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Gianluca CATALDO+ 44 7535 173242
gianlucataldo84@gmail.com
187B Mitcham Lane SW16 6PN | London (UK)
Set Designer | 3D Visualiser
EDUCATION
2009 - 2012
2009 - 2010
2005 - 2009
3D Visualiser and CAD Designer | as Freelance
Set Design Developer | as Paolo Fantin Set Designer
Assistant Set Designer | as Paolo Fantin Set Designer
2014 - present
2012 - present
2012 - present
EXPERIENCE
TECHNICAL SKILLSPROFICIENCY
https://www.linkedin.com/in/gianlucataldo
http://www.slideshare.net/GIANLUCACATALDO1/porfolio-gianlucataldo
LINKS
Autodesk Revit
3D Studio Max
V-Ray
Adobe Creative Suite
Mentalray
AutoCAD
Computer Skills
Eye for the details
Creative Skills
Comunication Skills
ABOUT ME
2012 | Teatro Massimo Palermo“Elisir d’amore” G. Donizetti
2013 | Teatro La Fenice Venice “Trittico di Mozart” W. A. Mozart
2013 | Salzburg Festspiele “Falstaff” G. Verdi
2013 | Theatre an der Wien “Idomeneo” W. A. Mozart
2015 | Cirque Royal Brussels “Elisir d’amore” G. Donizetti
2016 | Theatre an der Wien “Otello” G. Rossini
Master’s Degree in Set’s Architecture | Academy of Fine Arts - Venice
Qualification course in 3D Graphic Development | A.N.F.E. Palermo
Bachelor’s Degree in Set Design | Academy of Fine Arts - Palermo
Starting from a strong interest in the Arts, I learned the aesthetic sense and I developed technical and artistic skills through a Set Design study background.Thanks to many experience as Paolo Fantin Set Designer's assistant I gained the ability to pay attention to details, coordinate a team work and deliver a project before the deadline. . Mainly thanks to an in-depth understanding of 3ds Max, V-Ray, Adobe Creative Suite and Revit I can carry on by myself an entire project: reading the architectural CAD data, modelling environments, furniture and objects, studying the right lighting with the best rendering solution and finalizing the job with a personal touch in post-production, meeting clients' expectations. I am proficient with Mental-Ray and AutoCAD too . I am passionate about travel, theatre, Interior design and technology. .
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