4 laws of media vortex

Upload: adriana-dascaleac

Post on 06-Apr-2018

217 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/3/2019 4 Laws of Media Vortex

    1/16

    HOW IS CULTURE LIKE AN INESCAPABLE

    VORTEX?

    In what sense are we

    swept away by the

    effects of technological

    innovations?

    How does the maelstrom

    metaphor relate to

    recent theories

    concerning chaos andcomplexity?

  • 8/3/2019 4 Laws of Media Vortex

    2/16

    CHAOS THEORY: A BRIEF

    INTRODUCTION

    What exactly is chaos? Thename "chaos theory" comesfrom the fact that thesystems that the theory

    describes are apparentlydisordered, but chaostheory is really about findingthe underlying order inapparently random data.

    When was chaos firstdiscovered? The first trueexperimenter in chaos was ameteorologist, named

    Edward Lorenz. In 1960, hewas working on the problemof weather prediction. He hada computer set up, with a setof twelve equations to model

    the weather. It didn't predictthe weather itself. Howeverthis computer program didtheoretically predict what theweather might be.

  • 8/3/2019 4 Laws of Media Vortex

    3/16

    THE BUTTERFLY EFFECT.

    The amount ofdifference in thestarting points ofthe two curves isso small that it is

    comparable to abutterfly flappingits wings.

    The flapping of a single butterfly's wingtoday produces a tiny change in thestate of the atmosphere. Over a periodof time, what the atmosphere actually

    does diverges from what it would havedone. So, in a month's time, a tornadothat would have devastated theIndonesian coast doesn't happen. Ormaybe one that wasn't going to happen,does. (Ian Stewart, Does God PlayDice?

    The Mathematics of Chaos, pg. 141)

  • 8/3/2019 4 Laws of Media Vortex

    4/16

    SCIENTIFIC RESEARCH SHOWS THAT THE BRAIN NEEDS THE

    STIMULATION OF CHAOTIC DISEQUILIBRIUM IN ORDER TO

    COMMUNICATE COMPLEX MEANING. But Electric

    mediasuppress the

    brain's abilityto do this,producing aresponse ofunfocusedfeelings andinattention todetail.

    Under electric conditionsprint becomes a self-organizing structure that

    continually governs theroles of all other mediathrough adjustments tocultural feedback.

    Frank Zingrone http://projects.chass.utoronto.ca/mcluhan-studies/v1_iss3/1_3art3.htm

  • 8/3/2019 4 Laws of Media Vortex

    5/16

    We often ignore our environments, allowing them to fade into

    the background and become invisible. How did McLuhan learn

    to pay attention to the invisible environment of communication,

    culture and technology?

    How successful was he in teaching others to be aware of their

    media environment?

    The sailor in Poes story escapes from the maelstrom by using

    his powers of observation, recognizing an orderly pattern

    emerging from the turmoil of the whirlpool.

    Can we do the same?

  • 8/3/2019 4 Laws of Media Vortex

    6/16

  • 8/3/2019 4 Laws of Media Vortex

    7/16

    1. ENHANCE/EXTEND

    What human trait or

    experience does the

    medium enhance?

    What is the intendedfunction of the medium or

    technology? What does

    it improve or make more

    efficient? Does it extendpart of the human

    body? One or more of the

    senses?

    Does it extend an aspect of

    the human mind, such as

    memory? Does it amplify

    some human capabilityor augment some form of

    human action? Does it

    extend the individual,

    the group or society?

  • 8/3/2019 4 Laws of Media Vortex

    8/16

    2. OBSOLESCE

    What pre-existingtechnology, method,system, or medium

    does this mediumobsolesce?

    What older technologydoes the new medium

    replace?W

    hat does itrender unnecessary?What procedures does itshort-circuit or bypass?

    What happens to the oldmedium that is renderedobsolescent? Does it

    disappear entirely,become an art object, orfind a new niche?

  • 8/3/2019 4 Laws of Media Vortex

    9/16

    RETRIEVE

    What technology, method,system or medium thatwas previouslyobsolesced or abandoned

    does this mediumretrieve?

    What archaic elementsare made relevant again?What previously

    marginalized or repressedideas, practices orartifacts are brought to

    the fore?

    What aspects of the

    prehistoric, ancient,medieval or early

    modern world are revived?

  • 8/3/2019 4 Laws of Media Vortex

    10/16

    REVERSE

    When fully utilized or

    pushed to its extreme,

    what will the medium

    reverse into?

    What effects will the

    medium create that are

    opposite to what was

    originally intended?

    What are the

    contradictions inherent

    in the technology? What

    is the ecological impact?

  • 8/3/2019 4 Laws of Media Vortex

    11/16

    TELEVISION

    Television enhances our ability to see and hear

    across time and space, obsolesces older media

    like radio (forcing them to reinvent themselves),

    retrieves the hearth and campfire as the centre

    for communal entertainment and reverses into

    new forms of individual and societal isolation

  • 8/3/2019 4 Laws of Media Vortex

    12/16

    THE AUTOMOBILE

    The automobile enhances our mobility, makes

    the horse and buggy obsolescent, retrieves the

    knight in armor and reverses into the traffic

    jam.

  • 8/3/2019 4 Laws of Media Vortex

    13/16

    WORD PROCESSING

    Word processingenhances our ability to

    produce printed text, obsolesces the typewriter,

    retrieves the scroll and the manuscript as open,

    changeable text and reverses into oral

    communication through word recognition and

    speech synthesis software.

  • 8/3/2019 4 Laws of Media Vortex

    14/16

    enhances our ability to

    obsolesces the

    retrieves the

    and reverses into

    ????????????????????

  • 8/3/2019 4 Laws of Media Vortex

    15/16

    THE MEDIUM IS THE MESSAGE?

    McLuhan is especially insistent that an analysis of media

    content is meaningless--misses the point--since it is the

    medium which carries the lions share of the

    communication. Simply put, the medium affects the body

    and the psyche in relatively unconscious ways; thus it is

    more powerful than the message, which largely appeals to

    the conscious mind. In their Introduction to the EssentialMcLuhan, Eric McLuhan and Frank Zingrone write:

    The perception of reality now depends upon the structure

    of information. The form of each medium is associated with

    a different arrangement, or ratio, among the senses, which

    creates new forms of awareness. These perceptual

    transformations, the new ways of experiencing that each

    medium creates, occur in the user regardless of the

    program content. This is what the paradox, "the medium is

    the message," means. (3)

  • 8/3/2019 4 Laws of Media Vortex

    16/16

    Speaking of paradoxes, McLuhan was untroubled by them.

    He reveled in paradox, much to the annoyance of his

    critics. His method as a media critic was to launch what he

    called "probes" and hope that when they landed they

    would generate more light than heat. For example,

    McLuhan illustrates the concept "the medium is the

    message" as follows inU

    nderstanding Media:The instance of the electric light may prove illuminating in

    this connection. The electric light is pure information. It is

    a medium without a message, as it were, unless it is used

    to spell out some verbal ad or name. This fact,

    characteristic of all media, means that the "content" of anymedium is always another medium. The content of writing

    is speech, just as the written word is the content of print,

    and print is the content of the telegraph. (151)