alternative rock - week 1
TRANSCRIPT
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Popular Music Studies: Alternative Rock
Week 1Establishing the Genre
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What is ‘Alternative Rock’?
• Often conflated with ‘independent rock’• A marketing label?• Independent or minor labels• Alternative in attitude…• A DIY ethos, anti-commercial outlook• Musical and production trends can be
observed
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Four Stages of Rock Life and Death Cycle
1. NativeA small scene, based on art and community
2. SovereignThe breakthrough, belonging to all
3. RecessionaryRetreating from mainstream, fracturing
4. ClassicalForming into a canon
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A Brief Timeline
• 1950s: Rock‘n’roll – Bill Haley, Elvis• 1960s: ‘British Invasion’• Folk, Blues, Psychedlia…• 1970s: Progressive Rock• By 1975: ‘corporate rock’, ‘AOR rock’
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Sex Pistols
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Velvet Underground
• The Velvet Underground and Nico (1966)
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• The Stooges• The Ramones• MC5
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• The Buzzcocks• The Clash• The Jam
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• Punk…
• US - New Wave, Hardcore, ‘College Rock’
• UK - Mod-rock, Goth-rock
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Siouxsie and the Banshees
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Bauhaus
• “Bela Lugosi’s Dead” – the first goth record?
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The Cure
• Early records fit the ‘goth rock’ aesthetic
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Joy Division
• 1976-80• Signed to Factory Records• Two albums: • Unknown Pleasures (1978)• Closer (1980)
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• Musical diversity Multi-national Control
• Debunked by Simon Frith
• Emergence of independent labels
• ‘Majors’ and ‘minors’
• Subordinate market, or test pool
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Distribution and Licensing
• …• …• …• …
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“There’s only two things that happen with independent labels – you either get bought out or you die.”
- Alan McGee
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UK Indie chart
• Indie record store sales not registered in main charts, so…
• Started in 1980• Based on method of distribution
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Authenticity
• Something which can be compromised by either commercial concerns or technological concerns.
• The ‘authenticity of the old’?• Romantic vs. Modernist ideas
• An issue of diametric opposites:
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Authenticity
• Art v Commerce• Rock v Pop• Minor v Major• Honest v Dishonest• Credible v False/Manufactured
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Authenticity
• The idea of “selling out”• Bottom-up, rather than top-down, control of
musical output• Bands should not want commercial success
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The Replacements
• Started as hardcore punk• Signed to Twin/Tone in 1980• Stink (1982)• Soon moved towards a slower, less aggressive
sound which can be identified as the first strand of ‘alternative rock’
• Tim (Sire, 1985)
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R.E.M.
• Athens, Georgia
• Signed to I.R.S. in 1980
• Murmur (1983)
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R.E.M.
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U2
• Formed in 1976, as a post-punk band
• Signed to Island in 1980
• Boy (1980)
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U2
• The Joshua Tree (Island, 1987)
• Influenced by US blues and folk
• Island couldn’t pay their royalties
• Zooropa (Island, 1993)
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The Smiths
• 1982• Signed to Rough Trade• Essential UK independent (or alternative)
band of the 1980s
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The Smiths
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The Smiths
• Commercial success within the UK• 1987, broke up as they signed a major-label
deal