manitoba. Previously a painter, Bud became
DAN JONESFargo, North Dakota
Evening Bales, charcoal and pastel on paper
25 X 46 inches, 2000
Range: $1200-1800
Dan Jones lives with his family in Fargo where he is a full
time artist doing landscape paintings. Though primarily
working in oil, Jones often returns to drawing and
printmaking, as seen in the 1999-2000 North Dakota
Museum of Art's membership print and this large charcoal
drawing. "Working on this scale in charcoal and removing
color from the process can be very liberating, reducing things
down to the most basic elements. Simple, but dramatic."
Jones' works are included in many museums, corporate, and
private collections including the National Endowment for the
Arts in Washington, D.C., The North Dakota Museum of Art,
The Plains Art Museum in Fargo, and the Rourke Art
Museum, Moorhead. He has exhibited in many regional
galleries, in the past five years. In 1997, he was part of the
"Five painters from North Dakota" show at the Henrik Ibsen
House Museum, Skien, Norway.
MARIEL VERSLUISHopkins, Michigan
Windbreak, woodcut on paper
38 X 32 inches, 1999
Range: $900-1050
Mariel Versluis grew up on her father’s family farm in West
Michigan. She draws and paints at the farm, documenting the
familiar patterns and shapes, the brilliant colors and
flow of the seasons. Until recently an instructor in art at
Western Michigan University, she currently helps manage a
Versluis cont.
dairy and works in her home studio. Versluis observes that she
makes art because it’s the closest thing to planting. Her color
woodblock (lost block) printmaking techniques manage to
reduce the details of scenes to their most elemental
components, creating almost abstract imagery. Heightened
colors offer an expressionistic view of nature. Versluis has
traveled extensively to demonstrate her woodblock
printmaking techniques. She exhibits primarily in Michigan.
Versluis earned a Bachelor of Fine Arts degree from Grand
Valley State University, a Masters of Fine Arts degree in
Printmaking from Syracuse University, and a postgraduate
fellowship from the Universidad Iberoamericana, Mexico
City, Mexico, for studies in Mexican culture, art, and history.
Dan JonesLot #3
MARIEL VERSLUISLot #4
VICKIE ARNDTNew York, New York
Untitled, mixed media on paper and vellum
11 X 8 ½ inches, 1999
Range: $400-600
Vickie Arndt, born in Grand Forks, North Dakota, now lives
and works in New York City. She received her degrees from
Wayne State University, Detroit, Michigan, and State
University of New York at Stony Brook, New York, where
she was on a full scholarship and teaching assistantships.
She recently had her second solo exhibition at the Jay
Grimm Gallery in New York City. According to Jay Grimm,
"Arndt sets up a tension between natural forms and
synthetic materials in her work which juggles fragility and
danger. Sometimes menacing, sometimes humorous, the
work contains formal solutions that link them to the
surrealist traditions." Critic Lauri Firstenberg wrote, "The
sculptural works comprised of debris are manipulated into
biomorphic forms which signal the bodily and scatological
in a Benglisian way. Her work encourages a dialectic
between the natural and the artificial via her materiological
experiments." Arndt also recently exhibited alongside some
of her most admired artists such as Gregory Gillespie,
David Salle and Henri Matisse at the Luise Ross Gallery,
New York, in Peep Show: Erotic Fact and Fantasy.
ALIANA AUWinnipeg, Manitoba, Canada
Tulips, Irises, and Three Apples, acrylic on paper
36 ¼ X 27 ½ inches, 1999
Range: $2000-3000
Aliana Au was born in Guangdong, China in 1949. She
moved several times during her early years, first to
Quangzhou and later to Hong Kong. There, in the 1960s,
she studied Chinese painting and was introduced to the
VICKIE ARNDTLot #5
work of Vincent Van Gogh. Her Chinese brushwork today seems
to echo and celebrate Van Gogh’s life and work. Au’s works on
paper are expressive explosions of rich and vibrant color. Au
moved to Winnipeg in 1970 where she continued her art
studies at the University of Manitoba. In 1994 Au had a major
exhibition at the Winnipeg Art Gallery; she has shown her work
in many other locations in Winnipeg and other Manitoba cities,
and in Saskatchewan and Alberta. In 1990 Au was the only
Canadian participant in a show at the John Michael Kohler Arts
Center in Sheboygan, Wisconsin. Au is a member of and
exhibits regularly at the Site Gallery in Winnipeg.
ALIANA AULot #6
CONSTANCE MAYERON and
CHARLES FULLER COWLESMinneapolis, Minnesota
Untitled, high-fire porcelain and patinaed copper
9 X 34½ X 18 inches, 2000
Range: $800
Constance Mayeron and Fuller Cowles have arrived at an
aesthetic that evolved naturally from experiments with
ceramics and stone over a number of years. Their relationship
began more than eight years ago when Cowles, a sculptor,
and Mayeron, a ceramicist, created a wall of porcelain tiles
for his studio in Taylor's Falls, located on the
Wisconsin/Minnesota border. The couple have worked
collaboratively ever since, primarily in the creation of tile
work for architectural projects. Cowles works mostly in steel,
stone, wood and glass. Mayeron throws pots on the wheel,
the work she has engaged in for more than twenty years.
Relationships are central to the artists’ work . . . "materials or
shapes to each other, artist to client, forms in space and the
feelings they create." In the past several years, this
collaborative team exhibited outdoor sculpture in Socrates
Sculpture Park, Long Island City, New York, and in several
Minnesota locations. They have completed several public art
commissions in Minnesota. Currently under design is a
commission for the Vadnais City Hall, Vadnais, Minnesota.
KIM FINKGrand Forks, North Dakota
Lulu's Back In Town, acrylic/egg tempura on panel,
20¼ X 22¾ inches, 1998
Range: $400-500
Kim Fink came from Las Vegas, Nevada, to head the
Printmaking Department at the University of North Dakota in
CONSTANCE MAYERONand
CHARLES FULLER COWLESLot #7
1999. Lulu's Back in Town is about Fink's response to votive
paintings by Mexican folk artists. When making votives, one
makes a prayer and pins a small object (representative of the
prayer's request) onto the work. Fink's small prayer symbols
adorn the painting's frame. The general theme of the painting
itself is more about desire (including unfilled desire) based on
Fink's observations while living in Las Vegas where people
seemed to want all the "good things in life—the American
Dream." "Vegas," Kim says, "is a kind of thermometer for
American taste." Born in central California, Kim received a
Bachelor of Fine Arts from the Pacific Northwest College of
Art, and an Master of Fine Arts from Tyler School of Art.
Trained in both painting and printmaking, Fink is proficient in
acrylic/egg tempera painting and lithography.
KIM FINKLot #8
FRANK KELLEYGrand Forks, North Dakota
Bosche's Birds Migrate To Dakotas, stone and photo plate
lithograph on paper, 10 ½ X 17 inches, 1984
Range: $500-600
Frank Kelley, a long-time bird watcher, frequently uses birds as
subjects in his art. His interest in birds goes back to second
grade in New Hampshire where his teacher had cabinets of
stuffed birds that Kelley began to draw. Corydon, Indiana, is
Kelley's birthplace, though he lived in numerous states before
coming to Grand Forks in 1962 to teach. This work by Kelley is
related to Hieronymus Bosche's Garden of Earthly Delight, a
triptych Kelley saw in the Prado Museum in Madrid. In
Bosche's powerful work, birds appear in a frightening
environment of sinking, falling, and suffering people. Kelley
uses Bosche's European birds (different from birds in the states)
in a water environment alongside a train pulling out of the
station–birds — like people, migrating to Dakota. Kelley
recently retired after 35 years of instructing at the University of
North Dakota in the Printmaking Department. He also taught
drawing and painting at the University, in the community and
the region.
DUANE PENSKEVesta, Minnesota
In a Tub Without A Paddle,
kinetic wall sculpture, mixed media
30 X 21 ½ inches, 1999
Range: $300-600
"All my art works are self-portraits, but somehow they are more
than this," Duane Penske admits. He says he doesn't
understand or see the universal message that, according to
viewers, comes out of his work, but that doesn't bother Penske.
He just creates. Penske enjoys working with children and
adults of all ages, and has come to understand that if humor is
injected into life's situations, the outcome is positive. Penske
grew up on the farm near where he now lives. Even as a child,
he knew he wanted to make art. He spent hours drawing
animals and the surrounding landscape. Penske attended
Southwest State University in Marshall, Minnesota, and there
under Professor Edward Evans, began to build his paintings
into three-dimensional works. Penske has had one-person
shows and group exhibits in museums and galleries around
Minnesota, Iowa, Wisconsin, North and South Dakota and
Canada. He was part of a group exhibit in the North Dakota
Museum of Art in 1997 and 1992. His work is in the Museum's
permanent collection.
FRANK KELLEYLot #9
DUANE PENSKELot #10
CHARLES BECKFergus Falls, Minnesota
Black November, woodcut on paper
26 X 41 ½ inches, 2000
Range: $400-600
Charles Beck is a painter, printmaker, designer and art teacher. In
all his work, Beck is influenced and affected by where he lives.
The landscapes around Fergus Falls, always his home, continually
reappear in his woodcuts and paintings. Beck says "You have to
make art from what you're interested in. I'd rather make a
woodcut of a plowed field with some conviction than a
crucifixion with none." Color and textures are what he takes from
the landscape, but the horizon is his biggest influence. ". . . the
separation between the sky and what I call vertical space and
horizontal space . . . seems to be a part of every landscape. I
seem to feel the need to show the sky in the background," Beck
says. He believes landscapes are extremely exciting because of
how they change weekly, even daily. Beck enrolled at Concordia
College, Moorhead, Minnesota, in 1941. Artist Cy Running
influenced Beck in those early years when Beck was making
watercolors; but, ultimately, Beck let go of influence and
developed a style, undeniably his own, which has served him
well for a half-century.
BARBARA HATFIELDNew York, New York
Chros, beeswax and graphite
21 X 30 inches, 2000
Range: $800-1000
An energy path; the function of emptiness; the layered and
multiple meanings of language; meditative discipline; Greek
and Chinese philosophy; a handwriting practice book and the
spare beauty of North Dakota's Red River Valley are all source
material for Hatfield's work. Barbara grew up on a farm near
Thompson, North Dakota. She holds a Bachelor's Degree in
Art from the Minnesota State University Moorhead and
recently completed a Masterof Fine Arts degree in painting at
Parsons School of Design in New York City. She has presented
solo exhibits at the North Dakota Museum of Art, at District 31
Victoria's in Wolverton, Minnesota, in Fargo and Moorhead
and in New York City.
CHARLES BECK
Lot #12
BARBARA HATFIELDLot #11
sky and atmosphere. Anyone who has ever said there is no
beauty in the flat landscape of the Red River Valley would
have to eat his or her words upon seeing Carl's paintings. The
viewer shares in the feeling of "being there." Carl Oltvedt
began teaching at Moorhead State University in 1983 where
he is a full professor primarily teaching drawing. He has
worked as a guest artist in regional schools, and his work is
represented by Groveland Gallery in Minneapolis. He also has
work in the permanent collections of the Plains Art Museum,
the Honolulu Academy of Arts, the North Dakota Museum of
Art, the Minneapolis Institute of the Arts, and the Minnesota
State Historical Society.
GEORGIE PAPAGEORGEPretoria, South Africa
Magnetic Fields, Kilimanjaro/ Mawenzicibachrome photograph
55 ¼ X 38 ½ inches, 1999
Range: $2500-3000
Kilimanjaro, the subject of Georgie Papageorge's most recent
body of work, is the highest free-standing mountain in the
world. In this work the vertical and the transcendental prevail,
capturing a sense of wonder and mystery. From 1996-1999
Georgie Papageorge engaged in the Kilimanjaro Project: two
seven-day climbs to the summit, a three-day stay in the crater
of Mount Meru, and a three-hour flight over the craters. The
work she produced centers on the volcanic trilogy and their
relationship which creates a magnetic field from both an aerial
and ground perspective. Major symbols predominate in the
work: the circle, the chevron, banner/barrier, and a ladder,
Papageorge’s central symbol of transcendence. The climb,
central to the art, was intensely spiritual for the artist.
Born in Simonstown, South Africa, Papageorge was educated
Pat the University of South Africa, Pretoria. Her solo
TED HOWARTHWinnipeg, Manitoba, Canada
Colonial Chairs, linocut on paper
22 X 30 inches, 2000
Range: $400-600
Ted Howarth says he is "passionate about printmaking . . .
I enjoy the process and the bold, sensitive range of mark-
making inherent in the medium." Howarth considers his work
narrative and invites the viewer to participate in the stories he
creates. In Colonial Chairs, the story grows out of Howarth’s
frequent travels to the Caribbean. Howarth is fascinated by
the Caribbean cultural history, their human conflict, culture
clashes, and the general idea of colonialism and imposed
social order. The 17th Century chair makes reference to a
"seat of power." The two chairs represent the division between
imposed and indigenous culture; the chairs, though divided,
come together in one framework. Howarth attended the
University of North Dakota in the mid- 1990s, and had a solo
show in UND’s Hughes Fine Arts Center Gallery. He has
exhibited in numerous Manitoba shows, in Winnipeg and
Montreal. He has also been a part of shows in Korea,
Yugoslavia, Norway, West Germany, Macedonia and the
Netherlands.
CARL OLTVEDTMoorhead, Minnesota
Valley Sunset, oil on canvas
22 ½ X 29 inches, 1999
Range: $1100-1200
Carl Oltvedt, with artist friends, goes out in the field to sketch
and paint scenes that he turns into finished paintings back in
the studio. Carl believes it is essential to be in the landscape
in order to capture the light and mood of changing colors in
TED HOWARTHLot #13
Papageorge cont.
exhibitions include galleries in
Johannesburg and Pretoria, South
Africa, and in London, New York,
and the North Dakota Museum of
Art. She has work in collections in
major museums and galleries in
Rome, Cape Town, Johannesburg,
Lisbon, the Smithsonian Institution,
Washington, D. C., and the North
Dakota Museum of Art.
CARL OLTVEDTLot #14
GEORGIE PAPAGEORGELot #15
LOIS M. JOHNSONPhiladelphia, Pennsylvania
No Maps, No Charts, 1993
plate lithography triptych on paper
20 X 80 inches, three images framed together
Range: $1000-1200
Lois Johnson received her bachelor's degree as an art major
with teaching certification from the University of North
Dakota, Grand Forks, in 1964. At the University of Wisconsin
in Madison, her Master of Fine Arts degree in printmaking
was awarded in 1966. In 1986, she was a recipient of the
Sioux Award from the University of North Dakota. She is
presently Professor and Coordinator of the Printmaking/Book
Arts Department at the University of the Arts in Philadelphia,
Pennsylvania. She has conducted workshops in printmaking
processes throughout the United States and in Canada, and is
co-author of a manual on water-based screenprinting
methods. Her works on paper — drawings, prints, and limited
edition book — have been exhibited in twenty solo
exhibitions, numerous juried national and international print
competitions.
No Maps, No Charts, a 1993 three-panel print follows the
adventures of a dog sled and musher exploring new vistas in
wilderness and urban landscapes. The main characters were
presented to the artist (born with a North Dakota thermostat)
by a friend, upon hearing she was going to Arizona. The
friend speculated that she needed the Arctic dog team to keep
cool.
Lois is represented in many private and public collections
including the Philadelphia Museum of Art, the North Dakota
Museum of Art, Metropolitan Museum of Art in New York, the
Library of Congress in Washington, D.C., and Victoria and
Albert Museum, London.
JON B. OFFUTLot #17
JON B. OFFUTFargo, North Dakota
Glass Trilogy, blown glass
12 X 15 X 8, 2000
Range: $350-500
Jon Offut was educated at Southern Illinois University at
Carbondale, and received his MFA in the Glass Program at the
Minneapolis College of Art and Design in 1996. He currently
makes his home in Kent, Minnesota, and for the past several
years has served as instructor and Studio Coordinator in the
Glass Program at Moorhead State University. Offut frequently
demonstrates his glass blowing, and has visited Kansas,
Kentucky, Missouri, North Carolina, Illinois and Texas to give
public presentations. His studio, House of Mulciber, opened
in Fargo, December 1998, after Offut devoted an entire year
to building the facility and updating his equipment. His work
is included in the Plains Art Museum collection and in
museums and galleries in Texas, Florida, North Carolina,
Kentucky and Illinois.
MO NEALVermillion, South Dakota
Methods of the Heart and Blood, hydrocal, wood,
46 X 46 X 14 inches, 1996
Range: $900-1200
The content of Neal's sculpture comes through the process of
making — it reveals itself slowly. Both repulsive and seductive,
the scope ranges from the physiology of aging, to the banality
of a clogged pore, or the intrusiveness of surgery. Certain
elements recur repeatedly in her work: precariousness,
transparency, liquids, bodily mechanics and structural space.
Neal became interested in sculpture early in her art career.
She considers her work figurative. For the last ten years, Neal
has used specific sculptural materials: wood, rubber, epoxy
resin, lead, plaster and some motorized elements. These
industrial materials act as a substitute for flesh. In 1994 Neal
received a National Endowment for the Arts, Visual Arts
Fellowship for Sculpture. She was awarded a residency in
Saratoga, California, the summer of 2000. Though on faculty
at the University of Nebraska, Lincoln, Neal currently works
and instructs in a studio at the University of South Dakota,
Vermillion. She has had one-person shows in New York,
Kentucky and Illinois, among others, and has participated in
numerous group shows. She often works as a visiting artist
and lecturer.
MO NEALLot #18
LOIS M. JOHNSONLot #16
MIKE MARTHFargo, North Dakota
Still Life, mixed media on panel
25½ X 47½ inches, 1999
Range: $900-1000
Mike Marth moved to Fargo, North Dakota in 1996 where he
currently teaches Apparel, Textiles, and Interior Design at
North Dakota State University. In March 2000, Marth
participated in A Decade of Still Life, an event featuring six
simultaneous solo shows by Marth around Fargo, including
the Plains Art Museum and NDSU. Marth was educated in
Northwestern Missouri State, Maryville, Missouri, and at
Southern Illinois University at Carbondale.
Marth's work continues to make references to hieroglyphics/
language — digital and otherwise — and, in general, explores
alternatives to what is considered still life. He pushes the
boundaries of still life; his objects are not the things of daily
life. His interest in texture is apparent in his surfaces. Marth's
early background in both sculpture and painting results in an
ongoing mix of two genres: abstraction and still life. At the
Museum’s first Autumn Art Auction David and Julie Blehm
purchased a large painting by Marth which they gave to the
Museum for its permanent collection.
MIKE MARTHLot #19
KATHRYN LIPKELot #20
KATHRYN LIPKEBelvidere Center, Vermont
A Time of Renewal and Rebirthsilkscreen print, drawing, objects
56 X 32 inches, 2000
Range: $1400-1600
Kathryn Vigesaa Lipke, born and raised in Cooperstown,
North Dakota, now lives in Vermont and Montreal. She is a
documentary film maker, a sculptor, painter, printmaker, and
papermaker who mixes media with raw materials found in
nature. She sees her art as part of an ongoing search for
meaning that involves interactions with nature in sites and
places where no lines have as yet been drawn between
human culture and the culture of nature. In the process, she
builds structures, forms and environments out of ephemeral
and locally available materials that derive from nature and
reflect this integral relationship.
Lipke recently returned to her birthplace, Cooperstown, North
Dakota, and, in collaboration with two artists from Finland
and Germany, created a Prairie Garden of wood sculpture,
huge field stones, wild flowers and native trees on the lawn of
the Griggs County Courthouse. Lipke frequently exhibits in
GK Gallery, Cooperstown, and has had solo and group
exhibitions all over the United States, Canada and in Europe.
Lipke's keen sense of the relationship of art to landscape has
led to her commissions and on-site sculpture constructions in
Germany, Finland, Argentina, Mexico and the United States.
Lipke is in the planning stages of two-documentary films: one
about the relationship of North Dakotans to trees
(commissioned by the North Dakota Museum of Art as part of
a larger initiative, The Emptying Out of the Plains), and a
second six-part series, Whole Cloth.
SHELLEY RUSENWinnipeg, Manitoba, Canada
Prairie Trax,acrylic, graphite, cut and pasted paper on plywood
16 X 24 inches, 1999
Range: $1000-1200
Shelly Rusen enjoys traveling in rural Manitoba and is keenly
aware of the flat land that surrounds her. She never tires of the
landscape and finds it anything but boring. For the past
several years she has used aerial photography in the
beginning stages of her work. "From a small aircraft," Rusen
says, "one is able to see the beautiful patterns and color
which appear at various times of the year, all of which reflect
the uniqueness of the different seasons and the working of the
land." Rusen received her Bachelor of Fine Arts Degree from
the University of Manitoba. She has exhibited in numerous
group shows. Her most recent solo exhibition was in 1998 at
Main Access Gallery in Winnipeg. Her work from this exhibit
was selected to tour Manitoba as part of an established
Provincial Touring program which highlights Manitoba artists.
Rusen’s art is in many private collections as well as the
Manitoba Visual Arts Bank. Her next solo show will be held
at Winnipeg’s Centennial Concert Hall in April 2001.
SHELLEY RUSENLot #21
MARLEY KAULBemidji, Minnesota
In The Dark Winter Yellow Squash Work Like Prayersegg tempera on panel
17 X 20 inches, 1998
Range: $1400
For the past decade Marley Kaul's work has been developed
through egg tempera processes on carefully prepared panels.
This links him to many early painters and their ability to
discipline their working habits. Egg tempera is closely related
to drawing as it requires a prepared line and value under-
drawing to be laid onto the panel in India ink. This drawing
continues to show through the initial layerings of pigment.
Since the pigment is translucent, a great deal of overpainting
is required before the drawing recedes. Kaul has had many
exhibitions in the 1990s in Minnesota and North Dakota
including a solo show in the North Dakota Museum of Art in
1989. He recently retired from teaching at Bemidji State
University and in 1997 received the BSU Award for
Distinguished Teaching. His work is in many collections
including the Wiesman Art Museum, Minneapolis; Luther
College, Decorah, Iowa; the 3M Collection, St. Paul,
Minnesota; and the North Dakota Museum of Art.
FRITZ SCHOLDERScottsdale, Arizona
Indian Landscape, lithograph on paper
28 X 21 inches, 1974
Range: $1500-2000
Born in Breckenridge, Minnesota, Fritz Scholder is an artist of
international acclaim. Scholder has exhibited in the National
Museum of American Art, Washington D.C., San Francisco
Museum of Modern Art, the Walker Art Center, Minneapolis,
and the Smithsonian. Throughout all his work as a sculptor,
printmaker, and painter, Scholder's style persists as one of bold
color, simple forms and a great strength that grew out of
MARLEY KAULLot #22
FRITZSCHOLDER
Lot #23
abstract painting. In this work Scholder uses "the rainbow roll"
technique whereby he applies three ink colors at once to
achieve the three-color sky. Scholder has been the subject of
eleven books, and three Public Broadcasting System
documentaries. He received a bachelors degree from
California State University, a Master of Fine Arts degree from
the University of Arizona, and honorary Doctorate of Fine Arts
degrees from five colleges.
TOM THULENBrooklyn, New York
Small Windbreak, film, silver print
12 ⅜ X 29 ⅜ inches, 2000
Range: $1200-1400
Tom Thulen grew up in Breckenridge, Minnesota, and studied
photography at the Minneapolis College of Art and Design
before moving to New York in 1993. He frequently returns to
the Midwest to photograph the landscape. His photo
constructions allow him to present an image how he sees it,
not necessarily how the camera records it. Land compositions
in minimalist style result from Thulen's process of printing on
film he assembles and lays over blank photo paper. Pinned
loosely in shallow boxes, light passes through the images and
casts shadows on the background paper, creating multiple
layers of overlapping landscapes. The effect is more like
evidence of land reflecting a place he once lived; it also
suggests the delicacy of nature and the environment. In a
review of Thulen’s show at the Thomas Barry Fine Arts Gallery
in Minneapolis, The Minneapolis Star Tribune termed Thulen’s
images . . . "as ephemeral as drawings: pale lines of trees,
grasses or watery reflections that define horizons." Thulen has
had several solo and group exhibitions in New York galleries.
His work is in the permanent collections of Dow Jones Co.,
and Lehman College, Columbia University of New York.
TARA STEPHANSONGrand Forks, North Dakota
Bittersweet (purse), copper and velvet
10½ X 8 X 2½ inches, 1996
Range: $1000
In 1999 Tara Stephanson joined the University of North
Dakota faculty as Assistant Professor of Jewelry and Small
Sculpture. Stephanson received her Master of Fine Arts degree
at Kent State University and later apprenticed with nationally
recognized studio jeweler Pat Garrett in New Mexico.
Stephanson has been highly visible in her field by participating
in numerous national and international exhibitions. In
addition, her work has been published in Metalsmithmagazine and is also featured in a metalsmithing textbook.
Stephenson bases this work on her exploration of society's
obsession with self-scrutiny as it pertains to issues of vanity
and self-image. Stephenson combines objects of vanity, and
the implied function of various materials, as she examines the
physical and psychological restrictions imposed by vanity. This
purse is meant to be an object for display rather than a
functional purse.
TOM THULENLot #24
TARA STEPHANSON
Lot #25
STERLING RATHSACK, JR.Superior, Wisconsin
Minnesota Bluebird, paint on panel
34 X 28 inches, 1995
Range: $900-1050
Sterling Rathsack has maintained a studio in Superior, Wisconsin for
nearly twenty years. He works in a variety of media, and his most
common subjects are feminine figures, birds and fish. This work is
part of Bluebirds, a one-person show at Lizzard's Gallery, Duluth, It
is made entirely from recycled, salvaged and/or renewable
materials. Over the years, Rathsack’s paintings and sculptures have
been featured in galleries, collections and museums throughout the
Upper Midwest. Two prominent public art works by Rathsack are
Man, Child and Gull in Duluth's Canal Park and River, Falls, and
Forest in Minnesota's Gooseberry Falls State Park. Rathsack was in
a 1992 group exhibition, IN ADDITION, at the North Dakota
Museum of Art. A sculpture from that exhibit remains in the North
Dakota Museum of Art's permanent collection. Rathsack received
BFA and MFA degrees from the University of Wisconsin-Superior in
the early 1980s. He continues to teach and exhibit throughout
Minnesota.
TIM RAYMoorhead, Minnesota
Full Fathom Five, acrylic, ink, thread, pigment on paper
33 X 27 inches, 2000
Range: $800-1000
After some experimentation in 1981, Tim Ray began making
collages that combined painting, printmaking and papermaking.
Ray applies paint and pigments to a plastic sheet, then glues
transparent Japanese papers over the plastic. When dry, the "paper
sandwich" is removed and built into new combinations. Ray says he
does not try to make "pictures" in the conventional sense.
STERLING RATHSACK, JR.Lot #26
TIM RAYLot #27
Although there may be references to clothing, or figuration,
or landscape (especially aerial views), what Ray is striving for
is an image so totally convincing and believable in its own
right that it is complete without referring to anything outside
itself. Tim Ray was born in 1940 at Indian Head,
Saskatchewan and grew up in Regina. He received degrees
from the University of Manitoba and the University of
Arkansas, then taught from 1970-1996 at Moorhead State
University. His work has been exhibited in Toronto's Damkjar
Gallery, the Winnipeg Art Gallery, the Minneapolis Institute
of Art, and was a part of Old Friends, New Art at the North
Dakota Museum of Art in 1998.
JOHN HITCHCOCKMorris, Minnesota
Fright, Sleep, Offering, Taste, Shift, Slow, Clown, Down digital printmaking, multiple images on paper
61 X 24 inches, 2000
Range: $500-800
John Hitchcock's current work blends printmaking,
photography, video and installation. The personal, social,
and political views in his work are a direct result of
stories shared by family members. Through his art he
examines the issues of living on Kiowa/ and Comanche
lands in Oklahoma. In his work Hitchcock incorporates
idealized interpretations of the American Indian, using
objects from real life on native lands and symbols of
spiritual significance. John Hitchcock heads the
printmaking department at the University of Minnesota,
Morris. He earned his MFA in printmaking and
photography at Texas Tech University, Lubbock, and
received his BFA from Cameron University, Lawton,
Oklahoma. He has exhibited in group shows in Ireland,
Texas, New Mexico, New York, Iowa and Oklahoma.
Hitchcock says he intends to continue to explore
historical records and contemporary issues to find out
what indigenous people face. He asks: "What have we
learned from progress? What will be the fate of my
people's indigenous ways?" Researching the past to
define his identity has become a vital source for
Hitchcock's survival.
JOHN HITCHCOCKLot #28
BARTON BENESNew York, New York
Art Museum, mixed media,
14 X 34 X 2½ inches, 2000
Range: $2000-3000
Barton Benes was born in Westwood, New Jersey and for a
brief period of time in the 1960s attended Pratt Institute in
Brooklyn, New York. Benes has an extensive exhibition
history in Europe and the United States. In the past decade
he has shown his work in Sweden, Canada, New Mexico,
Czechoslovakia, Portugal, Sweden, Czech Republic,
Finland, South Africa as well as the United States. His was
one of two exhibitions organized to celebrate the opening of
the North Dakota Museum of Art in 1989. Benes' work has
been collected by the National Museum of Art in
Washington, D.C., the Chicago Art Institute in Chicago,
Bibliotheque Nationale in Paris, and Chase Manhattan Bank
in New York. Several film documentaries have been
produced about Benes and his art. Benes became
internationally known in the 1980s as the "money artist" who
used currency as a collage medium on sculptural and flat
forms. More recently, Barton makes "Museum Pieces." He
mounts collections, or collectible objects on paper and
presents them in a grid. The North Dakota Museum of Art's
donor wall, created by Barton, exemplifies this style, as does
his work in this auction. In 1998 the North Dakota Museum
of Art commissioned Benes to create a Flood Museum with
items contributed by members of the community. That work
and many others by Benes are in the Museum's permanent
collection.
BARTON BENESLOT #29
SARAH SUHFargo, North Dakota
Seed, mixed media with wax crayon
20¾ X 14 ¾, 1992
Range: $1500
Sarah Suh closely observes nature, focusing on what is often
ignored, overlooked or neglected. In her Seed Series she began
to see the important relationship between the symbol of a seed
and human life. Suh sees all seeds as equally important and
individually unique. They all have the capacity to become what
they possess within. This truth Suh sees as a hope for humanity.
Educated in New York, she studied pottery and photography as
well as drawing and painting. Suh has for the past two years
been a participant in Art on the Plains, a juried competition at
the Plains Art Museum in Fargo. She has also exhibited her art in
Minnesota, New York, Arizona and Colorado. Her work will be
in a solo exhibition at Binghamton, New York in 2001.
WALTER PIEHLMinot, North Dakota
Tiger Meat III, Sweetheart of the Rodeo Seriesacrylic on canvas
35 X 25 ½, 2000
Range: $1700-2500
Walter Piehl is one of North Dakota's most highly regarded
artists. He studied undergraduate art at Concordia College in
Moorhead and received a Master of Arts degree from the
University of North Dakota studying under Robert A. Nelson. He
continued his work at the University of Minnesota. Piehl is one
of a few artists in the country to successfully create "cowboy art"
in a contemporary mode. He grew up on a ranch near Marion,
North Dakota, where his family raised rodeo stock, and began
riding as soon as he could sit on a horse. Over the years
Piehl cont.
Piehl won many rodeo prizes
both roping and riding. He
continues to "call" at rodeos and
to follow the careers of his rodeo-
riding sons while teaching at
Minot State University. Piehl has
won numerous awards for his
colorful, lively, expressionistic
paintings, and has shown at such
venerable institutions as the
Cowboy Hall of Fame in
Oklahoma City and the C. M.
Russell Museum in Great Falls. A
work from his Sweetheart of the
Rodeo Series is in the permanent
collection of the North Dakota
Museum of Art.
WALTER PIEHLLot #31
SARAH SUHLot #30
The North Dakota Museum of Art willopen a solo exhibition of the photographsof Leo Kim on February 3, 2001, theevening of the Museum’s Benefit Dinner.
JAMES CRAIGKennewick, Washington
Orchard with Windbreaks, paper pulp relief, acrylic
48 X 32 inches, 1999
Range $950-1100
James Craig grew up in rural Connecticut. He now lives in
the state of Washington where he is Department Head and
teaches at Columbia Basin College in Pasco. The nature of
Craig's work is contemporary, and alludes to issues of the
rural environment. His narrative paintings and drawings
are meant to be "read" rather than absorbed in a single
glance. Images are saturated by literal or poetic references
that invite viewers to participate in emotional or
intellectual dialogs. Craig achieves expressions of
compelling vitality through vivid color, rhythm, and
repetition. He combines image and symbol to make
visible comments on the land, rural life, social and
political issues. Craig has participated in numerous solo
and group exhibitions in Montana, North Dakota,
Washington, Hawaii, and Saskatchewan. Craig's work is
included in the North Dakota Museum of Art's permanent
collection. He received his Bachelor of Fine Arts degree
from Florida Atlantic University in Boca Raton and his
Master of Fine Arts from the University of Montana in
Missoula.
LEO KIMMinneapolis, Minnesota
Bottineau, North Dakota, silver gelatin photograph
20 X 24 inches, 2000
Range: $975-1500
Leo Kim was born in Shanghai, China, of Korean parents.
JAMES CRAIGLot #32
His early education was in Shanghai, Macau, and Hong Kong.
He received an undergraduate degree in design from North
Dakota State University. After having lived so many years in
dense cities, the vast prairies of North Dakota attracted Kim.
"The black and white photographs I make are not just about the
diminishing towns or the quiet country roads, but also about the
people who work and live in North Dakota. I photograph the
beauty in the simple things that surround us," Kim says.
Although trained as an architect, Kim began working as a
commercial photographer, specializing in illustration
photography in 1975 in the Minneapolis area. His clients
include American Express, Dupont, Honeywell, and the
Federal Reserve Bank of Minneapolis. His commercial work
allows him the financial freedom to pursue the landscape
photography he loves. His first solo show at Carver and Beard
gallery in Minneapolis was a huge success. "Many of the
people who came to the show and bought my work" Kim says,
"were from North Dakota."
JAY PFEIFERFargo, North Dakota
3rd Tack Under, mixed media
51½ X 36½ inches, 2000
Range: $950-1000
Jay Pfeifer presents an interesting and personal interpretation of
the Dakota landscape. As a native of Buffalo, North Dakota,
Pfeifer has deep roots in his subject matter. Land, sky, and
horizon dominate the Red River Valley environment where he
grew up. He paints plowed fields, wind rows, and undisturbed
land to record a personal history of his relationship with the
land, inseparable with its history and witness to its change.
Pfeifer, a graduate of the North Dakota State University at
Fargo, has always imagined the land before it was worked by
the first settlers, before roads, shelter belts, and cities arrived. In
the 1990s, Pfeifer received several awards, the most notable
from the Plains Art Museum in Fargo where he received the
juror's Choice Award in 1998 at the Spring Gala, and again in
1999 for a Regional Exhibition, Art on the Plains, juried by
Laurel Reuter, Director of the North Dakota Museum of Art.
LEO KIMLot #33
JAY PFEIFERLot #34
North Dakota Museum of ArtBoard of Trustees
North Dakota Museum of ArtFoundation
Board of Directors
Corinne Alphson, emeritus
David Blehm
Julie Blehm
Madelyn Camrud
Virginia Dunnigan, emeritus
John Ettling
Joann Ewen
Betty Gard, Secretary
Bruce Gjovig, Chairman
David Hasbargen
Jean Dean Holland
Connie Horn
Dan Jones
Cynthia Kaldor
Sandy Kaul
Rachel Kopp
Darrell E. Larson
Jean Larson
Lisa Lewis-Spicer
Mary Loyland, treasurer
Ellen McKinnon, emeritus
Doug McPhail, emeritus
Barb Melby
Laurel Reuter, President
Annette Rorvig
Sanny Ryan, emeritus
Gerald Skogley, emeritus
Anthony Thein, emeritus
Rex Wiederanders, emeritus
North Dakota Museum of Art Staff
Karen Bohn
Merlin Dewing
Richard Larsen
Darrell E. Larson
Fern Letnes
Lynn Luckow
Laurel Reuter
Sanny Ryan
Gerald Skogley, Chairman
Madelyn Camrud
Barbara Crow
Ellen Gagnon
Amy Hovde
Kathy Kendle
Brian Lofthus
Christine Nelson
Morgan Owens
Laurel Reuter, Director
Juliana Sanchez
Marsy Schroeder
King Sedore
Bonnie Sobolik
Lydia Thomas
Greg Vettel
and over fifty volunteers
AUTOHOMEFARM
RVs - LIFE
Mike Schaefer - Peggy Witheril - AnnaMertens
BUSINESS - BONDS - CONTRACTORSFor All Your Insurance Needs
5500 Gateway Drive
Grand Forks, ND 58203
(701) 775-4244 • 1-800-279-2660
708 S. Washington • Grand Forks, ND 746-0497 • 1-800-726-3658
Open Monday through Friday 9-6, Saturday 9-2
If Your Budget IsLImIted, see us forgenerIc remedIes
staying well doesn’t have to cost a fortune. Buy generic products & save.
The best medicine for ailing budgets… generic.Quality drugs and products that cut the cost of health care.
• Prescription Drugs • Over the Counter Drugs
• Generic Drugs • Drive-up Window
• Free Blood Pressure Testing Daily
• Front Door Parking • Free Mail-Out Prescriptions
• Delivery Service Available
• 10% Discount For Senior Citizens on Prescriptions
• 10% Off General Merchandise
• Computer Print-out with Prescription
As you read through the following pages, you willnotice that almost all of those who contributedadvertising sponsorships to the Autumn Art Auction arelocally owned or managed. Many are smallestablishments with limited advertising budgets. Yetthese are the supporters who keep educational andcultural entities, such as the North Dakota Museum ofArt, alive. Please give them your business on behalf ofthe Museum. —Laurel Reuter, Director
2534 17th Avenue South
Suite C
Grand Forks, ND 58201
(701) 775-4511
We have it all for you!Free Checking
12 ATMs in Grand Forks
All Loans
Stop in and see us at
2 convenient locations!
3100 South Columbia Road and921 North Washington Street
Grand Forks795-4500 Bremer Bank is
www.bremer.com Member FDIC
Run Your Kitchen Like The Pros!
If the party is at your house, Dakota Food Equipment can help with:
CATERERS TRAYS • COFFEE SERVERS & MAKERS
PUNCH BOWLS • CHAFFERS • BAR SUPPLIES
FOLDING TABLES • PAPER & PLASTIC PRODUCTS
ANNIVERSARY CELEBRATIONS - GRADUATIONS - FAMILY REUNIONS
513 10th Ave. N.Grand Forks
(701) 746-8471
Your Whole HouseStore
2030 32nd Ave. S., Grand Forks ¥ 746-8444HOURS: Open Mon. & Thurs. 7:30am-8pm; Tues., Wed. & Fri. 7:30am-6pm;
centurY creatIonsNorth Dakota’s First
Full-color Digital Printer
Producing saleable
art prints and
note cards
in small quantities.
5203 Gateway Dr. - Grand Forks (701) 746-4543 - 1-800-746-0201
DREES RISKEY & VALLAGERCertified Public Accountants
214 Main St. E. - Mayville ......................786-2559117 S. Broadway - Crookston ................281-37891405 Library Cir. - Grand Forks ..............746-4466
• Management Advisory Services
• Computer Services • Small Business Services
• Business Valuation Services
• Audit, Review & Compiled Financial Statements
• Tax Services & Consulting
• Financial & Estate Planning • Financial Services
FARMERSINSURANCE GROUP
GEORGE E. WOGAMAN INSURANCE AGENCY INC.
2612 GATEWAY DRIVE
GRAND FORKS, ND 58203
(701) 772-7108
FAX (701) 772-1090
3615 Gateway Drive
Grand Forks, ND 58203
(701) 775-3141 ¥ FAX (701) 775-2921
fIrst resource comPanYCorporate and Private Client Planning
100 north third street
grand forks, nd 58203
(701) 780-9382
Larry e. aubol
James o. Hawley(701) 335-2878
924 30th st. s.grand forks, nd 58201
fax (701) 335-2925email: [email protected]
Space For Lease322 DeMers Avenue
Premiere Retail & OfficePremiere Retail & Office
The Official Travel Agency of the North Dakota Museum of Art
1508 Central Avenue NE
East Grand Forks, MN 56721
1-800-279-1381 Toll Free
(701) 772-3244 Grand Forks
(218) 773-3344 East Grand Forks
CapitalResource
Management
david J. evenson, cLu, chfc
chartered financial consultant
3111 South Washington
Grand Forks, ND 58201
(701) 746-6729
Prints ¥ NeedleworkOriginals ¥ Photos
Jan PetersonOwner
2303 South Washington
Grand Forks,?ND 58201
(701) 772-8224
KZLT 104.3 FM ¥ KCNN 1590AM
P.O. Box 560 ¥ East Grand Forks, MN 56721 Ñ 667 DeMers Avenue ¥ Grand Forks, ND 58201
(701) 772-2204 ¥ FAX (701) 746-0012 ¥ Website: kcnn.com ¥ Email: [email protected]
Tune in to
KCNN’s Hot Talk
with Scott Hennen
9-11am Weekdays Join us
this season
for UND Fighting
Sioux sports!
Northern Italian Restaurant~
124 3rd Street North ~ 775-5454
Now Featuring Live Entertainment~
Reservations Recommended~
Rush Seating Available For Events, IncludingHockey
Deserves
THE ALERUS CENTER PROJECT
1180 42nd Street South
P.O. Box 13237
Grand Forks, ND 58201
Telephone (701) 795-7119
Facsimile (701) 795-7890
®
gary L. Karlstad, m.d., f.a.c.s.
gerald n. gaul, m.d., f.a.c.s.
thomas P. dowhan, m.d.
thomas s. dunham, o.d.
3035 DEMERS AVENUE
GRAND FORKS, ND 58201
PHONE: (701) 775-3151
FAX: (701) 775-3153
1-800-333-7344
LIqUOR StORE1901 S. WashingtonGrand Forks, ND 58201
Next to Town & CountryShopping Center
RITE PRICESRITE SELECTIONRITE LOCATION
on
Liquors ¥ Beer ¥ Wine
Proud to sponsor the North Dakota Museum of Art
775-7051
Supplies for artists, draftsmen, framing, graphic designers, teachers, students,
schools, daycare and parents!
1225 S. University Drive ¥ Fargo, ND 58103120 N. Washington ¥ Grand Forks, ND 58203
(701) 772-0927 ¥ 1-800-726-7561
Barnes & Noble University of North DakotaÒThe same great service with more to offer.Ó
775 Hamline ¥ 701.777.2746 ¥ 1.800.671.0948 ¥www.bkstore.com/und
ONE OF THE LARGEST CRAFT STORESIN THE MIDWEST!
Riverwalk Centre
211 DeMers Avenue NW ¥ East Grand Forks,
MN
Grand Forks Naturopathic Clinic1133B South Columbia Road
Grand Forks, ND 58201
(701) 787-5272
Naturopathic Medicine blends natural, non-toxic therapies with current
advances
Dr. Kristi Hawkes Dr. Paul Ratt�
North Dakota Museum of Art
Post Office Box 7305
Grand Forks, North Dakota 58202-7305 USA
Phone: 701.777.4194 Fax: 701.777.4425 E-mail: [email protected] WWW//ndmoa.com