16 | ruimtecaesuur | pose a question . . . | catalogue context

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First issued | 28 May 2016 Last update | Friday, 01 September 2017

space for urgent contemporary art

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Illustrations cover page: CD with printed information [ leporello ] | design Ramon de Nennie Front of the catalogue ‘terloopsMiddelburg’ | design Ramon de Nennie First illustration for ‘pose the question’ by Rinus Roepman

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Wat kunst nu doet in musea, de galerieën of in privé-collecties, is slechts een duizendste van hetgeen ze vroeger deed

in kerken, op pleinen en straten, voor de deugden en ondeugden van de mensen

What art now does in museums, galleries or in private collections, is only one-thousandth of what it used to do

in churches, in squares and streets, for the virtues and vices of the people.

Luciano Fabro

Italian plastic sculptor part of the arte povera movement

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page 06 page 08 page 18 page 32 page 34 page 36

content

context ‘POSE A QUESTION’ first part | THE NICHE PROJECT | 1998

second part | IN PASSING MIDDELBURG | 2005 - 2006 third & last part | POSE A QUESTION | 2016 – 2017

participants | POSE A QUESTION | 2016 – 2017 colophon

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ruimteCAESUUR open | every Friday & Saturday afternoon

from 2 until 5 o’clock Lange Noordstraat 67

NL-4331 CC Middelburg www.caesuur-posethequestion.nl

www.ruimtecaesuur.nu

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http://www.caesuur-posethequestion.nl/

http://www.ruimtecaesuur.nu/

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From the first day ( 1995 ) Willy van Houtum and I started ruimte-CAESUUR, we wanted to develop a program in the form of a trip-tych, with the aim to install artwork in the public space in the his-toric centre of Middelburg. Click here for more context [ in English ]. The first part ( 1997 ) was simply donating artworks by 14 visual ar-tists to Middelburg. The second part ( in passingMiddelburg | 2005 – ’06 ) was showing the city how artists partake the city mentally and physically. Thus adding another ‘map’ to the representation of the city. The third part, which is at hand now, is posing the city a number of questions which normally are not enquired. The difference with the previous parts is that we invited people with a variety of intellectual professions: writers, photographers, poets, architects, graphic designers, visual & performance artists, musicians, etc. from Holland, Belgium, Germany, Brazil, Great Britain and Spain. Also a group of students from UCR – Philosophy and Art & Design Track – wants to take part in this third stage; either with the de-sire to make an autonomous proposal or to collaborate with one of the professionals. The projects take place in the public space of Middelburg; the space of CAESUUR functions as a living archive in which the projects are represented. Click here for all individual projects. ‘Pose the question . . . ‘ opened with a video projection on the window of ruimtecAESUUR on the 1st of January 2017 at 00:00:01 by Núria Búfarull|Spain with parts of a highly controversial text by Oscar Wilde | The Preface. Click here for her video. A total of seven exhibitions will support ‘pose the question . . . ‘. The exhibition scheme of the complete program can be found here.

Middelburg | 1st publication date: March 2016 | Hans Overvliet

https://issuu.com/caesuur/docs/01_16_caesuur_pose_the_question_par


https://vimeo.com/198205715

http://www.caesuur.nu/website-projecten-stel-de-stad-vraag/

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Ever since my first visit to the city of Middelburg the thousands of empty niches caught my eye. Due to the Dutch Iconoclastic Fury which hit Middelburg on August 21 1566, as part of the Cal-vinistic revolution, most of the (Catholic ) statues were destroy-ed, leaving Middelburg with hundreds empty niches and at the same time submerged the Low Lands into ‘the word’. I came to the idea to reverse this iconoclastic fury by filling in those niches with art work of fourteen artists. On January 20 1997 – together with Ramon de Nennie – we started the pro-gram in our studio in the M.A.S. The Niche Project, a reversed iconoclastic fury was born. On May 22 1977 we illegally installed the art works at 5 o’clock in the morning. In 1998, the multiple-art magazine catalogus, issue #5 was dedicated to the project.

For the list of participating artists, see page 36.

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From left to right: Goof Remijn, Kees de Valk, Bregje de Heer, Peter Steutel, Ferry Zeelenberg († 2014 ), Harry Vandevliet, Margo, Hein Verwer, Rinus Roepman, Ramon de Nennie, Hans Overvliet [ photo Ko de Jonge ]

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Ko de Jonge | gates of paradise Gortstraat 36 [ Rijkswaterstaat ] Houtkaai 11 [ Algem. Zeeuwse Verzekering ] Maaisbaai | VOC-gebouw ] Singelstraat 11 [ S.P.D. ]

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Ramon de Nennie | Quattre Stagioni | Koorkerskstraat

Hans Overvliet | image-language / language-image brug uitgang Spuigatsluis

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Champagne breakfast after the installation of the works | May 22 1997 studio Ramon & Hans | GHL / MAS | Gravenstraat

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In 2005 Ramon de Nennie and I invited 16 artists to take part in ‘IN PASSING MIDDELBURG, city scapes & city lines’. The theme was to inform the inhabitants of Middelburg about how artists par-take the city mentally and physically. So Machteld van der Wijst designed the every-day-route she took for years by marking the street furniture, Harry Vandevliet gave away his secret route, Ko de Jonge did a mail-artist-pro-ject: ‘you have won . . . ‘. The composer Douwe Eisenga made a composition, based on the Groningse folksong ‘a farmer wants to visit his neighbour’, giving music to his daily walks, passing ruimteCAESUUR. Ramon the Nennie painted 14 paintings and attached them on the houses of his nearest friends, thus marking his history with the city, Peter Steutel marked the boundaries of the shopping centre by placing small information signs, stating ‘end of the touristic route’. Caroline Passenier installed hundreds of battens as a long rib-bon in the Lange Noordstraat with words that went through her mind, while biking the street on the way to her work. Hans Bommeljé established a communication line between Middelburg and his hometown Vlissingen by means of soup cans and a tiny rope. Philp Veurink gave shape to the route be-tween his formal gallery and Gallery ‘T’ using fragile ceramic leaves. Peter & Jan Hamer, Jan B. Kuipers and Peter Sijnke wrote some short stories and poems. Liesbeth Labeur on inter-net started a conversation with her fellow believers. Barbara Jean mowed patterns in the grass of the Maaisbaai on the spot the museum of Aldo van Eyck was projected, but was never built. Hans Overvliet turned Middelburg into a pedestal, by stic-king 100 names of victims made by the West in the Middle East on her curb stones. The results of the program were printed on large canvases, displayed in ruimteCAESUUr. On September 3, 2006 these can-vasses were shown in the public space at the Vismarkt during the presentation of the catalogue with the complete works. The following pages give you a broad selection of this part.

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Sample of City Lines

http://www.zefirrecords.nl/album/90466a60173b1ea8863/douwe-eisenga_rose-road-city-lines.html

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Cover catalogue ‘IN PASSING MIDDELBURG, city scapes & city lines’

[ LONELINESS ]

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Text that accompanied the presentation of the catalogue ‘IN PASSING

MIDDELBURG, city scapes & city lines’ Like every city, Middelburg has its cityscapes and city lines and their representations. Overground by means of the city map with its ex-tensive street patterns, its canals, its walking trails with or without specific themes, its public transport plan, etc. Hidden in the underground you’ll find its watercourses, its buried historical treasures from the past, its maps of the invisible infrastruc-ture like electricity cables, gas pipes, sewer system, internet, ect. Above these two systems the representations take shape in weather maps, no-fly zones, air pollution statistics, etc. In a virtual way Middelburg is represented by the history of the acti-ons of its inhabitants, their stories and pictures, preserved in its ar-chives and the internet, in the memory of its visitors, etc. In 2015 16 artists added their own ‘map’ to all these existing maps. The catalogue functions as the repository of their ideas, interven-tions and actions.

Hans Overvliet | September 2006

artist map

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Some words to ‘pose a question’ I feel a bit restrained in writing too much about my ideas about this stage as I wrote on the opening page. So, to serve this principal, perhaps it is in order to give away some of my sources that inspired me to come up with this idea and the time frame I wanted to execute the last stage. To begin with the latter: in 2017 Middelburg celebrates its 800th ‘birthday’. It seems a good idea to, instead of only looking back, to get into a conversation with ‘the city’, thus linking the past with the present and possibly the future. Of course depending on the questions the participants ask and the answers they get. As far as my inspiration goes: some years ago Machteld van der Wijst in Vlissingen hang a number of signs in the public space of Vlissingen with questions like ‘ARE YOU

BEING LOVED?’ or do you want me to ask that? I guess that you understand that this won-derful, poetic and vulnerable work doesn’t need any more words from my side.

Also Candy Chang is a great source of inspiration. By means of objects in the public space she invites people to think about their secrets, their wishes and thoughts and subsequently she challen-

ges people by means of ‘a question’ to share their secrets, their wishes, etc. with the rest of the world. After working in f.i. Nairobi, New Orleans, Johannesburg, Vancou-ver, New York, she came to the conclusion that – in spite of the technical progress – many people find it hard to get in contact with their neighbours and other residents. The key question for her and us: can artists and affiliated

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professionals, starting from their autonomous position acquire a legitimated position in the debate and the concrete shaping of the public space. Both with artworks, ideas and/or concepts. And at-tached to that: how to plan and shape the public space, in order to give it functions fit for a place for dialog, exchange of knowledge and encounter? I Wish This Was is a participatory public art project that explores the process of civic engagement. Inspired by the limited dynamics of community meetings where the loudest people ruled, as well as the volume of abandoned buildings, Chang posted thousands of “I wish this was ___” stickers on vacant buildings across New Orle-ans to invite residents to easily share their hopes for these spaces. The project allows residents to provide civic input on-site and ena-bles introverts like Chang to share just as much with their commu-nity. Infusing street art, urban planning, and ethnographic research, the project reveals the hopes, dreams and colourful imaginations across different neighbourhoods, challenges barriers to participa-tion, and provokes new insights for what ‘the city’ might yet become.

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Poetry Festival | Saturday afternoon, May 20, 2017 Coordination / organisation | Jan J.B. Kuipers & R.J. Swiers

With Jacoline Vlaander | Karel Leeftink | Theo Raats Anna Schenk | Juul Kortekaas | Johan Meesters Tijs van Bragt | Joop Buma | Marcel Koopman Jan J.B. Kuipers | Stefaan van den Bremt[Belgium]

In cooperation with Middelburg 800 the Amnesty International Student Group Middelburg Wij zijn de stad [ Facebook ] Dialoog Middelburg [ Facebook ] Art& Design Track | Sophie Krier | UCR Zeelandia Middelburg | Co-Incidence | CBK-Zeeland Cinema Middelburg [ Simon Blaas ] Knowledge partner of het Metamorfose Lokaal, an initiative by Sophie Krier | UCR

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Triptych of autonomous art in the public space of Middelburg #1 THE NICHE PROJECT, a reversed iconoclastic fury | 1997 Artists Goof Remijn, Kees de Valk, Bregje de Heer,

Peter Steutel, Ferry Zeelenberg († 2014 ), Harry Vandevliet, Margo, Hein Verwer, Rinus Roepman, Ramon de Nennie, Hans Overvliet, Philip Veuring, Anne-Marie van Sprang, Ko de Jonge

catalogus #5 LATE COMMENT ON THE NICHE PROJECT | 1998

Editors Hein Verwer, Harry Vandevliet, Kees de Valk, Ramon de Nennie, Hans Overvliet

#2 IN PASSING MIDDELBURG, city scapes & city lines 2005 – 2006

Artists Machteld van der Wijst, Peter & Jan Hamer, Peter Sijnke, Liesbeth Labeur, Ramon de Nennie, Hans Overvliet, Douwe Eisenga, Jan. J.B. Kuipers, Caroline Passenier, Harry Vandevliet, Bregje de Heer, Peter Steutel, Philip Veuring,Hans Bommeljé, Ko de Jonge, Barbara Jean Helm

Presentations 2005 - ruimteCAESUUR | 2006 – Vismarkt

Catalogue IN PASSING MIDDELBURG, city scapes & city lines ISBN 90-809432-2-3 Edition | 100 | numbered and singed

Design Caroline Passenier | Philipp Janssen ( Phoenix ) Ramon de Nennie ( publishing house decreet )

Texts Hans Overvliet

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teamCAESUUR 2016- 2017 Willy van Houtum | Hans Overvliet

Giel Louws | Dani Ploeger catalogue concept triptych:

©Hans Overvliet photo’s ©all artists logo ©Niek Hendrix lay-out Hans Overvliet

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the happy shareholders of CAESUUR | city of Middelburg Louws construction | Lab4Arch | Indigo Family Fund Hurgronje | SLAZ | ZagaZ lettering de Kattendijke / Drucker Stichting | Middelburg 800 de Drvkkery | Kloveniersdoelen de Teeken Akademie Middelburg voetbalvereniging Zeelandia [ Gerard & Frans ]

www.caesuur-posethequestion.nl www.ruimtecaesuur.nu

before you use any of the images or texts, please contact [email protected] beforehand

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Lange Noordstraat 67 4331 CC Middelburg

www.caesuur-posethequestion.nl|www.ruimtecaesuur.nu

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Where are my sisters? | work in progress | 2016 – 2017 ©Elis Vermeulen

Questioning the eroded partnerships between Middelburg and her so called sister cities Nagasaki, Folkestone,

Vilvoorde & Glogow Elderberry plants to be planted in winter 2017

in the public space of Middelburg text and pictures in the archive

of ‘pose the question’ | spaceCAESUUR



16 | ruimtecaesuur | pose a question . . . | catalogue context

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