13: adventures in archaeology august 2010 - past horizons

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  • 8/9/2019 13: Adventures in Archaeology August 2010 - Past Horizons

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    Adve ntur e s in Ar cha e ol ogy August 2010Past Hori zonsO n l i n e J o u r n a l

    o f v o l u n t e e ra r c h a e o l o g y

    a n d t r a i n i n g

    er it age E du ca ti on Co mmu ni ty B ui ld ing

    Dig Diary J u ni o r A rc h ae o lo g is t s P as s ag e G r av e

    Shiel ings: Life in the High Pastures

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    20Wallingford

    With only limited display and storage space the Wallingford

    museum in England made plans to build a timber frame extension

    to their existing medieval building. In order to fulfil that dream,

    the townsfolk of Wallingford joined ranks to raise the necessaryfunds to give their museum a whole new leas e of l ife.

    Issue 13

    August 2010

    Editors:

    Felicity Donohoe

    Maggie Struckmeier

    Layout:

    Maggie Struckmeier

    GraphicsDavid Connolly

    Past Horizons

    Traprain House

    Luggate Burn

    Haddington

    East Lothian

    EH41 4QA

    Tel: +44 (0)1620 861643

    Email: [email protected]

    Web: www.pasthorizons.com

    Contributors:

    Stuart Dewey

    Judy Dewey

    Eulah Matthews

    Bill Neidinger

    Annie Evans

    Si Cleggett

    Fiona Baker

    George Nash

    Jane Summers

    Front cover:Jamie Humble, at 64, modelling

    t he s le e p ing p os s ib i l i t ie s at a

    c ir c u lar c e l l s t y le hu t at Al l t

    F e ar na, S c ot land

    Note

    Past Horizons can give no endorsement

    of any listed project or guarantee the

    accuracy of the information supplied.

    The editors accept no responsibility

    for any loss, injury, or inconvenience

    sustained by anyone using the resourcescontained within this magazine and/or

    the websites mentioned herein. When

    considering a project, be sure to contact

    the director with any questions you might

    have about conditions, travel, health

    issues, etc. Check for references from

    previous participants, seek advice where

    possible and select a project that will be

    of the greatest benefit to you, the project

    and the team.

    All content is copyright and no

    reproduction of text or images is

    allowed without prior permission

    from the author.

    Past Horizons 2010

    30Delancey Park

    Delancey Park on the island of Guernsey is a Neolithic gallery

    grave. One of only three in the Channel Islands, i t comprises

    two parallel l ines of stone that extend for around nine-and-a-half

    metres from east to we st, and this year Clifford Antiquarian Club

    began excavations on the site wi th some promising results .

    mailto://[email protected]://www.pasthorizons.com/mailto:[email protected]:[email protected]://www.pasthorizons.com/mailto://[email protected]
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    8 Project Archaeology

    An award-winning educational team

    from America expla ins why the use of

    archaeology is helping young people

    apprecia te the places and objects that

    def ine the past .

    C

    ontents

    38Lost?

    Children and teachers from Aboyne academy

    in Aberdeenshire, Scotland, adopt a variety of

    archaeological techniques to discover more about the

    small, abandoned settlement of Auchtavan.

    Regulars

    48Bylazora

    Follow the Texas Foundation for Archaeological and

    Historical Research in their quest to find Bylazora, the

    largest city of the Paionians, who occupied territory to the

    north of ancient Macedon. Find out how their third digging

    season is progressing through their weekly dig diary.

    DigDiary - Bylazora

    42Shielings

    Shielings played a significant part in the rural practices of the

    Highlands of Scotland until the 19th century. Archaeologist

    Fiona Baker explains where to locate them and describes

    their particular functions.

    5EditorialMaking way for change.

    6NewsStories from around the world.

    14Exhibition FocusAlexander the Great and Uneartheds

    ancient clay figures from East and West.

    28A Diggers LifeSi Clegget discusses children in history.

    47 ProfileFiona Baker.

    54Dig InCurrent excavation opportunities.

    56Dig CookCulinary escapades from Annie Evans.

    59 Viewpoint

    David Connolly on the benefits of teachingcultural heritage.

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    [email protected]

    www.aerial-cam.co.uk

    mailto:[email protected]://www.aerial-cam.co.uk/http://www.aerial-cam.co.uk/mailto:[email protected]
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    e

    dit

    oria

    l

    [email protected]

    WELCOME to the new edition of Past Horizons. This

    issue includes a couple of articles on the new and exciting

    steps educators are taking towards history, heritage and

    archaeology in both the United States and the United

    Kingdom. Archaeology is now included at some schools

    as a means to equip children with the skills to exploreheritage in a way that has never been presented to them before. The ability

    to think critically is a very powerful tool and one that is extremely useful

    when trying to uncover the truth about the past; after all , pseudo-archa eology is

    everywhere and most of us have been fooled by it at some ti me or another.

    The Indiana Jones movies and books such as The Da Vinci Code are mainly

    harmless fun but they can make fools out of people when they do not apply the

    basic tenets of archaeology, which are the presence of physical evidence and

    critical thinking. Believing in something is one thing, but proving a theory can

    be much harder and in the end is a much more satisfyi ng experience.

    How many archaeologists would deny they have been influenced by Erik von

    Danikens series of books, which carefully mix factual evidence with unsupported

    speculation leaving the reader with the impression that there must be some truth

    in what is written? It is usually with maturity of thought that the archaeologist

    is able to look back and dissect the supposed evidence leaving a less fanciful

    but more realistic pict ure of the past.

    When we first challenge established beliefs and question what we have previously

    accepted then the world appears a less certain place. However, the real evolution

    of humanity is extraordinarily diverse and colourful, and the ability to observe,

    investigate and use forensic analysis opens up a whole new way of viewing the

    world and allows for genuine archaeological advancement leaving less need

    to believe in pyramids built by aliens. Truth can be stranger than fiction, after

    a l l .

    Embracing change enables learning, and utilising the tools available in

    archaeology provides an excellent framework to assess any situation whether a

    news story or an accepted theory. The same is true when others scrutinise our

    own work and as archaeologists we have t o be as open to challenge as we are to

    challenging others.

    Change can always be a positive step and this is exactly the direction Past

    Horizons is taking. From next month, a new magazine format will be introduc ed

    to better deal with the ever-changing and fast-paced world of archaeological

    discovery. The quarterly flip-page magazine will make way for a rolling article

    based web system that will maintain the same high quality writing and images

    whilst responding instantl y to breaking news, bringing a better, more up-to-date

    service to our readers.

    mailto://[email protected]://[email protected]
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    new

    s

    EXPERTS have determined that the human remains discovered at

    Ridgeway Hil l , Weymouth, las t year are most l ikely of Scandinavian

    origin. Isotope analysis on the males , which included 51 decapitated

    skulls , shows that that the men had grown up in countr ies where the

    cl imate is colder than in Bri tain , with one individual thought to be

    from north of the Arctic Circle . Studies also found that the men had a

    high protein-based diet , comparable with known s i tes in Sweden.

    Samples taken from the teeth of 10 of the individuals have been painstakingly

    processed by Dr Jane Evans and Carolyn Chenery at the NERC Geosciences

    Laboratory, part of the British Geological survey, based in Nottingham. Evans

    and Chenery analysed the samples for strontium and oxygen, which reflect local

    geology and climate respectively, and carbon and nitrogen, which reflect diet.

    Together, these isotopes are a useful means of exploring where the indi viduals are

    most l ikely to have originated.

    Dr Evans said, Isotopes from

    drinking water and food are fixed

    in the enamel and dentine of teeth

    as the teeth are formed in early lif e.

    By completing a careful preparation

    and chemical separation process

    in the laboratory, the elements

    are extracted and their isotope

    composition can be measured.

    The extraordinary burial site wasdiscovered in June 2009 during

    Executed men were of Viking or igin

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    the earthwork operation for a relief road, and

    was excavated by Oxford Archaeology over

    the following months. The remains of bodies

    belonging to the skulls had been discarded

    haphazardly in another area of the same grave,

    which was a re-used quarry pit .

    Many of the executed men suffered multiple

    wounds to the skull and jaw as well as theupper spine, inflicted by a sharp-bladed

    weapon and thought to relate to the process of

    decapitation. Other wounds so far identified

    include a cut to the pelvis, blows to the chest

    and defensive injuries to the hands.

    Oxford Archaeology project manager David

    Score said, The find of the burial pit on

    Ridgeway was remarkable and got everyone

    working on site really excited. To find out

    that the young men executed were Vikings isa thrill ing development.

    Any mass grave is a relatively rare find, but

    to find one on this scale, from this period of

    history, is extremely unusual and presents an

    incredible opportunity to learn more about

    what is happening in Dorset at this t ime.

    Radio carbon dating placed the remains between AD910 and AD1030, and specialists are

    continuing to examine the remains to tr y to piece together the events surrounding the gruesome

    discovery.

    I f you are viewing this magazine on SCRIBD, then

    you wi l l not be able to see the video.

    You can view i t on ei ther the ful l f l ip page vers ion of

    the magazine:

    www.pas thor izons .com/magazine

    OR

    Here: http:/ /www.youtube.com/

    watch?v=3UVLG7j9zLA&NR=1

    Images courtesy of Oxford Archaeology

    http://www.pasthorizons.com/magazinehttp://www.youtube.com/watch?v=3UVLG7j9zLA&NR=1http://www.youtube.com/watch?v=3UVLG7j9zLA&NR=1http://www.youtube.com/watch?v=3UVLG7j9zLA&NR=1http://www.youtube.com/watch?v=3UVLG7j9zLA&NR=1http://www.pasthorizons.com/magazine
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    D ig d ir e c t or D . Bar r y Hob s on ( hand r ais e d in whit e s hir t ) , a r e t ir e d ge ne r al p r ac t it ione r , we lc ome s a gr ou p of v is i t or s t o t he

    e x c av at ion s it e . D r . Hob s on t ook a d e gr e e in Ar c hae ol ogy at Br ad f or d U niv e r s it y af t e r hi s r e t ir e me nt .

    Tip i p r oj e c t

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    CONFRONT ING THE

    CHALLENGE o f cultura l her i tage preservat ion

    IN TODAYS world, we face many challenges

    in negotiating multicultural landscapes, and

    to equip the next generation for this task, i t is

    necessary to provide them with an educational

    foundation that is grounded in a respect for social and cultural differences. The discipline

    of archaeology provides a useful tool to help

    insti l l a reverence for the places and objects that

    define our past , a respect for our shared cul tural

    heritage, and to emphasise the importance of

    protecting i t now and in t he future.

    Int e r ac t iv e s he lt e r mod u le s

    Images and text by the Project Archaeology Team

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    In the United States, the Archaeological

    Resources Protection Act (ARPA), amended

    in 1988, instructs Federal land managers to

    implement educational programmes to informthe public about the significance of cultural

    and archaeological resources on public

    lands and the need to protect them. Project

    Archaeology was founded two years later to

    employ education in the protection of cultural

    resources on publicly owned lands throughout

    the nation.

    Because the programme is designed to be

    delivered primarily by classroom teachers,

    all Project Archaeology educational materials provide ways for educators to teach science,

    social studies, language arts and mathematics,

    promoting citizenship, civic dialogue, and

    cultural understanding through the examination

    of heritage preservation issues.

    In 1990, the Bureau of Land Management

    (BLM), an agency within the United States

    Department of the Interior that administers the

    253 million acres of public lands, developed

    a new heritage education programme that

    would promote an appreciation of the nat ions

    cultural legacy. That same year, the America

    2000 Education Strategy called for Federal

    agencies to lead the way in promoting

    education objectives.

    Under the heading Project Archaeology, the

    BLM planned to develop a resource guide

    and comprehensive heritage educational programme for teachers and other youth

    educators, which would use a variety of

    activities to teach pupils about the science of

    archaeology and the stewardship of cultural

    resources. I t would also advance the goals of

    the America 2000 Education Strategy while

    promoting the protection of Americas cultural

    resources.

    In the late 1990s Project Archaeology

    sought out a partnership to help expand and

    maintain the programme, and Montana State

    W or k s hop p ar t ic ip ant s at a b u f f al lo j u mp s it e , Mont ana

    Project Archaeology now

    includes 28 state and

    regional programmes

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    University, a leader in conservation education

    programming, was selected. Operations were

    transferred to Bozeman, Montana, in 2001.

    Project Archaeology now includes 28 stateand regional programmes and has published

    a new curriculum, Project Archaeology:

    Investigating Shelter, for teachers and

    pupils in upper elementary grades. Since

    then, educators in 30 states have attended

    Project Archaeology in-service or pre-service

    workshops, reaching an estimated 225,000

    pupils each year. The curriculum guide

    has been distributed throughout the USA

    and several other countries, and has been

    adapted by various organisations, such as the

    Smithsonian Institution, for other uses.

    The primary means of distributing ProjectArchaeology curricular materials is through

    professional development workshops for

    teachers. The workshops offer a variety of

    engaging, hands-on experiences, and educators

    often have the opportunity to experience local

    archaeological sites and listen to special guest

    speakers. In Montana, for example, workshop

    participants vi sit stone circle an d buffalo jump

    sites, and in 2009, educators camped in tipis

    on the edge of the Little Big Horn Battlefield

    during Crow Native Days. Participants woketo bugle calls and the US Cavalry in full

    19th century uniform crossing the river on

    horseback headed to an annual re-enactment

    of the Battle of the Little Bighorn.

    In 2009 Project Archaeology launched its

    first online course. In partnership with the

    University of Utah and the Utah Museum of

    Natural History, the course offers teachers

    the opportunity to fit a workshop into their

    busy schedules, allowing them to log inand participate in the eight-week course on

    their own time. In addition, they can discuss

    implementation strategies with their peers,

    fulfil l ing a need for professional interaction

    and mutual support. Teachers have access to

    supplementary materials including regional

    investigations and historic

    photographs on our website,

    allowing them to localise

    the curricular materials,

    focusing on their specificregion. The response has been

    overwhelmingly positive and

    three online workshops are

    scheduled for 2010.

    Project Archaeology activities

    are hands-on, interactive, and

    engaging opportunities that

    both teachers and pupi ls enjoy

    and the experience leads to real

    learning. The new curriculum,

    Project Archaeology:

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    Investigating Shelter, focuses on how people

    lived long ago, and takes pupils through the

    processes of learni ng about a group of people

    from the objects and features they left behind.

    Pupils learn to think like archaeologists,

    using observation, inference, classification

    and context to piece together the puzzle of

    past l ifeways.

    Once pupils understand the basic skills,

    they apply them to a particular regionalinvestigation that emphasises their own local

    history. In each regional investigation, pupil s

    have the opportunity to meet a descendant

    who guides them through the investigation.

    The descendant representatives are integral

    to learning and demonstrate to the pupils

    that descendant communities have not

    vanished. There are currently eight regional

    investigations and we plan to add more in the

    future to ensure pupils have the opportunity

    to study their local history and environment.The final lesson exposes learners to the

    four different perspectives of developers,

    archaeologists, new home owners and

    descendant community members, and

    allows pupils to consider the implications

    of land use decisions. We hope that pupils

    develop understanding of social and cultural

    differences, and carry this experience with

    them into the future.

    The journey continues as Project Archaeology

    enters i ts 21st year. The organisation continuesto grow, and in 2010 and 2011 we will expand

    the online courses, explore new opportunities

    with informal science education, and continue

    to develop our network of educators and

    archaeologists.

    Many countries face the problem of looting

    and site destruction. These issues are vast and

    complex, but education has enormous value in

    confronting them, and instil l ing respect and

    understanding of the past in young peoplecan assist in protecting our cultural heritage.

    A programme like Project Archaeology that

    engages pupils in the past can foster the

    necessary sense of stewardship to help protect

    our cultural resources, now and in the future.

    P r o j e c t A r c h a e o l o g y r e c e n t l y w o n t h e A w a r d

    f o r Ex c e l l e n c e i n P ubl i c Educ a t i o n f r o m t h e

    S o c i e t y f o r A m e r i c a n A r c h a e o l o g y .

    S hawne e s it e s c ie nc e

    Pupi ls learn to think l ike

    archaeologists , us ing

    observat ion, inference,

    c lass i f icat ion and context to

    piece together the puzzle of past l i feways

    For more information on Project Archaeology:http://www.projectarchaeology.org

    Facebook: http ://www.facebook.com/home.php?#!/

    group.php?gid=325400120483&ref=ts

    http://www.projectarchaeology.org/http://www.facebook.com/home.php?#!/group.php?gid=325400120483&ref=tshttp://www.facebook.com/home.php?#!/group.php?gid=325400120483&ref=tshttp://www.facebook.com/home.php?#!/group.php?gid=325400120483&ref=tshttp://www.facebook.com/home.php?#!/group.php?gid=325400120483&ref=tshttp://www.projectarchaeology.org/
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    WHSWORK HARD OR STARVE

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    Alexander the Great wi l l be

    brought to l i fe next month atthe Hermitage Amsterdam,

    the f i rst t ime a Dutch museum

    has devoted an exhibit ion

    to the Macedonian King. The

    Immortal Alexander the Great

    charts the k ings journey to

    the East and explores the

    inf luence of Hel lenism through

    the last 2500 years , with over350 masterpieces inc luding the

    famous Gonzaga cameo f rom

    the State Hermitage Museum

    in St Petersburg.

    The exhibition presents several themes exploring the myths, reality and heritage

    of Alexander (356-323 BC) using art , terracotta figurines, papyrus, tapestry and

    various multimedia. Born in 356 BC as the son of King Philip II of Macedonia,

    Alexander was taught by Aristotle who

    had a lasting influence. At just 20-years-

    old he succeeded his father and two years

    later embarked on the great expedition

    that would assure his fame, taking him to

    Syria, Egypt, Persia, Bactria and India.

    His presence in these regions had a lasting

    impact on architecture, art , language and

    culture, and over time they displayed Greek

    influences in a process that became knownas Hellenism.

    Exploring the myths of Alexander, this

    part of the exhibition use s images from the

    seventeenth to the nineteenth centuries and

    decorative arts display his heroic deeds

    and conquests, with paintings by Pietro

    Antonio Rotari and Sebastiano Ricci, and

    a tapestry depicting The Family of Darius

    before Alexander the Great.

    exhibition

    foc

    us

    The Im mort al Alexander the Great

    Ar c hit e c t u r al e le me nt wit h l ion s he ad ( me t op e )Par t hia. 2nd c e nt u r y BC-1s t c e nt u r y AD

    Te r r ac ot t a, 25. 3 x 14. 4 c mAl l image s S t at e He r mit age Mu s e u m, S t Pe t e r s b u r g

    Re l ie f f r agme nt : Pe r s ian s old ie r f r om D ar iu s or Xe r x e s r oy al

    gu ar d . I r an. C. 500 BC. L ime s t one , 22. 3 x 20. 2 c m

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    Alexanders legacy is then explored

    through artefacts such as fourth-

    century reliefs from Palmyra

    demonstrating the endurance of

    Greek traditions outside Greece,

    along with papyruses bearing texts

    in Greek, which were stil l being produced in the ninth century.

    In the fifteenth and sixteenth

    centuries, he played a prominent

    role in Persian li terature in which

    he is known as Iskander. He is also

    recognisable in finely-executed

    miniatures. Bringing Alexander

    into the present day, photographer

    Erwin Olaf presents the king

    through a photographic series and

    short fi lm, skilfully conveying his

    character traits and features.

    Spanning 2500 years, the exhi bition

    reflects the international, t imeless

    appeal of Alexander the Great,

    depicting his l ife, legacy and

    relevance even in modern times,

    and runs from 18 September, 2010

    - 18 March, 2011 at the Hermitage

    Amsterdam.

    He ad of Mit hr id at e s

    VI E u p at or

    Pe r gamon. 90-80 BC

    F ine -gr aine d mar b lewit h y e l low t int

    h 38 c m

    An exploration of his l ife in Macedonia then examines

    his teachers, heroes and ideals, and also includes

    his Great Expedition to the East, his campaign of

    conquest lasting over 10 years, s upported by a 50,000-

    strong army. Objects from Egypt and Persia, fr om the

    nomads and the Babylonians, show the rich cultures

    he encountered on his travels, and can be traced by

    visitors using interactive maps and computers.

    Here, the exhibition also highlights the Greek influence

    on those cultures. Terracotta figurines depicting men

    and women, gods and satyrs, musicians and Eros, and

    stone fragments of architecture, testify to the artistic

    wealth that characterised the Hellenistic territories

    from the fourth century BC to the first few centuries

    AD. While many of these works reflect the Greek

    spirit of cheerfulness and playfulness, the Greeks also

    took an interest in the atypical, such as disabilit ies

    and deformities.

    Por t r ait s t u d y of a Pt ole maic k ing

    E gy p t . 3r d -1s t c e nt u r y BC

    Lime s t one , h 10. 5 c m

    HERMITAGE AMSTERDAM

    W: http://www.hermitage.nl

    E : [email protected]: Amstel 51, Amsterdam

    T: +31 (0)20 530 74 88

    http://www.hermitage.nl/mailto:[email protected]:[email protected]://www.hermitage.nl/
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    Unearthed, The latest

    exhibit ion f rom theSainsbury Centre for V isual

    Arts in Norwich, England,

    promises to impress

    vis i tors with i ts col lect ion

    of remarkable ancient c lay

    f igures, some 5000-years-old

    and drawn f rom two regions:

    Japan and the Balkans.

    The col lect ion at the

    Universi ty of East Angl ia has

    captured the imaginat ions

    of archaeologists and art ists

    al ike , explor ing the shape of

    the human form in miniature.

    Af fect ionately known as

    the Toy Department , the

    exhibit ion hopes to push the

    l imits of our understandingof ancient f igurines and

    encourages v iewers to

    think about their personal

    responses to the human

    form in miniature.

    The oldest expressions of human form are very small, and the making and keeping

    of small figurines is widely shared by certain human societies. In prehistoric Japan

    and the Balkans people had begun to explore new ways of identifying themselves,

    and figurines played an important role in showing how these pioneering villagers

    may have experienced the world and expressed thei r place within it . However, after

    a century of painstaking archaeological investigation, recording and interpretation,

    the figurines remain mysterious; some appear distinctly male or female whereas

    others are less identifiable , and do not look human at all . However, several theories

    for their purpose have been proposed. Some archaeologists focus on ritual and

    spiritual l ife as an explanation for the figurines, other interpretations suggest

    functions such as magical i tems, afterlife accessories, fertil i ty images, votive

    objects and initiation objects.

    ex

    hibition

    foc

    us

    Unearthed

    F igu r ine J ap an, F inal J mon Pe r iod - h. 19c m

    Rob e r t and Lis a S ains b u r y Col le c t ion

    U E A 1091, Phot o: J ame s Au s t in

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    J mon f igu r ine s and f r agme nt s

    f r om S annai Mar u y ama, J ap an

    Mid d le J mon Pe r iod Aomor i Pr e f e c t u r al Boar d

    of E d u c at ion

    Through sight and touch, these figurines provoke a number

    of responses in the viewer such as vulnerability, protection,

    excitement, fear, confusion and intimacy, and continue to

    make an impact in the present. The exhibition sits alongside

    contemporary artworks that invite visitors to understand and

    appreciate the objects in new ways, providing inspiration

    for contemporary artists working in a variety of media,

    from prints and drawings to animation and performance.

    The creators of these objects thousands of years ago

    attempted to convey some meaning through their figurines,

    and the contemporary works remind us of the spectrum of

    possibili t i es they embody.

    Unearthed is curated by Professor Douglass Bailey, San

    Francisco State Universit y; Dr Andrew Cochrane, University

    of East Anglia; Dr Simon Kaner, Sainsbury Institut e for the

    Study of Japanese Arts and Cultures, University of East

    Anglia, and developed by the Sainsbury Centre for Visual

    Arts. The research project is led by the Sainsbury Institutefor the Study of Japanese Arts and Cultures, University

    of East Anglia, and is funded by the Arts and Humanities

    Research Council.

    Japan: Over 18,000 clay figures, or dog (li terally spirit and clay) have nowbeen recorded from across Japan. Those featured in unearthed are from central and

    eastern Japan, from Sannai Maruyama, and the important historical coll ections from

    University Museum at the Uni versity of Tokyo.

    Sannai Maruyama, occupied from 4000-2500 BC, revealed over 1850 dog fr agments,

    and with their distinct ive cross-shaped bodies they are calle d slab-shape dog and

    cruciform dog. The features of their faces are depicted, incl uding eyes, eyebrows,

    noses (and even nostrils) mouths, and hair. Some are shown wearing ornaments,

    and all have breasts indicating that they represent women. The largest proportion

    of dog were found in a fragmentary state in the piled-earthen features which were

    important places for ritual practices, but other examples are complete.

    F igu r ine N ak amic hi , J ap an

    Mid d le J mon Pe r iod

    11. 5 x 6c m, N agaok a Mu nic ip al S c ie nc e

    Mu s e u m, J ap an

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    The University Museum, the University of Tokyo, holds approximately 450 pieces of dog

    dating to the Jmon period. A large part of this collection, kept by the museums Department

    of Anthropology and Prehistory, was made from the 1890s to the earl y 20th century, a period

    when anthropology and archaeology were being developed as scientific disciplines in Japan,

    and its historical value is significant. Among the dog displayed in unearthed, three are

    perhaps of particular interest. The shape of one (from Ikarigaseki, Aomori Prefecture, Final

    Jmon) attests to a stylistic transition from the famous goggle-eyed dog, while another

    (Tokoshinai, Aomori Prefecture, Middle-Final Jmon) shows a miniaturised representa tion of

    the typical fe atures of the goggl e-eyed dog. A third example ( Tozurasawa, Aomori Prefecture,Late Jmon) has a very rare shape that reminds us of a monkey.

    This is the first t ime that the University Museum, University of Tokyo has allowed any of

    these important objects to be displayed overseas.

    B alkan s: Farming, accompanied by pottery-making, first entered Europe from its region oforigin, the co-call ed Fertile Crescent of the Near East through Aantolia, modern-day Turkey,

    and across the Eastern Mediterranean. These early European farmers lived in villages and

    made small clay figures.

    The majority of the figures from this region

    in unearthed come from Romania, occupied

    early by farming groups who spread along t he

    Danube and its tr ibutaries. However, there

    are additional figurines from the Republic of

    Macedonia and Albania.

    The Republic of Macedonia was, until the

    1990s part of the former Yugoslavia, and

    some of the most remarkable clay figures

    from the entire Balkans come from this small,

    landlocked country. Most of the Macedonian

    figures appear to depict women and are often

    discovered near the hearth, and perhaps the

    most outstanding form is t hat of the body of a

    woman, wearing jewellery and with a splendid

    coiffure, fused on to the roof of the model o f

    a house. Over 20 examples of these Great

    Mother or Magna Mater figures are known.

    The exhibition includes the newly-discovered

    Portrait of an Eneolithi c Ancestor, excavated

    at the Shrine of St Atanesie. Unusually, thisfigurine was modelled on an the face of an

    adult male, his ears pierced for earrings made

    of some organic material.

    The Albanian figurines have not been shown

    outside of Albania until now. Under the

    aegis of the Universi ty of East Anglia, a new

    generation of archaeologists and cultural

    heritage specialist s have been trained and are

    bringing the treasures of Albanian cultural

    heritage into the 21st cent ury.

    Re p l ic a Anzab e gov o-Vr nik l l l , Mac e d onia

    5300 - 4200 BC-LN h. 39c mMu s e u m of Mac e d onia

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    Sainsbury Centre for Visual Arts

    University of East Angl ia

    Nor wich

    NR4 7TJ

    United Kingdom

    W: http://www.scva.org.uk

    T: 01603 593199

    E: [email protected]

    F igu r ine s and F r agme nt s f r om Cu c u t e ni , Romania, 4000 - 3500 BC, N at ional His t or y Mu s e u m of Romania

    With thanks to:

    Okada Yasuyuki, Sannai Maruyama site director, Sannai Maruyama

    Dr Matsuda Akira, The University Museum, the University of Tokyo

    Irena Kolistrkoska Nasteva, curator, Museum of Macedonia, Skopje, Republic of Macedonia

    Nada Andonovska, translator, Museum of Macedonia, Skopje, Republic of Macedonia.

    The exhibition will run from 22 June - 29 August 2010

    http://www.scva.org.uk/mailto:[email protected]:[email protected]://www.scva.org.uk/
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    Framing t h e Future w i t h

    Wall in gford MuseumW all ingf or d Mu s e u m ( F l int Hou s e )

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    FORMERLY IN Berkshire but now

    within the boundaries of Oxfordshire,

    the his tor ic town of Wall ingford

    originated in the 9th century as one of

    the two largest of Alfred the Greats

    planne d towns orburhs . The extensive

    Saxon ramparts and much of the Saxon

    street pat tern s t i l l survive, and par t

    of these banks surround a green openspace in the hear t of the town cal led

    the Kinecroft , providing the backdrop

    for Wall ingford Museum. The ful ly-

    accredited and independent local

    his tory museum is housed in a Grade

    II l is ted medieval t imber-framed

    building covered by a f l int faade,

    and is appropriately known as Flint

    House.

    By Judy and St uart De we y

    3D imp r e s s ion of F l int Hou s e wit h ne w a nne x e

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    Ae r ial v ie w of t he e ar t hwor k r e mains of W all ingf or d Cas t le ( f or e g r ou nd )

    Bu r h t o Bor ou gh c as t le e x c av at ions

    The idea for a local history museum was born

    out of the success of The Wallingford Histori cal

    & Archaeological Societ y (TWHAS) formed in1974. There was a need to display the results

    of excavations and to explain the rich story of

    the towns history from its Saxon origins to

    the Mediaeval period when Wallingford was

    the leading town of Berkshire, dominated by

    its huge royal castle. I t played an active part in

    the war between Stephen and Matilda, whichresulted in Matildas son, Henry II , granting

    its first Charter of Liberties in 1155.

    Wallingf ord is one of only four towns mentioned

    in Magna Carta in 1215. Among the castles

    many royal inhabitants were King John;

    Richard Earl of Cornwall, brother of Henry

    III; Edward the Black Prince and his wife;

    Henry Vs widow and her young son H enry VI

    with his guardian Owen Tudor, grandfather

    of Henry VII. During the 17th century CivilWar, Wallingford Castle was a major Royali st

    stronghold, and almost the last in the country

    to surrender after i t had held out successfull y

    against a 12-week siege by Parliamentary

    troops. It was eventually destroyed in 1652

    but the impressive earthworks stil l survive

    and are publicly accessible.

    The museum opened in 1981. Initially the

    galleries were only on the first floor with

    an attic store above and a ground floorentrance lobby from a side door. In 2005 we

  • 8/9/2019 13: Adventures in Archaeology August 2010 - Past Horizons

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    were offered the lease on the ground floor as

    well, so in the next year we reunited the two

    parts of the building and moved the entrance

    to the much more visible front door on the

    High Street. At the same time we became a

    charitable com pany.

    Despite its long and significant history,

    Wallingford has rarely been more than a

    footnote in most academic texts but with

    the Wallingford Burh to Borough Project,

    funded by the AHRC, things were to change.

    This three-year project is the result of

    collaboration between the Universities of

    Leicester, Exeter and Oxford, with practical

    excavation input and documentary research

    from TWHAS, and hosted locally by the

    museum. After the first season of geophysics

    and digging in 2008, TWHAS organised ahighly-successful conference and the papers

    given, with additional material, have been

    published as The Origins of the Borough of

    Wallingford Archaeological and Historical

    Perspectives. A second successful conference

    on Medieval Wallingford was organised

    last year on behalf of the Burh to Borough

    Project by Wallingford Museum and a third,

    Wallingford Castle in Context, is planned for

    October 9, 2010.

    Originally launched as part of the Burh

    to Borough Project but now with a life of

    i ts own is a garden archaeology project

    under the aegis of TWHAS. The intention

    is to dig test pits 1.5m by 1m and up to 1.2

    metres deep in 100 gardens scattered around

    the town. Each pit is fully excavated and

    recorded, finds removed and analysed, and

    provides a comprehensive picture of strata

    and occupation levels in different parts of the

    town. Whilst this technique has been used ina village situation, this is the first t ime it has

    been tried in an urban context. To date 30 pits

    have been excavated and reported.

    The museum has a vital role to play in

    the developing picture of the history of

    Wallingford, but there are future concerns to

    be addressed. Storage s pace for the collec tions

    has become a critical issue and we have been

    actively seeking a solution to this growingproblem for several years. The answer lies in

    the util isation of the open yard immediately

    behind Flint House, which is part of our

    lease. After a couple of false starts, we had

    a breakthrough in September last year when

    it was suggested that we build a traditional

    timber framed structure as a public spectacle

    on the Kinecroft a Festival of Traditional

    Skills and then crane the completed frames

    into position behind the nearby Flint House.

    It was an exciting idea.

    G ar d e n Ar c hae ology 2010

    Despite i ts long and

    signi f icant history ,

    Wal l ingford has rarely been

    more than a footnote in most

    academic texts

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    The building could be entirely independent

    of the listed building but would providetwo storeys of important display space

    and somewhere to address groups, adults

    and children, as well as providing a much-

    needed collections management area and

    archaeological workshop. A disabled WC

    and a second, ambulant WC, plus a covered

    activity area for outdoor events such as

    Family Archaeology Day, would complete the

    facili t ies. (See plan below.)

    Apart from the attraction of buil ding in green

    oak and its environmental attributes, there isa unique benefit to the proposed timber frame.

    Each frame will be constructed in a different

    style so that from west to east, the timber

    work (visible to visitors within the building)

    will tell the story of developing techniques

    from Mediaeval to Victorian, a kind of 12 to

    the foot scale model.

    It was proposed that we should work with The

    Carpenters Fellowship, the not-for-profit

    trade body that represents and sets standardsfor the structural t imber framing industry

    in the UK. They were also responsible for

    the construction of the Abingdon School

    Boathouse and the award-winning Northmoor

    Trust building at Little Wittenham.

    The Carpenters Fellowship had an available

    window in August which gave us a very tight

    schedule to design the building, get planning

    permission, cost i t and raise the funds.

    Preliminary plans were drawn up by Novemberand presented to our landlords, Wallingford

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    Town Council, who enthusiast ically embraced

    the idea and gave it the go-ahead. We held a

    private launch in our local hotel and prese nted

    the guests with an information pack sponsored

    by a l ocal print er.

    Detailed plans were completed and the

    planning application submitted in early

    January 2010. Nearly 300 people wrote to the

    District Council in support of the scheme,

    urging the planners to give it their permission,

    which was granted in mid-March. Meanwhile

    at a public launch in the Town Hall nearly 100

    people signed up in support of t he scheme and

    80 took away forms to sponsor beams in the

    proposed bui lding.

    Fund-raising for the target figure of 400,000

    has taken various forms. A series of lectureson the history of Wallingford raised over

    3000 and we received generous donations

    from private individuals. We have sold many

    of the 1500 10 (250mm) oak pegs which will

    hold the timber frame together structurally,

    and purchasers may have the opportunity to

    knock their pegs in while the frames are stil l

    on the ground. For children, we are hol ding acompetition for the best decorated peg.

    Individual t imber beams have been priced for

    sponsorship, ranging from a common rafter for

    25 to 2500 for the main west window, with

    lots of beams at around 250-500. Sponsors

    will have their names carved into the beamsby a local woodcarver. With items donated by

    local individuals and businesses, in April we

    held a grand auction which raised 7000 with

    5000 matched funding promis ed. At the same

    time, local woodland owners were contacted

    to ask them to donate oak trees to the project.

    The response was remarkable. We now have

    all the oak we need, around 70 trees in total,

    all sourced within a radius of 10 miles of the

    museum.

    The tree operation has also been a key

    educational tool. One of the museums

    education officers has been working with three

    local schools, each of which has adopted a

    wood nearby. Children have visited the sites

    and watched the felling in progress, and will

    follow through with a replanting scheme we

    are organising to replace the timber t aken out

    (much of which has been removed for thinning

    or because of dying trees).

    We have to date submitted nearly 200

    applications to grant-giving bodies but this

    is where our tight t imetable proved to be

    our temporary undoing. We discovered that

    many of the Trustees meet only once a year

    and decisions were being made too late for

    an August build. In the case of two major

    applications for which we had high hopes (a

    total of 150,000) we were unable to complete

    the applications in time because we couldnt

    get the required number of quotations for eachbudget i tem before the deadline.

    local woodland owners

    were contacted to ask them

    to donate oak trees to the

    project . The response was

    remark able. We now have

    al l the oak we nee d, around

    70 trees in total

    Pu b lic lau nc h in W all ingf or d t own hal l

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    In the end, we decided that the build eventwould have to be postponed for a year, so we

    are now looking at a September 2011 build.

    This does at least buy us time to raise more

    funds and complete the grant applications.

    The availability of The Carpenters Fellowship

    for next year is currently under review. If

    we are unable to use them, we will have to

    seek a timber-frame contractor, but one who

    is prepared to build the frame in public view

    and maintain the community involvement.Meanwhile, raising the funds is the key issue.

    Public support continues and we are stil l

    selling pegs and encouraging sponsorship of

    beams as well as pursui ng grant applications .

    Our next big fund-raising event will be on

    21 August, 2010, a Mediaeval fair on the

    Kinecroft. Attractions include a living history

    display, craft demonstrations and have-a-go

    opportunities, a pig roast, and much more.

    Further events are planned for the future.

    Despite the delay we are stil l fully committed

    to the project, which is crucial for a number

    of reasons. The volunteer-led scheme has

    fired imaginations and seems to have become

    something of a flagship for the community,

    recognising its key role in the economic

    viability of i ts future. The museum stil l

    desperately needs to expand for practical

    reasons (collections, better mobility access,space for larger groups etc.) but we also wish

    to seize the opportunity to enhance tourism for

    the good of the town as a whole, expanding our

    displays to put more emphasi s on Wallingford

    & the World featuring internationally famous

    locals l ike Agatha Christie, Jethro Tull and

    Judge Blackstone. The annexe will allow us

    to encompass all these things and continue

    honour the towns heritage, and with more

    support and funding we can make it happen in

    the coming yea r.

    How You Can He lp

    Sponsor a beam (and get your name carved on it ) :

    co nt act St uart De we y at [email protected]

    Mak e a do nat io n: http://www.justgiving.com/wal l ingfordmuseum

    Vis it our website http://www.wal l ingfordmuseum.org.uk for the latest news

    Vie w of t he K ine c r of t f r om t he mu s e u m

    F ind s was hing at t he mu s e u m

    mailto:[email protected]://www.justgiving.com/wallingfordmuseumhttp://www.wallingfordmuseum.org.uk/http://www.wallingfordmuseum.org.uk/http://www.justgiving.com/wallingfordmuseummailto:[email protected]
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  • 8/9/2019 13: Adventures in Archaeology August 2010 - Past Horizons

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    A DIGGERS L IFE Surfing for barrow ditches on waves of wet

    clay, fishing for Rome in urban puddles,

    chewing the metaphysical in the monumental,

    crawling deep below ground in search of

    l ight, negotiating with the dead or juggling

    with af ter l ives .. . Si Cleggett (a.k.a Troll) is

    a field archaeologist and loves it .

    IN MY LAST offer ing, I discussed the a lmost

    universal thirs t for shiny things and the bizarre

    hunger to re-establish the pr imacy of s ta tus .

    Perhaps this is a ref lec t ion of modern capita l ism and

    the loss of individual identi ty i n a l i fe dominated

    with the re lentless pursuit of socia l advancement.

    Paradoxical ly, physical manifesta t ions of perceived social dominance today may reflect a

    need to c l imb out of an individual identi ty and

    gain access to a socia l grouping we aspire to but

    interpre t in dif ferent ways.

    Modern archaeologists are consistently guil ty of

    making the assumption that the acquisi t ion of

    mater ia l goods in the distant past was an accepted

    vehic le to asser t ing individual posi t ion. By

    extension, this sa ted envy and signalled to peers

    that some transformation had taken place , thereby

    granting access to a niche where some wereseemingly promoted to a super ior s ta tus.

    Of course , mater ia l goods can equally be seen as

    tools , conta iners and necessary accoutrements for

    the perceived journeys into af ter l ives determined

    by social and cultural values, but a grave should

    not exclusively been seen as an opportunity for

    aggrandisement. Reading archaeology in this way

    is extraordinar i ly nave and archaeologists can

    often be guil ty of judging a book by i ts cover

    when others have the foresight to read the book

    f irs t .

    With this in mind, i t is possible to argue that

    children in prehistory a t least could be viewed

    as prest ige goods in the sense that they convey a

    far more profound manifesta t ion of socia l posi t ion

    than functional and a t trac t ive i tems placed

    within a bur ia l context . The stresses of weaning,

    childhood morta l i ty and bir th i tse lf would surely

    have presented something of a lot tery to socie t ies ,

    communit ies and cultures who would had re l iedupon reproduction for their very survival a lmost

    as much as food sources.

    Phil ippe Aris in his bookCenturies of Childhood

    cla imed that before the invention of childhood

    in the Victor ian per iod, chi ldren were simply

    percieved as small adults. This was expanded

    upon in The Making of the Modern Family by

    Edward Shorter who c la imed that in cer ta in

    socie t ies mothers viewed the development and

    happiness of infants with indifference on the

    basis of high mortality rates. In her bookA Distant MirrorBarbara Tuchman demonstrated

    that dur ing the Mediaeval per iod, an absence of

    interest in children and their perceived sta tus as

    unrewarding products prevailed.*

    As these histor ians have shown, i t is l ikely that

    for many cultures young children were of ten

    viewed in a pract ica l sense . However , his tor ical

    evidence a lso points to a deep emtional a t tachment

    of people to their chi ldren. For example , the

    diar is t John Evelyn and his wife lost s ix of e ight

    children in childhood and, af ter the death of hisoldest chi ld who died three days af ter his f i f th

    birthday in 1658, he wrote, Here ends the joy of

    my l ife . The wri ter Will iam Brownlow lost one

    child every year for seven years admitt ing that the

    tragedy hast broken me asunder and shaken me

    to pieces .

    The loss of a child in the ear ly modern era would

    be traumatic and emotional but in prehistory i t

    may have had other dimensions. The transi t ion

    in funerary pract ises f rom the Neoli thic to the

    Bronze Age in Cyprus could arguably be seenas the polar opposite of those recorded in the

    K af k al la Plat e au

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    Neo/Bronze transi t ion here in the Bri t ish Is les .

    In general terms, the Cypriot Neoli thic ( f rom

    7000 B.C) sees individual bur ia l within domestic

    contexts (under house f loors/hear ths e tc) and a

    move towards collec t ive bur ia l within chambered

    tombs dur ing the Bronze Age ( f rom 2500B.C).

    The communal and often chambered tombs of the

    Brit ish Neoli thic ( f rom 4000 B.C) give way to

    largely individual bur ia l in the Bronze Age ( f rom

    2500 B.C) .

    In 2004, I took par t in the excavation of an extensive

    Bronze Age cemetery complex in Deneia, Cyprus.

    These cemeter ies l ie to the south of the Ovgos

    valley and occupy around six hectares of the

    l imestone Kafkalla pla teaux. With over a thousand

    tomb shaf ts visible across the area , Deneia is the

    largest known Bronze Age bur ia l ground on the

    island. Throughout the twentie th century and

    even today, archaeologists working in Cyprus

    have paid l i t t le or no a t tention a t a l l to humanremains. Mater ia l goods and ceramic typologies

    have character ised the is lands prehistory and as

    a result i t was accepted that chi ldren were not

    a l located the same bur ia l space as adults dur ing

    the Bronze Age.

    I carr ied out a f ie ld assessment of the human

    remains f rom a single tomb (789) and established

    that i t conta ined a t least 46 individuals . This f igure

    vast ly outnumbered previously acknowledged

    Bronze Age tomb populat ions on the is land and

    it quickly became apparent that a s ignif icant proportion of the remains were actually sub-

    adult . After examination by an osteoarchaeologist

    i t turned out that 31 of the 46 individuals (67%)

    were sub-adult . Of these , 19 were foeta l to one

    year of age , e ight were young children (1-6 years) ,

    two were older children (7-12 years) and two were

    adolescents (13-18 years) . This small sample

    represents a mere 10% of the tomb chamber.

    Contrary to popular bel ief , i t seems that the infant

    and sub-adult skele tons do survive as well as

    those of adults , and unless excavators recognise

    human remains for what they are , another centuryof erroneous and wildly inaccurate publicat ions

    are inevitable .

    So what does a l l this mean? I t means that chi ldren

    were interred within the same bur ia l spaces as

    adults dur ing the Cypriot Bronze Age from at least

    2500 B.C to around 1125 B.C (Late Cypriot e IIIa)

    and that more adults occupied tombs than was

    previously understood. The abil i ty to produce

    viable offspr ing must have been fundamental to

    the very survival of prehistor ic communit ies . The

    proport ion of sub-adults within one small sampleof a s ingle tomb that was in use for perhaps over

    500 years suggests that the number of sub-adults

    who survived to adulthood must have been very

    much higher than bel ieved. Archaeologists rea l ly

    have l i t t le notion of the place of sub-adults within

    the dai ly l ives of prehistor ic communit ies and yet

    here a t least , in death, there is no major dist inct ion

    between them and adults.

    I f archaeologists accept the idea that Bronze

    Age communit ies in Cyprus had a developed and

    structured concept of af ter l ives, i t would fol low

    that sub-adults a lso had a place or a perceived

    role to play a lso, hence bur ia l in the same tomb

    spaces. Arguably, the abil i ty to produce children

    amongst the female members of socie ty may

    have resulted in an e levated sta tus within the

    community and children may have been viewed

    as prest ige achievements of these women: new

    members of the community to farm, hunt , produce

    goods and enr ich the fabr ic of socie ty for the

    future . Children were potentia l assets; pots werefor s tor ing and eat ing.

    A community that sees a place and a role for

    children in an af ter l i fe is hardly l ikely to devalue

    them dur ing l i fe , and on an is land subject to f lux,

    change and cultura l inf luence, the survival and

    viabil i ty of new members would have been vi ta l .

    For over a century, Bronze Age children have been

    playing hide and seek with archaeologists who

    have fa i led to grasp the concept that an essentia l

    part of the game is to search for them. It reallywas a once in a l i fe t ime exper ience to take par t in

    such an important excavation. With any luck the

    discovery of these remains wil l a l ter the way we

    view Bronze Age Cyprus and force a change in

    excavation stra tegies that wil l give a voice back

    to these invisible children.

    * Aris, Phil ippe, Centuries of Childhood: A

    Social History of Family Li fe (New York, 19 62)

    Shorter, Edward, The Making of the Modern

    Family (New York, 19 75)

    Tuchman, Barbara W., A Distant Mirror, 1978(New York, 1 978)

    Mu s e u m analy s is

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    Dela ncey Park

    SINCE the advent of a fully integrated planning process in the early 1990s,

    archaeology societies in the UK have found it increasingly difficult to

    organise and run excavation programmes. The view post PPG 16 (and

    now PPS 5*) has been to preserve, where possible in situ archaeological

    remains, in particular sites such as prehistoric burial-ritual monuments.

    Bearing this in mind, and the limited opportunities to excavate sites of this

    age and quality in Britai n, members of the Clifton Antiquarian Club, were

    delighted to excavate one of Guernseys premier prehistoric monuments,

    Delancey Park. Prior to this the last excavation on Guernsey of a Neolithic

    burial-rit ual monument was undertaken in 1979 at Les Fouill ages.

    by George Nash

    Excavating a Neol i thic Gal lery Grave on Guernsey

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    Ae r ial v ie w of D e lanc e y Par k s howing t he ongoing e x c av at ion

    Cli f t on Ant iq u ar ian Clu b

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    For the club, interest in Delancey Park

    began in 2008 when negotiations to survey

    and excavate were finalised with Guernsey

    Museum. The following year a small team

    came over to search the museum archive and

    conduct the first ever detailed survey of the

    monument since its discovery in 1919. This

    initial phase of work led to an archaeological

    evaluation that included the excavation of six

    trenches in July this year.

    Delancey Park, one of 18 or so free-standing

    stone late prehistoric burial-ritual monuments,

    comprises two parallel l ines of stone that

    extend for some nine-and-a-half metres east-

    west. This monument is one of three gallery

    graves in the Channel Islands; a further twostand in neighbouring Jersey and a further

    24 are located in northern France and two in

    Wales.

    D e lanc e y Par k d u r ing t he 1932 e x c av at ion wit h ar c hae ologis t Mis s Ve r a C. C. Col lu m

    D e lanc e y Par k in a s or r y s t at e in lat e 2009

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    Based on the architecture and artefacts

    recovered from two previous excavations, the

    Delancey Park monument appears to date to

    the Late Neolithic period and therefore later

    than the passage grave tradition, a group of

    monuments that more or less dominate the

    Neolithic burial-ritual landscape of Jersey

    and Guernsey, such as Le Varde and Le Dehus

    in the north of Guernsey.

    In the past Delancey Park has undergone

    several landscaping and planting regimes.

    However, during the Neolithic the site would

    have probably had uninterrupted views of

    the coastline to the north and west. Prior to

    the 18th century, the monument stood on a

    prominent headland t hat overlooked a channel

    that separated the main island from a small

    is land.

    Following the initial discovery in 1919,the Guernsey States architect instructed the

    workforce to treat the site with great care,

    believing the stones formed part of a dolmen.

    According to newspaper accounts at the time,

    further stones were uncovered, nearly all

    oblong in shape and in a perfectly natural

    condition. I t is not clear if an official

    excavation took place as no records survive.

    However, a small number of artefacts,

    many probably contemporary with the use

    of monument, were recovered following

    its discovery including fragments of bone

    belonging to an ox, a few limpet shells, stone

    tools and pottery.

    The stone tools included a fragment of a

    greenstone axe (or rubber) that had been

    cracked by fire, a small collection of flint

    chips, four gun flints (probably 18th century)

    and coarse, gritty potter y.

    G IS v ie w of D e lanc e y Par k and ne ighb ou r ing monu me nt s and f ind s p ot s - c ou r t e s y of G u e r ns e y Mu s e u ms

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    Later in 1932 a two-day excavation was

    undertaken by Miss Vera C. C. Collum who,

    based on several site photographs, conducted

    a prodding and recording exercise between

    the stones. The excavation yielded further

    prehistoric finds and possible structures

    relating to the construction of the monument

    including a number of possible uprights

    located along the northern line of stones (andtheir associate stone packing). Investigations

    were also conducted around the western end

    of the monument. Following the excavation

    Ms Collum referred to Delancey Park as

    an alle couverte . This type of monument,

    constructed similarly to the gallery grave

    tradition, is usually found in central and

    northern France and generally comprises a

    rectangular chamber delineated by a series

    of large uprights (there are some inst ances of

    smaller antechambers leading off around the

    main chamber entrance). Based on the 1932site photographs it appears that none of the

    larger stones were removed off site for this

    excavation; theirin s i tu position are supported

    by digital images that were taken pri or to the

    2010 excavation and show that only one stone

    has been removed, i ts whereabouts unknown.

    Although its archaeological discovery is

    attributed to 1919 Ms Collum does suggest

    that a number of the capstones were removed

    and broken up around 1878 for foundationmaterial to support the nearby Admiral de

    Saumarez monument, but i t is not clear which

    ones were removed.

    The 2010 season concentrated on the northern

    part of the site where, based on archive

    photographic evidence, l i t t le disturbance had

    occurred. Four of the six trenches ran roughl y

    parallel with the northern line of fallen stone

    uprights. I t is within several of these trenches

    that the previous spoil heap of the 1932

    excavation was recorded. Underlying this wereseveral accumulative deposits comprising

    Plan of t he D e lanc e y Monu me nt and t r e nc hing J u ly 2010 b y D onov an Hawle y

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    wind-blown sand. It was considered by the

    Clifton team that the southern side of the

    monument had been severely disturbed and

    that l i t t le of the prehistoric archaeology had

    probably survived, t he result of several recent

    landscaping regimes. However, a small slot

    was excavated within the west part of site that

    revealed potential in s i tu cultural deposits,

    a few centimetres below the present ground

    level.

    Located in one trench within the north-western

    section of the site were several clear structures ,

    their function unknown. Associated with

    these were a small but significant collection

    of locally worked flint and prehist ory pottery.A similar artefact assemblage was recovered

    from the other five trenches suggesting that

    the site was busy, either during or after the

    monument was in use.

    Two trenches, were solely dedicated to

    recording the soil deposition that had

    occurred over the past four to five millennia.

    These trenches were deliberately located

    away from recent archaeological activity but

    both yielded significant quantities of later prehistoric flint and pottery. Interpretati on

    E x c av at ion of Tr e nc h 1, whic h was or ginal ly c ov e r e d b y one of t he f al le n u p r ight s

    In s itu p ac k ing f or a r e mov e d u p r ight

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    of soil profile suggests that wind-blown silty-sand deposits covered the site shortly after

    the Middle to Late Bronze Age.

    In another trench, close to the western end of

    the site, small fragments of burnt, possibly

    cremated (human?) bone were found. Based

    partly on the burial deposition from other

    gallery grave sites and bone recovered from

    the 1932 excavation, the western end of the

    monument may have been the area where the

    ancestors were finally laid to rest.

    The final and most exhausting achievement

    of this seasons work was to remove one of

    the fallen uprights, centrally located along

    the northern line of stones. Due in part to

    recent fire hearth activity, this stone and

    others nearby were fractured. However,

    based on the 1932 photographic archive, i t

    appears that this and other fallen uprights had

    remained in s i tu . If this was the case then in

    situ Neolithic/Earl y Bronze Age deposits mayexist underneath.

    The stone was carefully moved on July 20 anda trench laid out which extended northwards

    into Collums spoil heap. Revealed was the

    accumulated detritus broken bottles, l i t ter,

    leaf mould and several coins that managed

    to creep within exposed niches between the

    ground surface and the stone. Underneath

    this recent cultural deposit was evidence of

    the 1932 excavation, including a probable

    trench edge, and beneath this was a tantalizi ng

    glimpse into the early history of the monument

    including possible in s i tu stone packing from both the northern and southern line of stones

    and a small but significant assemblage of

    worked flint and pottery.

    This seasons work has proved a great succ ess

    and has identified those areas of the site that

    potentially have significant archaeology.

    As part of the post-excavation process, the

    Clifton team employed a number of specialists

    who will analyse the pottery, fl int and soil

    chemistry. In addition, a number of organicsamples taken from clear prehistoric horizons

    Ar t is t imp r e s s ion of D e l anc e y Par k b y E l l ie Mc Q u e e n

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    will hopefully provide radiocarbon dates for

    particular sequences, the first from a gallery

    grave site in the Channel Islands. Several

    members of the team also researched those

    unstratified artefacts, in particular faunal

    remains obtained from the 1919 and 1932

    excavation.

    This research will hopefully paint a clearer picture of what was happening at this

    monument between c. 2500 and 3000 BC.

    As for next year, we hope to target an open

    area trench along the northern line of fallen

    uprights, based on the results from this

    season. If the results of this year are anything

    to go by, the Delancey Park monument sh ould

    pose a very interesting prospect. However,

    as with all projects l ike this, there are more

    questions than answers, reminding us that

    even during the Neolithic, l ife and death wasa complicated matter.

    Project director and club member Dr George

    Nash lectures part-time at the University

    of Bristol. He is also senior researcher at

    the Museum of Prehistoric Art (Quaternary

    and Prehistory Geosciences Centre), Maao,

    Portugal, and associate professor within

    the Department of Architecture, Spiru Haret

    University in Bucharest, Romania.

    * PPS 5 is a planning policy document that

    sets out the UK governments policies on the

    conservation of the historic environment.

    Further Reading

    Johnston, D. E. , The Channel Islands: An

    Archaeological Guide (Chichester, Phillimore,

    1981)

    Kendrick, T.D.,The Archaeology of the

    Channel Islands Volume 1: The Bailiwick of

    Guernsey (London: Methuen, 1928)

    Kinnes, I . A. & Grant, J . , Les Fouaillages

    and the Megalithic Monuments of Guernsey

    (Guernsey: Ampersand Press, 1983)

    Kinnes, I . A., Les Fouaillages and Megalithic

    Origins, Antiquity (56:216, 24-30, 1982)

    Lukis, F. C., Observations on the Celtic

    Megaliths, Archaeologia (35, 232-288,

    1851)

    Sebire, H., The Archaeology and Early Historyof the Channel Islands (Tempus, 2005)

    G e t I n v o l v e d

    CLIFTON ANTIQUARIAN CLUB

    Originally formed in 1884, The Clifton

    Antiquarian Club, based in Clifton,

    Bristol, lasted 28 years before operations

    resumed in 2006. We seek to promote abetter understanding of our archaeological

    heritage and meet on several occasions

    during the year for lectures, tours and

    research projects. Please feel free to

    contact us if you have any queries or are

    interested in getting involved.

    W: http://www.cliftonantiquarian.co.uk

    E: [email protected]

    http://www.cliftonantiquarian.co.uk/mailto:[email protected]:[email protected]://www.cliftonantiquarian.co.uk/
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    The Lost? project, thought to be the largest

    of i ts kind in Scotland, began when Jane

    submitted a proposal for Archaeology in the

    secondary school curr iculum to Michael Foy,

    principal teacher of humanities at Aboyne

    Academy in Scotland. The main ambition

    of the project was to raise awareness of the

    clearance communities and to get young

    people directly involved in supporting and

    developing a community enterprise. Working

    with local and national archaeology groups,

    the project began in June this year with the

    help of Archaeology Scotland who ran skills

    workshops for primary seven pupils of all 10

    academy feeder schools, preparing them to

    take the lead role in their project.

    These sessions were run by Meg Faragher and

    Ruth Bortoli , supported by Jane and Michael.

    Pupils developed map and aerial photograph

    interpretation skills and artefact recognition,

    handling and reconstruction skills. The pupils

    also learned the benefits of excavation and

    worked on a simulated excavation, learning

    to piece facts together to tell a bigger story,

    with the opportunity to handle 4000-year-old

    artefacts from the National Museum.

    With this experience in place, the pupils are

    now working over an eight-month period to

    research, survey and record the clearance

    areas of Auchtavan and Loin at Invercauld

    Estate in Glen Feardar, around 15 miles from

    the school in the Cairngorms National Park.

    Bringing Lost?

    Communit ies

    Back to L i fe

    WHEN modern s tudies teacher Jane Summers got involved with Scotlands

    Rural Past , a project organised by the Royal Commission on the Ancient and

    Histor ical Monuments of Scotland (RCAHMS), two years ago, she had no idea

    jus t how much of an impact her volunteer work was to have. A year later she was

    st i l l involved with the RCAHMS project , had completed two weeks excavation

    on a Scott ish hi l l for t and s igned up for a par t- t ime degree in archaeology at

    the Univers i ty of Aberdeen. Her enthusiasm culminated in the groundbreaking

    Lost? project involving 130 pupils of Upper Deeside in br inging the his tory of

    local clearances back to l i fe .

    r ight : r e s t or e d c ot t age at Au c ht av an

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    Working with Braemar Castle run by Braem ar

    Community Ltd, the youngsters will plan and

    design a permanent display to be hosted in thecastle, which will tell the story of the ordinary

    communities of the estate and showcase the

    work of the project. I t is hoped t hat Auchtavan

    and the castle will be available as permanent

    learning resources for the community schools

    and beyond.

    Working with the support of Scotl ands Rural

    Past and Archaeology Scotland the pupils will

    undertake a full site survey, field sketches and

    site descriptions for each of the propertiesto form the basis of a series of in-school

    research projects. Ultimately, the site survey

    will contribute to records on the Canmore

    Database. It is hoped that the pupils will not

    only be able to record the substantial township

    in the glen but also build up a wider pi cture of

    what l ife might have been like for the people

    of these seemingly remote communities.

    Brian Wilkinson, education officer for

    Scotlands Rural Past, said, It is very excitingto be involved in this innovative school project,

    which looks set to be engaging, enjoyable

    and rewarding for the pupils and the wider

    community. Archaeology involves studying people in the past by examining the objects,

    buildings and landscapes they left behind.

    By investigating the abandoned settlement

    at Auchtavan the pupils will find out what

    the ruined buildings can tell us about a now-

    vanished rural way of life, and help visitors

    to the area understand the stories behind the

    many deserted settlements found throughout

    Deeside and across Scotland.

    The Lost? project will also teach themarchaeological survey skills to create a

    valuable detailed record of Auchtavan. Their

    drawings and descriptions of the township

    will be submitted to the Royal Commission

    on the Ancient and Historical Monuments of

    Scotland, and make a real contribution to our

    understanding of rural l ife in the past.

    Although the work presents quite a challenge

    to the budding archaeologists, Jane and

    Michael are confident the pupils will r iseto the occasion, and are now planning an

    S u r v e y ing wit h t he u s e of a p lane t ab le , look ing at old map s and p lanning u s ing a gr id

    Map s howing t he d e s e r t e d

    s e t t le me nt of Au c ht av an. The

    p r oj e c t wi l l als o b e s e ar c hing

    f or an old c hap e l whic h is

    t hou ght t o hav e e x is t e d at

    Balnoe .

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    SCOTLANDS RURAL PAST is a f ive-year in it iat ive run by RCAHMS with partnership funding. The project ,

    launched in October 2006, is working with local communit ies to research, record and promote Scotlands

    vanishing histor ic rural sett lements and landscapes. Scotlands Rural Past was awarded Highly Commended

    in the Best Archaeological Projects category i n the prest igious Br it ish Archaeological Awards from the Br it ish

    Academy. This was in recognit ion of the valuable work being achieved by volunteer part ic ipants acrossScotland. http://www.scotlandsruralpast .org.uk

    ARCHAEOLOGY SCOTLAND brings together those for whom archaeology is an interest , an act ive past ime

    or a career , support ing local archaeological act ion and campaigns for the best possible conservation and

    management of her itage. http://www.scott isharchaeology.org.uk

    Int e r ior of r e s t or e d c ot t age wit h hinging lu m at Au c ht av an p hot o: N ige l Cor b y

    For more information on Lost? contact:

    Jane Summers

    modernmrss@googlemail .com

    Michael Foy

    [email protected]

    T: 013398 85201 M: 07971 062994

    Academy Archaeology club to support the

    project and open the experience to all year

    groups. Having done some work previously

    with pupils on site surveys, Jane recognised

    that archaeology could appeal to children of

    a l l abi l i t ies and in terests .

    She said, We hope that pupils will learn

    about distil lation and the use of l ime inscience, creating 3D images from their plane

    table drawings, recreating the homes and the

    atmosphere of the community using artistic

    skills, researching the lives and culture of the

    people at different per iods, as well as looking

    at the wider history of Scotland.

    These histories should be brought alive by

    the creation of l iving history dramas about

    the communities and the events linked to

    them. There are massive opportunities to dosome experimental archaeology, too. In fact

    there are so many creative ideas comi ng from

    the archaeology it is diffi cult to keep a lid on

    them all .

    The project will end with a ceilidh and

    exhibition of the interpretation and research

    produced. The ceilidh will also showcase the

    dramas created to reflect the life and culture

    of the settlements at various points in its

    history. Until then, the pupils continue to

    enjoy the challenge of bringing their Lost?

    community back to life.

    Auchtavan and Loin in Glen Feardar make

    up a large township at 430m above sea level.

    The buildings range from ankle-high turf

    constructions to an intact late Victorian

    cottage. A previous project rescued one of thecottages which retained an original hanging

    chimney (hingin lum) and the remains of i ts

    cruck framed, l ichen that ched roof. Auchtavan

    has 17 unroofed buildings alone and th e whole

    site has at least two corn kilns and a huge lime

    kiln, the highest building on the site. From

    estate records Jane has already put tenants and

    subtenants names to the ruins, and one of the

    projects will be to res earch the names and the

    families that l ived there, aided by Scotlands

    People which has provided access to censusmaterial and parish records.

    The project will also attempt to locate the lost

    chapel at Balnoe below Auchtavan. Although

    there are a number of references to the chapel,

    which is recorded on RCAHMS, it has never

    been found, and Jane has enlist ed the support

    of local archaeology group OFARS to help

    solve the myster y.

    http://www.scotlandsruralpast.org.uk/http://www.scottisharchaeology.org.uk/mailto:[email protected]:[email protected]:[email protected]:[email protected]://www.scottisharchaeology.org.uk/http://www.scotlandsruralpast.org.uk/
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    Shiel ingsLi fe in the H igh Pastures

    F iona Bak e r of F ir at Ar c hae ologic al S e r v ic e s Lt d . monit or ing mac hine c le ar anc e of ov e r b u r d e n at a s hie l ing hu t .

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    The rural landscape of Scotland is dotted with thousands of huts where, for hundr eds of years,

    people spent their summer months grazing cattle on high pastures. These simple structures,

    called shielings, wer e such a common and normal part of Scottish country life that l i t t le was

    written about them during their period of use, and they are often not even marked on estate

    maps and plans. Due to their location they are not usually threatened by major development:

    forestry, wind farms, hydroelectricity pipelines and power lines usually manage to avoid

    them altogether, but despite their endurance they are rarely excavated for archaeologicalpurposes.

    By Fiona Baker

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    Shielings normally range in size from groups

    of five to 15 huts, and on the few occasionswhere they have been excavated, earlier

    settlement has sometimes been found beneath

    the obvious hut. Not only were the shieling

    huts themselves rebuilt several t imes during

    their years of use, but the hut builders seem

    to have have deliberately selected existing

    mounds for better drainage. The existing

    mound on which the shieling hut would have

    been built may represent a natural landscape

    feature or perhaps an earlier archaeological

    s i te .

    The shielings can be found in the high

    pastures and were often located on the upper

    reaches of streams that flowed down to the

    main settlement, usually on estate boundaries,

    which were often delineated by water courses.

    Although some were perhaps only two or three

    miles from the main township, others were up

    to 10 or 12 miles away, taking several days

    to move the stock and equipment up to the

    higher ground from the lower lying areas. I t

    is possible that the families moved between

    different shieling huts over the course of a

    summer or used different sites in different

    years, but each year the inhabitants would

    return to the towns at the end of the summer

    for the beginning of the harvest.

    In 2008, in advance of an NPower hydro-

    electricity scheme, Fiona Baker of Firat

    Archaeological Services Ltd. carried out adesk-based assessment and excavation of

    old shielings around Douglas Water and its

    tributaries in Argyllshire, Scotland, usingordnance survey maps from 1874 onwards.

    The three main settlement areas included

    Achnagoul, Auchindrain and Kilean/Kilian,

    the largest townships in the area, and probably

    the main homes for the seasonal occupants of

    the shielings at Allt Fearna, Allt nam Muc and

    Lagantour.

    The shieling excavated at Allt Fearna, a

    settlement made up of around five buildings

    and most l ikely associated with the settlement

    of Kilian, was found to overlie a prehistoric

    burnt mound. The burnt mound site would have

    left a noticeable small mound, and following

    total excavation of the site i t appear s the burnt

    mound inhabitants also selected a natural

    small mound for their activities.

    The lower lying or main fermtoun settlement

    of Kilian included a burial ground to the

    north east where a cist is also marked. An

    entry from the National Monuments Record

    of Scotland notes that the covering stone of

    the cist was removed for building the farm

    house at Kilian but the owner did not want

    to use a gravestone and the lost cist