typeface basics 1. glossary 1 ascenders: ascenders: strokes of letters that rise above the mean line...
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Typeface Basics
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Glossary 1
Ascenders:Ascenders: Strokes of letters that rise above the mean line of type (b, d, f, h, k, l, t).
Descenders:Descenders: Strokes of letters that fall below the baseline (g, j, p, q, y)
x-height:x-height: The height of the main body of the lowercase letters. Most sans serifs have large x-heights.
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Glossary 2
Type families (sometimes referred to as font):Type families (sometimes referred to as font): Versatile faces such as Garamond, Franklin Gothic, Futura, etc. offer several variations of weight and posture in the same typeface.
Display type:Display type: Point sizes 14 point and above.
Width rule:Width rule: When copy gets too wide, readability drops off. The rule is that copy should be no wider than an alphabet and a half or 39 characters.
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Measuring Type1. Type is measured in points. 2. 72 points = 1 inch, 3. 72-pt. type is 1 inch tall,
measured from the top of the ascenderascender to the bottom of the descenderdescender.
4. ½-inch = 36-pt.5. ¼-inch = 18-pt.6. No letter has both an
ascender and a descender; however in any given typeface and size, the length of the ascender and descender are the same.
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Type Anatomy
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Tip #1. Pair personality to purpose.
•Keep in mind the message you are trying to communicate with your type.
•Sports, even women's sports, do not
lend themselves to feminine script, for example.
Getting down, dirty girls rugby gaining popularity
Or
Getting down, dirty girls rugby gaining popularity
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Tip #2. When working with type, more type families are not better.• LimitLimiting type to no
more than three font family for the entire book is a growing trend.
• When combining type for headlines, remember two’s two’s companycompany, three’s a crowd.
• Limit spread designs to one distinct type supported by something simple.
A family of fonts is composed of different
stylesstyles.
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Font #1: Reading pull-down information
Format of font1. TrueType2. Postscript3. Open Type (best)
Format of font1. TrueType2. Postscript3. Open Type (best)
Styles of font in family1. Light2.
Condensed
3. Bold
Styles of font in family1. Light2.
Condensed
3. Bold
Font Family Myriad Pro
Font Family Myriad Pro
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Font #2: Classifications of font families
6 basic font classes
1.1. SerifSerifA. Old StyleB. TransitionalC. ModernD. Slab Serif
2.2. Sans Serif Sans Serif (sans = without)
3.ScriptA. Blackletter
4.Display / Decorative
5.Monospaced6.Dingbat 9
Font #3: SerifsSerifs
•SerifsSerifs are easier to read easier to read than sans serifs.
•Use a serif serif font font for body body copy copy (text), as a general rule.
SerifsSerifs are in red
BaskervilleBernhard ModernCourier StandardGaramondGeorgiaMinion ProPalatinoTimes New Roman
Examples Of Serif Examples Of Serif Fonts:Fonts:
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Font #4: Sans Sans serifsserifs
These are These are lessless legible legible than serifs.than serifs.
Use Use sans sans serif serif fonts fonts for primary for primary headlines or headlines or captions as a captions as a general rule.general rule.
Examples of Sans Serif Font Families
ArialArial Rounded MTComic Sans MSFuturaHelveticaLetter Gothic StdLucia SanMyriad ProNews Gothic MTStone Sans ITC TTVerdana 11
Font #5: ScriptScript
ScriptScript fonts are
• harder harder to read.
• used as large large text only.
• for special special cases cases only.
Bickham Script ProBrush Script Std.Caflisch Script ProDickens Script SSKEdwardian Script ITCHandwriting — DakotaLucida BlackletterLucida HandwritingMedici ScriptOld English TextLearning CurveSnell Roundhand
Examples Of Script Font Examples Of Script Font Families:Families:
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Font #6: Display / Decorative Display / Decorative FontsFonts
• harder harder to read• used as large large text only• for special cases special cases only
Examples Of Display Families:Examples Of Display Families:
DisplayDisplay fonts are:
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Font #6: Display / Decorative Display / Decorative FontsFonts
Examples Of Display Families:Examples Of Display Families:
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Font #7: Monospace Monospace FontsFontsMonospaceMonospace
fontsAre also called "fixed pitch" fonts
Have characters that all have the same character width
Originally were designed for typewriters
Used with computer source code
Andale Mono Courier NewLetter Gothic StdLucinda ConsoleLucinda Sans TypewriterMonacoORC APrestige Elite Std
Examples Of Monospace Examples Of Monospace Families:Families:
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Font #8: Dingbat FontsDingbat Fonts
DingbatDingbat fonts are:
Also known as a "printer's ornament" or "printer's character.”
Describe fonts with symbols and shapes in the positions designated for alphabetical or numeric characters.
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Font #9: Dingbat FontsDingbat FontsGlyphsGlyphs
are:An ornament, a character or spacer used in typesetting.
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Font #10: Dingbat FontsDingbat Fonts
MT Extra abcdefgMS Reference Specialty ABCDEWebdings Wingdings Wingdings3 Zapf Dingbats
Typical Examples Of Display Families:Typical Examples Of Display Families:
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Font #11: Dingbat FontsDingbat Fonts
AmphibiPrint abcdefgCarta abcdefgFace it! AbcdefgFace Off! AbcdefgMickey Mousebats ABCDEFGHRoadSign abcdefgRoadWarningSign abcdefgWWFlakes abcdefghijklm
Fun Examples Of Display Families:Fun Examples Of Display Families:
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Font #12:
RememberRememberThe more unusual the type, the lower the readability.
Pick your fonts carefully.
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Tip #3. Avoid using all capitals.• That doesn’t mean you can never use all caps. • Just realize all capital letters reduces
readability. • Use all caps only when you have a specific
design purpose in mind. • Especially avoid using all capitals in a script
face. • Your readability drops to about zero.
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Tip #4. Pay attention to relationships when combining type.• If elements are not the
same, they should be very different.
• Remember, like the perfect marriage, types need to either be very very similar similar or fairly fairly oppositeopposite.
• Contrast type in size, weight, form and structure.
• The combinations you form should communicate, not confuse the reader.
Examples: Verdana bold for heads Georgia for text
= good contrast
Verdana bold for heads Trebuchet for text
= not enough contrast
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Tip #5. Some types just don’t mix.• Don't use two scripts or a script and an italic
together.
• They usually have the same form and so they they conflictconflict with each other rather than contrast.
• Never use two types from the same category (for example: Script, Decorative) together.
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Don't D
oDon
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Tip #6. Don’t abuse type through manipulation• Purpose is to communicate type helps do
that. • Don’t manipulate manipulate type to fit your design
by adjusting leading and width. • Instead, edit the copy or find a word that
fits the headline space. • Once established within a section, type
size, leading and width should remain consistent.
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Tip #7. Complement your knowledge of fonts with your knowledge of design.
• Use of effectively planned white space and color can enhance your use of type.
• Place type on the page to create entry points for your reader.
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Tip #8. Learn more from the experts.• Magazines like Before & After and Dynamic Graphics have information and advice.
• Check out books like The Non-Designers Design Book by design experts like Robin Williams.
• Many of these tips come from her.
• For more technical information, check out her Non-Designers Type Book.
• Browse the bookstores and stock up on magazines that use type effectively so you can build a library of ideas.
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