1910-1945. new and innovative in literature, in painting in music and other arts
TRANSCRIPT
Modern Era1910-1945
New and innovativeIn literature, In PaintingIn MusicAnd other arts
The Modernist movement was
Disillusionment with traditions that seemed to become no longer true or relatable
Caused by
Major changes in American life developed in an era filled with turbulence and trials
EXAMPLES?
What influenced it
Onset of WWI (called the Great War or War to end all wars) “turning point in American life, marking a loss of innocence and a strong disillusionment with tradition”
Prohibition Nineteenth Amendment Great Migration Immigration Act Great Depression
Historical influences
Fire at Triangle Shirtwaist company Sinking of the Titanic Influenza epidemic killed about 500,000
people in the US; 30 million worldwide Fixing of the World Series in 1919
Social influences
Development of the automobile Assembly line Radio Movies Advertising Air travel Explosion of popular heroes: Babe Ruth
Charles Lindbergh
Cultural changes
bold experimentation wholesale rejection of traditional themes and styles.
Result?
Emphasis on bold experimentation in style and form: reflected the separations of society
Rejection of traditional themes/subjects Sense of disillusionment and loss of faith in
American Dream Rejection of the ideal of a hero as infallible in
favor of a hero who is flaws and disillusioned but shows grace under pressure
Interest in the workings of the mind; expressed through new ways of telling story (stream of consciousness)
Elements of modernism
Modernist literature often conveys fragmentation
abrupt shifts in perspective, voice, and tone obscure symbols and images rather than
clear statements of meaning
What does it look like?
F Scott Fitzgerald Ernest Hemingway John Steinbeck T. S. Eliot (poet) Sherwood Anderson, Claude McKay (poet) Katherine Anne Porter Robert Frost (poet) Eugene O’Neill (playwright)
Who are the modernists?Novelists, short story writers, poets, playwrights
Order, sequence, and unity did not seem to the modernists to convey reality.
Instead, they emphasized discontinuity, discordance, and fragmentation as more representative of the modern experience.
Faced with making sense of fragments and intuiting connections left unstated, the reader of a modernist work is often said to participate in the creative work of making the poem or story, him or herself
Therefore it was not widely popular, called for more work by the reader (Norton Anthology of American Literature)
Disorderly conduct
Many modernists left the US to write abroad Particularly settled in France Called ex-patriots (ex-pats) Continued to write about American themes Believed European climate was more
conducive to their writing
Au Revoir, USA