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SUPPLEMENT:

Issues 101/102 through 117/118

(2008-2011)

COMPILED BY JANET BRENNAN CROFT

The Mythopoeic Society is a non-profit educational organization devoted to the study, discussion, and enjoyment of the works of

C.S. Lewis, J.R.R. Tolkien, Charles Williams, and other writers of myth and fantasy literature. The Society holds annual conferences,

sponsors local discussion groups, and publishes three magazines: Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and

Mythopoeic Literature, a quarterly journal; Mythprint: The Monthly Bulletin of the Mythopoeic Society, featuring news, activities, and

reviews; and The Mythic Circle, an annual publication of fiction and poetry. For further information, visit the Mythopoeic Society

website at www.mythsoc.org.

The Mythopoeic Press, a division of the Mythopoeic Society, is dedicated to the publication of works by and about the Inklings—

C.S. Lewis, J.R.R. Tolkien, and Charles Williams preeminently—and others related directly and indirectly to the Inklings’ ‚myth-

making‛ vision.

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view a copy of this license, visit http://creativecommons.org/ licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171

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Mythlore Index supplement issues 101/102 through 115/116 3

Article Index by Author Sorted by author, then alphabetically by title for authors of multiple articles.

Includes abstracts.

Main entries in bold face.

A

Agan, Cami. ‚Song as Mythic

Conduit in The Fellowship of

the Ring.‛ 26.3/4 (#101/102)

(2008): 41-63.

This article on song in Middle-earth

explores the complex layering of

history and legend that convey

Tolkien’s themes across a wide array

of genres within the legendarium,

reinforcing the sense of depth of

time Tolkien hoped to achieve even

within The Hobbit.

Anderson, Douglas A. ‚A Footnote

to Tales Before Narnia [Letter]‛

Mythlore 29.1/2 (#111/112)

(2010): 161-162.

Suggests an addition to the list of

recommended reading in the

author’s Tales Before Narnia: M.P.

Shiel. C.S. Lewis was known to have

owned several books by this author.

Auger, Emily E. “The Lord of the

Rings’ Interlace: The

Adaptation to Film.‛ Mythlore

30.1/2 (#115/116) (2011): 143-162.

An investigation of how Tolkien’s

interlacing narrative technique is

translated in the recent film trilogy,

and in particular, Jackson’s method

of interlacing Isildur’s story,

Gollum’s torture in Mordor, and

Elrond’s expanded council with

foreshadowings and re-echoings of

dialogue and visual cues.

B Basso, Ann McCauley. ‚Fair Lady

Goldberry, Daughter of the

River.‛ 27.1/2 (#103/104) (2008):

137-146.

Examines Goldberry as an

intermediary figure between noble

or ethereal female characters like

Galadriel and Éowyn and everyday

women like Rosie Cotton, and shows

how her relationship with Tom

provides Sam with a paradigm for

the ideal marriage. Considers

Goldberry an Eve-like figure.

Berman, Lauren. ‚Dragons and

Serpents in J.K. Rowling’s

Harry Potter Series: Are They

Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Investigates the role and symbolism

of dragons and serpents in J.K.

Rowling’s Harry Potter series, with

side excursions into Lewis and

Tolkien for their takes on the topic.

Concludes that dragons are morally

neutral in her world, while serpents

generally represent or are allied with

evil.

Berman, Ruth. ‚Watchful Dragons

and Sinewy Gnomes: C.S.

Lewis’s Use of Modern Fairy

Tales.‛ Mythlore 30.3/4

(#117/118): 117-127.

A companion to her study of

Tolkien’s use of the Andrew Lang

fairy tale collections (in #99/100) with

a piece on how Lewis used them as

well, but also tended to look

favorably on and use more modern

fantasy sources than Tolkien.

Berube, Pierre H. ‚The Origins of

Dwarves [Letter]‛ Mythlore

29.1/2 (#111/112) (2010): 163-164.

Following on Helios de Rosario

Martinez’s article in Mythlore

109/110, suggests several avenues of

exploration for the popular folkloric

concept of dwarves as miners.

Berube, Pierre H. ‚Tolkien’s Sigurd

& Gudrún: Summary, Sources,

& Analogs.‛ 28.1/2 (#107/108)

(2009): 45-76.

A thorough and analytical guide to

The Legend of Sigurd and Gudrún,

listing Tolkien’s sources for each

incident in his poem and finding

analogs in the rest of his work.

Consists mainly of charts, which are

an excellent guide through this

tangle of Northern legend and an

unfamiliar and highly allusive poetic

style, and will provide a firm

starting place for later scholarship on

this long-unseen work. Includes a

family tree of named characters in

the poem.

Bilbro, Jeffrey. ‚Phantastical

Regress: The Return of Desire

and Deed in Phantastes and The

Pilgrim’s Regress.‛ Mythlore

28.3/4 (#109/110) (2010): 21-37.

Bilbro examines the close link

between George MacDonald’s

Phantastes and C.S. Lewis’s first

post-conversion fiction The Pilgrim’s

Regress, born out of the ‚baptism‛ of

Lewis’s imagination by MacDonald’s

seminal work. Both feature pairings

of seekers initially led by desire with

knight-like figures, and take the

characters through journeys with

many important parallels, including

learning lessons showing that desire

and deed must work in harmony to

bring about successful spiritual

quests.

Blomqvist, Rut. ‚The Road of Our

Senses: Search for Personal

Meaning and the Limitations of

Myth in Neil Gaiman’s

American Gods.‛ Mythlore

30.3/4 (#117/118): 5-26.

Examines the intertextuality of

culture and myth and the ways in

which new myth is formed through

an exploration of binaries

throughout the novel and the added

scenes in the 10th Anniversary

edition.

Brackmann, Rebecca. ‚’Dwarves are

Not Heroes’: Antisemitism and

the Dwarves in J.R.R. Tolkien’s

Writings.‛ Mythlore 28.3/4

(#109/110) (2010): 85-106.

This challenging paper on

antisemitism in the depiction of

Tolkien’s dwarves brings some

much-needed definition to the

ongoing discussion of Tolkien and

race. Quotes China Miéville’s

An Index to Mythlore Supplement

Mythlore Index supplement volumes 26.3/4 through 30.1/2 4

observation that ‚racism is true” in

Tolkien’s works, ‚in that people

really are defined by their race,‛ but

demonstrates how Tolkien’s

conception of the racial

characteristics of Dwarves changed

over his lifetime. Yet we come back

in the end to the inescapable fact,

with all its implications, that the

Dwarves continue to have a set of

recognizable racial characteristics.

Brisbois, Michael J. ‚The Blade

Against the Burden: The

Iconography of the Sword in

The Lord of the Rings.‛ 27.1/2

(#103/104) (2008): 93-103.

Invites us to consider the deeper

social implications of carrying and

using a sword in the medieval world

of Middle-earth—how bearing a

sword not only indicates leadership

and service, but provides an

opportunity for social mobility, in

addition to its more obvious military

meanings. Considers as examples

Merry and Pippin swearing oaths to,

respectively, Théoden and Denethor;

Éowyn’s heroic deeds; and especially

Aragorn’s use of the Narsil/Andúril

as a symbol of legitimacy and service

to his people.

Bruce, Alexander M. ‚The Fall of

Gondor and the Fall of Troy:

Tolkien and Book II of The

Aeneid.‛ Mythlore 30.3/4

(#117/118): 103-115.

Takes us back to classical warfare

and the Fall of Troy with his

examination of what Tolkien did

with the Aeneid when he used it as a

source for ‚The Fall of Gondolin.‛

The parallels between the stories of

Tuor and Aeneas are striking, but

more interesting is how Tolkien put

his own thematic and symbolic

stamp on the material.

Bullard, Sadie H. ‚Narrative

Dualism in C.S. Lewis’s That

Hideous Strength.‛ Mythlore

29.3/4 (#113/114) (2011): 11-24.

Introduces the concept of ‚narrative

dualism‛ as a means for

understanding both Lewis’s

technique and his authorial purpose

in creating opposing but parallel

experiences, motifs, and motivations

for Jane and Mark Studdock in That

Hideous Strength.

C

Carroll, Shiloh. ‚The Heart of the

Labyrinth: Reading Jim

Henson’s Labyrinth as a

Modern Dream Vision.‛ 28.1/2

(#107/108) (2009): 103-112.

Demonstrates how Jim Henson’s film

Labyrinth can trace its ancestry to the

dream vision genre exemplified by

such medieval works as ‚Pearl‛ and

The Divine Comedy, showing how the

dream vision parallels and guides

main character Sarah’s growth

towards emotional maturity. Also

addresses the way Sarah deals with

the prospect of sexual maturity,

rejecting a too-early adulthood.

Carter, Steven Brett. ‚Faramir and

the Heroic Ideal of the

Twentieth Century: Or, How

Aragorn Died at the Somme.‛

Mythlore 30.3/4 (#117/118): 89-

102.

An essay on Faramir, that

mysterious character who walked

out of the woods into The Lord of the

Rings, and how his modern tactics,

leadership style, and heroism grew

out of Tolkien’s war experiences.

Christopher, Joe R. ‚The Christian

Parody in Sara Paretsky’s Ghost

Country.‛ 26.3/4 (#101/102)

(2008): 165-184.

Paretsky is best known for her V.I.

Warshawski detective novels; in this

non-series book, Chicago is haunted

by what may be an avatar of the

Babylonian goddess Ishtar. Includes

a listing of references to other

fictional detective stories in the

Warshawski series.

Christopher, Joe R. ‚The Dantean

Structure of The Great Divorce.‛

Mythlore 29.3/4 (#113/114)

(2011): 77-99.

Examines the underlying structure

of Lewis’s The Great Divorce, and its

mirroring of the Purgatorio.

Christopher, Joe R. ‚From Despoina

to Δ.‛ Mythlore 30.3/4

(#117/118): 27-54.

Identifies Janie Moore as the

sometimes goddess, sometimes

human Δ or Despoina in C.S. Lewis’s

early poems, letters, and diaries. The

changing nature of her depiction

shows the young Lewis developing a

surer handling of his chosen mythic

references as he matures and

reinforces the thesis that they were

lovers.

Christopher, Joe R. ‚’The Meteorite’

and the Importance of Context.‛

Mythlore 28.3/4 (#109/110)

(2010): 55-64.

Contrasts two readings of C.S.

Lewis’s poem ‚The Meteorite‛: first

reading and explicating it out of

context in the Formalistic manner,

and then demonstrating the added

layer of meaning gained by

considering its use as the envoi to

Miracles, and the implications this

has for Formalistic critical

approaches to literature.

Christopher, Joe R. ‚The Non-Dead

in John Dickson Carr’s The

Burning Court.‛ 27.1/2 (#103/104)

(2008): 127-136.

John Dickson Carr’s The Burning

Court is an atypical novel for this

author, who in nearly all other cases

provides a purely mundane

explanation for seemingly

supernatural events in his detective

fiction. In this novel, the mystery

centers around undead characters

who create more of their kind

through witchcraft or killing and

reincarnation.

Christopher, Joe R. ‚The Thematic

Organization of Spirits in

Bondage.‛ 27.3/4 (#105-

106)(2009): 5-41.

A detailed examination of each poem

in Spirits in Bondage, using the young

poet’s ‚Matter = Nature = Satan‛

equation (as expressed in his letters

to his friend Arthur Greeves) to

explore the underlying themes of

Lewis’s not just pre-conversion, but

pre-theism ‚cycle of lyrics.‛ The

contrast between beauty and evil,

irreconcilable in this stage of Lewis’s

theological development, is shown to



be a major concern in this work,

heavily influenced by his World War

I experiences. An appendix details

the matter of the poems rejected and

replaced before publication.

Croft, Janet Brennan. ‚A

Bibliography of Glen

GoodKnight’s Articles,

Reviews, and Major Editorials

in Mythlore.‛ Mythlore 29.3/4

(#113/114) (2011): 5-10.

Describes Mythopoeic Society

founder GoodKnight’s influence on

Inklings scholarship. Lists his

scholarly articles, book and media

reviews, and selected editorials in

Mythlore, Tolkien Journal, and the

published Mythopoeic Conference

proceedings.

Croft, Janet Brennan. ‚The

Education of a Witch: Tiffany

Aching, Hermione Granger, and

Gendered Magic in Discworld

and Potterworld.‛ 27.3/4

(#105/106)(2009): 129-142.

Explores the depiction of gender in

education, and how gender issues in

education relate to power and

agency, in two current young adult

fantasy series featuring feisty

heroines determined to learn all that

they can: Hermione Granger in J.K.

Rowling’s Harry Potter series, and

Tiffany Aching, main character of

three Discworld novels by Terry

Pratchett. Includes a brief appendix

on cross-dressing in children’s

literature.

Croft, Janet Brennan. “Naming the

Evil One: Onomastic Strategies

in Tolkien and Rowling.‛ 28.1/2

(#107/108) (2009): 149-163.

Investigates name magic associated

with evil characters in Tolkien and

Rowling, such as acts of naming and

self-naming, avoidance terms, and

the use of true names. Describes the

naming plots associated with

Melkor/Morgoth, Sauron, Saruman,

and Voldemort.

Croft, Janet Brennan. ‚Nice, Good,

or Right: Faces of the Wise

Woman in Terry Pratchett’s

‘Witches’ Novels.‛ 26.3/4

(#101/102) (2008): 151-164.

Examines the moral system that

guides the use of magic by the

witches of Discworld. Considers the

definitions of Nice, Good, and Right

under this system, and demonstrates

how mature witches strive do what

is Right.

Croft, Janet Brennan. ‚Psyche in

New York: The Devil Wears

Prada Updates the Myth.‛

Mythlore 30.3/4 (#117/118): 55-

69.

Looks at a recent specimen of

popular culture, the movie The Devil

Wears Prada, and finds in it an echo

of the story of Aphrodite and Psyche,

speaking to the needs of young

women for a female mentor-figure.

Croft, Janet Brennan. ‚The Thread

on Which Doom Hangs: Free

Will, Disobedience, and

Eucatastrophe in Tolkien’s

Middle-earth.‛ Mythlore 29.1/2

(#111/112) (2010): 131-150.

Scholar Guest of Honor speech,

Mythcon 41. Reviews theological

concepts underlying the ideas of war

in heaven and free will and,

touching briefly on Stanley

Milgram’s experiments in obedience

along the way, examines various

examples of disobedience in

Tolkien’s legendarium, their

consequences, and their ultimate

subservience to the eucatastrophic

fate of Arda.

Croft, Janet Brennan. ‚Túrin and

Aragorn: Embracing and

Evading Fate.‛ Mythlore 29.3/4

(#113/114) (2011): 155-170.

Considers the characters of Aragorn

and Túrin and how, at the level of

motif, their name changes

throughout the legendarium reflect

their own very different

relationships with their wyrd and the

fate of the universe.

Croft, Janet Brennan and Edith

Crowe. ‚Pauline Baynes in

Mythlore.‛ 27.1/2 (#103/104)

(2008): 7-8

A listing of artist Pauline Baynes’s

appearances in Mythlore as illustrator

or author, or as the subject of articles

or reviews.

Crowe, Edith. See Croft, Janet

Brennan, ‚Pauline Baynes‛

D

de Rosario Martínez, Helios. ‚Fairy

and Elves in Tolkien and

Traditional Literature.‛

Mythlore 28.3/4 (#109/110)

(2010): 65-84.

Explores the linguistic heritage of the

terms elf and fairy, and shows how

Tolkien eventually adapted them for

his own purposes. Discusses the

indistinguishable nature of early

folkloric references to elves and

dwarves, and how Tolkien picked

out the characteristics he wished to

use for his elves to suit the purposes

of his stories.

Drout, Michael D.C. ‚‘Beowulf: The

Monsters and the Critics’

Seventy-five Years Later.‛

Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Scholar Guest of Honor speech,

Mythcon 42. A discussion of the

continuing influence of Tolkien’s

famed Beowulf essay on its seventy-

fifth anniversary. Shows how the

essay both opened up and limited

later Beowulf scholarship, and draws

some interesting parallels with the

current state of Tolkien scholarship.

Along the way, questions the

wisdom of believing everything an

author says about his own work, and

asserts the value of familiarity with

critical history.

Downey, Sarah. ‚Cordial Dislike:

Reinventing the Celestial

Ladies of Pearl and Purgatorio

in Tolkien’s Galadriel.‛

Mythlore 29.3/4 (#113/114)

(2011): 101-117.

Considers the Celestial Lady

characters from Pearl and Purgatorio

as influences on Tolkien’s Galadriel,

in character, appearance, situation,

and allegorical significance.



E

Emerson, David. ‚Innocence as a

Super-power: Little Girls on the

Hero’s Journey.‛ 28.1/2

(#107/108) (2009): 131-147.

A study of the power of innocence,

particularly of innocent girl

characters, and how innocence

functions in their stories. Dorothy of

Oz, Lucy of Narnia, and Chihiro

from Miyazaki’s Spirited Away are

compared to discover just how their

innocence works as their greatest

strength.

F

Fisher, Jason. ‚Dwarves, Spiders,

and Murky Woods: J.R.R.

Tolkien’s Wonderful Web of

Words.‛ Mythlore 29.1/2

(#111/112) (2010): 5-15.

An engaging linguistic study of the

Mirkwood episode in Tolkien’s The

Hobbit, which the author uses as a

typical example of the depth and

interwoven complexity of the

author’s linguistic invention.

Touches on the linguistic features of

a number of real and invented words

and concepts relating to spiders,

poison, and dwarves.

Foster, Mike. ‚‘That Most Unselfish

Man’: George Sayer, 1914-2005:

Pupil, Biographer, and Friend

of Inklings.‛ 26.3/4 (#101/102)

(2008): 5-26.

An appreciation of Inkling George

Sayer, author of Jack: C.S. Lewis and

His Times, widely regarded as one of

the best biographies of Lewis to date.

The author includes personal

reminiscences of his friendship with

Sayer, as well as of Sayer’s

friendships with Tolkien and Lewis.

G

Gorman, Anita G. and Leslie

Robertson Mateer. ‚Amanda

McKittrick Ros and the

Inklings.‛ 28.1/2 (#107/108)

(2009): 77-85.

On the connection between Amanda

McKittrick Ros, frequently hailed as

one of the worst writers to ever set

pen to paper, and the Inklings, who

would compete to see who could

read aloud from her oeuvre the

longest with a straight face.

Considers Ros’s lasting appeal and

the peculiarity of her genius.

Grybauskas, Peter. ‚Dialogic War:

From The Battle of Maldon to

the War of the Ring.‛ Mythlore

29.3/4 (#113/114) (2011): 37-56.

Examines Tolkien’s ability to hold

two conflicting ways of thinking in

creative tension, representing them

through equally sympathetic

characters each fairly having their

own say, as he does in ‚The

Homecoming of Beorhtnoth

Beorhthelm’s Son.‛ Grybauskas finds

a parallel to this in the way The Battle

of Maldon balances its praise of

Northern courage with its censure of

the Earl of Maldon’s ofermod.

H

Hade, Daniel. See Oziewicz, Marek.

Hallam, Andrew. ‚Thresholds to

Middle-earth: Allegories of

Reading, Allegories for

Knowledge and

Transformation.‛ Mythlore

30.1/2 (#115/116) (2011): 23-42

Alexei Kondratiev Student

Presentation Award, Mythcon 42.

Begins by strongly questioning

Tolkien’s own assertions about

allegory, and draws on a wide range

of theory and scholarship to show

the subtle operation of a deep

pattern of allegory in The Hobbit and

The Lord of the Rings centered around

imagery of readers and reading,

thresholds and journeys.

Hammond, Wayne G. and Christina

Scull. ‚In Memoriam: Pauline

Baynes.‛ 27.1/2 (#103/104) (2008):

5-6.

A brief appreciation of artist Pauline

Baynes’s life and work, particularly

her illustrations for the works of

Tolkien and Lewis, with

reminiscences of the authors’

friendship with her.

Harris, Jason Marc. ‚Perilous

Shores: The Unfathomable

Supernaturalism of Water in

19th-Century Scottish Folklore.‛

28.1/2 (#107/108) (2009): 5-25.

Discusses the origin and significance

of water superstitions and the varied

array of water creatures in 19th-

century Scottish folklore; compares

these folkloric elements to similar

stories from Norway to Benin to

ancient Greece.

Hawkins, Emma. ‚Tolkien and

Dogs, Just Dogs: In Metaphor

and Simile.‛ 27.3/4

(#105/106)(2009): 143-157.

Examines dogs in Tolkien’s fiction;

not just the actual dogs that appear

in a wide range of his works, but

also the use of dog-imagery in

simile, metaphor, and character

description, particularly the complex

pattern of references and allusions

Tolkien uses in the depictions of

Sam, Gollum, and Wormtongue.

Hawkins, Emma B. ‚Tolkien’s

Linguistic Application of the

Seventh Deadly Sin: Lust.‛

26.3/4 (#101/102) (2008): 29-40.

A look at how Tolkien developed the

concept of the sin of lust in Middle-

earth, giving it his own unique but

linguistically-based interpretation as

an intensifier of other sins, rather

than using it in its more common,

purely sexual, modern

interpretation.

Higgins, Sørina. ‚Is a ‘Christian’

Mystery Story Possible?

Charles Williams’s War in

Heaven as a Generic Case

Study.‛ Mythlore 30.1/2

(#115/116) (2011): 77-90.

Examines War in Heaven’s radical

upsetting of the detective novel

norms promised in its first few

paragraphs and shows how Williams

uses and subverts these conventions

and leads us to contemplate, instead

of a mystery and its solution, an

insoluble Mystery with a capital M.



Himes, Jonathan B. ‚A Matter of

Time: C.S. Lewis’s Dark Tower

Manuscript and Composition

Process.‛ Mythlore 29.3/4

(#113/114) (2011): 25-35.

Explores Lewis’s writing process in

the unfinished The Dark Tower,

leading us through his examination

of the manuscript and explaining his

conclusions about the order of

composition and Lewis’s writing

methods.

Hood, Gwenyth. ‚Heroic Orual and

the Tasks of Psyche.‛ 27.3/4

(#105-106)(2009): 43-82.

An in-depth exploration of Lewis’s

Till We Have Faces, his retelling of the

myth of Psyche and Cupid from the

viewpoint of one of Psyche’s sisters,

Orual. Taking as her key the god’s

admonition to Orual after she forces

her sister to disobey him, ‚You also

shall be Psyche,‛ Hood examines

Orual’s transformations of herself

and her society and the nature and

meaning of the tasks she

symbolically shares with her sister.

An appendix details similarities and

differences between the classical

Latin sources and Lewis’s version.

J

Johnson, Brent D. ‚Éowyn’s Grief.‛

27.3/4 (#105/106)(2009): 117-127.

Adds to the scholarly dialogue on

Tolkien’s depiction of war-related

mental trauma by examining Éowyn

not as an example of post-traumatic

stress disorder, but as a character

suffering from, and beginning to

recover from, traumatic grief.

Emphasizes the role of Faramir as

counselor and healer. Johnson’s

experience as a military chaplain

gives added strength to his

observations.

K

Kane, Doug C. ‚Reconstructing

Arda: Of Fëanor and the

Unchaining of Melkor.‛ 27.1/2

(#103/104) (2008): 9-19.

Discusses Tolkien’s Silmarillion and

how it was constructed from the

materials later published in the

twelve-volume History of Middle-

earth, in particular the version of ‚Of

Fëanor and the Unchaining of

Melkor‛ in the published Silmarillion

compared with the source material

given in Morgoth’s Ring. The author

finds intriguing patterns in what

Christopher Tolkien used and did

not use from the original material.

Kelly, A. Keith and Michael

Livingston. ‚‘A Far Green

Country’: Tolkien, Paradise, and

the End of All Things in

Medieval Literature.‛ 27.3/4

(#105/106)(2009): 83-102.

Attempts to explain exactly what

Frodo goes to when he sails from the

Grey Havens. By looking at paradise,

purgatory, and earthly Edens in

medieval literature and theology, we

gain a better understanding of the

spiritual purpose of Tolkien’s ‚far

green country‛ beyond the bent

paths of the world. References

‚Pearl,‛ ‚Sir Orfeo,‛ mystery play

cycles, and Sir John Mandeville’s

Travels, among other sources.

King, Don W. ‚Into the Lion’s Den:

Joy Davidman and Metro-

Goldwyn-Mayer.‛ Mythlore

30.1/2 (#115/116) (2011): 91-106.

Looks at Davidman’s involvement

with Hollywood—her short and

unlamented stint in the Metro-

Goldwyn-Mayer Junior Writer

Program in 1939, and her movie

reviews for the Communist Party of

the USA newspaper, New Masses, in

1941-43. Davidman’s incisive wit,

impatience with any hint of

phoniness, and passion for social,

racial, and gender justice come

through clearly in her writing.

Kinniburgh, Annie. ‚The Noldor

and the Tuatha Dé Danaan:

J.R.R. Tolkien’s Irish

Influences.‛ 28.1/2 (#107/108)

(2009): 27-44.

Shows what use Tolkien made of

some elements of Celtic folklore by

tracing similarities between Tolkien’s

Noldor and the Irish Tuatha Dé

Danaan, demonstrating that his

Elves owe at least as much to this

heritage as to the Norse álfar.

Kisor, Yvette. ‚Totemic Reflexes in

Tolkien’s Middle-earth.‛

Mythlore 28.3/4 (#109/110)

(2010): 129-140.

A close look at Tolkien’s

incorporation of traces of shamanism

and totemism in his depiction of

Gandalf and other characters; yet

another indication of how Tolkien

created historical depth in his tales

by reproducing the way traces of

early mythic and religious themes

survive in later tales and folklore.

Koubenec, Noah. ‚The Precious and

the Pearl: The Influence of

Pearl on the Nature of the One

Ring.‛ Mythlore 29.3/4

(#113/114) (2011): 119-131.

Examines some roots of Tolkien’s

One Ring in Pearl’s themes and

motifs, characters, and allegorical

functions.

L

Livingston, Michael. ‚The Myths of

the Author: Tolkien and the

Medieval Origins of the Word

Hobbit.‛ Mythlore 30.3/4

(#117/118): 129-146.

Leads us on a linguistic journey into

the origins of the words hobbit and

Baggins and their surprising relations

to one another.

Livingston, Michael. See also Kelly,

A. Keith.

Long, Josh B. ‚Two Views of Faërie

in Smith of Wootton Major:

Nokes and his Cake, Smith and

his Star.‛ 26.3/4 (#101/102)

(2008): 89-100.

An analysis of Smith of Wootton

Major, showing how the cake and the

star symbolize two diametrically

opposed sets of attitudes towards

Faërie.



M

McBride, Sam. ‚The Company They

Didn’t Keep: Collaborative

Women in the Letters of C.S.

Lewis.‛ Mythlore 29.1/2

(#111/112) (2010): 69-86.

Building on the work Diana Pavlac

Glyer has done to establish a

framework and a set of terms for

understanding the collaborative

nature of the Inklings, McBride takes

us outside of their exclusively

masculine circle to look at the

women who influenced C.S. Lewis’s

writing. His study introduces us to

women who served Lewis as, in

Glyer’s terms, Resonators,

Opponents, Conductors, and so on,

from anonymous fans to well-known

names like Pitter and Sayers.

McGregor, Jamie. ‚Two Rings to

Rule Them All: A Comparative

Study of Tolkien and Wagner.‛

Mythlore 29.3/4 (#113/114)

(2011): 133-153.

A close comparison of Wagner’s

Ring Cycle and the history of the

One Ring in Tolkien’s legendarium

which goes far beyond the usual

shallow or dismissive comparison

between the two. Here we see

Tolkien, as he frequently did,

absorbing the influence of an earlier

author and responding in the form

of a correction based on his sense

that Wagner had, as Shippey put it,

‚got something very important not

quite right‛ (Road 344).

MacLeod, Jeffrey J. and Anna Smol.

‚A Single Leaf: Tolkien’s

Visual Art and Fantasy.‛ 27.1/2

(#103/104) (2008): 105-126.

A look into Tolkien’s thoughts on

creativity, not just through ‚On

Fairy-Stories‛ and ‚Leaf by Niggle,‛

as one might expect, but also

through Tolkien’s visual art. The

authors discuss and demonstrate

how MacLeod’s own art was

influenced by Tolkien’s philosophy

of sub-creation. Illustrated with six

photos, sketches, and completed

paintings by MacLeod.

Mateer, Leslie Robinson. See

Gorman, Anita G.

Melton, Brian. ‚The Great War and

Narnia: C.S. Lewis as Soldier

and Creator.‛ Mythlore 30.1/2

(#115/116) (2011): 123-142.

Looks at the influence of World War

I in Lewis’s autobiography and on

war in Narnia, correcting what the

author sees as a mistaken search for

deep-seated war trauma in Lewis’s

life by some recent critics. Reinforces

the fact that Lewis and Tolkien were

not psychological twins, had

differing personalities going into the

war, and came out of it with different

approaches to dealing with the war

in their fiction. The Chronicles being

children’s books, Lewis operated

under certain self-imposed

restrictions in writing them, and yet

managed to convey some realistic

lessons about war learned through

his own harrowing experiences.

Milburn, Michael. ‚Art According

to Romantic Theology: Charles

Williams’s Analysis of Dante

Reapplied to J.R.R. Tolkien’s

‘Leaf by Niggle.’‛ Mythlore

29.3/4 (#113/114) (2011): 57-75.

Provides a grounding in Charles

Williams’s ‚romantic theology,‛

which was heavily indebted to his

reading of Dante, and the

application of romantic theology to

art, which Milburn demonstrates by

examining Tolkien’s ‚Leaf by

Niggle‛ through this lens. Winner of

the Alexei Kondratiev Award at

Mythcon 41.

Miller, Jennifer L. ‚No Sex in

Narnia? How Hans Christian

Andersen’s ‚Snow Queen‛

Problematizes C.S. Lewis’s The

Chronicles of Narnia.‛ 28.1/2

(#107/108) (2009): 113-130.

The author speculates that echoes of

Hans Christian Andersen’s ‚Snow

Queen‛ inevitably (for readers

familiar with the tale) bring a tinge

of sexuality to encounters with the

White Witch of Narnia. In this way

Lewis’s deliberately sexless tales

become, for some characters, an

exploration of dealing with the pull

towards maturity. Touches on

responses to Narnia by Pullman and

Gaiman.

Miller, T.S. ‚Myth-Remaking in the

Shadow of Vergil: The

Captive(-ated) Voice of Ursula

K. Le Guin’s Lavinia.‛ Mythlore

29.1/2 (#111/112) (2010): 29-50.

A reading of Ursula K. Le Guin’s

not-exactly-historical novel Lavinia,

which combines Le Guin’s typical

thematic interest in the feminine

voice and experience with

postmodern and existential concerns

about authorship, textuality, and the

collaboration between author and

reader (and author and character)—

resulting, as always with Le Guin, in

something rich, deep, and difficult to

classify. Explores how Le Guin

adapted the original sources to

create a novel from the female

character’s point of view.

Miller, T.S. ‚The Pearl Maiden’s

Psyche: The Middle English

Pearl and the Allegorical-

Visionary Impulse in Till We

Have Faces.‛ Mythlore 30.1/2

(#115/116) (2011): 43-76.

Lewis’s firm assertion that Till We

Have Faces is not the least bit

allegorical is challenged through its

parallels in plot and theme with the

highly allegorical Middle English

Pearl. The deep allegorical structures

in both revolve around seeing truly

and falsely, and blindness both

intentional and ignorant.

Mitchell, Christopher W. ‚Selected

Sayer Holdings at the Wade

Center.‛ 26.3/4 (#101/102) (2008):

27.

A bibliography of selected items by

George Sayer held at the Wade

Center library at Wheaton College,

Illinois; not exhaustive.

Mitchell, Jesse. ‚Master of Doom

by Doom Mastered: Heroism,

Fate, and Death in The Children

of Húrin.‛ Mythlore 29.1/2

(#111/112) (2010): 87-114.

This extensive study of Túrin

Turambar uses two frameworks to

examine his character and story: that

of the Byronic Hero (with a side

glance at the Gothic Villain in order

to differentiate the two), and that of

the Absurd Hero, exemplified by

Camus’s Sisyphus.



N

Nelson, Marie. ‚‘The Homecoming

of Beorhtnoth Beorhthelm’s

Son’: J.R.R. Tolkien’s Sequel to

‘The Battle of Maldon.’‛ 26.3/4

(#101/102) (2008): 65-87.

Considers the application of speech

act theory to Tolkien’s ‚The

Homecoming of Beorhtnoth

Beorhthelm’s Son‛ and its source,

‚The Battle of Maldon,‛ and how

different speech acts propel the

action of each story.

Nelson, Marie. ‚J.R.R. Tolkien’s

‘Leaf by Niggle’: An Allegory in

Transformation.‛ Mythlore

28.3/4 (#109/110) (2010): 5-19.

Nelson demonstrates that Tolkien’s

allegorical short story, ‚Leaf by

Niggle,‛ owes a great debt to the

medieval play Everyman as its

primary spiritual ancestor, and

discusses the changes Tolkien makes

to its message in the light of concepts

he developed in ‚On Fairy-Stories,‛

along the way touching on the

differences between works meant for

performance and silent reading.

Nelson, Marie. ‚Time and J.R.R.

Tolkien’s ‘Riddles in the

Dark.’‚ 27.1/2 (#103/104) (2008):

67-82.

A close reading of the two riddle

games in Tolkien’s Hobbit—the first

between Bilbo and Gollum, and the

second a three-sided game where

both Smaug and the reader try to

decode Bilbo’s riddling self-

references. Discusses ‚priming‛ in

riddling, how riddles work as a

speech act, and the sources of the

riddles used in these games. Includes

a translation of Bilbo’s riddles to

Smaug into Old English.

O

Oziewicz, Marek. ‚Christian,

Norse, and Celtic: Metaphysical

Belief Structures in Nancy

Farmer’s The Saxon Saga.‛

Mythlore 30.1/2 (#115/116)

(2011): 107-121.

Introduces a young adult historical-

fantasy trilogy, The Saxon Saga by

Nancy Farmer, and elucidates the

value of its multicultural approach in

our distrustful and fragmented age.

The respectful representation of

three conflicting cultures in the

novels—Christian, Norse, and

Celtic—demonstrates to young

readers that people may hold vastly

different metaphysical views and yet

may have many core values in

common, enough to forge a

relationship of mutual trust.

Oziewicz, Marek and Daniel Hade.

‚The Marriage of Heaven and

Hell? Philip Pullman, C.S.

Lewis, and the Fantasy

Tradition.‛ Mythlore 28.3/4

(#109/110) (2010): 39-54.

This paper closely scrutinizes Philip

Pullman’s frequent denials of his

quite obvious debt to C.S. Lewis,

finding the hidden nuances in

Pullman’s statements by separating

out his responses to Lewis as a

reader, author, and critic. The

inescapable conclusion is that not

only is Pullman writing classic

fantasy, he is in very close agreement

with Lewis on many points as a

reader and critic.

P

Pendergast, John. ‚Six Characters in

Search of Shakespeare: Neil

Gaiman’s Sandman and

Shakespearian Mythos.‛ 26.3/4

(#101/102) (2008): 185-197.

Looks at episodes from Neil

Gaiman’s Sandman comics dealing

with two of Shakespeare’s most

fantastic plays, A Midsummer Night’s

Dream and The Tempest.

R

Rawls, Melanie A. ‚Witches, Wives

and Dragons: The Evolution of

the Women in Ursula K. Le

Guin’s Earthsea—An

Overview.‛ 26.3/4 (#101/102)

(2008): 129-149.

A survey of the evolution of women

in Ursula K. Le Guin’s Earthsea

series, examining how the author

reassessed her depiction of gender in

the earlier books and deliberately

changed her viewpoint in the later

books.

Reiter, Geoffrey. ‚‘Two Sides of the

Same Magic’: The Dialectic of

Mortality and Immortality in

Peter S. Beagle’s The Last

Unicorn.‛ 27.3/4

(#105/106)(2009): 103-116.

Looks at the subtle balance of

mortality and immortality in this

story and how Beagle resolves their

opposition though what his

characters learn (or don’t learn) from

experiencing both states of being.

Considers not just the novel but the

sequel short story ‚Two Hearts‛ and

Beagle’s script for the movie of The

Last Unicorn.

Riga, Frank P. ‚Gandalf and

Merlin: J.R.R. Tolkien’s

Adoption and Transformation

of a Literary Tradition.‛ 27.1/2

(#103/104) (2008): 21-44.

Concerns the roots of the wizard

Gandalf’s character in the legendary

figure of Merlin, tracing Merlin’s

development through a variety of

English and continental literature up

through the twentieth century, and

showing how various authors,

including Tolkien, interpreted and

adapted the wizard for their

purposes.

Riga, Frank P. ‚Rethinking

Shylock’s Tragedy: Radford’s

Critique of Anti-Semitism in

The Merchant of Venice.‛

Mythlore 28.3/4 (#109/110)

(2010): 107-127.

Shakespeare’s The Merchant of Venice

is not usually thought of as one of

his more mythically resonant plays

(aside from the Belmont casket

scene), yet it is ultimately based on

prevailing contemporary Christian

myths about the Jews and the way

these myths defined Christians’

beliefs about themselves. This paper

examines film director Michael

Radford’s masterful use of myths

and symbolism in his production of

this play. Includes a reproduction of



a painting which Radford duplicates

in the final scene of the film,

resolving the multiple themes of the

play.

Ruud, Jay. ‚The Voice of Saruman:

Wizards and Rhetoric in The

Two Towers.‛ Mythlore 28.3/4

(#109/110) (2010): 141-153.

Examines a particular aspect of

Tolkien’s wizards—their skill in the

art of rhetoric. Provides a useful

exercise in recognizing fallacious

reasoning in persuasive speech by

defining and demonstrating classical

rhetorical methods employed by

Saruman and Gandalf.

S Scull, Christina. See Hammond,

Wayne G.

Shaham, Inbar. ‚Ancient Myths in

Contemporary Cinema:

Oedipus Rex and Perceval the

Knight of the Holy Grail in

Pulp Fiction and The Sixth

Sense.‛ 28.1/2 (#107/108) (2009):

87-101.

A study of two contrasting myths of

fathers and sons—the stories of

Oedipus and Percival, which Claude

Lévi-Strauss saw as in many ways

inverse images of each other—in a

number of contemporary films,

focusing most closely on Pulp Fiction

and The Sixth Sense.

Smol, Anna. See MacLeod, Jeffrey J.

Stoddard, William H. ‚Simbelmynë:

Mortality and Memory in


(#111/112) (2010): 151-160.

An elegiac contemplation of the

function of memory in Tolkien’s

Middle-earth, and the way the

complex intersection of memory,

loss, immortality, consolation, and

creativity is made flesh in Tolkien’s

depictions of the races of Elves and

Men and their interactions.

T

Tally, Robert T., Jr. ‚Let Us Now

Praise Famous Orcs: Simple

Humanity in Tolkien’s

Inhuman Creatures.‛ Mythlore

29.1/2 (#111/112) (2010):17-28.

A careful study of ‚the orcish

question,‛ in which the author

investigates their behavior,

conversations, and interactions with

other races in order to propose some

challenging conclusions about

racism, souls, and Tolkien’s purpose

in creating orcs the way he did.

Tally, Robert T., Jr. ‚Stalin’s Orcs

[Letter].‛ Mythlore 29.3/4

(#113/114) (2011): 171-172.

Following up on his article in

Mythlore 29.1/2, the author

summarizes a recent discovery that

Josef Stalin once attempted to create

a superior species of warrior by

cross-breeding humans and apes.

Taylor, Taryne Jade. ‚Investigating

the Role and Origin of

Goldberry in Tolkien’s

Mythology.‛ 27.1/2 (#103/104)

(2008): 147-156.

Leads us to Goldberry through

possible sources in classical and

Celtic legend, and emphasizes her

role in awakening the hobbits to the

sustaining beauty of the world.

Considers Goldberry as an Eve-like

figure.

V

Veach, Grace L. ‚What the Spirit

Knows: Charles Williams and

Kenneth Burke.‛ 26.3/4

(#101/102) (2008): 117-128.

Explores parallels between the

philosophy of Kenneth Burke and

the poetry of Charles Williams.

Vincent, Alana. ‚Putting Away

Childish Things: Incidents of

Recovery in Tolkien and

Haddon.‛ 26.3/4 (#101/102)

(2008): 101-116.

Applies the concept of Recovery

from Tolkien’s ‚On Fairy-Stories‛ to

an unusual subject—Mark Haddon’s

The Curious Incident of the Dog in the

Night-Time, a novel about a young

boy with Asperger ’s Syndrome.

W

Waito, David M. ‚The Shire Quest:

The ‘Scouring of the Shire’ as

the Narrative and Thematic

Focus of The Lord of the Rings.‛

Mythlore 28.3/4 (#109/110)

(2010): 155-177.

Urges us to take a step back from the

well-known and thoroughly

examined Ring Quest in The Lord of

the Rings and consider its frame, the

beginning and ending chapters set in

the Shire, as representing an

important framing Quest in their

own right. The ‘Shire Quest’ is

ultimately seen as the real focus of

the book, with the ‘Ring Quest’

providing the necessary maturing

experiences that allow the hobbits to

succeed in reclaiming their

homeland.

Whitaker, Lynn. ‚Corrupting

Beauty: Rape Narrative in The

Silmarillion.‛ Mythlore 29.1/2

(#111/112) (2010): 51-68.

Describes the themes and traditions

Tolkien was drawing on as a

storyteller in the tales of Aredhel and

Lúthien, but more importantly,

examines the theological

implications suggested by his

depictions of the women in these

stories and how these ‚rape

narratives‛ serve to underscore the

sacredness of the created world in

Tolkien’s legendarium.

Whitt, Richard J. ‚Germanic Fate

and Doom in J.R.R. Tolkien’s

The Silmarillion.‛ Mythlore

29.1/2 (#111/112) (2010): 115-129.

The roots of Tolkien’s concepts in

early Germanic understandings of

the ideas of fate and doom are the

subject of Richard J. Whitt’s essay.

His examination of how these

initially pagan notions were

subsumed into the Christian idea of

divine providence, and most notably

blended together in the Old English

Beowulf and Old Saxon Heliand,

provide us with a basis for



understanding how even the Valar

are subject to time and the fate

decreed by Ilúvatar.

Wilkerson, Ginna. ‚So Far From the

Shire: Psychological Distance

and Isolation in The Lord of the

Rings.‛ 27.1/2 (#103/104) (2008):

83-91.

Considers Frodo’s psychological

isolation in The Lord of the Rings and

offers a different perspective on

Frodo and post-traumatic stress

syndrome, looking more closely at

what was happening to him during

his quest rather than after and using

our current understanding of the

dynamics of domestic abuse to

provide a framework for

understanding his experiences and

reactions.

Y

Young, Joe. ‚Aphrodite on the

Home Front: E.R. Eddison and

World War II.‛ Mythlore 30.3/4

(#117/118): 71-88.

The centrality of service to the

goddess of love in E.R. Eddison’s

conceptions of heroism and the

properly lived life is the focus of this

study of the Zimiamvia trilogy.

Eddison considered his work an

important response to World War II

and a call for a more meaningful

type of courage and way of living

both during and after the war.



Article Index by Title Abbreviated author information

Titles in boldface

‚Amanda McKittrick Ros and the

Inklings.‛ Gorman, A.G. and

L.R. Mateer. 28.1/2 (#107/108)

(2009): 77-85.

‚Ancient Myths in Contemporary

Cinema: Oedipus Rex and

Perceval the Knight of the Holy

Grail in Pulp Fiction and The

Sixth Sense.‛ Shaham, I. 28.1/2

(#107/108) (2009): 87-101.

‚Aphrodite on the Home Front: E.R.

Eddison and World War II.‛

Young, J. Mythlore 30.3/4

(#117/118): 71-88.

‚Art According to Romantic

Theology: Charles Williams’s

Analysis of Dante Reapplied to

J.R.R. Tolkien’s ‘Leaf by

Niggle.’‛ Milburn, M. Mythlore

29.3/4 (#113/114) (2011): 57-75.

‚‘Beowulf: The Monsters and the

Critics’ Seventy-five Years

Later.‛

Drout, M.D.C. Mythlore 30.1/2

(#115/116) (2011): 5-22.

‚A Bibliography of Glen

GoodKnight’s Articles,

Reviews, and Major Editorials

in Mythlore.‛ Croft, J.B. Mythlore

29.3/4 (#113/114) (2011): 5-10.

‚The Blade Against the Burden:

The Iconography of the Sword

in The Lord of the Rings.‛

Brisbois, M.J. 27.1/2 (#103/104)

(2008): 93-103.

‚Christian, Norse, and Celtic:

Metaphysical Belief Structures

in Nancy Farmer’s The Saxon

Saga.‛ Oziewicz, M. Mythlore

30.1/2 (#115/116) (2011): 107-121.

‚The Christian Parody in Sara

Paretsky’s Ghost Country.‛

Christopher, J.R. 26.3/4

(#101/102) (2008): 165-184.

‚The Company They Didn’t Keep:

Collaborative Women in the

Letters of C.S. Lewis.‛ McBride,

S. Mythlore 29.1/2 (#111/112)

(2010): 69-86.

‚Cordial Dislike: Reinventing the

Celestial Ladies of Pearl and

Purgatorio in Tolkien’s

Galadriel.‛ Downey, S. Mythlore

29.3/4 (#113/114) (2011): 101-117.

‚Corrupting Beauty: Rape Narrative

in The Silmarillion.‛ Whitaker,

L. Mythlore 29.1/2 (#111/112)

(2010): 51-68.

‚The Dantean Structure of The

Great Divorce.‛ Christopher, J.R.

Mythlore 29.3/4 (#113/114) (2011):

77-99.

‚Dialogic War: From The Battle of

Maldon to the War of the Ring.‛

Grybauskas, P. Mythlore 29.3/4

(#113/114) (2011): 37-56.

‚Dragons and Serpents in J.K.

Rowling’s Harry Potter Series:

Are They Evil?‛ Berman, L.

27.1/2 (#103/104) (2008): 45-65.

‚’Dwarves are Not Heroes’:

Antisemitism and the Dwarves

in J.R.R. Tolkien’s Writings.‛

Brackmann, R. Mythlore 28.3/4

(#109/110) (2010): 85-106.

‚Dwarves, Spiders, and Murky

Woods: J.R.R. Tolkien’s

Wonderful Web of Words.‛

Fisher, J. Mythlore 29.1/2

(#111/112) (2010): 5-15.

‚The Education of a Witch: Tiffany

Aching, Hermione Granger, and

Gendered Magic in Discworld

and Potterworld.‛ Croft, J.B.

27.3/4 (#105/106)(2009): 129-142.

‚Éowyn’s Grief.‛ Johnson, Brent D.

27.3/4 (#105/106)(2009): 117-127.

‚Fair Lady Goldberry, Daughter of

the River.‛ Basso, A.M. 27.1/2

(#103/104) (2008): 137-146.

‚Fairy and Elves in Tolkien and

Traditional Literature.‛ de

Rosario Martínez, H. Mythlore

28.3/4 (#109/110) (2010): 65-84.

‚The Fall of Gondor and the Fall of

Troy: Tolkien and Book II of

The Aeneid.‛ Bruce, A.M.

Mythlore 30.3/4 (#117/118): 103-

115.

‚‘A Far Green Country’: Tolkien,

Paradise, and the End of All

Things in Medieval Literature.‛

Kelly, A.K. and M. Livingston.

27.3/4 (#105/106)(2009): 83-102.

‚Faramir and the Heroic Ideal of

the Twentieth Century: Or, How

Aragorn Died at the Somme.‛

Carter, S.B. Mythlore 30.3/4

(#117/118): 89-102.

‚A Footnote to Tales Before Narnia

[Letter]‛ Anderson, D.A.

Mythlore 29.1/2 (#111/112) (2010):

161-162.

‚From Despoina to Δ.‛ Christopher,

J.R. Mythlore 30.3/4 (#117/118):

27-54.

‚Gandalf and Merlin: J.R.R.

Tolkien’s Adoption and

Transformation of a Literary

Tradition.‛ Riga, F.P. 27.1/2

(#103/104) (2008): 21-44.

‚Germanic Fate and Doom in J.R.R.

Tolkien’s The Silmarillion.‛

Whitt, R.J. Mythlore 29.1/2

(#111/112) (2010): 115-129.

‚The Great War and Narnia: C.S.

Lewis as Soldier and Creator.‛

Melton, B. Mythlore 30.1/2

(#115/116) (2011): 123-142.



‚The Heart of the Labyrinth:

Reading Jim Henson’s

Labyrinth as a Modern Dream

Vision.‛ Carroll, S. 28.1/2

(#107/108) (2009): 103-112.

‚Heroic Orual and the Tasks of

Psyche.‛ Hood, G. 27.3/4 (#105-

106)(2009): 43-82.

‚‘The Homecoming of Beorhtnoth

Beorhthelm’s Son’: J.R.R.

Tolkien’s Sequel to ‘The Battle

of Maldon.’‛ Nelson, M. 26.3/4

(#101/102) (2008): 65-87.

‚In Memoriam: Pauline Baynes.‛

Hammond, W.G. and C. Scull.

27.1/2 (#103/104) (2008): 5-6.

‚Innocence as a Super-power: Little

Girls on the Hero’s Journey.‛

Emerson, D. 28.1/2 (#107/108)

(2009): 131-147.

‚Into the Lion’s Den: Joy Davidman

and Metro-Goldwyn-Mayer.‛

King, D.W. Mythlore 30.1/2

(#115/116) (2011): 91-106.

‚Investigating the Role and Origin

of Goldberry in Tolkien’s

Mythology.‛ Taylor, T.J. 27.1/2

(#103/104) (2008): 147-156.

‚Is a ‘Christian’ Mystery Story

Possible? Charles Williams’s

War in Heaven as a Generic

Case Study.‛ Higgins, S.

Mythlore 30.1/2 (#115/116) (2011):

77-90.

‚J.R.R. Tolkien’s ‘Leaf by Niggle’:

An Allegory in

Transformation.‛ Nelson, M.

Mythlore 28.3/4 (#109/110) (2010):

5-19.

‚Let Us Now Praise Famous Orcs:

Simple Humanity in Tolkien’s

Inhuman Creatures.‛ Tally, R.T.,

Jr. Mythlore 29.1/2 (#111/112)

(2010):17-28.

“The Lord of the Rings’ Interlace:

The Adaptation to Film.‛ Auger,

E.E. Mythlore 30.1/2 (#115/116)

(2011): 143-162.

‚The Marriage of Heaven and Hell?

Philip Pullman, C.S. Lewis, and

the Fantasy Tradition.‛

Oziewicz, M. and D. Hade.

Mythlore 28.3/4 (#109/110) (2010):

39-54.

‚Master of Doom by Doom

Mastered: Heroism, Fate, and

Death in The Children of Húrin.‛

Mitchell, J. Mythlore 29.1/2

(#111/112) (2010): 87-114.

‚A Matter of Time: C.S. Lewis’s

Dark Tower Manuscript and

Composition Process.‛ Himes,

J.B. Mythlore 29.3/4 (#113/114)

(2011): 25-35.

‚’The Meteorite’ and the

Importance of Context.‛

Christopher, J.R. Mythlore 28.3/4

(#109/110) (2010): 55-64.

‚Myth-Remaking in the Shadow of

Vergil: The Captive(-ated)

Voice of Ursula K. Le Guin’s

Lavinia.‛ Miller, T.S. Mythlore

29.1/2 (#111/112) (2010): 29-50.

‚The Myths of the Author: Tolkien

and the Medieval Origins of the

Word Hobbit.‛ Livingston, M.

Mythlore 30.3/4 (#117/118): 129-

146.

“Naming the Evil One: Onomastic

Strategies in Tolkien and

Rowling.‛ Croft, J.B. 28.1/2

(#107/108) (2009): 149-163.

‚Narrative Dualism in C.S. Lewis’s

That Hideous Strength.‛ Bullard,

S.H. Mythlore 29.3/4 (#113/114)

(2011): 11-24.

‚Nice, Good, or Right: Faces of the

Wise Woman in Terry

Pratchett’s ‘Witches’ Novels.‛

Croft, J.B. 26.3/4 (#101/102)

(2008): 151-164.

‚No Sex in Narnia? How Hans

Christian Andersen’s ‘Snow

Queen’ Problematizes C.S.

Lewis’s The Chronicles of

Narnia.‛ Miller, J.L. 28.1/2

(#107/108) (2009): 113-130.

‚The Noldor and the Tuatha Dé

Danaan: J.R.R. Tolkien’s Irish

Influences.‛ Kinniburgh, A.

28.1/2 (#107/108) (2009): 27-44.

‚The Non-Dead in John Dickson

Carr’s The Burning Court.‛


(#103/104) (2008): 127-136

‚The Origins of Dwarves [Letter].‛

Berube, P.H. Mythlore 29.1/2

(#111/112) (2010): 163-164.

‚Pauline Baynes in Mythlore.‛

Croft, J.B. and E. Crowe. 27.1/2

(#103/104) (2008): 7-8

‚The Pearl Maiden’s Psyche: The

Middle English Pearl and the

Allegorical-Visionary Impulse

in Till We Have Faces.‛ Miller,

T.S. Mythlore 30.1/2 (#115/116)

(2011): 43-76.

‚Perilous Shores: The

Unfathomable Supernaturalism

of Water in 19th-Century

Scottish Folklore.‛ Harris, J.M.

28.1/2 (#107/108) (2009): 5-25.

‚Phantastical Regress: The Return

of Desire and Deed in

Phantastes and The Pilgrim’s

Regress.‛ Bilbro, J. Mythlore

28.3/4 (#109/110) (2010): 21-37.

‚The Precious and the Pearl: The

Influence of Pearl on the Nature

of the One Ring.‛ Koubenec, N.

Mythlore 29.3/4 (#113/114) (2011):

119-131.

‚Psyche in New York: The Devil

Wears Prada Updates the

Myth.‛ Croft, J.B. Mythlore 30.3/4

(#117/118): 55-69.

‚Putting Away Childish Things:

Incidents of Recovery in

Tolkien and Haddon.‛ Vincent,

A. 26.3/4 (#101/102) (2008): 101-

116.

‚Reconstructing Arda: Of Fëanor

and the Unchaining of Melkor.‛

Kane, D.C. 27.1/2 (#103/104)

(2008): 9-19.



‚Rethinking Shylock’s Tragedy:

Radford’s Critique of Anti-

Semitism in The Merchant of

Venice.‛ Riga, F.P. Mythlore

28.3/4 (#109/110) (2010): 107-127.

‚The Road of Our Senses: Search

for Personal Meaning and the

Limitations of Myth in Neil

Gaiman’s American Gods.‛

Blomqvist, R. Mythlore 30.3/4

(#117/118): 5-26.

‚Selected Sayer Holdings at the

Wade Center.‛ Mitchell, C.W.

26.3/4 (#101/102) (2008): 27.

‚The Shire Quest: The ‘Scouring of

the Shire’ as the Narrative and

Thematic Focus of The Lord of

the Rings.‛ Waito, D.M. Mythlore

28.3/4 (#109/110) (2010): 155-177.

‚Simbelmynë: Mortality and

Memory in Middle-earth.‛

Stoddard, W.H. Mythlore 29.1/2

(#111/112) (2010): 151-160.

‚A Single Leaf: Tolkien’s Visual

Art and Fantasy.‛ MacLeod, J.J.

and A. Smol. 27.1/2 (#103/104)

(2008): 105-126.

‚Six Characters in Search of

Shakespeare: Neil Gaiman’s

Sandman and Shakespearian

Mythos.‛ Pendergast, J. 26.3/4

(#101/102) (2008): 185-197.

‚So Far From the Shire:

Psychological Distance and

Isolation in The Lord of the

Rings.‛ Wilkerson, G. 27.1/2

(#103/104) (2008): 83-91.

‚Song as Mythic Conduit in The

Fellowship of the Ring.‛ Agan,

C. 26.3/4 (#101/102) (2008): 41-

63.

‚Stalin’s Orcs [Letter].‛ Tally, R.T.,

Jr. Mythlore 29.3/4 (#113/114)

(2011): 171-172.

‚‘That Most Unselfish Man’:

George Sayer, 1914-2005: Pupil,

Biographer, and Friend of

Inklings.‛ Foster, M. 26.3/4

(#101/102) (2008): 5-26.

‚The Thematic Organization of

Spirits in Bondage.‛


(#105/106) (2009): 5-41.

‚The Thread on Which Doom

Hangs: Free Will, Disobedience,

and Eucatastrophe in Tolkien’s

Middle-earth.‛ Croft, J.B.

Mythlore 29.1/2 (#111/112) (2010):

131-150.

‚Thresholds to Middle-earth:

Allegories of Reading,

Allegories for Knowledge and

Transformation.‛ Hallam, A.

Mythlore 30.1/2 (#115/116) (2011):

23-42.

‚Time and J.R.R. Tolkien’s ‘Riddles

in the Dark.’‚ Nelson, M. 27.1/2

(#103/104) (2008): 67-82.

‚Tolkien and Dogs, Just Dogs: In

Metaphor and Simile.‛

Hawkins, E. 27.3/4

(#105/106)(2009): 143-157.

‚Tolkien’s Linguistic Application of

the Seventh Deadly Sin: Lust.‛

Hawkins, E.B. 26.3/4 (#101/102)

(2008): 29-40.

‚Tolkien’s Sigurd & Gudrún:

Summary, Sources, & Analogs.‛

Berube, P.H. 28.1/2 (#107/108)

(2009): 45-76.

‚Totemic Reflexes in Tolkien’s

Middle-earth.‛ Kisor, Y.

Mythlore 28.3/4 (#109/110) (2010):

129-140.

‚Túrin and Aragorn: Embracing

and Evading Fate.‛ Croft, J.B.

Mythlore 29.3/4 (#113/114) (2011):

155-170.

‚Two Rings to Rule Them All: A

Comparative Study of Tolkien

and Wagner.‛ McGregor, J.

Mythlore 29.3/4 (#113/114) (2011):

133-153.

‚‘Two Sides of the Same Magic’:

The Dialectic of Mortality and

Immortality in Peter S. Beagle’s

The Last Unicorn.‛ Reiter, G.

27.3/4 (#105/106)(2009): 103-116.

‚Two Views of Faërie in Smith of

Wootton Major: Nokes and his

Cake, Smith and his Star.‛

Long, J.B. 26.3/4 (#101/102)

(2008): 89-100.

‚The Voice of Saruman: Wizards

and Rhetoric in The Two

Towers.‛ Ruud, J. Mythlore 28.3/4

(#109/110) (2010): 141-153.

‚Watchful Dragons and Sinewy

Gnomes: C.S. Lewis’s Use of

Modern Fairy Tales.‛ Berman,

R. Mythlore 30.3/4 (#117/118):

117-127.

‚What the Spirit Knows: Charles

Williams and Kenneth Burke.‛

Veach, G.L. 26.3/4 (#101/102)

(2008): 117-128.

‚Witches, Wives and Dragons: The

Evolution of the Women in

Ursula K. Le Guin’s Earthsea—

An Overview.‛ Rawls, M.A.

26.3/4 (#101/102) (2008): 129-149.

Mythlore Index supplement issue 101/102 through 115/116 15

Article Index by Subject Sorted by subject, then author

Subject headings in boldface

Abbreviated author information; see Author Index for full information

A

Afterlife in J.R.R. Tolkien

Kelly, A. K. and M. Livingston. ‚‘A Far

Green Country’: Tolkien, Paradise,

and the End of All Things in


(#105/106)(2009): 83-102.

Allegory in C.S. Lewis

Bilbro, J. ‚Phantastical Regress: The

Return of Desire and Deed in

Phantastes and The Pilgrim’s Regress.‛

Mythlore 28.3/4 (#109/110) (2010): 21-

37.

Miller, T.S. ‚The Pearl Maiden’s Psyche:

The Middle English Pearl and the

Allegorical-Visionary Impulse in Till

We Have Faces.‛ Mythlore 30.1/2

(#115/116) (2011): 43-76.

Allegory in Pearl





(#115/116) (2011): 43-76

Allegory in J.R.R. Tolkien

Hallam, A. ‚Thresholds to Middle-earth:

Allegories of Reading, Allegories for

Knowledge and Transformation.‛

Mythlore 30.1/2 (#115/116) (2011): 23-

42.

Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by

Niggle’: An Allegory in

Transformation.‛ Mythlore 28.3/4

(#109/110) (2010): 5-19.

Andersen, Hans Christian. ‚The Snow

Queen‛

Miller, J.L. ‚No Sex in Narnia? How Hans

Christian Andersen’s ‚Snow Queen‛

Problematizes C.S. Lewis’s The Chronicles

of Narnia.‛ 28.1/2 (#107/108) (2009): 113-

130.

Anti-Semitism

Riga, Frank P. ‚Rethinking Shylock’s

Tragedy: Radford’s Critique of Anti-


Venice.‛

Anti-Semitism in J.R.R. Tolkien

Brackmann, R. ‚’Dwarves are Not

Heroes’: Antisemitism and the

Dwarves in J.R.R. Tolkien’s

Writings.‛ Mythlore 28.3/4 (#109/110)

(2010): 85-106.

Aphrodite (mythological figure)

Young, J. ‚Aphrodite on the Home Front:

E.R. Eddison and World War II.‛

Mythlore 30.3/4 (#117/118): 71-88.

Apuleius, Lucius. ‚Cupid and Psyche‛

Hood, G. ‚Heroic Orual and the Tasks of

Psyche.‛ 27.3/4 (#105-106)(2009): 43-

82.

Arthurian myth

Riga, F.P. ‚Gandalf and Merlin: J.R.R.



Tradition.‛ 27.1/2 (#103/104) (2008):

21-44.

Authorship


Shadow of Vergil: The Captive(-

ated) Voice of Ursula K. Le Guin’s

Lavinia.‛ Mythlore 29.1/2 (#111/112)

(2010): 29-50.

B

‚The Battle of Maldon‛

Grybauskas, P. ‚Dialogic War: From The

Battle of Maldon to the War of the

Ring.‛ Mythlore 29.3/4 (#113/114)

(2011): 37-56.

Nelson, M. ‚‘The Homecoming of

Beorhtnoth Beorhthelm’s Son’: J.R.R.

Tolkien’s Sequel to ‘The Battle of

Maldon.’‛ 26.3/4 (#101/102) (2008):

65-87.

Baum, L. Frank—Characters—Dorothy

Gale

Emerson, D. ‚Innocence as a Super-

power: Little Girls on the Hero’s

Journey.‛ 28.1/2 (#107/108) (2009):

131-147.

Baynes, Pauline

Hammond, W.G. and C. Scull. ‚In

Memoriam: Pauline Baynes.‛ 27.1/2

(#103/104) (2008): 5-6.

Baynes, Pauline—Bibliography

Croft, J.B. and E. Crowe. ‚Pauline Baynes

in Mythlore.‛ 27.1/2 (#103/104) (2008):

7-8

Baynes, Pauline—Personal

reminiscences

Hammond, W.G. and C. Scull. ‚In

Memoriam: Pauline Baynes.‛ 27.1/2

(#103/104) (2008): 5-6.

Baynes, Pauline—Relation to C.S.

Lewis

McBride, S. ‚The Company They Didn’t

Keep: Collaborative Women in the

Letters of C.S. Lewis.‛ Mythlore

29.1/2 (#111/112) (2010): 69-86.

Beagle, Peter S. The Last Unicorn

Reiter, G. ‚‘Two Sides of the Same

Magic’: The Dialectic of Mortality

and Immortality in Peter S. Beagle’s

The Last Unicorn.‛ 27.3/4

(#105/106)(2009): 103-116.

Beagle, Peter S. ‚Two Hearts‛





(#105/106)(2009): 103-116.


Mythlore Index supplement volume 26.3/4 through 30.1/2 16

Beowulf

Whitt, R.J. ‚Germanic Fate and Doom in

J.R.R. Tolkien’s The Silmarillion.‛

Mythlore 29.1/2 (#111/112) (2010):

115-129.

Beowulf—Critical history

Drout, M.D.C. ‚‘Beowulf: The Monsters

and the Critics’ Seventy-five Years

Later.‛ Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Binaries

Blomqvist, R. ‚The Road of Our Senses:

Search for Personal Meaning and the

Limitations of Myth in Neil Gaiman’s

American Gods.‛ Mythlore 30.3/4

(#117/118): 5-26.

Burke, Kenneth—Philosophy

Veach, G.L. ‚What the Spirit Knows:

Charles Williams and Kenneth

Burke.‛ 26.3/4 (#101/102) (2008): 117-

128.

Byron, George Gordon Byron, Baron.

Cain

Mitchell, J. ‚Master of Doom by Doom

Mastered: Heroism, Fate, and Death

in The Children of Húrin.‛ Mythlore

29.1/2 (#111/112) (2010): 87-114.

Byron, George Gordon Byron, Baron.

Manfred




29.1/2 (#111/112) (2010): 87-114.

C

Camus, Albert. The Myth of Sisyphus




29.1/2 (#111/112) (2010): 87-114.

Carpaccio, Vittore. Hunting on the

Lagoon




Venice.‛ Mythlore 28.3/4 (#109/110)

(2010): 107-127.

Carr, John Dickson. The Burning Court

Christopher, J.R. ‚The Non-Dead in John

Dickson Carr’s The Burning Court.‛

27.1/2 (#103/104) (2008): 127-136

Celtic mythology

Oziewicz, M. ‚Christian, Norse, and

Celtic: Metaphysical Belief Structures

in Nancy Farmer’s The Saxon Saga.‛

Mythlore 30.1/2 (#115/116) (2011):

107-121.

Celtic mythlogy – Influence on J.R.R.

Tolkien

Kinniburgh, A. ‚The Noldor and the

Tuatha Dé Danaan: J.R.R. Tolkien’s

Irish Influences.‛ 28.1/2 (#107/108)

(2009): 27-44.

Children’s fantasy

Berman, R. ‚Watchful Dragons and

Sinewy Gnomes: C.S. Lewis’s Use of

Modern Fairy Tales.‛ Mythlore 30.3/4

(#117/118): 117-127.

Chinatown (film)

Shaham, I. ‚Ancient Myths in

Contemporary Cinema: Oedipus Rex

and Perceval the Knight of the Holy

Grail in Pulp Fiction and The Sixth

Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Christianity and myth




Mythlore 30.1/2 (#115/116) (2011):

107-121.

Christianity in mystery stories

Higgins, S. ‚Is a ‘Christian’ Mystery

Story Possible? Charles Williams’s

War in Heaven as a Generic Case

Study.‛ Mythlore 30.1/2 (#115/116)

(2011): 77-90.

Coinherence in Charles Williams



Burke.‛ 26.3/4 (#101/102) (2008): 117-

128.

Context in criticism

Christopher, J.R. ‚’The Meteorite’ and

the Importance of Context.‛ Mythlore

28.3/4 (#109/110) (2010): 55-64.

Creative process

Milburn, M. ‚Art According to Romantic


Analysis of Dante Reapplied to J.R.R.

Tolkien’s ‘Leaf by Niggle.’‛ Mythlore

29.3/4 (#113/114) (2011): 57-75.

Creativity and religion





29.3/4 (#113/114) (2011): 57-75.

Creativity in J.R.R. Tolkien





29.3/4 (#113/114) (2011): 57-75.

Stoddard, W.H. ‚Simbelmynë: Mortality

and Memory in Middle-earth.‛

Mythlore 29.1/2 (#111/112) (2010):

151-160.

Criticism



Later.‛ Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Cross-dressing

Croft, J.B. ‚The Education of a Witch:

Tiffany Aching, Hermione Granger,

and Gendered Magic in Discworld


(#105/106)(2009): 129-142.

Cupid and Psyche (myth)

Croft, J.B. ‚Psyche in New York: The

Devil Wears Prada Updates the

Myth.‛ Mythlore 30.3/4 (#117/118):

55-69.

Cupid and Psyche (myth) – Relation to

Till We Have Faces


Psyche.‛ 27.3/4 (#105-106)(2009): 43-

82.

D Dante—Characters—Beatrice

Downey, S. ‚Cordial Dislike:

Reinventing the Celestial Ladies of

Pearl and Purgatorio in Tolkien’s



Galadriel.‛ Mythlore 29.3/4 (#113/114)

(2011): 101-117.

Dante—Characters—Matelda





(2011): 101-117.

Dante—Influence on Charles Williams





29.3/4 (#113/114) (2011): 57-75.

Dante. Purgatory—Influence on C.S.

Lewis

Christopher, J.R. ‚The Dantean Structure

of The Great Divorce.‛ Mythlore 29.3/4

(#113/114) (2011): 77-99.

Dante. Purgatory—Influence on J.R.R.

Tolkien





(2011): 101-117.

Davidman, Joy—Association with

Metro-Goldwyn-Mayer Studios

King, D.W. ‚Into the Lion’s Den: Joy

Davidman and Metro-Goldwyn-

Mayer.‛ Mythlore 30.1/2 (#115/116)

(2011): 91-106.

Davidman, Joy. Movie criticism



Mayer.‛ Mythlore 30.1/2 (#115/116)

(2011): 91-106.

Despoina (mythical figure)

Christopher, J.R. ‚From Despoina to Δ.‛

Mythlore 30.3/4 (#117/118): 27-54.

The Devil Wears Prada (movie)



Myth.‛ Mythlore 30.3/4 (#117/118):

55-69.

Disobedience

Croft, J.B. ‚The Thread on Which Doom

Hangs: Free Will, Disobedience, and

Eucatastrophe in Tolkien’s Middle-

earth.‛ Mythlore 29.1/2 (#111/112)

(2010): 131-150.

Dogs in J.R.R. Tolkien

Hawkins, E. ‚Tolkien and Dogs, Just

Dogs: In Metaphor and Simile.‛

27.3/4 (#105/106)(2009): 143-157.

Domestic abuse

Wilkerson, G. ‚So Far From the Shire:

Psychological Distance and Isolation

in The Lord of the Rings.‛ 27.1/2

(#103/104) (2008): 83-91.

Doom in J.R.R. Tolkien

Croft, J.B. ‚Túrin and Aragorn:

Embracing and Evading Fate.‛

Mythlore 29.3/4 (#113/114) (2011):

155-170.



Mythlore 29.1/2 (#111/112) (2010):

115-129.

Dragons in C.S. Lewis

Berman, L. ‚Dragons and Serpents in J.K.

Rowling’s Harry Potter Series: Are

They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Dragons in literature

Rawls, M.A. ‚Witches, Wives and

Dragons: The Evolution of the

Women in Ursula K. Le Guin’s

Earthsea—An Overview.‛ 26.3/4

(#101/102) (2008): 129-149.

Dragons in J.K. Rowling



They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Dragons in J.R.R. Tolkien



They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Dreams

Carroll, S. ‚The Heart of the Labyrinth:

Reading Jim Henson’s Labyrinth as a


(#107/108) (2009): 103-112.

Dualism

Bullard, S.H. ‚Narrative Dualism in C.S.

Lewis’s That Hideous Strength.‛

Mythlore 29.3/4 (#113/114) (2011): 11-

24.

Dunbar, Nan—Relation to C.S. Lewis




29.1/2 (#111/112) (2010): 69-86.

Dwarfs

Berube, P.H. ‚The Origins of Dwarves

*Letter+.‛ Mythlore 29.1/2 (#111/112)

(2010): 163-164.

E Earthly paradise in J.R.R. Tolkien





(#105/106)(2009): 83-102.

Eddison, E.R.—Views on war



Mythlore 30.3/4 (#117/118): 71-88.

Eddison, E.R. Zimiamvia Trilogy.



Mythlore 30.3/4 (#117/118): 71-88.

Education





(#105/106)(2009): 129-142.

Elder Edda

Berube, P.H. ‚Tolkien’s Sigurd & Gudrún:


28.1/2 (#107/108) (2009): 45-76.

Eucatastrophe




earth.‛ Mythlore 29.1/2 (#111/112)

(2010): 131-150.

Eugenics

Tally, R.T., Jr. ‚Stalin’s Orcs *Letter+.‛

Mythlore 29.3/4 (#113/114) (2011):

171-172.

Everyman (play)—Relation to ‚Leaf by

Niggle‛






(#109/110) (2010): 5-19.

F

Faerie

de Rosario Martínez, H. ‚Fairy and Elves

in Tolkien and Traditional

Literature.‛ Mythlore 28.3/4

(#109/110) (2010): 65-84.

Faerie in Smith of Wootton Major

Long, J.B. ‚Two Views of Faërie in Smith

of Wootton Major: Nokes and his

Cake, Smith and his Star.‛ 26.3/4

(#101/102) (2008): 89-100.

Fairy queen in Smith of Wootton Major




(#101/102) (2008): 89-100.

Farmer, Nancy. The Saxon Saga




Mythlore 30.1/2 (#115/116) (2011):

107-121.

Farrer, Katharine—Relation to C.S.

Lewis




29.1/2 (#111/112) (2010): 69-86.

Fate in J.R.R. Tolkien



Mythlore 29.3/4 (#113/114) (2011):

155-170.




29.1/2 (#111/112) (2010): 87-114.



Mythlore 29.1/2 (#111/112) (2010):

115-129.

Fealty in The Lord of the Rings

Brisbois, M.J. ‚The Blade Against the

Burden: The Iconography of the

Sword in The Lord of the Rings.‛

27.1/2 (#103/104) (2008): 93-103.

Formalistic criticism



28.3/4 (#109/110) (2010): 55-64.

Free will in J.R.R. Tolkien




earth.‛ Mythlore 29.1/2 (#111/112)

(2010): 131-150.

G

Gaiman, Neil—Use of Myth





(#117/118): 5-26.

Gaiman, Neil. American Gods.





(#117/118): 5-26.

Gaiman, Neil. ‚The Problem of Susan‛

Miller, J.L. ‚No Sex in Narnia? How


Queen‛ Problematizes C.S. Lewis’s

The Chronicles of Narnia.‛ 28.1/2

(#107/108) (2009): 113-130.

Gaiman, Neil. Sandman series

Pendergast, J. ‚Six Characters in Search

of Shakespeare: Neil Gaiman’s


Mythos.‛ 26.3/4 (#101/102) (2008):

185-197.

Gender





(#105/106)(2009): 129-142.

Genre and The Lord of the Rings

Agan, C. ‚Song as Mythic Conduit in The

Fellowship of the Ring.‛ 26.3/4

(#101/102) (2008): 41-63.

Girls in fantasy




(#107/108) (2009): 103-112.



Journey.‛ 28.1/2 (#107/108) (2009):

131-147.

Goddess in Ghost Country

Christopher, J.R. ‚The Christian Parody

in Sara Paretsky’s Ghost Country.‛

26.3/4 (#101/102) (2008): 165-184.

GoodKnight, Glen—Bibliography

Croft, J.B. ‚A Bibliography of Glen

GoodKnight’s Articles, Reviews, and

Major Editorials in Mythlore.‛

Mythlore 29.3/4 (#113/114) (2011): 5-

10.

Graphic novels




Mythos.‛ 26.3/4 (#101/102) (2008):

185-197.

Grief, traumatic

Johnson, B.D. ‚Éowyn’s Grief.‛ 27.3/4

(#105/106)(2009): 117-127.

H

Haddon, Mark. The Curious Incident of

the Dog in the Night-Time

Vincent, A. ‚Putting Away Childish

Things: Incidents of Recovery in

Tolkien and Haddon.‛ 26.3/4

(#101/102) (2008): 101-116.

Heliand



Mythlore 29.1/2 (#111/112) (2010):

115-129.

Henson, Jim




(#107/108) (2009): 103-112.

Heroism in J.R.R. Tolkien




29.1/2 (#111/112) (2010): 87-114.



I Immortality and mortality in Peter S.

Beagle





(#105/106)(2009): 103-116.

Immortality and mortality in J.R.R.

Tolkien



Mythlore 29.1/2 (#111/112) (2010):

151-160.

Indiana Jones (films)





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Inklings

Gorman, A.G. and L.R. Mateer. ‚Amanda

McKittrick Ros and the Inklings.‛

28.1/2 (#107/108) (2009): 77-85.

Interlace structure

Auger, E.E. “The Lord of the Rings’

Interlace: The Adaptation to Film.‛

Mythlore 30.1/2 (#115/116) (2011):

143-162.

Intertextuality





(#117/118): 5-26.

J

Jews





(2010): 85-106.





(2010): 107-127.

K

Kay, Guy Gavriel—Editorship

Kane, D.C. ‚Reconstructing Arda: Of


Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

L

Labyrinth (film)




(#107/108) (2009): 103-112.

Lang, Andrew. Color fairy books




(#117/118): 117-127.

The Last Unicorn (film)





(#105/106)(2009): 103-116.

Lawson, Penelope (Sister Penelope)—

Relation to C.S. Lewis




29.1/2 (#111/112) (2010): 69-86.

Le Guin, Ursula K.—Characters—

Women





(#101/102) (2008): 129-149.

Le Guin, Ursula K.—Technique





(#101/102) (2008): 129-149.

Le Guin, Ursula K. Earthsea books





(#101/102) (2008): 129-149.

Le Guin, Ursula K. Lavinia





(2010): 29-50.

Leadership in The Lord of the Rings




27.1/2 (#103/104) (2008): 93-103.

Lévi-Strauss, Claude





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Lewis, C.S.—As critic

Oziewicz, M. and D. Hade. ‚The

Marriage of Heaven and Hell? Philip

Pullman, C.S. Lewis, and the Fantasy

Tradition.‛ Mythlore 28.3/4 (#109/110)

(2010): 39-54.

Lewis, C.S.—Attitude toward writing

for children

Melton, B. ‚The Great War and Narnia:

C.S. Lewis as Soldier and Creator.‛

Mythlore 30.1/2 (#115/116) (2011):

123-142.

Lewis, C.S. – Characters – Jane

Studdock



Mythlore 29.3/4 (#113/114) (2011): 11-

24.

Lewis, C.S. – Characters – Lucy

Pevensie



Journey.‛ 28.1/2 (#107/108) (2009):

131-147.

Lewis, C.S. – Characters – Mark

Studdock



Mythlore 29.3/4 (#113/114) (2011): 11-

24.



Lewis, C.S. – Characters – Orual


Psyche.‛ 27.3/4 (#105-106)(2009): 43-

82.

Lewis, C.S.—Friends and associates—

Women




29.1/2 (#111/112) (2010): 69-86.

Lewis, C.S.—Influence of Andrew Lang




(#117/118): 117-127.

Lewis, C.S.—Influence on Philip

Pullman





(2010): 39-54.

Lewis, C.S.—Knowledge—

Contemporary fiction

Anderson, D.A. ‚A Footnote to Tales

Before Narnia *Letter+.‛ Mythlore

29.1/2 (#111/112) (2010): 161-162.

Lewis, C.S.—Personal reminiscences

Foster, M. ‚‘That Most Unselfish Man’:


Biographer, and Friend of Inklings.‛

26.3/4 (#101/102) (2008): 5-26.

Lewis, C.S.—Relation to Janie Moore


Mythlore 30.3/4 (#117/118): 27-54.

Lewis, C.S.—Relations with women




29.1/2 (#111/112) (2010): 69-86.

Lewis, C.S.—Religion and philosophy

Christopher, J. R. ‚The Thematic

Organization of Spirits in Bondage.‛

27.3/4 (#105-106)(2009): 5-41.

Lewis, C.S. – Sources – Classical

literature


Psyche.‛ 27.3/4 (#105-106)(2009): 43-

82.

Lewis, C.S.—Technique



Mythlore 29.3/4 (#113/114) (2011): 11-

24.

Himes, J.B. ‚A Matter of Time: C.S.

Lewis’s Dark Tower Manuscript and

Composition Process.‛ Mythlore

29.3/4 (#113/114) (2011): 25-35.

Lewis, C.S.—Use of allegory





(#115/116) (2011): 43-76.

Lewis, C.S.—Use of Fairy Tales




(#117/118): 117-127.

Lewis, C.S.—War experiences



Mythlore 30.1/2 (#115/116) (2011):

123-142.

Lewis, C.S. The Chronicles of Narnia—

Depiction of war



Mythlore 30.1/2 (#115/116) (2011):

123-142.

Lewis, C.S. Chronicles of Narnia—Sex





(#107/108) (2009): 113-130.

Lewis, C.S. The Dark Tower—

Authorship




29.3/4 (#113/114) (2011): 25-35.

Lewis, C.S. The Dark Tower—

Manuscript




29.3/4 (#113/114) (2011): 25-35.

Lewis, C.S. The Great Divorce—

Influence of Purgatory



(#113/114) (2011): 77-99.

Lewis, C.S. The Great Divorce—Sources



(#113/114) (2011): 77-99.

Lewis, C.S. Letter to Malcolm M.

Ferguson, 20 February 1953


Before Narnia [Letter+.‛ Mythlore

29.1/2 (#111/112) (2010): 161-162.

Lewis, C.S. Letters




29.1/2 (#111/112) (2010): 69-86.

Lewis, C.S. ‚The Meteorite‛



28.3/4 (#109/110) (2010): 55-64.

Lewis, C.S. Miracles



28.3/4 (#109/110) (2010): 55-64.

Lewis, C.S. The Pilgrim’s Regress




Mythlore 28.3/4 (#109/110) (2010): 21-

37.

Lewis, C.S. The Pilgrim’s Regress—

Sources




Mythlore 28.3/4 (#109/110) (2010): 21-

37.

Lewis, C.S. ‚Poem for Psychoanalysts

and/or Theologians‛





(#115/116) (2011): 43-76.

Lewis, C.S. Poetry.


Mythlore 30.3/4 (#117/118): 27-54.



Lewis, C.S. Spirits in Bondage


Mythlore 30.3/4 (#117/118): 27-54.

Lewis, C.S. Spirits in Bondage—Themes

Christopher, J. R. ‚The Thematic

Organization of Spirits in Bondage.‛

27.3/4 (#105-106)(2009): 5-41.

Lewis, C.S. That Hideous Strength



Mythlore 29.3/4 (#113/114) (2011): 11-

24.

Lewis, C.S. Till We Have Faces


Psyche.‛ 27.3/4 (#105-106)(2009): 43-

82.

Lewis, C.S. Till We Have Faces—As

Allegory





(#115/116) (2011): 43-76.

The Lord of the Rings (film trilogy). Dir.

Peter Jackson—Narrative structure



Mythlore 30.1/2 (#115/116) (2011):

143-162.

Lust (Sin)

Hawkins, E.B. ‚Tolkien’s Linguistic

Application of the Seventh Deadly

Sin: Lust.‛ 26.3/4 (#101/102) (2008):

29-40.

M

MacDonald, George. Phantastes




Mythlore 28.3/4 (#109/110) (2010): 21-

37.

MacDonald, George. Phantastes—

Influence on The Pilgrim’s Regress




Mythlore 28.3/4 (#109/110) (2010): 21-

37.

MacLeod, Jeffrey J. ‚Lúthien and

Beren‛

MacLeod, J.J. and A. Smol. ‚A Single

Leaf: Tolkien’s Visual Art and

Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.

MacLeod, Jeffrey J. ‚Smaug‛



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.

McKenna, Aline Brosh. The Devil Wears

Prada (movie script)



Myth.‛ Mythlore 30.3/4 (#117/118):

55-69.

Medieval dream vision – Relation to

Labyrinth




(#107/108) (2009): 103-112.

Medieval literature




(#107/108) (2009): 103-112.




(#109/110) (2010): 65-84.

Memory in J.R.R. Tolkien



Mythlore 29.1/2 (#111/112) (2010):

151-160.

Mentors



Myth.‛ Mythlore 30.3/4 (#117/118):

55-69.

The Merchant of Venice (film). Dir.

Michael Radford





(2010): 107-127.

Merlin




Tradition.‛ 27.1/2 (#103/104) (2008):

21-44.

Metro-Goldwyn-Mayer (film studio)



Mayer.‛ Mythlore 30.1/2 (#115/116)

(2011): 91-106.

Mines and mining

Berube, P.H. ‚The Origins of Dwarves

*Letter+.‛ Mythlore 29.1/2 (#111/112)

(2010): 163-164.

Miyazake, Hayao—Characters—

Chihiro



Journey.‛ 28.1/2 (#107/108) (2009):

131-147.

Moore, Janie—Relation to C.S. Lewis


Mythlore 30.3/4 (#117/118): 27-54.

Multiculturalism in children’s literature




Mythlore 30.1/2 (#115/116) (2011):

107-121.

Music in J.R.R. Tolkien



(#101/102) (2008): 41-63.

Mystery fiction




Study.‛ Mythlore 30.1/2 (#115/116)

(2011): 77-90.

Mythlore—History




Mythlore 29.3/4 (#113/114) (2011): 5-

10.

Mythopoeic Society—History and

personal reminiscences




Mythlore 29.3/4 (#113/114) (2011): 5-

10.



Mythopoeic themes in mysteries



26.3/4 (#101/102) (2008): 165-184.



27.1/2 (#103/104) (2008): 127-136

N

Name magic

Croft, J.B. “Naming the Evil One:

Onomastic Strategies in Tolkien and

Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.

Names in J.R.R. Tolkien



Mythlore 29.3/4 (#113/114) (2011):

155-170.

New Masses (periodical)



Mayer.‛ Mythlore 30.1/2 (#115/116)

(2011): 91-106.

The Nibelungenlied



28.1/2 (#107/108) (2009): 45-76.

Norse mythology

McGregor, J. ‚Two Rings to Rule Them

All: A Comparative Study of Tolkien

and Wagner.‛ Mythlore 29.3/4

(#113/114) (2011): 133-153.




Mythlore 30.1/2 (#115/116) (2011):

107-121.

Norse mythology – Influence on J.R.R.

Tolkien




(2009): 27-44.



28.1/2 (#107/108) (2009): 45-76.

Novalis. ‚Hyacinth and Rosebud‛





(#107/108) (2009): 113-130.

O Oedipus figures in literature





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Ofermod in J.R.R. Tolkien



Ring.‛ Mythlore 29.3/4 (#113/114)

(2011): 37-56.

Onomastics



Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.

P

Pacino, Al. See The Merchant of Venice

Paretsky, Sara. Ghost Country



26.3/4 (#101/102) (2008): 165-184.

Paretsky, Sara. V.I. Warshawski series



26.3/4 (#101/102) (2008): 165-184.

Pearl (poem)

Downey, S. ‚Cordial Dislike: Reinventing

the Celestial Ladies of Pearl and

Purgatorio in Tolkien’s Galadriel.‛

Mythlore 29.3/4 (#113/114) (2011):

101-117.

Koubenec, N. ‚The Precious and the

Pearl: The Influence of Pearl on the

Nature of the One Ring.‛ Mythlore

29.3/4 (#113/114) (2011): 119-131.

Pearl (poem)—As allegory





(#115/116) (2011): 43-76.

Pearl (poem)—Characters—The Jeweler




29.3/4 (#113/114) (2011): 119-131.

Pearl (poem)—Characters—The pearl-

maiden

Downey, S. ‚Cordial Dislike: Reinventing

the Celestial Ladies of Pearl and

Purgatorio in Tolkien’s Galadriel.‛

Mythlore 29.3/4 (#113/114) (2011):

101-117.

Penelope, Sister. See Lawson, Penelope.

Perceval figures in literature





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Pitter, Ruth S.—Relation to C.S. Lewis




29.1/2 (#111/112) (2010): 69-86.

Post-traumatic stress disorder




(#103/104)(2008): 83-91.

Pratchett, Terry—Characters—Tiffany

Aching





(#105/106)(2009): 129-142.

Pratchett, Terry—Characters—Witches

Croft, J.B. ‚Nice, Good, or Right: Faces of

the Wise Woman in Terry Pratchett’s

‘Witches’ Novels.‛ 26.3/4 (#101/102)

(2008): 151-164.

Pratchett, Terry. Discworld series





(#105/106)(2009): 129-142.



Pratchett, Terry. Discworld series—

Morality and religion



‘Witches’ Novels.‛ 26.3/4 (#101/102)

(2008): 151-164.

Pratchett, Terry. Discworld series—

‛Witches‛ novels



‘Witches’ Novels.‛ 26.3/4 (#101/102)

(2008): 151-164.

Psyche (mythological figure)



Myth.‛ Mythlore 30.3/4 (#117/118):

55-69.

Pullman, Philip – Criticism of C.S.

Lewis





(2010): 39-54.

Pullman, Philip. His Dark Materials





(#107/108) (2009): 113-130.

Pulp Fiction (film)





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Purgatory in J.R.R. Tolkien

Kelly, A.K. and M. Livingston. ‚‘A Far




(#105/106) (2009): 83-102.

Q

Quests in The Lord of the Rings

Waito, D.M. ‚The Shire Quest: The

‘Scouring of the Shire’ as the

Narrative and Thematic Focus of The

Lord of the Rings.‛ Mythlore 28.3/4

(#109/110) (2010): 155-177.

R

Racism in J.R.R. Tolkien





(2010): 85-106.

Tally, R.T., Jr. ‚Let Us Now Praise

Famous Orcs: Simple Humanity in

Tolkien’s Inhuman Creatures.‛

Mythlore 29.1/2 (#111/112) (2010):17-

28.

Radford, Michael. See The Merchant of

Venice

Rape in J.R.R. Tolkien

Whitaker, L. ‚Corrupting Beauty: Rape

Narrative in The Silmarillion.‛

Mythlore 29.1/2 (#111/112) (2010): 51-

68.

Rape in mythology



Mythlore 29.1/2 (#111/112) (2010): 51-

68.

Readers and reading in J.R.R. Tolkien




Mythlore 30.1/2 (#115/116) (2011): 23-

42.

Religious tolerance in children’s

literature




Mythlore 30.1/2 (#115/116) (2011):

107-121.

Rhetoric in The Lord of the Rings

Ruud, J. ‚The Voice of Saruman:

Wizards and Rhetoric in The Two

Towers.‛ Mythlore 28.3/4 (#109/110)

(2010): 141-153.

Riddle games

Nelson, M. ‚Time and J.R.R. Tolkien’s

‘Riddles in the Dark.’‚ 27.1/2

(#103/104) (2008): 67-82.

Riddles



(#103/104) (2008): 67-82.

Romantic theology





29.3/4 (#113/114) (2011): 57-75.

Ros, Amanda McKittrick

Gorman, A.G. and L.R. Mateer. ‚Amanda

McKittrick Ros and the Inklings.‛

28.1/2 (#107/108) (2009): 77-85.

Rowling, J.K.—Characters—Hermione

Granger





(#105/106)(2009): 129-142.

Rowling, J.K.—Characters—Voldemort



Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.

Rowling, J.K. Harry Potter novels



They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.





(#105/106)(2009): 129-142.

S

Sayer, George—Bibliography

Mitchell, C.W. ‚Selected Sayer Holdings

at the Wade Center.‛ 26.3/4

(#101/102) (2008): 27.

Sayer, George—Personal reminiscences




26.3/4 (#101/102) (2008): 5-26.

Sayer, George. Jack: C.S. Lewis and His

Times




26.3/4 (#101/102) (2008): 5-26.



Sayers, Dorothy L.—Relation to C.S.

Lewis




29.1/2 (#111/112) (2010): 69-86.

Scottish folklore

Harris, J.M. ‚Perilous Shores: The

Unfathomable Supernaturalism of

Water in 19th-Century Scottish

Folklore.‛ 28.1/2 (#107/108) (2009): 5-

25.

Sehnsucht




Mythlore 28.3/4 (#109/110) (2010): 21-

37.

Serpents in C.S. Lewis



They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Serpents in J.K. Rowling



They Evil?‛ 27.1/2 (#103/104) (2008):

45-65.

Seven deadly sins in The Lord of the

Rings



Sin: Lust.‛ 26.3/4 (#101/102) (2008):

29-40.

Sexuality in C.S. Lewis





(#107/108) (2009): 113-130.

Shakespeare, William—Characters—

Shylock





(2010): 107-127.

Shakespeare, William. The Merchant of

Venice





(2010): 107-127.

Shakespeare, William. A Midsummer

Night’s Dream




Mythos.‛ 26.3/4 (#101/102) (2008):

185-197.

Shakespeare, William. The Tempest




Mythos.‛ 26.3/4 (#101/102) (2008):

185-197.

Shamanism in The Lord of the Rings

Kisor, Y. ‚Totemic Reflexes in Tolkien’s


(#109/110) (2010): 129-140.

Shelburne, Mary Willis—Relation to

C.S. Lewis




29.1/2 (#111/112) (2010): 69-86.

Shiel, M[atthew] P[hipps]


Before Narnia *Letter+.‛ Mythlore

29.1/2 (#111/112) (2010): 161-162.

Sister Penelope. See Lawson, Penelope.

Sixth Sense (film)





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Speech act theory




Maldon.’ 26.3/4 (#101/102) (2008): 65-

87.

Spirited Away (film)



Journey.‛ 28.1/2 (#107/108) (2009):

131-147.

Stalin, Josef


Mythlore 29.3/4 (#113/114) (2011):

171-172.

Star Wars (film series)





Sense.‛ 28.1/2 (#107/108) (2009): 87-

101.

Sub-creation



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.




(#109/110) (2010): 5-19.

Suicide




29.1/2 (#111/112) (2010): 87-114.

Superstitions


Unfathomable Supernaturalism of Water

in 19th-Century Scottish Folklore.‛ 28.1/2

(#107/108) (2009): 5-25.

Swords




27.1/2 (#103/104) (2008): 93-103.

T

Threshold imagery in J.R.R. Tolkien




Mythlore 30.1/2 (#115/116) (2011): 23-

42.

Tieck, Ludwig. ‚Fair-Haired Eckbert‛





(#107/108) (2009): 113-130.



Tolkien, Christopher—Editorship



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Attitude towards Jews





(2010): 85-106.

Tolkien, J.R.R. —Characterization—

Technique



27.3/4 (#105/106)(2009): 143-157.

Tolkien, J.R.R.—Characters—Aragorn




27.1/2 (#103/104) (2008): 93-103.



Mythlore 29.3/4 (#113/114) (2011):

155-170.

Tolkien, J.R.R—Characters—Aredhel



Mythlore 29.1/2 (#111/112) (2010): 51-

68.

Tolkien, J.R.R.—Characters—Bilbo



(#103/104) (2008): 67-82.

Tolkien, J.R.R.—Characters—Dwarves





(2010): 85-106.

Tolkien, J.R.R. – Characters – Elves




(#109/110) (2010): 65-84.




(2009): 27-44.



Mythlore 29.1/2 (#111/112) (2010):

151-160.

Tolkien, J.R.R.—Characters—Éowyn


(#105/106)(2009): 117-127.

Tolkien, J.R.R.—Characters—Faramir

Carter, S.B. ‚Faramir and the Heroic

Ideal of the Twentieth Century: Or,

How Aragorn Died at the Somme.‛

Mythlore 30.3/4 (#117/118): 89-102.


(#105/106) (2009): 117-127.

Tolkien, J.R.R.—Characters—Fëanor



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—Finwë



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—Frodo





(#109/110) (2010): 155-177.




(#103/104)(2008): 83-91.

Tolkien, J.R.R.—Characters—Galadriel





(2011): 101-117.

Tolkien, J.R.R.—Characters—Gandalf



(#109/110) (2010): 129-140.




Tradition.‛ 27.1/2 (#103/104) (2008):

21-44.




(2010): 141-153.

Tolkien, J.R.R.—Characters—Goldberry

Basso, A.M. ‚Fair Lady Goldberry,

Daughter of the River.‛ 27.1/2

(#103/104) (2008): 137-146.

Taylor, T.J. ‚Investigating the Role and

Origin of Goldberry in Tolkien’s

Mythology.‛ 27.1/2 (#103/104) (2008):

147-156.

Tolkien, J.R.R. —Characters—Gollum



27.3/4 (#105/106)(2009): 143-157.




29.3/4 (#113/114) (2011): 119-131.

Tolkien, J.R.R.—Characters—Hobbits





(#109/110) (2010): 155-177.

Tolkien, J.R.R.—Characters—Hobbits—

Names—Etymology

Livingston, M. ‚The Myths of the

Author: Tolkien and the Medieval

Origins of the Word Hobbit.‛

Mythlore 30.3/4 (#117/118): 129-146.

Tolkien, J.R.R.—Characters—Hobbits—

Origin of name

Livingston, M. ‚The Myths of the

Author: Tolkien and the Medieval

Origins of the Word Hobbit.‛

Mythlore 30.3/4 (#117/118): 129-146.

Tolkien, J.R.R.—Characters—Indis



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—Lúthien



Mythlore 29.1/2 (#111/112) (2010): 51-

68.

Tolkien, J.R.R—Characters—Men

(Race)



Mythlore 29.1/2 (#111/112) (2010):

151-160.

Tolkien, J.R.R. – Characters – Morgoth



Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.



Tolkien, J.R.R.—Characters—Míriel



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—Nerdanel



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—Nokes




(#101/102) (2008): 89-100.

Tolkien, J.R.R.—Characters—Orcs

Tally, R.T., Jr. ‚Let Us Now Praise

Famous Orcs: Simple Humanity in

Tolkien’s Inhuman Creatures.‛

Mythlore 29.1/2 (#111/112) (2010):17-

28.


Mythlore 29.3/4 (#113/114) (2011):

171-172.

Tolkien, J.R.R.—Characters—Sam

Gamgee



27.3/4 (#105/106)(2009): 143-157.

Tolkien, J.R.R.—Characters—Saruman



Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.




(2010): 141-153.

Tolkien, J.R.R.—Characters—Sauron



Rowling.‛ 28.1/2 (#107/108) (2009):

149-163.

Tolkien, J.R.R.—Characters—Smith




(#101/102) (2008): 89-100.

Tolkien, J.R.R.—Characters—Tídwald



Ring.‛ Mythlore 29.3/4 (#113/114)

(2011): 37-56.

Tolkien, J.R.R.—Characters—Torhthelm



Ring.‛ Mythlore 29.3/4 (#113/114)

(2011): 37-56.

Tolkien, J.R.R.—Characters—Tuor

Bruce, A.M. ‚The Fall of Gondor and the

Fall of Troy: Tolkien and Book II of

The Aeneid.‛ Mythlore 30.3/4

(#117/118): 103-115.

Tolkien, J.R.R.—Characters—Túrin

Turambar



Mythlore 29.3/4 (#113/114) (2011):

155-170.




29.1/2 (#111/112) (2010): 87-114.

Tolkien, J.R.R.—Characters—Women



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R.—Characters—

Wormtongue



27.3/4 (#105/106)(2009): 143-157.

Tolkien, J.R.R.—Critical history



Later.‛ Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Tolkien, J.R.R.—Knowledge—Medieval

period





(#105/106)(2009): 83-102.

Tolkien, J.R.R.—Knowledge—

Languages

Fisher, J. ‚Dwarves, Spiders, and Murky

Woods: J.R.R. Tolkien’s Wonderful

Web of Words.‛ Mythlore 29.1/2

(#111/112) (2010): 5-15.

Tolkien, J.R.R.—Languages




(#109/110) (2010): 65-84.




(#111/112) (2010): 5-15.

Tolkien, J.R.R.—Military service—

World War I (1914-1918)




Mythlore 30.3/4 (#117/118): 89-102.

Tolkien, J.R.R.—Objects—The Ring—

Sources




29.3/4 (#113/114) (2011): 119-131.




(#113/114) (2011): 133-153.

Tolkien, J.R.R.—Personal reminiscences




26.3/4 (#101/102) (2008): 5-26.

Tolkien, J.R.R.—Recovery as

characteristic of fairy-tale




(#101/102) (2008): 101-116.

Tolkien, J.R.R.—Settings—Middle-

earth—Cosmology





(#105/106)(2009): 83-102.

Tolkien, J.R.R.—Sources—Celtic



Mythology.‛ 27.1/2 (#103/104) (2008):

147-156.

Tolkien, J.R.R.—Sources—Classical





Mythology.‛ 27.1/2 (#103/104) (2008):

147-156.

Tolkien, J.R.R.—Theory of

eucatastrophe




earth.‛ Mythlore 29.1/2 (#111/112)

(2010): 131-150.

Tolkien, J.R.R.—Translations—Old

English.



(#103/104) (2008): 67-82.

Tolkien, J.R.R.—Use of allegory




Mythlore 30.1/2 (#115/116) (2011): 23-

42.




(#109/110) (2010): 5-19.

Tolkien, J.R.R.—Use of language



Sin: Lust.‛ 26.3/4 (#101/102) (2008):

29-40.

Tolkien, J.R.R.—Use of rhetoric




(2010): 141-153.

Tolkien, J.R.R. ‚Beowulf: The Monsters

and the Critics‛



Later.‛ Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Tolkien, J.R.R. Beowulf and the Critics



Later.‛ Mythlore 30.1/2 (#115/116)

(2011): 5-22.

Tolkien, J.R.R. The Children of Húrin




29.1/2 (#111/112) (2010): 87-114.

Tolkien, J.R.R. ‚The Fall of Gondolin‛




(#117/118): 103-115.

Tolkien, J.R.R. The Fellowship of the

Ring



(#101/102) (2008): 41-63.

Tolkien, J.R.R. The Hobbit. ‚Flies and

Spiders‛




(#111/112) (2010): 5-15.

Tolkien, J.R.R. The Hobbit. ‚Inside

Information‛



(#103/104) (2008): 67-82.

Tolkien, J.R.R. The Hobbit. ‚Riddles in

the Dark‛



(#103/104) (2008): 67-82.

Tolkien, J.R.R. ‚The Homecoming of

Beorhtnoth Beorhthelm’s Son‛



Ring.‛ Mythlore 29.3/4 (#113/114)

(2011): 37-56.




Maldon.’ 26.3/4 (#101/102) (2008): 65-

87.

Tolkien, J.R.R. ‚Leaf by Niggle‛





(#105/106)(2009): 83-102.



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.





29.3/4 (#113/114) (2011): 57-75.




(#109/110) (2010): 5-19.

Tolkien, J.R.R. The Legend of Sigurd and

Gudrún



28.1/2 (#107/108) (2009): 45-76.

Tolkien, J.R.R. The Lord of the Rings—

Criticism and interpretation





(#105/106)(2009): 83-102.

Tolkien, J.R.R. The Lord of the Rings—

Narrative structure



Mythlore 30.1/2 (#115/116) (2011):

143-162.

Tolkien, J.R.R. ‚Mythopoeia‛



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.

Tolkien, J.R.R. ‚On Fairy-Stories‛



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.




(#109/110) (2010): 5-19.




(#101/102) (2008): 101-116.

Tolkien, J.R.R. ‚On Fairy-Stories‛—

Relation to ‚Leaf by Niggle‛




(#109/110) (2010): 5-19.

Tolkien, J.R.R. The Return of the King.

‚The Scouring of the Shire‛





(#109/110) (2010): 155-177.



Tolkien, J.R.R. The Silmarillion



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.



Mythlore 29.1/2 (#111/112) (2010): 51-

68.



Mythlore 29.1/2 (#111/112) (2010):

115-129.

Tolkien, J.R.R. The Silmarillion. ‚Of


Melkor‛



Melkor.‛ 27.1/2 (#103/104) (2008): 9-

19.

Tolkien, J.R.R. Smith of Wootton Major




(#101/102) (2008): 89-100.

Tolkien, J.R.R. Visual art



Fantasy.‛ 27.1/2 (#103/104) (2008):

105-126.

Tolkien Journal—History




Mythlore 29.3/4 (#113/114) (2011): 5-

10.

Totemism



(#109/110) (2010): 129-140.

Tuatha Dé Danaan




(2009): 27-44.

U

The undead



27.1/2 (#103/104) (2008): 127-136

V

Vergil—Characters—Aeneas




(#117/118): 103-115

Vergil. Aeneid





(2010): 29-50.

Vergil. Aeneid—Escape quest—

Compared to ‚Fall of Gondolin‛




(#117/118): 103-115.

Völsunga Saga



28.1/2 (#107/108) (2009): 45-76.

W

Wade Center (Wheaton College, Ill.)

Mitchell, C.W. ‚Selected Sayer Holdings

at the Wade Center.‛ 26.3/4

(#101/102) (2008): 27.

Wagner, Richard. The Ring Cycle—

Influence on Tolkien




(#113/114) (2011): 133-153.

War in heaven




earth.‛ Mythlore 29.1/2 (#111/112)

(2010): 131-150.

War in The Chronicles of Narnia



Mythlore 30.1/2 (#115/116) (2011):

123-142.

War trauma


(#105/106)(2009): 117-127.

Water creatures in folklore




Folklore.‛ 28.1/2 (#107/108) (2009): 5-

25.

Water in folklore




Folklore.‛ 28.1/2 (#107/108) (2009): 5-

25.

Williams, Charles—Romantic theology





29.3/4 (#113/114) (2011): 57-75.

Williams, Charles. Region of the

Summer Stars



Burke.‛ 26.3/4 (#101/102) (2008): 117-

128.

Williams, Charles. Religion and Love in

Dante: The Theology of Romantic

Love





29.3/4 (#113/114) (2011): 57-75.

Williams, Charles. Taliessin Through

Logres



Burke.‛ 26.3/4 (#101/102) (2008): 117-

128.

Williams, Charles. War in Heaven




Study.‛ Mythlore 30.1/2 (#115/116)

(2011): 77-90.

Witches



27.1/2 (#103/104) (2008): 127-136





(#105/106)(2009): 129-142.





‘Witches’ Novels.‛ 26.3/4 (#101/102)

(2008): 151-164.





(#101/102) (2008): 129-149.

World War I in J.R.R. Tolkien




Mythlore 30.3/4 (#117/118): 89-102.

World War II in E.R. Eddison



Mythlore 30.3/4 (#117/118): 71-88.


Review Index by Author Sorted by author of review; alphabetically for each reviewer

Anonymous reviews listed by title

Main entries in bold face

A

Auger, Emily E. Mythlore 30.3/4

(#117/118): 151-152.

Bogstad, Janice M., and Philip E.

Kaveny, eds.Picturing Tolkien:

Essays on Peter Jackson’s The Lord

of the Rings Film Trilogy.


(#101/102) (2008): 199-201.

Croft, Janet Brennan, ed. Tolkien and

Shakespeare: Essays on Shared

Themes and Language.


(#117/118): 171-172.

Goodwin, Tali, and Marcus

Katz.Abiding in the Sanctuary: The

Waite-Trinick Tarot: A Christian

Mystical Tarot (1917–1923).


(#107/108) (2009): 180-182.

Versluis, Arthur, et al., eds.

Esotericism, Art, and Imagination.

B

Bassham, Gregory. Mythlore 29.3/4

(#113/114) (2011): 178-180.

MacSwain, Robert and Michael

Ward, eds. The Cambridge

Companion to C.S. Lewis.

Berman, Ruth. Mythlore 30.1/2

(#115/116) (2011): 171-173.

Auxier, Randall E. and Phillip S.

Seng, eds. The Wizard of Oz and

Philosophy: Wicked Wisdom of the

West.

Bratman, David. Mythlore 27.3/4

(#105/106) (2009): 196-198.

Barfield, Owen. Night Operation and

Eager Spring.


(#109/110) (2010): 190-192.

Peake, Mervyn. Collected Poems.


(#113/114) (2011): 198-200.

Sammons, Martha. War of the Fantasy

Worlds: C.S. Lewis and J.R.R.

Tolkien on Art and Imagination.


(#109/110) (2010): 202-204.

Schweitzer, Darrell. The Fantastic

Horizon: Essays and Reviews.


(#101/102) (2008): 201-203.

Whittingham, Elizabeth A. The

Evolution of Tolkien’s Mythology: A

Study of the History of Middle-

earth.

Brown, Sara. Mythlore 30.3/4

(#117/118): 173-182.

Phelpstead, Carl. Tolkien and Wales:

Language, Literature, and Identity.

C

Christopher, Joe. R. Mythlore 26.3/4

(#101/102) (2008): 203-206.

Ashenden, Gavin. Charles Williams:

Alchemy and Integration.

Christopher, Joe R. Mythlore 29.1/2

(#111/112) (2010): 172-176.

Bray, Susan and Richard Sturch.

Charles Williams and his

Contemporaries.


(#109/110) (2010): 186-190.

Davidman, Joy. Out of My Bone: The

Letters of Joy Davidman. Ed. Don

W. King.


(#103/104) (2008): 167-171.

King, Don W. Hunting the Unicorn: A

Critical Biography of Ruth Pitter.


(#107/108) (2009): 172-175.

Miller, Laura. The Magician’s Book: A

Skeptic’s Adventures in Narnia.


(#105/106) (2009): 181-186.

Miller, Ryder W., ed. From Narnia to a

Space Odyssey: The War of Ideas

between Arthur C. Clarke and C. S.

Lewis.


(#111/112) (2010): 192-195.

Pease, Donald E. Theodor SEUSS

Geisel.


(#115/116) (2011): 163-168.

Poston, Carol, ed. The Making of a

Mystic: New and Selected Letters of

Evelyn Underhill.


(#109/110) (2010): 193-197.

Schwartz, Sanford. C.S. Lewis on the

Final Frontier: Science and the

Supernatural in the Space Trilogy.


(#113/114) (2011): 173-178.

Van Leewen, Mary Stewart. A Sword

Between the Sexes.


(#103/104) (2008): 157-161.

Ward, Michael. Planet Narnia: The

Seven Heavens in the Imagination

of C.S. Lewis.

Croft, Janet Brennan. Mythlore

29.1/2 (#111/112) (2010): 188-191.

Fastitocalon: Studies in Fantasticism

Ancient to Modern 1.1 (2010)


30.1/2 (#115/116) (2011): 182-189.

Fastitocalon: Studies in Fantasticism

Ancient to Modern. 1.2 (2010).

Journal of Inklings Studies. 1.1 (March

2011).

An Index to Mythlore Supplement: Issues 101/102 through 113/114


VII: An Anglo-American Literary

Review. 27 (2010).

Tolkien Studies: An Annual Scholarly

Review. 7 (2010).


30.1/2 (#115/116) (2011): 168-171.

Frankel, Valerie Estelle. From Girl to

Goddess: The Heroine’s Journey

through Myth and Legend.


28.1/2 (#107/108) (2009): 182-186.

Grahame, Kenneth. Ed. Annie

Gauger. The Annotated Wind in

the Willows.

Grahame, Kenneth. Ed. Seth Lerer.

The Wind in the Willows: An

Annotated Edition.

Hares-Stryker, Carolyn. The

Illustrators of The Wind in the

Willows, 1908-2008.


30.3/4 (#117/118): 183-187.

North Wind: A Journal of George

MacDonald Studies. #29 (2010).


Review. #28 (2011).

Tolkien Studies: An Annual Scholarly

Review. #8 (2011).


28.1/2 (#107/108) (2009): 192-196.

Tolkien Studies: An Annual Review.

Volume 6 (2009).

Crowe, Edith L. Mythlore 27.3/4

(#105/106) (2009): 186-188.

Forest-Hill, Lynn, ed. The Mirror

Crack’d: Fear and Horror in JRR

Tolkien’s Major Works.

Crowe, Edith L. Mythlore 28.3/4

(#109/110) (2010): 179-183.

Skogemann, Pia. Where the Shadows

Lie: A Jungian Interpretation of

Tolkien’s The Lord of the Rings.

F

Fisher, Jason. Mythlore 29.1/2

(#111/112) (2010): 167-172.

Fimi, Dimitra. Tolkien, Race and

Cultural History.


(#105/106) (2009): 189-195.

Kane, Douglas Charles. Arda

Reconstructed: The Creation of the

Published Silmarillion.


(#101/102) (2008): 206-212.

Rateliff, John D. The History of The

Hobbit: Part One: Mr. Baggins;

Part Two: Return to Bag-End.


(#105/106) (2009): 175-181.

Segura, Eduardo and Thomas

Honegger, eds. Myth and Magic:

Art according to the Inklings.


(#103/104) (2008): 172-176.

Smith, Ross. Inside Language:

Linguistic and Aesthetic Theory in

Tolkien.


(#103/104) (2008): 179-184.

Tolkien, J.R.R. Tolkien On Fairy-

Stories. Expanded edition, with

Commentary and Notes by

Verlyn Flieger and Douglas A.

Anderson.


(#107/108) (2009): 175-179.

Young, Matthew. Projecting Tolkien’s

Musical Worlds: A Study of

Musical Affect in Howard Shore’s

Soundtrack to Lord of the Rings.

Foster, Mike. Mythlore 30.1/2

(#115/116) (2011): 189-192.

Fisher, Jason, ed. Tolkien and the

Study of His Sources: Critical

Essays.

G

GoodKnight, Glen. Mythlore 27.3/4

(#105/106) (2009): 167-168.

Tolkien, Hilary. Black & White Ogre

Country: The Lost Tales of Hilary

Tolkien.

Gray, Bill. Mythlore 27.3/4

(#105/106) (2009): 159-166.

Harriman, Lucas H., ed. Lilith in a

New Light: Essays on the George

Macdonald Fantasy Novel.

H Healy, Kim Coleman. Mythlore

28.3/4 (#109/110) (2010): 199-202.

Barkley, Christine. Stephen R.

Donaldson and the Modern Epic

Vision.

Hobbs, Priscilla. Mythlore 29.1/2

(#111/112) (2010): 180-183.

Perlich, John and David Whitt, eds.

Millennial Mythmaking: Essays on

the Power of Science Fiction and

Fantasy Literature, Films and

Games.

Huttar, Charles A. Mythlore 29.3/4

(#113/114) (2011): 192-195.

Caldecott, Stratford and Thomas

Honegger. Tolkien’s The Lord of

the Rings: Sources of Inspiration.

K

Kane, Douglas C. Mythlore 29.3/4

(#113/114) (2011): 180-186.

Thomas, Jeffrey E. and Franklin G.

Snyder, eds. The Law and Harry

Potter.

Kondratiev, Alexei. Mythlore 27.1/2

(#103/104) (2008): 165-67.

Lambdin, Laura Cooner and Robert

Thomas Lambdin, eds. Arthurian

Writers: A Biographical

Encyclopedia.

M

McLaren, Scott. Mythlore 30.3/4

(#117/118): 147-150.

Gaarden, Bonnie.The Christian

Goddess: Archetype and Theology in

the Fantasies of George MacDonald.

Mills, Alice. Mythlore 27.1/2

(#103/104) (2008): 177-79.

Winnington, G. Peter. The Voice of the

Heart: The Working of Mervyn

Peake’s Imagination.

Moniz, Emily A. Mythlore 29.1/2

(#111/112) (2010): 183-186.

Eden, Bradford Lee. Middle-earth

Minstrel: Essays on Music in

Tolkien.

An Index to Mythlore Supplement: Issues 101/102 through 113/114

32 Mythlore Index supplement volume 26.3/4 through 30/1.2

O

Oberhelman, David D. Mythlore

30.3/4 (#117/118): 153-155.

Chen, Fanfan, and Thomas

Honegger, eds.Good Dragons are

Rare: An Inquiry into Literary

Dragons East and West.


28.3/4 (#109/110) (2010): 198-199.

Gray, William. Death and Fantasy:

Essays on Philip Pullman, C.S.

Lewis, George MacDonald, and R.L.

Stevenson.


29.1/2 (#111/112) (2010): 186-188.

Prinzi, Travis. Harry Potter and

Imagination: The Way Between

Two Worlds.

Ordway, Holly. Mythlore 30.3/4

(#117/118): 168-170.

Khoddam, Salwa. Mythopoeic Narnia:

Memory, Metaphor, and

Metamorphosis in The Chronicles of

Narnia.

R

Rateliff, John D. Mythlore 28.1/2

(#107/108) (2009): 167-171.

Anderson, Douglas A., ed. Tales

Before Narnia: The Roots of Modern

Fantasy and Science Fiction.


(#103/104) (2008): 161-164.

Blaxland-de Lange, Simon. Owen

Barfield: Romanticism Comes of

Age: A Biography.


(#107/108) (2009): 186-191.

Himes, Jonathan, et al., eds. Truths

Breathed Through Silver: The

Inklings’ Moral and Mythopoeic

Legacy.


(#101/102) (2008): 212-215.

Sturgis, Amy H., ed. Past Watchful

Dragons: Fantasy and Faith in the

World of C.S. Lewis.

Rodgers, Amy S. Mythlore 30.3/4

(#117/118): 155-9.

Barfield, Steven, and Katharine Cox,

eds. Critical Perspectives on Philip

Pullman’s His Dark Materials:

Essays on the Novels, the Film and

the Stage Productions.

S

Schweitzer, Darrell. Mythlore

27.3/4 (#105/106) (2009): 173-174.

Szumskyj, Benjamin, ed. Fritz Leiber,

Critical Essays.

Sims, Harley J. Mythlore 30.3/4

(#117/118): 159-168.

Adams, Michael, ed. From Elvish to

Klingon: Exploring Invented

Languages.


(#115/116) (2011): 176-181.

Kerry, Paul E., ed. The Ring and the

Cross: Christianity and The Lord

of the Rings.


(#113/114) (2011): 187-191.

Knight, Stephen. Merlin: Knowledge

and Power Through the Ages.


(#111/112) (2010): 176-179.

Okrent, Arika. In the Land of Invented

Languages.

Sturgis, Amy H. Mythlore 27.3/4

(#105/106) (2009): 171-172.

Koontz, K. Dale. Faith and Choice in

the Works of Joss Whedon.

T Tuerk, Richard. Mythlore 28.3/4

(#109/110) (2010): 183-186.

Schwartz, Evan I. Finding Oz: How L.

Frank Baum Discovered the Great

American Story.

W

West, Richard C. Mythlore 30.1/2

(#115/116) (2011):174-176.

Lewis, C.S., edited with an

Introduction by A.T. Reyes. C.S.

Lewis’s Lost Aeneid: Arms and the

Exile.

White, Donna R. Mythlore 29.3/4

(#113/114) (2011): 195-198.

Oziewicz, Marek. One Earth, One

People: The Mythopoeic Fantasy

Series of Ursula K. Le Guin, Lloyd

Alexander, Madeleine L’Engle, and

Orson Scott Card.

Williams, Don T. Mythlore 27.3/4

(#105/106) (2009): 168-171.

Beversluis, John. C.S. Lewis and the

Search for Rational Religion.

Revised and updated.


Review Index by Item Rev iewed Sorted by author of reviewed item, or title for corporate works.

Main entries in bold face.

See and See also references are provided for co-authors, editors, directors, illustrators, etc.

A

Adams, Michael, ed. From Elvish to

Klingon: Exploring Invented

Languages.


(#117/118): 159-168.

Anderson, Douglas A., ed. Tales

Before Narnia: The Roots of

Modern Fantasy and Science

Fiction.

Rateliff, J.D. Mythlore 28.1/2

(#107/108) (2009): 167-171.

Anderson, Douglas A. See also

Tolkien, J.R.R., Tolkien On Fairy-

Stories

Ashenden, Gavin. Charles

Williams: Alchemy and

Integration.


(#101/102) (2008): 203-206.

Auxier, Randall E. and Phillip S.

Seng, eds. The Wizard of Oz and

Philosophy: Wicked Wisdom of

the West.

Berman, R. Mythlore 30.1/2 (#115/116)

(2011): 171-173.

B

Barfield, Owen. Eager Spring.


(#105/106) (2009): 196-198.

Barfield, Owen. Night Operation.


(#105/106) (2009): 196-198.

Barfield, Steven, and Katharine

Cox, eds. Critical Perspectives

on Philip Pullman’s His Dark

Materials: Essays on the Novels,

the Film and the Stage

Productions.

Rodgers, Amy S. Mythlore 30.3/4

(#117/118): 155-9.

Barkley, Christine. Stephen R.

Donaldson and the Modern Epic

Vision.

Healy, K.C. Mythlore 28.3/4

(#109/110) (2010): 199-202.

Beversluis, John. C.S. Lewis and the

Search for Rational Religion

Revised and updated.

Williams, D.T. Mythlore 27.3/4

(#105/106) (2009): 168-171.

Blaxland-de Lange, Simon. Owen

Barfield: Romanticism Comes of

Age: A Biography.


(#103/104) (2008): 161-164.

Bogstad, Janice M., and Philip E.

Kaveny, eds.Picturing Tolkien:

Essays on Peter Jackson’s The

Lord of the Rings Film Trilogy.


(#117/118): 151-152.

Bray, Susan and Richard Sturch.

Charles Williams and his

Contemporaries.


(#111/112) (2010): 172-176.

C

Caldecott, Stratford and Thomas

Honegger. Tolkien’s The Lord

of the Rings: Sources of

Inspiration.

Huttar, C.A. Mythlore 29.3/4

(#113/114) (2011): 192-195.

Chen, Fanfan, and Thomas

Honegger, eds.Good Dragons

are Rare: An Inquiry into

Literary Dragons East and West.


30.3/4 (#117/118): 153-155.

Croft, Janet Brennan, ed. Tolkien

and Shakespeare: Essays on

Shared Themes and Language.

Auger, E.E. Mythlore 26.3/4

(#101/102) (2008): 199-201.

D

Davidman, Joy. Out of My Bone:

The Letters of Joy Davidman.

Ed. Don W. King.


(#109/110) (2010): 186-190.

E

Eden, Bradford Lee. Middle-earth

Minstrel: Essays on Music in

Tolkien.

Moniz, E.A. Mythlore 29.1/2

(#111/112) (2010): 183-186.

F

Fastitocalon: Studies in

Fantasticism Ancient to Modern

Volume 1.1 (2010).

Croft, J.B. Mythlore 29.1/2 (#111/112)

(2010): 188-191.

Fastitocalon: Studies in

Fantasticism Ancient to Modern.

Volume 1.2 (2010).


(2011): 182-189.

Fimi, Dimitra. Tolkien, Race and

Cultural History.

Fisher, J. Mythlore 29.1/2 (#111/112)

(2010): 167-172.

Fisher, Jason, ed. Tolkien and the

Study of His Sources: Critical

Essays.

Foster, M. Mythlore 30.1/2 (#115/116)

(2011): 189-192.



Flieger, Verlyn. See Tolkien, J.R.R.

Forest-Hill, Lynn, ed. The Mirror

Crack’d: Fear and Horror in JRR

Tolkien’s Major Works

Crowe, E.L. Mythlore 27.3/4

(#105/106)(2009): 186-188.

Frankel, Valerie Estelle. From Girl

to Goddess: The Heroine’s

Journey through Myth and

Legend.


(2011): 168-171.

G

Gaarden, Bonnie. The Christian

Goddess: Archetype and

Theology in the Fantasies of

George MacDonald.

McLaren, Scott. Mythlore 30.3/4

(#117/118): 147-150.

Goodwin, Tali, and Marcus

Katz.Abiding in the Sanctuary:

The Waite-Trinick Tarot: A

Christian Mystical Tarot (1917–

1923).


(#117/118): 171-172.

Grahame, Kenneth. Ed. Annie

Gauger. The Annotated Wind in

the Willows.


(2009): 182-186.

Grahame, Kenneth. Ed. Seth Lerer.

The Wind in the Willows: An

Annotated Edition.


(2009): 182-186.

Gray, William. Death and Fantasy:

Essays on Philip Pullman, C.S.

Lewis, George MacDonald, and

R.L. Stevenson.

Oberhelman, D.D. Mythlore 28.3/4

(#109/110) (2010): 198-199.

H

Hares-Stryker, Carolyn. The

Illustrators of The Wind in the

Willows, 1908-2008.


(2009): 182-186.

Harriman, Lucas H., ed. Lilith in a

New Light: Essays on the George

Macdonald Fantasy Novel.

Gray, B. Mythlore 27.3/4 (#105/106)

(2009): 159-166.

Himes, Jonathan, et al., eds. Truths

Breathed Through Silver: The

Inklings’ Moral and Mythopoeic

Legacy.


(#107/108) (2009): 186-191.

Honegger, Thomas See also

Caldecott, Stratford, and Segura,

Eduardo.

J

Journal of Inklings Studies. Volume

1.1 (March 2011).


(2011): 182-189.

K

Kane, Douglas Charles. Arda

Reconstructed: The Creation of

the Published Silmarillion


(2009): 189-195.

Kerry, Paul E., ed. The Ring and the

Cross: Christianity and The

Lord of the Rings.

Sims, H.J. Mythlore 30.1/2 (#115/116)

(2011):176-181.

Khoddam, Salwa. Mythopoeic

Narnia: Memory, Metaphor, and

Metamorphosis in The

Chronicles of Narnia.

Ordway, Holly. Mythlore 30.3/4

(#117/118): 168-170.

King, Don W. Hunting the Unicorn:

A Critical Biography of Ruth

Pitter.


(#103/104) (2008): 167-171.

King, Don W., ed. See Davidman,

Joy.

Koontz, K. Dale. Faith and Choice in

the Works of Joss Whedon.

Sturgis, A.H. Mythlore 27.3/4

(#105/106) (2009): 171-172.

Knight, Stephen. Merlin: Knowledge

and Power Through the Ages.

Sims, H.J. Mythlore 29.3/4 (#113/114)

(2011): 187-191.

L

Lambdin, Laura Cooner and Robert

Thomas Lambdin, eds.

Arthurian Writers: A

Biographical Encyclopedia.

Kondratiev, A. Mythlore 27.1/2

(#103/104) (2008): 165-67.

Lewis, C.S., and A.T. Reyes, ed. C.S.

Lewis’s Lost Aeneid: Arms and

the Exile.

West, R.C. Mythlore 30.1/2 (#115/116)

(2011):174-176.

M

MacSwain, Robert and Michael

Ward, eds. The Cambridge

Companion to C.S. Lewis.

Bassham, G. Mythlore 29.3/4

(#113/114) (2011): 178-180.

Miller, Laura. The Magician’s Book:

A Skeptic’s Adventures in

Narnia.


(#107/108) (2009): 172-175.

Miller, Ryder W., ed. From Narnia

to a Space Odyssey: The War of

Ideas between Arthur C. Clarke

and C. S. Lewis.


(#105/106) (2009): 181-186.

N

North Wind: A Journal of George

MacDonald Studies. #29 (2010).

Croft, Janet Brennan. Mythlore 30.3/4

(#117/118): 183-187.



O

Okrent, Arika. In the Land of

Invented Languages.

Sims, H.J. Mythlore 29.1/2 (#111/112)

(2010): 176-179.

Oziewicz, Marek. One Earth, One

People: The Mythopoeic Fantasy

Series of Ursula K. Le Guin,

Lloyd Alexander, Madeleine

L’Engle, and Orson Scott Card.

White, D.R. Mythlore 29.3/4

(#113/114) (2011): 195-198.

P Peake, Mervyn. Collected Poems.

Bratman, D. Mythlore 28.3/4

(#109/110) (2010): 190-192.

Pease, Donald E. Theodor SEUSS

Geisel.


(#111/112) (2010): 192-195.

Perlich, John and David Whitt, eds.

Millennial Mythmaking: Essays

on the Power of Science Fiction

and Fantasy Literature, Films

and Games.

Hobbs, P. Mythlore 29.1/2 (#111/112)

(2010): 180-183.

Phelpstead, Carl. Tolkien and Wales:

Language, Literature, and

Identity.

Brown, Sara. Mythlore 30.3/4

(#117/118): 173-182.

Poston, Carol, ed. The Making of a

Mystic: New and Selected

Letters of Evelyn Underhill.


(#115/116) (2011): 163-168.

Prinzi, Travis. Harry Potter and

Imagination: The Way Between

Two Worlds.

Oberhelman, D.D. Mythlore 29.1/2

(#111/112) (2010): 186-188.

R

Rateliff, John D. The History of The

Hobbit: Part One: Mr. Baggins;

Part Two: Return to Bag-End


(2008): 206-212.

S Sammons, Martha. War of the

Fantasy Worlds: C.S. Lewis and

J.R.R. Tolkien on Art and

Imagination.


(#113/114) (2011): 198-200.

Schwartz, Evan I. Finding Oz: How

L. Frank Baum Discovered the

Great American Story.

Tuerk, R. Mythlore 28.3/4 (#109/110)

(2010): 183-186.

Schwartz, Sanford. C.S. Lewis on

the Final Frontier: Science and

the Supernatural in the Space

Trilogy.


(#109/110) (2010): 193-197.

Schweitzer, Darrell. The Fantastic

Horizon: Essays and Reviews.


(#109/110) (2010): 202-204.

Segura, Eduardo and Thomas

Honegger, eds. Myth and Magic:

Art according to the Inklings.


(2009): 175-181.


Review. Volume 27 (2010).

Croft, J.B.. Mythlore 30.1/2 (#115/116)

(2011): 182-189.


Review. #28 (2011).


(#117/118): 183-187.

Skogemann, Pia. Where the

Shadows Lie: A Jungian

Interpretation of Tolkien’s The

Lord of the Rings.

Crowe, E.L. Mythlore 28.3/4

(#109/110) (2010): 179-183.

Smith, Ross. Inside Language:

Linguistic and Aesthetic Theory

in Tolkien.


(2008): 172-176.

Snyder, Franklin G. See also Thomas,

Jeffrey E.

Sturch, Richard. See Bray, Susan

Sturgis, Amy H., ed. Past Watchful

Dragons: Fantasy and Faith in

the World of C.S. Lewis.


(#101/102) (2008): 212-215.

Szumskyj, Benjamin, ed. Fritz

Leiber, Critical Essays .

Schweitzer, D. Mythlore 27.3/4

(#105/106) (2009): 173-174.

T

Thomas, Jeffrey E. and Franklin G.

Snyder, eds. The Law and Harry

Potter.

Kane, D.C. Mythlore 29.3/4 (#113/114)

(2011): 180-186.

Tolkien, Hilary. Black & White Ogre

Country: The Lost Tales of

Hilary Tolkien.

GoodKnight, G. Mythlore 27.3/4

(#105/106) (2009): 167-168.

Tolkien, J.R.R. Tolkien On Fairy-

Stories. Expanded edition, with

Commentary and Notes by

Verlyn Flieger and Douglas A.

Anderson.


(2008): 179-184.

Tolkien Studies: An Annual Review.

Volume 6.


(2009): 192-196.

Tolkien Studies: An Annual

Scholarly Review. Volume 7

(2010).


(2011): 182-189.



Tolkien Studies: An Annual

Scholarly Review. #8 (2011).


(#117/118): 183-187.

V

Van Leewen, Mary Stewart. A

Sword Between the Sexes.


(#113/114) (2011): 173-178.

Versluis, Arthur, et al., eds.

Esotericism, Art, and

Imagination.

Auger, E.E. Mythlore 28.1/2

(#107/108) (2009): 180-182.

VII. See Seven.

W

Ward, Michael. Planet Narnia: The

Seven Heavens in the

Imagination of C.S. Lewis.


(#103/104) (2008): 157-161.

Ward, Michael. See also MacSwain,

Robert.

Whitt, David. See John Perlich

Whittingham, Elizabeth A. The

Evolution of Tolkien’s

Mythology: A Study of the

History of Middle-earth.


(#101/102) (2008): 201-203.

Winnington, G. Peter. The Voice of

the Heart: The Working of

Mervyn Peake’s Imagination.

Mills, A. Mythlore 27.1/2 (#103/104)

(2008): 177-79.

Y

Young, Matthew. Projecting

Tolkien’s Musical Worlds: A

Study of Musical Affect in

Howard Shore’s Soundtrack to

Lord of the Rings.


(2009): 175-179.

Mythlore Issue Checklist

Whole

#

Volume

#

Issue

# Date

# of

pages

Special

Info

101/102 26 3/4 Spring/Summer 2008 222

103/104 27 1/2 Fall/Winter 2008 192

One color

page

105/106 27 3/4 Spring/Summer 2009 204

107/108 28 1/2 Fall/Winter 2009 200

109/110 28 3/4 Spring/Summer 2010 208 One color page

111/112 29 1/2 Fall/Winter 2010 202

Changed to new printer

113/114 29 3/4 Spring/Summer 2011 204

115/116 30 1/2 Fall/Winter 2011 196

117/118 30 3/4 Spring/Summer 2012 192

aann iinnddeexx ttoo mmyytthhlloorreelewis s use of modern fairy tales. mythlore 30.3/4 (#117/118):...

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