4 laws of media vortex
TRANSCRIPT
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HOW IS CULTURE LIKE AN INESCAPABLE
VORTEX?
In what sense are we
swept away by the
effects of technological
innovations?
How does the maelstrom
metaphor relate to
recent theories
concerning chaos andcomplexity?
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CHAOS THEORY: A BRIEF
INTRODUCTION
What exactly is chaos? Thename "chaos theory" comesfrom the fact that thesystems that the theory
describes are apparentlydisordered, but chaostheory is really about findingthe underlying order inapparently random data.
When was chaos firstdiscovered? The first trueexperimenter in chaos was ameteorologist, named
Edward Lorenz. In 1960, hewas working on the problemof weather prediction. He hada computer set up, with a setof twelve equations to model
the weather. It didn't predictthe weather itself. Howeverthis computer program didtheoretically predict what theweather might be.
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THE BUTTERFLY EFFECT.
The amount ofdifference in thestarting points ofthe two curves isso small that it is
comparable to abutterfly flappingits wings.
The flapping of a single butterfly's wingtoday produces a tiny change in thestate of the atmosphere. Over a periodof time, what the atmosphere actually
does diverges from what it would havedone. So, in a month's time, a tornadothat would have devastated theIndonesian coast doesn't happen. Ormaybe one that wasn't going to happen,does. (Ian Stewart, Does God PlayDice?
The Mathematics of Chaos, pg. 141)
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SCIENTIFIC RESEARCH SHOWS THAT THE BRAIN NEEDS THE
STIMULATION OF CHAOTIC DISEQUILIBRIUM IN ORDER TO
COMMUNICATE COMPLEX MEANING. But Electric
mediasuppress the
brain's abilityto do this,producing aresponse ofunfocusedfeelings andinattention todetail.
Under electric conditionsprint becomes a self-organizing structure that
continually governs theroles of all other mediathrough adjustments tocultural feedback.
Frank Zingrone http://projects.chass.utoronto.ca/mcluhan-studies/v1_iss3/1_3art3.htm
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We often ignore our environments, allowing them to fade into
the background and become invisible. How did McLuhan learn
to pay attention to the invisible environment of communication,
culture and technology?
How successful was he in teaching others to be aware of their
media environment?
The sailor in Poes story escapes from the maelstrom by using
his powers of observation, recognizing an orderly pattern
emerging from the turmoil of the whirlpool.
Can we do the same?
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1. ENHANCE/EXTEND
What human trait or
experience does the
medium enhance?
What is the intendedfunction of the medium or
technology? What does
it improve or make more
efficient? Does it extendpart of the human
body? One or more of the
senses?
Does it extend an aspect of
the human mind, such as
memory? Does it amplify
some human capabilityor augment some form of
human action? Does it
extend the individual,
the group or society?
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2. OBSOLESCE
What pre-existingtechnology, method,system, or medium
does this mediumobsolesce?
What older technologydoes the new medium
replace?W
hat does itrender unnecessary?What procedures does itshort-circuit or bypass?
What happens to the oldmedium that is renderedobsolescent? Does it
disappear entirely,become an art object, orfind a new niche?
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RETRIEVE
What technology, method,system or medium thatwas previouslyobsolesced or abandoned
does this mediumretrieve?
What archaic elementsare made relevant again?What previously
marginalized or repressedideas, practices orartifacts are brought to
the fore?
What aspects of the
prehistoric, ancient,medieval or early
modern world are revived?
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REVERSE
When fully utilized or
pushed to its extreme,
what will the medium
reverse into?
What effects will the
medium create that are
opposite to what was
originally intended?
What are the
contradictions inherent
in the technology? What
is the ecological impact?
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TELEVISION
Television enhances our ability to see and hear
across time and space, obsolesces older media
like radio (forcing them to reinvent themselves),
retrieves the hearth and campfire as the centre
for communal entertainment and reverses into
new forms of individual and societal isolation
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THE AUTOMOBILE
The automobile enhances our mobility, makes
the horse and buggy obsolescent, retrieves the
knight in armor and reverses into the traffic
jam.
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WORD PROCESSING
Word processingenhances our ability to
produce printed text, obsolesces the typewriter,
retrieves the scroll and the manuscript as open,
changeable text and reverses into oral
communication through word recognition and
speech synthesis software.
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enhances our ability to
obsolesces the
retrieves the
and reverses into
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THE MEDIUM IS THE MESSAGE?
McLuhan is especially insistent that an analysis of media
content is meaningless--misses the point--since it is the
medium which carries the lions share of the
communication. Simply put, the medium affects the body
and the psyche in relatively unconscious ways; thus it is
more powerful than the message, which largely appeals to
the conscious mind. In their Introduction to the EssentialMcLuhan, Eric McLuhan and Frank Zingrone write:
The perception of reality now depends upon the structure
of information. The form of each medium is associated with
a different arrangement, or ratio, among the senses, which
creates new forms of awareness. These perceptual
transformations, the new ways of experiencing that each
medium creates, occur in the user regardless of the
program content. This is what the paradox, "the medium is
the message," means. (3)
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Speaking of paradoxes, McLuhan was untroubled by them.
He reveled in paradox, much to the annoyance of his
critics. His method as a media critic was to launch what he
called "probes" and hope that when they landed they
would generate more light than heat. For example,
McLuhan illustrates the concept "the medium is the
message" as follows inU
nderstanding Media:The instance of the electric light may prove illuminating in
this connection. The electric light is pure information. It is
a medium without a message, as it were, unless it is used
to spell out some verbal ad or name. This fact,
characteristic of all media, means that the "content" of anymedium is always another medium. The content of writing
is speech, just as the written word is the content of print,
and print is the content of the telegraph. (151)