1

1~22

The Journal of Aesthetics and Visual Arts No. 6

pp.1~22

A Study on the Art of Calligraphy within the

Hospitality Space

Chun-Yi Lu

()

Masters Student, Graduate Institute and Department of Visual and Media Arts at Nanhua

University

Tzong-Ho Yeh

()

Associate Professor, Graduate Institute and Department of Visual and Media Arts at Nanhua

University

Abstract Calligraphy is inherent cultural symbol in Chinese, and also one of the most representative characteristics in

the national spirit and art. With the change of the times, when the pen and ink encounter again, the words get rid

of the exist restrictions of "symbol" , integrating into the modern spirit of thinking, developing the innovation in

"calligraphy", finding the new definitions and exist value in the hospitality space, and also allowing viewers to

enjoy the greater vitality of calligraphy.

This study aims to explore the imagery thinking on the art of calligraphy within the hospitality space,

through literature research, in-depth interviews and participant observation, analyzing with the hospitality space

2

planning on the issues of aesthetics, situation, cross-border and perceptions. Results showed that, the aesthetic

images of calligraphic within the hospitality space, the operators- as- creators have different styles on their

aesthetics context, will arouse viewers' resonation memories of life with, and consequently, producing the

subjective and objective fusion in the aesthetic experience, condensing the image of space and Chinese

calligraphy, constructing an interactive perceptions of cross-border dialogue.

KeywordsChinese Calligraphy, Images, Hospitality Space

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